Quotulatiousness

September 27, 2020

CHECKMATE, LINCOLNITES! Confederate DESTROYS Yankee with FACTS and LOGIC

Filed under: History, Humour, Military, USA — Tags: , , , , , , — Nicholas @ 02:00

Atun-Shei Films
Published 23 May 2019

Checkmate, Lincolnites! Debunking the three or four arguments Neo-Confederates always make when they talk about the Civil War.

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September 26, 2020

Resistance is Futile in Nazi Europe – War Against Humanity 018 – September 1941, Part 1

Filed under: Europe, Germany, History, Military, Russia, WW2 — Tags: , , , , — Nicholas @ 04:00

World War Two
Published 25 Sep 2020

In the first half of September, Nazi murder campaigns in Vilnius and the Pripet Marshes continue. In the rest of Europe, the Germans tighten their grip on the occupied countries, taking away media privileges and further restricting the freedoms of Jewish populations.

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Source list: http://bit.ly/WW2sources

Written by: Joram Appel
Hosted by: Spartacus Olsson
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Joram Appel
Edited by: Karolina Dołęga
Sound design: Marek Kamiński
Map animations: Karolina Dołęga & Mikołaj Cackowski

Colorizations by:
– Spartacus Olsson
– Daniel Weiss
– Jaris Almazani (Artistic Man), https://instagram.com/artistic.man?ig…
– Carlos Ortega Pereira, BlauColorizations, https://www.instagram.com/blaucolorizations

Visual Sources:
– Bundesarchiv
– Yad Vashem: 7283-146, 4331-14), 3150-122, 4613-1055, 10470-23, 97, 03-198, 1044-148, 2725_22A, 4788_71
– United States Holocaust Memorial Museum
– Library of Congress
– Imperial War Museums: H6550
– Deutsche Fotothek: 0000149 003
– Picture of Lavrentiy Beria in court courtesy of: Фотограф – Ист.доки https://cutt.ly/Lavrentiy_Beria-
Picture of Cathedral Square and Nikolskaya Street in from Saratov from RusDeutsch
National Archives NARA

Music:
– “Endlessness” – Flouw
– “Weapon of Choice” – Fabien Tell
– “Last Minute Reaction” – Phoenix Tail
– “Moving to Disturbia” – Experia
– “Potential Redemption” – Max Anson
– “Flight Path” – Cobby Costa
– “Break Free” – Fabien Tell
– “Never Forget” – Fabien Tell
– “It’s Not a Game” – Philip Ayers

The Icons from Noun Project: Bar by priyanka, beach by Studio GLD, Bicycle by Henry Haolong Yin, cabaret by Smalllike, Cafe by Eucalyp, Calendar by iconsphere, Children by Sarah Rudkin, curfew by supalerk laipawat, finish line by Luis Prado, Fruit by Eucalyp, guest house by ProSymbols, Helmet by Daniel Turner, Hotel by Nociconist, Immigrants by Luis Prado, Info by Flatart, Library by Jaime Serra, Man by Milinda Courey, Museum by Justicon, Skull by Muhamad Ulum, onion by Jellycons, Park by Made by Made, Passenger Wagon by Peter van Driel, person and house by Rflor, Phone by Leona Grande, potato by Vectors Point, Restaurant by Adrien Coquet, singer by Luis Prado, Store by Fahmi, street by Vadim Solomakhin, Swimming Pool by Vectors Point, Theater by Susannanova, Town Square Clock by Graphic Enginer, Vegetable by Eucalyp, vintage motorcycle by Justine Hammernik, Woman and boy by Studio Het Mes & Zoo by Eugene Dobrik

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

From the comments:

World War Two
2 hours ago
A new month and more carnage — we get the question about why so much about the Jews? Why only about the Eastern Front? Well, this is September 1941, many of the things that befell other ethnicities have not yet begun. When they do we will cover them. You’ll also see that some of this is “more of the same” — and in fact, sometimes it’s difficult for us to find a way to not let the tragedy that all this death really represents become trivial through the sheer size and repetition of the drama, yet we feel that it is important to keep it coming, week after week. Recent surveys in several countries show that a majority of people under 30 don’t know the full extent, or sometimes even the existence of the Holocaust. Using YouTube to document how it evolved, step by gruesome step is therefore in our opinion all the more important.

Perdition to Conspirators! Magnificent 14-Barrel Flintlock

Filed under: Britain, History, Technology, Weapons — Tags: , , — Nicholas @ 02:00

Forgotten Weapons
Published 29 May 2020

http://www.patreon.com/ForgottenWeapons

https://www.floatplane.com/channel/Fo…

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Colonel Thomas Thornton was a wealthy and somewhat flamboyant character in England in the late 18th and early 19th century. He commanded a militia unit with which he had some disagreement, and which mutinied against his comment at Roborough Camp in 1795. Some years later, he commissioned this quite unique firearm from Dupe & Company of London.

The gun is a single stock with two flintlock actions, two triggers, and two clusters of seven .30 caliber rifled barrels each. Each trigger fires a complete barrel cluster simultaneously. In addition to the firepower of this very remarkable weapon, he also had it finished in a truly magnificent fashion, including the fantastic line “PERDITION TO CONSPIRATORS” on ons of the barrel clusters — clearly he harbored some resentment towards his unruly militia subordinates even years later.

In addition, he had a second stock made to fit just one lock plate and barrel cluster, for when 14 barrels might be a bit of overkill. That stock is even more decorated that the first, with beautiful wooden relief carvings and the motto “A Verite Gagner“, meaning something to the effect of “Truth From Victory”.

This gun is part of the Liege arms museum’s display of civilian arms, and I’d like to thank them for taking it out of their display so I could show it to you! If you are in Liege, stop in and see the museum:

https://www.grandcurtius.be

Contact:
Forgotten Weapons
6281 N. Oracle #36270
Tucson, AZ 85740

QotD: A visit to Pyongyang Department Store Number 1

Filed under: Asia, Business, History, Quotations — Tags: , , , — Nicholas @ 01:00

He [Anthony Daniels] sees throughout these Marxist backwaters a physical infrastructure comprising perhaps the most ugly and dehumanizing architecture known to man. The cavernous emptiness of all public spaces and the gigantism of the buildings are designed to intimidate, to belittle and to discourage insurrection by making every crowd seem small. Any pre-Communist architecture not destroyed to make way for these monstrosities is charming only because it is preserved by a lack of economic development, which also, however, ensures its eventual degradation.

What few consumer products he finds are of the very worst quality, with packaging that provides as little information as possible and that destroys all confidence in its contents. Even the material shortage of these products has its uses to the state, however, as they remind the comrade that it is only by the good grace of their leaders that they eat, and when one spends all afternoon queuing for an item that turns out to be unavailable, there is little time or energy left for revolution. Besides, isn’t the desire for consumer goods artificially created by capitalists to enslave the proletariat?

Nowhere is the dishonesty of this last belief (as well as the sheer insanity of modern North Korea) better illustrated than in Daniels’ description of his visit to the creatively-named Pyongyang Department Store Number 1. He wanders into the store without a minder and is dumbstruck by his eventual realization: the entire store is a fake. Although it is a frenzy of activity and is filled with beautifully packaged and artfully arranged consumer goods, no one is actually buying anything. Daniels watches individual “shoppers” go up and down the escalators or exit and re-enter the store in a continuous loop of simulated shopping. At the line for a cash register, cashiers and customers stare aimlessly past each other, unmoving. Under Daniels’ gaze some of them realize they are found out and cast about nervously, wondering what to do next. “I did not know whether to laugh or explode with anger or weep,” he says. “But I knew I was seeing one of the most extraordinary sights of the twentieth century.”

Arnold Beichman, “The Wilder Shores of Marx: Journeys in a Vanishing World”, National Review, 1991-10-21.

September 25, 2020

From Normandy To The Rhine – Jesse’s Grandfather in WW2 I RHINELAND 45

Filed under: Cancon, Germany, History, Military, WW2 — Tags: , , , , — Nicholas @ 06:00

The Great War
Published 23 Sep 2020

Back Rhineland 45: https://realtimehistory.net/rhineland45

Jesse shares the service history of his grandfather James who fought in the Canadian Army.

Contains licensed material by getty images
All rights reserved – Real Time History GmbH 2020

“In the Name of God” – The History of Terror – Sabaton History 086 [Official]

Filed under: France, History, Media, Russia, USA — Tags: , , , , , , , , — Nicholas @ 04:00

Sabaton History
Published 24 Sep 2020

Terrorism might be one of mankind’s oldest weapons. Since antiquity, horrific violence and assassinations were used to overthrow supposed tyrants and strike fear into the heart of the public.

The French Revolution at the end of the 18th century, saw terrorism evolving into its modern form. Political opponents, counter-revolutionaries, or simply sympathizers of the “old order”, were targeted and eliminated in a wave of terror. Political murder became romanticized.

Throughout the centuries until today, terror persists as a weapon of the few against the masses, in an effort to change society by force. Nothing made that clearer than the terrorist attacks against the United States on 9/11 2001.

Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory

Listen to “In The Name Of God” on the album Attero Dominatus: https://music.sabaton.net/AtteroDomin…

Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
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Hosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Brodén, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Community Manager: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Editor: Iryna Dulka
Sound Editor: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastory
Archive: Reuters/Screenocean – https://www.screenocean.com
Sources:
– Alfred Grohs

All music by: Sabaton

An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.

© Raging Beaver Publishing AB, 2019 – all rights reserved.

QotD: “Qu’ils mangent de la brioche!” [“Let them eat cake!”]

Filed under: Books, France, History, Quotations — Tags: , , , , , — Nicholas @ 01:00

It’s one of the most famous remarks in history — an instantly recognizable catchphrase to convey haughty indifference to the misfortune of others. And we all know who said it and why: It was Marie Antoinette (1755–1793), the queen whose life was claimed by the French Revolution, dismissing news that the peasants were starving due to the high price of bread.

In the original French, the Queen allegedly said, Qu’ils mangent de la brioche!, which doesn’t quite translate to “let them eat cake.” Brioche is sweet, eggy bread that tastes only vaguely like cake. The translated English word “cake” made Marie Antoinette seem even haughtier than in French. But it’s beside the point, since Marie Antoinette never uttered “let them eat cake” in any language. There is no historical evidence that she ever uttered that phrase. The story is pure invention. It’s a historical legend that rivals the myth of Nero “fiddling” while Rome burned. And yet this outlandish fabrication has shaped our image of Marie Antoinette for more than two centuries.

Compared to other historical falsehoods, this legend is easy to trace to its source. It was the French philosopher Jean-Jacques Rousseau. In book six of his Confessions, written in 1767, Rousseau wrote of a “great princess” who had, when told that the peasants had no bread, replied with those words cited above, Qu’ils mangent de la brioche! Was Rousseau referring to Marie Antoinette? This is impossible. When he wrote that passage, Marie Antoinette was still a girl living at the Habsburg court in Vienna (under her original name, Maria Antonia Josepha Johanna). Rousseau’s story was entirely made up, probably borrowed from another source. And while his book wasn’t published till 1782, this was still seven years before the French Revolution began. In fact, the first time someone (spuriously) put the words “let them eat cake” in Marie Antoinette’s mouth was a half-century later, in a book published by Jean-Baptiste Alphonse Karr, Les Guêpes.

Matthew Fraser, “Marie Antoinette: Figure of Myth, Magnet for Lies”, Quillette, 2020-06-24.

September 24, 2020

Furniture Forensics with a 19th Century Table

Filed under: History, Tools, USA, Woodworking — Tags: , , — Nicholas @ 06:00

Rex Krueger
Published 23 Sep 2020

Rescued from the trash, this table is filled with clues about who made it and how!

More video and exclusive content: http://www.patreon.com/rexkrueger
Plans, t-shirts, and hoodies: http://www.rexkrueger.com/store
(more…)

The End of the European Empires? | The Suez Crisis | Part 5

Filed under: Africa, Britain, France, History, Middle East, Military — Tags: , , , , , — Nicholas @ 04:00

TimeGhost History
Published 23 Sep 2020

Whilst the fighting may be over, the Crisis certainly isn’t. For starters, the three invaders may have agreed to a ceasefire, but aren’t too keen to give up the land they’ve conquered. And even if this is resolved, what lies in wait for the humiliated ex-colonial powers? Ultimately, only one thing does seem certain — irreversible change.

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Hosted by: Indy Neidell
Written by: Francis van Berkel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Francis van Berkel
Image Research: Daniel Weiss
Edited by: Daniel Weiss
Sound design: Marek Kamiński
Maps: Ryan Weatherby

Colorizations:
– Mikolaj Uchman
– Daniel Weiss – https://www.facebook.com/The-Yankee-C…
– Norman Stewart – https://oldtimesincolor.blogspot.com/

Sources:
National Archives NARA
Images from the UN News and Media
1960s Soviet Film “Egypt our Arab Ally”

From the Noun Project:
– speech_16988 By Juan Pablo Bravo, CL
– Parliament_1658396 By Dimitrios Stamatis, GB
– Money by Gilberto
– Ship by Edward Boatman
– soldier by Wonmo Kang
– oil barrel by Musmellow
– europe By Randomhero
– Income(not dollar)_2897802
– Trade by Adrien Coquet
– Handshake By priyanka, IN
– world by Guilherme Furtado
– telegraph By Luke Anthony Firth, GB
– people by ProSymbols
– documents by Srinivas Agra

Soundtracks from Epidemic Sound:
– “Devil’s Disgrace” – Deskant
– “In the Bank We Trust” – Jon Sumner
– “Searching Through Sand” – Deskant
– “The Inspector 4” – Johannes Bornlöf
– “Crying Winds” – Deskant
– “Scented Nectar” – Rune Dale
– “As the Rivers Collapse” – Deskant
– “Dark Beginning” – Johan Hynynen
– “Guilty Shadows 4” – Andreas Jamsheree

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

From the comments:

TimeGhost History
2 days ago (edited)
So that’s the end of our series on the Suez Crisis. It’s been a pretty wild and messy ride, but we think our realtime format gave it a fresh perspective that hasn’t done before.

If you liked that final point Indy made about Churchill and The Beatles, and you want to find out more about decolonisation, then you should look up the work of Bill Schwarz. He was the one who originally made the comparison in his book White Man’s World, and it’s a really fascniating read, if also a bit challenging. Decolonisation is actually becoming a really vibrant field of study in academia and there are a whole host of books available if any of you want to dive into the topic. Europe After Empire by Elizabeth Buettner is an excellent place to start and Fight or Flight by Martin Thomas will be right up your street if you want to learn about the wars of decolonisation and the politics behind them. If you have any other suggestions then feel free to post them below.

Anyway, we hope you enjoyed the series and learnt a thing or two.

PIAT: Britain’s Answer to the Anti-Tank Rifle Problem

Filed under: Britain, History, Military, Weapons, WW2 — Tags: , , , — Nicholas @ 02:00

Forgotten Weapons
Published 25 Nov 2017

Sold for $3,163.

The British began World War Two with the Boys antitank rifle, but like all antitank rifles it rather quickly became obsolete. The replacement for it was adopted in 1942 as the PIAT – Projector, Infantry, Anti-Tank. This was a unique sort of weapon which fired a 3 pound (~1.35kg) hollow charge projectile using a combination of a massive spring and a firing charge much like a rifle grenade blank cartridge — a spigot mortar, really. The large (3.25″, 83mm) projectile was able to defeat almost any tank that would be developed during the war, as it could burn through 3-4 inches of hardened armor. However, it had a terrifyingly short effective range — 110 yards on paper and more like 50 yards in practice.

The PIAT would recock itself upon firing, but the initial cocking was something like a crossbow, requiring the shooter to brace their feet on the buttplate and pull the body of the weapon upwards, compressing the 200 pound (90kg) mainspring. When fired, the weapon has a pretty harsh recoil, although it did not have any flash or backblast like the American Bazooka did. By the end of the war more 115,000 PIATs had been made, and they would serve the British military into the 1950s, when they were replaced with more traditional rocket launchers.

http://www.patreon.com/ForgottenWeapons

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If you enjoy Forgotten Weapons, check out its sister channel, InRangeTV! http://www.youtube.com/InRangeTVShow

QotD: Gurkha versus Japanese, mano a mano

Filed under: History, Humour, India, Japan, Military, Quotations, Weapons, WW2 — Tags: , — Nicholas @ 01:00

Favourite of [Field Marshal Viscount] Slim’s tales of these wonderful little fighters from the Himalayas is that of the Gurkha who met a Japanese in No Man’s Land. Jap and Gurkha decided to have it out in a duel, each using his own chosen steel. The Jap swiped at his opponent with his two handed sword, which the Gurkha avoided. Then, the Gurkha slashed with his kukri, the broad, curved knife which is his traditional weapon. “So, you missed, eh?” jeered the Jap. “You just sneeze,” said the Gurkha, “and see what happens to your head.”

“The love affair the British have with India, as Rudyard Kipling, M M Kaye, John Masters, et al, have shown”, Sikhs in Burma Campaign.

September 23, 2020

The Man in Monty’s Shadow – Claude Auchinleck – WW2 Biography Special

World War Two
Published 22 Sep 2020

Claude Auchinleck put military matters over that of politics. Although this angered some, mainly Churchill, Auchinleck still found himself in India, and later facing down Rommel in North Africa.

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Source list: http://bit.ly/WW2sources

Hosted by: Indy Neidell
Written by: Francis van Berkel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyle
Post-Production Director: Wieke Kapteijns
Research by: Lennart Visser
Edited by: Monika Worona
Sound design: Marek Kamiński

Colorizations by:
Norman Stewart

Sources:
National Portrait Gallery
USHMM

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

Tank Chats #80 Black Prince | The Tank Museum

Filed under: Britain, History, Military, Weapons, WW2 — Tags: , , , — Nicholas @ 02:00

The Tank Museum
Published 12 Jul 2019

The Tank Museum has the only surviving example of the Second World War prototype tank, the A43 Black Prince. The designers of the Churchill tank were commissioned to build a tank which could hold the larger 17 pounder gun. The Centurion was chosen to go into production instead of the Black Prince, due to its superior engine and armour.

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QotD: Don’t blame the Boomers for the “Summer of Love” … most of ’em were too young to participate

I’ve written a lot here about how the most dangerous types in peacetime are the ones who juuuuust missed participating in some vast social upheaval. The Nazis are an obvious example. The Nazi-est Nazis of them all — Himmler, Heydrich, Eichmann, etc. — were old enough to have seen and understood the great national cataclysm that was World War I, but weren’t quite old enough to participate in it directly. Thus, when their turn came, they had to go double-or-nothing to prove to their older kin and classmates that they had what it takes. In America, guys like Teddy Roosevelt don’t make much sense until you realize that they grew up hearing their fathers and older brothers reminisce about the Civil War. And so on.

Now, I’m all for bashing the goddamn Boomers, but let’s be fair (since it matters for historical analysis). There’s a common misconception about the Baby Boom. Here, see if you can spot it:

Did you see it? Look closer, and you’ll see that while 1947(-ish) appears to be the peak year in terms of total births, the vast majority of what we call “Boomers” were born after 1950. Let’s do some simple math. The very oldest Boomers were born in 1946. The Summer of Love was 1967. Even if we assume the Summer of Love came out of nowhere — which is impossible, of course, any movement that large had antecedents going back years, probably decades, but let’s assume — that means that any “Boomers” participating were, at most, barely 22 years old. They were just barely 24 when Woodstock came around. Granted that the youngest are the dumbest, and thus can have outsize influence, they still can’t have been largely, let alone solely, responsible for the idiocy of the hippies.

That’s all on the older crowd, the so-called “Silent Generation” — the ones who were old enough to be aware of World War II, but unable to participate directly.

It’s easy to verify. The Port Huron Statement, the founding document of the New Left, was penned by coddled college kids in 1962 — meaning, by kids born, at latest, in about 1942 (its principal author, Tom Hayden, was born in 1939). Here are the Chicago Seven and their dates of birth: Abbie Hoffman (1936), Jerry Rubin (1938), David Dellinger (1915!), Hayden, Rennie Davis (1941),John Froines (1939), and Lee Weiner (1939).

Hoffman, especially, bears scrutiny. Though he’s best remembered as a Yippie — that is, the founder of an ostentatiously youth-oriented movement — he was 31 at its founding. Don’t trust anyone over thirty, right?

1936 to 1946 is only a decade, but it’s crucial. A kid born in 1936 would have vivid memories of World War II and its immediate aftermath — fathers, uncles, and older brothers (and, in more than a few cases, aunts and older sisters) coming home from the service. A kid born in 1946 would have a completely different experience — ask any combat veteran about the first year or two back in the world, versus being home for a decade. Those guys — the kids who saw firsthand the angry young strangers they were supposed to call “Dad” — were the ones who did the real damage in The Sixties(TM), just as it was the almost-but-not-quite frontsoldaten who did the real damage in the Third Reich.

With me? Now hang on to your hats, because here’s where it gets pretty meta: It was the “Silent Generation,” not the Boomers, who did the real damage in The Sixties(TM). That is, the guys who juuuust missed the giant social upheaval that was World War II. The Boomers have done all the damage since The Sixties(TM).

That — The Sixties(TM), which is why I’m using that obnoxious (TM) — is the great social upheaval they juuuust missed. [These people] aren’t old fossils from the flower power years, though many of those fossils are still alive and kicking (including four of the Chicago Seven: Hayden, Davis, Froines, and Weiner). Has anyone heard from Billy Ayers lately? How about Noam Chomsky (born 1928)? I’m sure they have plenty to say … but nobody cares.

It’s not retreads from The Sixties(TM) out there doing this stuff. It’s the people who wish they’d been around for the Summer of Love that are doing it. It’s the people who just know they would’ve ended the Vietnam War, if only they hadn’t been in junior high at the time. This is their Woodstock, not least because they only heard about the original when they arrived for freshman orientation in 1976.

Severian, “Talkin’ ’bout My Generation!”, Rotten Chestnuts, 2020-06-11.

September 21, 2020

The Iconic “Burp Gun” – Shooting the PPSh-41

Filed under: History, Military, Russia, Weapons, WW2 — Tags: , , , — Nicholas @ 02:00

Forgotten Weapons
Published 16 Dec 2017

http://www.patreon.com/ForgottenWeapons

Cool Forgotten Weapons merch! http://shop.bbtv.com/collections/forg…

The Soviet PPSh-41 submachine gun is most distinctive for its very high rate of fire — approximately 1250 rounds/minute — and large drum magazine. What may come as a surprise to those who have not tried it is how this very high rate of fire does not actually make the weapon difficult to control or hold on target. In fact, the PPSh-41 is an easier SMG to shoot effectively than the later PPS-43, at least in my opinion.

The Soviets and the Germans made quite different choices in magazines and rate of fire with the PPSh and the MP40, but both turned out to be very good submachine guns. The glaring weak point of the PPSh are its magazines, and the difficulty in finding a drum that would run reliably in this particular example is why today’s shooting session is done with one of the 35-round stick magazines instead.

Thanks to Marstar for letting me examine and shoot their PPSh-41!

If you enjoy Forgotten Weapons, check out its sister channel, InRangeTV! http://www.youtube.com/InRangeTVShow

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