World War Two
Published 6 Jun 2020The British morale reaches new depths after losses at Crete and the loss of HMS Hood. New plans are made for North Africa and Syria to restore the public and the soldier’s faith.
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Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
– Dememorabilia – https://www.instagram.com/dememorabilia/
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
– Olga Shirnina, a.k.a. Klimbim – https://klimbim2014.wordpress.com/
– Carlos Ortega Pereira, BlauColorizations, https://www.instagram.com/blaucolorizations/
– Jaris Almazani (Artistic Man), https://instagram.com/artistic.man?ig…Sources:
– Hawker Hurricane shape by Martin Čížek, Junkers Ju 87B-2 shape by Kaboldy, Ju 52 shape by TSRL; from Wikimedia
– Imperial War Museum: E 443, E 3661, TR 1487, E 3284
– National Portrait Gallery
– Bundesarchiv, CC-BY-SA 3.0: Bild_146-1981-159-22, Bild_146-1979-128-35, Bild_101I-559-1076-29Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
June 7, 2020
British Officers Abandon Their Men to the Nazis – WW2 – 093 – June 6 1941
Why determining the Impact of Lend-Lease is so complicated
Military History Visualized
Published 14 Aug 2018Determining the impact of the Western Aid that was provided to the Soviet Union in the Second World War is quite controversial. This aid was provided under the Lend-Lease act, as such it is usually just called Lend-Lease. The majority of the support was provided by the United States, yet other countries like the United Kingdom and Canada aided the Soviet Union as well.
Thank you to VonKickass for the Thumbnail Design!
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» twitch – https://www.twitch.tv/militaryhistory…» SOURCES «
Boris V. Sokolov: “The role of lend‐lease in Soviet military efforts, 1941–1945”, The Journal of Slavic Military Studies, 7:3 (1994) p. 567-586
Hill, Alexander: The Red Army and the Second World War. Armies of the Second World War. Cambridge University Press: Cambridge, UK, 2017.
Glantz, David M.; House, Jonathan M.: When Titans Clashed. How the Red Army stopped Hitler. Revised and Expanded Edition. University Press of Kansas: USA, 2015
Harrison, Mark: THE SOVIET ECONOMY AND RELATIONS WITH THE UNITED STATES AND BRITAIN, 1941-1945, Draft 25 August, 1993
Hill, Alexander: “British Lend Lease Aid and the Soviet War Effort, June 1941 June 1942”, in: The Journal of Military History, Vol. 71, No. 3 (Jul., 2007), pp. 773-808
Cambridge History of the Second World War. Volume 1: Fighting the War. Cambridge University Press: UK (2015)
Broadberry, Stephen; Howlett, Peter: “The United Kingdom: ‘Victory at all costs'”, in: Harrison, Mark (ed.): The Economics of World War II. Cambridge University Press: UK (1998), p. 43-80
Strydwolf: Lend-Lease to Soviet Union, significance, impact and myths
Protocol and Area Information Staff of the U.S.S.R. Branch and the Division of Research and Reports: REPORT ON WAR AID FURNISHED BY THE UNITED STATES TO THE U.S.S.R, November 28, 1945
Harrison, Mark: “The USSR and Total War: Why Didn’t the Soviet Economy Collapse in 1942?” In: Chickering, Roger (ed.); Förster, Stig (ed.); Greiner, Bernd (ed.): A World at Total War: Global Conflict and the Politics of Destruction, 1939-1945, Cambridge: Cambridge University Press (2005), p. 137-156.
Tooze, Adam: The Wages of Destruction. The Making and Breaking of the Nazi Economy. Penguin Books: United Kingdom (2006).
Overy, Richard: Why the Allies Won. Pimlico: London, UK (2006).
Higham, Robin (ed.); Kagan, Frederick W. (ed.): The Military History of the Soviet Union. Palgrave: New York, 2002
Havlat, Denis: Western aid for the Soviet Union during World War II, Wien, 2015 (Master Thesis)
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Song: Ethan Meixsell – “Demilitarized Zone”
June 6, 2020
ϟϟ Foreign Fighters Part 1 – The Non-German Germanics Fighting for Hitler – WW2 Special
World War Two
Published 5 Jun 2020The SS are the elite force of the Third Reich, representing everything good about the German race. But half of them will one day be foreign-born non-Germans. How did this happen?
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
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Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Spartacus Olsson
Written by: Francis van Berkel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Francis van Berkel
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Dememorabilia – https://www.instagram.com/dememorabilia/Sources:
Bundesarchiv
Riksarkivet, image no. Fo30141711140064, Fo30141711140100_67, Fo30141711140102, Fo30141711140092
National Museum of Denmark
National Archives of Denmark
National Library of Norway
Narodowe Archiwum Cyfrowe
USHMM
from the Noun Project: Glasses by Yeong Rong Kim, Smile by The Icon Z, family tree by Kid KitaroSoundtracks from the Epidemic Sound:
Johannes Bornlof – “The Inspector 4”
Philip Ayers – “Trapped in a Maze”
Reynard Seidel – “Deflection”
Johannes Bornlof – “Deviation In Time”
Fabien Tell – “Last Point of Safe Return”
Rannar Sillard – “March Of The Brave 10”
Gunnar Johnsen – “Not Safe Yet”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
1 hour ago (edited)
If you came for the glory of the SS you will be disappointed by this video, there is nothing cool about the SS, truly nothing. They represent the most terrible part of humanity and perpetrated the worst crimes against humanity that you can imagine, things a short video like this cannot do justice on its own. To understand the depths of these horrors we recommend that you follow our War Against Humanity series, also hosted by Spartacus here: https://www.youtube.com/playlist?list=PLsIk0qF0R1j4cwI-ZuDoBLxVEV3egWKoM
Pope Fights 3 — The Italian Wars: History Summarized
Overly Sarcastic Productions
Published 5 Jun 2020It’s time for a POPE FIIIIIIIIIIIIGHT!!!!! Gather ’round and listen to a tale of the utter nonsense that is the Renaissance Papacy. We’ll look at the Pontifical careers of Rodrigo Borgia, Julius II, Leo X, and Clement VII.
SOURCES & Further Reading: Rome: A History In Seven Sackings by Kneale, A History of Venice by Norwich.
This video was edited by Sophia Ricciardi AKA “Indigo”. https://www.sophiakricci.com/
Our content is intended for teenage audiences and up.PATREON: https://www.Patreon.com/OSP
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106mm M40 Recoilless Rifle, History and Firing
Forgotten Weapons
Published 29 Feb 2020http://www.patreon.com/ForgottenWeapons
https://www.floatplane.com/channel/Fo…
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The M40 was the final and largest iteration of the recoilless rifle in American military service. Designed to fix the shortcomings of the 105mm M27 that preceded it, the M40 was light and powerful, and added a .50 caliber spotting rifle to assist in being able to make first-round hits. The massive backblast of a recoilless rifle dictates that a crew generally only has one chance to make a hit before they must relocate to avoid retaliatory fire.
Thanks to Hamilton & Sons Firearms for permission to film their M40 and bring it to you!
Contact:
Forgotten Weapons
6281 N. Oracle #36270
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June 5, 2020
“The Ballad Of Bull” – Leslie “Bull” Allen – Sabaton History 070 [Official]
Sabaton History
Published 4 Jun 2020Sometimes war is killing, sometimes it’s saving lives. This week we turn a soldier who became a hero, not for killing his foes, but for saving his fellow men. Medic Leslie “Bull” Allen’s story is a story about courage in the face of fire. The battle for Mount Tambu in 1943 in Papua New Guinea was vicious and bloody, and the field was soon littered with many wounded men crying for help. Without much regard for his own safety, “Bull” Allen stormed forward into the fray. 12 times he went, and 12 times he came back with a wounded soldier on his back.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to “The Ballad Of Bull” on the album Heroes here:
CD: http://bit.ly/HeroesStore
Spotify: http://bit.ly/HeroesSpotify
Apple Music: http://bit.ly/HeroesAppleMusic
iTunes: http://bit.ly/HeroesiTunes
Amazon: http://bit.ly/HeroesAmz
Google Play: http://bit.ly/HeroesGooglePCheck out the trailer for Sabaton’s new album The Great War right here: https://www.youtube.com/watch?v=HCZP1…
Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastoryArchive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.Sources:
– State Library Victoria
– Motorboat sound by bockelsound from freesound.orgAn OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
Australia’s 1975 constitutional crisis back in the news
Colby Cosh outlines the events of 1975, where the Governer-General of Australia, Sir John Kerr, used his reserve powers to dismiss the government of Gough Whitlam and call for a fresh federal election in which Whitlam’s party was soundly defeated. In taking this action, Sir John corresponded with Queen Elizabeth and after his retirement deposited those documents with the National Archives. The bulk of his papers were made available to researchers after the statutary 30 year delay, but the letters involving Her Majesty were withheld for 60 years. An Australian historian has now successfully challenged the National Archives in Federal Court:

National Archives of Australia in Parkes, Australian Capital Territory.
Photo by Bidgee via Wikimedia Commons.
The confrontation at Yarralumla, and the various narrative twists and turns leading up to it, are a major event in Australian constitutional history. Which brings us to Jenny Hocking, a left-leaning historian who is a top specialist on the 1975 crisis.
Hocking knew that Kerr, after his retirement, had deposited copies of his correspondence with the Queen in Australia’s National Archives. Hocking made good professional use of Kerr’s formal papers, made available to the public in 2005 under the 30-year rule that covers Australian state papers. But Kerr had, with the agreement of the Archives, made separate arrangements for his letters to and from the Queen — the so-called “(Buckingham) Palace letters”.
[…]
The National Archives, trying to stand by its bargain with Kerr as a donor, successfully argued that while papers generated or received by “the official establishment of the Governor-General” would clearly be ordinary public records under Australian law, the letters that Hocking wanted to see didn’t involve “the official establishment,” but merely Kerr himself as … well, just a guy. The Federal Court found that the Palace letters therefore had the legal status of one of Sir John’s grocery bills, or sex diaries, or anything else that he would be perfectly entitled to stick in a locked box for 50 years.
(Or to burn in private. Which was an option he had, but rejected, explaining explicitly that he wanted future historians to have access to the material. But not for them to have it so soon that it might surprise or embarrass the Queen during her own lifetime.)
What happened last week was that the case reached Australia’s top court and Hocking won a smashing victory. Kerr’s correspondence with the Queen is known to have contained discussions of the Australian constitutional situation, and in view of that, the High Court said, the Federal Court’s distinction between Commonwealth records and personal correspondence must be regarded as a bogus artifice. The concepts aren’t mutually exclusive.
The Archives also asserted that queen-viceroy letters attract a higher level of secrecy “by convention” in all the Queen’s realms, but they couldn’t produce evidence that such a convention exists. Hocking’s costs must be covered by the Archives, and as far as the letters go, the ball is in their court legally. They could still use a “national security” exemption to withhold some of the material, and the freedom with which this magic formula is used by archival gatekeepers is notorious. But it may soon be possible for Australians to read the final chapter of the cataclysmic Kerr-Whitlam story.
Hundred Years War | 3 Minute History
Jabzy
Published 18 Oct 2015Thanks to Xios, Alan Haskayne, Lachlan Lindenmayer, William Crabb, Derpvic, Seth Reeves and all my other Patrons. If you want to help out – https://www.patreon.com/Jabzy?ty=h
Apologies, especially to the Patreon supporters for not uploading recently, I’ve changed jobs/moved house etc. I should be back on the usual schedule now.
Plus, thanks for the 12,000 subs.
QotD: Recognizing the work of famous painters
#1 If Everyone – Including The Women – Looks Like Putin, Then It’s Van Eyck
#2 If Everyone Looks Like Hobos Illuminated Only By A Dim Streetlamp, It’s Rembrandt
#3 If It’s Something You Saw On Your Acid Trip Last Night, It’s Dali
#4 If The Paintings Have Lots Of Little People In Them But Also Have A Ton Of Crazy Bulls#%t, It’s Bosch
#5 If Everybody Has Some Sort Of Body Malfunction, Then It’s Picasso
#6 Lord Of The Rings Landscapes With Weird Blue Mist And The Same Wavy-Haired Aristocratic-Nose Madonna, It’s Da Vinci
#7 Dappled Light And Unhappy Party-Time People, Then It’s Manet
#8 If You See A Ballerina, It’s Degas
#9 Dappled Light But No Figures, It’s Monet
#10 If Everyone Is Beautiful, Naked, And Stacked, It’s Michelangelo
#11 Dappled Light And Happy Party-Time People, It’s Renoir
#12 If The Images Have A Dark Background And Everyone Has Tortured Expressions On Their Faces, It’s Titian
#13 Excel Sheet With Coloured Squares, It’s Mondrian
#14 If All The Men Look Like Cow-Eyed Curly-Haired Women, It’s Caravaggio
#15 If The Paintings Have Tons Of Little People In Them But Otherwise Seem Normal, It’s Bruegel
#16 If Everyone In The Paintings Has Enormous Asses, Then It’s Rubens
#17 If Every Painting Is The Face Of A Uni-Browed Woman, It’s Frida
#18 If Everything Is Highly-Contrasted And Sharp, Sort Of Bluish, And Everyone Has Gaunt Bearded Faces, It’s El Greco
#19 If The Painting Could Easily Have A Few Chubby Cupids Or Sheep Added (Or Already Has Them), It’s Boucher
Aušrys Uptas, “Someone Created A Funny Guide On How To Recognize Famous Painters And It’s Surprisingly Accurate (19 Pics)”, deMilked, 2019.
June 4, 2020
Performance, Plague, and Politics in Shakespeare’s London
Atun-Shei Films
Published 27 Mar 2020Help us make the first feature film ever made (that we know of) spoken entirely in Original Pronunciation, the accent of Shakespeare: https://igg.me/at/sudburydevil/x/1502…
Did William Shakespeare write King Lear under quarantine? That is the question. In this video I introduce you to the actor’s process in Elizabethan theater; dive deep into first-hand accounts of the bubonic plague epidemics that Shakespeare lived through; explore the politics of late 16th and early 17th century England, onstage and off; and discuss OP, Original Early Modern English Pronunciation, the accent and dialect in which the Bard’s plays were originally performed.
The rest is silence.
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#English #Theater #History
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From the comments:
Atun-Shei Films
1 month ago
CORRECTION: The Great Vowel Shift was a SEPARATE linguistic trend to the R-dropping in 18th century English. My mistake, sorry!
Fallen flag — the Texas & Pacific Railway
This month’s fallen flag article for Classic Trains is the story of the Texas & Pacific Railway by J. Parker Lamb:

Decorative ticket cover for a Texas & Pacific passenger train. T&P passenger trains were called “Eagles”, as in the Texas Eagle.
Image via Wikimedia Commons.
What grew to become the 20th century’s Texas & Pacific Railway sprouted from some of Texas’s earliest railroads. The Lone Star State’s pre-Civil War network included 11 operating companies. One of the earliest was the Texas Western Railroad, chartered in 1850 and soon renamed Vicksburg & El Paso. In 1856 its name changed again, to Southern Pacific Railroad Company. Of course, this SP had no relation to the Southern Pacific incorporated in 1865 in California, although the convoluted histories of their successors later would intersect.
Backers of this railroad envisioned it as part of a southern transcontinental route from the Mississippi River to San Diego. By 1860, construction of 27 miles was completed between Waskom, on the Louisiana border, and Marshall. The eastern connection was planned as the Vicksburg, Shreveport & Pacific, which already stretched from Waskom across Louisiana to the west bank of the Mississippi at Vicksburg (later part of Illinois Central, it is now part of Kansas City Southern’s “Meridian Speedway”).
The Memphis, El Paso & Pacific, chartered in 1856, planned to start at the Red River near Texarkana and build to a connection with the SP near Dallas, thereby bringing Midwestern traffic into the transcontinental route. Little progress was made before the Civil War, however, with only 5 miles of track built, near Jefferson.Within a decade after the war, these two lines would be fused into one company. In 1870 the Memphis road was renamed Southern Transcontinental Railroad, and in 1872 Congress issued a charter for the Texas & Pacific Railway, which soon acquired both the ST and SP. The new charter approved a route from Marshall to El Paso and San Diego, and required 100 consecutive miles of construction by 1882. Backers hired Gen. Grenville Dodge, who had been chief engineer of Union Pacific’s recently completed transcontinental line to Utah.
In 1880, the infamous “Robber Baron” Jay Gould joined the board and quickly became the president, and the T&P became a key part of his corporate empire (he already controlled the Union Pacific after 1873 and the Missouri Pacific from 1879):

“Jay Gould’s Private Bowling Alley.” Financier and stock speculator Jay Gould is depicted on Wall Street, using bowling balls titled “trickery,” “false reports,” “private press” and “general unscrupulousness” to knock down bowling pins labeled as “operator,” “broker,” “banker,” “inexperienced investor,” etc. A slate shows Gould’s controlling holdings in various corporations, including Western Union, Missouri Pacific Railroad, and the Wabash Railroad.
From the cover of Puck magazine Vol. XI, No 264 via Wikimedia Commons.
Meantime, Gould directed Chief Engineer Dodge to begin an all-out effort to lay rails through the vast and nearly uninhabited desert of west Texas. Construction crews reached Big Spring, 267 miles, in April 1881 and Sierra Blanca (522) on December 16, 1881. However, it was at Sierra Blanca where Gould’s dream of a transcontinental railroad evaporated. He had been bested by Collis P. Huntington, another determined and ruthless railroad tycoon. Huntington’s eastward construction crews had passed through Sierra Blanca three weeks earlier, on November 25, en route to their own “last spike” ceremony of the Sunset Route at the Pecos River (west of Del Rio) in January 1883.
Under the banner of the Galveston, Harrisburg & San Antonio, controlled by Huntington and T. W. Pierce, construction crews had left El Paso in June 1881. When it was clear that Huntington was winning the race for a transcontinental line, a series of court battles ensued, followed by nefarious delaying tactics (including sabotage) by each construction crew, and finally by personal negotiation between the two principals. Gould’s legal case was based on T&P’s 1870 charter to build to San Diego, whereas Huntington’s Southern Pacific charter allowed him to meet the T&P at the Colorado River (between California and Arizona).
Wikipedia provides this sketch of Gould’s railway activities after his involvement in the Erie War:
After being forced out of the Erie Railroad, Gould started to build up a system of railroads in the midwest and west. He took control of the Union Pacific in 1873 when its stock was depressed by the Panic of 1873, and he built a viable railroad that depended on shipments from farmers and ranchers. He immersed himself in every operational and financial detail of the Union Pacific system, building an encyclopedic knowledge and acting decisively to shape its destiny. Biographer Maury Klein states that “he revised its financial structure, waged its competitive struggles, captained its political battles, revamped its administration, formulated its rate policies, and promoted the development of resources along its lines.”
By 1879, Gould gained control of three more important western railroads, including the Missouri Pacific Railroad. He controlled 10,000 miles (16,000 km) of railway, about one-ninth of the rail in the United States at that time, and he had controlling interest in 15 percent of the country’s railway tracks by 1882. The railroads were making profits and set their own rates, and his wealth increased dramatically. He withdrew from management of the Union Pacific in 1883 amid political controversy over its debts to the federal government, but he realized a large profit for himself. He obtained a controlling interest in the Western Union telegraph company and in the elevated railways in New York City after 1881. In 1889, he organized the Terminal Railroad Association of St. Louis which acquired a bottleneck in east–west railroad traffic at St. Louis, but the government brought an antitrust suit to eliminate the bottleneck control after Gould died.
Tank Chats #71 M3 Stuart Hybrid | The Tank Museum
The Tank Museum
Published 29 Mar 2019David Fletcher talks about the Second World War M3 Stuart and why this particular version is a hybrid.
The M3 Stuart was built by the USA for WW2 and went into service in 1941. The tank in this video was gifted to The Tank Museum by the Brazilian Army.
Support the work of The Tank Museum on Patreon: ► https://www.patreon.com/tankmuseum
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June 3, 2020
How to be a Pirate: Quartermaster Edition 📙📈
CGP Grey
Published 2 Jun 2020‣ Adapted largely from The Invisible Hook. It’s great, go read it: https://amzn.to/36PLKSE
‣ Director’s Commentary later today: https://www.patreon.com/cgpgrey## Special Thanks
Peter T. Leeson for reviewing a draft of the script. Check out his newest book, WTF?!: An Economic Tour of the Weird: https://amzn.to/3eEMm09
## Crowdfunders
Steven Snow, Bob Kunz, John Buchan, Nevin Spoljaric, Donal Botkin, BN-12, Chris Chapin, Richard Jenkins, Phil Gardner, Martin, سليمان العقل, Steven Grimm, Colin Millions, Saki Comandao, Jason Lewandowski, Andrea Di Biagio, David F Watson, Ben Schwab, Elliot Lepley, rictic, Bobby, Marco Arment, Shallon Brown, Shantanu Raj, emptymachine, George Lin, Henry Ng, Jeffrey Podis, Thunda Plum, Awoo, David Tyler, Derek Bonner, Derek Jackson, Fuesu, iulus, Jordan Earls, Joshua Jamison, Mikko, Nick Fish, Nick Gibson, Orbit_Junkie, Ron Bowes, Tómas Árni Jónasson, Tyler Bryant, Zach Whittle, Oliver Steele, Kermit Norlund, Kevin Costello, Ben Delo, Arctic May, Bear, chrysilis, David Palomares, Emil, Erik Parasiuk, Esteban Santana Santana, Freddi Hørlyck, Frederick The Great, John Rogers, ken mcfarlane, Leon, Maarten van der Blij, Peter Lomax, Rhys Parry, ShiroiYami, Tijmen van Dien, Tristan Watts-Willis, Veronica Peshterianu, Dag Viggo Lokøen, John Lee, Maxime Zielony, Bryan McLemore, Elizabeth Keathley, Alex Simonides, Felix Weis, Melvin Sowah, Giulio Bontadini, Paul Alom, Ryan Tripicchio, Scot Melville
## Music
David Rees: http://www.davidreesmusic.com
Inglis High Power: How a Chinese Whim Became A British Service Pistol
Forgotten Weapons
Published 25 Jan 2018Sold for $3,163.
During World War Two, the Canadian government set up a loan program to help Chinese companies provide all manner of material aid to Canada’s allies. Among many others, one recipient of this aid was the Nationalist Chinese government under Chiang Kai Shek. Chinese representatives asked the John Inglis company to manufacture no less than 180,000 Browning High Power pistols, and the company agreed.
After some wrangling, Inglis acquired a license from FN representatives to make the guns, got a complete technical package through the British government and FN’s representatives in exile, and the direct personal aid of Laloux and Saive from FN. Delivery proved difficult, though, with only about 4000 guns being shipped to Karachi and then needing to be flown over The Hump in cargo planes, along with massive amounts of other aid — and a few pistols didn’t get a lot of priority there.
By the fall of 1944, the contract was cancelled under concerns that it was not really contributing to any progress in the war against the Japanese, along with insistence from American General Stilwell that the Chinese forces be armed with weapons that could be supplied more easily through the American logistic network. Production restarted after the defeat of Germany, with another 40,000 or so being made and delivered before it was cancelled again when the Nationalist Chinese forces were seen to be clearly losing to their Communist opponents.
Each of these pistols was supplied with a combination shoulder stock and holster. In the US, attaching a stock to a pistol would normally subject it to registration as a Short Barreled Rifle, but the Inglis High Powers are among the guns exempted from this requirement. They are, in fact, among the least expensive and most modern guns to be exempted in this way.
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