seangabb
Published 5 Mar 2021In 120 BC, Rome was a republic with touches of democracy. A century later, it was a divine right military dictatorship. Between January and March 2021, Sean Gabb explored this transformation with his students. Here is one of his lectures. All student contributions have been removed.
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April 7, 2022
Republic to Empire: The Triumph of Caesar
The EU only cares about democracy as long as the voters make the “correct” choice
In Spiked, Tom Slater points out the most recent proof that the EU’s principled defence of democracy fades out quickly when the voters don’t vote the way they’re “supposed to”:
Remember the other day when the European Union was pretending to care about sovereignty and democracy? When Russia’s imperialist invasion of Ukraine had supposedly united European elites in their staunch, unflinching belief in a people’s right to determine their own destiny and shape their nation? You’ll be shocked to learn that they didn’t really mean it, at least if their reaction to the Hungarian election is anything to go by.
On Sunday, Viktor Orbán and his ruling Fidesz party won a landslide victory. Already the longest-serving EU leader, Orbán is now heading into a fourth consecutive term, with a two-thirds majority in parliament and an increased mandate. United for Hungary – an opposition coalition stretching from ex-communists to ex-fascists – defied the raised expectations of Euro elites and put in a dreadful showing, capped by gaffe-prone leader Péter Márki-Zay failing to win his own constituency race.
In the election, Orbán presented himself as a doughty defender of Hungarian national identity and interests against a meddlesome European Union and international set. Budapest and Brussels have been locked in a years-long battle over alleged “rule of law” breaches and LGBT rights. The EU is currently withholding €7 billion of coronavirus recovery funds from Hungary as part of a bitter legal standoff. In this, Márki-Zay was an all-too-willing foil, arguing that his government would be a “grand prize” for the EU.
In February, the European Court of Justice rejected a challenge by Hungary and Poland, upholding the legality of withholding funds from member states if they fail to adhere to “core values”. It sent a clear message to the Hungarian electorate in the run-up to the election: reject – or at least humble – this troublesome government or else. Now that Hungarians have politely refused to be pushed around, the European Commission has said it will press ahead with the formal mechanism that will deprive Hungary of the funds indefinitely.
Meanwhile, the European liberal media took a break from piously intoning about the defence of democracy in Ukraine to decry the election result in Hungary. Timothy Garton Ash even linked the ballot-box revolt to the barbarism in Bucha. “The Ukrainian horrors are clearly far worse than the Hungarian miseries, but the two are fatefully connected”, he wrote in the Guardian, accusing Orbán of being a Putin stooge. “Europe should now get tough on both the Russian enemy without and the Hungarian enemy within.” A Guardian editorial similarly called for swift EU action against this pesky central European state.
The Titanic‘s Crew Member Experience
Tasting History with Max Miller
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Sirloin Steak
1lb small golden potatoes
2 tablespoons clarified butter
Brown Stock: https://amzn.to/3K4Prq8
(100ml) White wine
(100ml) Tarragon Vinegar: https://amzn.to/3iV2HBN
2 tablespoons chopped Shallots
1 cup (15g) tarragon leaves, roughly chopped
2 teaspoons (2.5g) Whole Peppercorns, roughly pounded
Pinch of Salt
3 large Egg yolks
2 ¼ sticks (250g) Butter
3/4 tablespoon finely chopped tarragon
Pinch of CayenneSlowly reduce the brown stock until it coats the back of a spoon.
Wash then carve the potatoes into small olive shapes. Melt the clarified butter with a little salt and pepper then, over a very low heat, add the potatoes and cook until golden brown.
Prepare the Béarnaise sauce using Escoffier’s recipe below. I have cut the ingredients in half and still had more than 2 cups of sauce.
Escoffier’s Béarnaise:
Sauce Béarnaise
“Place 2 dl each of white wine and tarragon vinegar in a small pan with 4 tbs chopped shallots, 20g chopped tarragon leaves, 10g chopped chervil, 5g crushed peppercorns and a pinch of salt. Reduce by two thirds and allow to cool.
“Add 6 egg yolks to the reduction and prepare the sauce over a gentle heat by whisking in 500g of ordinary or melted butter. The cohesion and emulsification of the sauce is effected by the progressive cooking of the egg yolks which depends to a great extent on its preparation over a slow heat.
“When the butter has been completely incorporated, pass the sauce through a fine strainer; correct the seasoning, add a little Cayenne and finish by mixing in 1 tbs chopped tarragon and ½ tbs chopped chervil.”**Some of the links and other products that appear on this video are from companies which Tasting History will earn an affiliate commission or referral bonus. Each purchase made from these links will help to support this channel with no additional cost to you. The content in this video is accurate as of the posting date. Some of the offers mentioned may no longer be available.
Subtitles: Jose Mendoza | IG @ worldagainstjose
#tastinghistory #titanic
Look at Life – Taxi Taxi – The Knowledge (1960)
QotD: The KonMari message without Marie Kondo
My cynical concerns, to be sure, are not about Kondo herself. I assume that she is sincere in what she offers, and indeed I expect some might find her counsel truly useful. It is the nature of her attraction to Westerners that gives me pause. This registers most powerfully for me when I re-imagine what she offers in a distinctly American guise. Before I became a professor, I sometimes earned my keep as a maid. And this class-conscious part of me is more oppositional still where the fascinations of “tidying” are concerned.
In more fanciful moments, I think about decluttering the KonMari method itself, stripping it of the middle-class respectability its exoticism confers. In place of Kondo herself, I imagine a tired maid (maids are always tired) using her years of “tidying” to counsel a family on managing their too-abundant stuff. She appeals to her experience both in cleaning and in life – invoking, say, that time she had to downsize from a double-wide trailer to a single-wide. (Long before the “tiny house movement” – another pop-culture fascination for those suffocated by their own stuff – many people already lived in tiny homes, and these are called trailers.) My sage maid uses her organisational competency, hard-earned from years of picking up after others, and her long practice in the art of making do without the new or the shiny. Most of all, she is full of plain good sense. But what she will not promise, cannot promise, is that cleaning house will bring you contentment. Nor will she suggest that you discard belongings that don’t “spark joy”. And that really is the rub.
My wise maid will forgo soft talk of joy, and use instead a harder, plain-speaking language to assess all that stuff: does it still have use in it? Most of it probably does, and what does not was probably pretty useless to begin with. After all, usefulness is not the prime criterion for many people’s buying habits. But finding that you have a house overstuffed with things useful but never used would promise its own kind of wisdom. It won’t spark joy to see it, but then the quest to find joy in all that stuff was never a good strategy to begin with. This, too, is about everything all at once.
Amy Olberding, “Tidying up is not joyful but another misuse of Eastern ideas”, Aeon, 2019-02-18.
April 6, 2022
How To Build a Nazi Fortress – WW2 Special
World War Two
Published 5 Apr 2022Few things of the Second World War are more intimidating than the iconic German bunker. Made out of reinforced concrete with a thickness of up to 3.5 meters, these casemates and pillboxes were incredibly tough to destroy. Built to withstand shells and bombs, they provided shelter to troops and civilians alike. But there were also some even larger super-structures. From giant U-Boat shelters and fearsome Flak-Towers, to the ultimate Führerbunker, the Germans perfected the art of bunker building.
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Proposed new Canadian censorship rules will ███████ the ████████ unless we ████ ██
In The Line, Josh Dehaas waves off accusations against Trudeau while also highlighting just how censorious his governments proposed internet bill can be to freedom of expression online:
Comparisons of our prime minister to a dictator are self-evidently ridiculous. But the Russian example is still a case study in the harms of governments having too much power over the flow of information and ideas in a society. Trudeau is no dictator but he does helm a government in which overreach is becoming a frequent and habitual complaint. And one such area in which this government’s more illiberal tendencies are beginning to show is in the realm of media regulation. Despite pushback from groups like the Canadian Constitution Foundation and the Canadian Civil Liberties Association, the Trudeau government seems determined to press ahead with laws to control what you read, write, watch and hear online.
The Liberals have long promised three bills aimed at countering three ostensible problems with online speech. The first bill aims to correct the problem of too few people choosing CanCon, by manipulating what you watch and listen to on platforms like Netflix and Spotify. The second bill would address the problem of advertisers ditching legacy newspapers for Facebook and Google. (Apparently the $600 million bailout was not enough.) The third bill, aimed at so-called “online harms”, would try to prevent people from saying hateful things to each other on social media.
This “online harms” bill is the scariest. Recently rebranded as the “online safety” bill, it’s apparently getting an overhaul from an expert panel and will be re-tabled in a few months. Let’s hope it never comes back. A version tabled last year, Bill C-36, would have created a tribunal wherein people found guilty of “online hate speech” could have been forced to pay up to $20,000 to their accusers, plus up to $50,000 in fines. In some cases, the accusers would be allowed to remain anonymous. Unlike the rarely used hate speech provisions in the Criminal Code, the tribunal would have only needed to find that the speech was hateful on a balance of probabilities, as opposed to the higher standard of beyond a reasonable doubt.
Even more ominously, C-36 would have allowed judges presented with “reasonable grounds” that a person might commit “an offence motivated by bias, prejudice or hate” in the future to threaten the would-be hater with up to 12 months in prison.
I don’t deny that hate speech can lead to harm. But do we really want government and judges deciding what crosses the line? One person’s hateful tweet is another person’s harsh but valuable contribution. Think J.K. Rowling. Think Dave Chapelle. Or think of the University of Toronto student who wrote recently that it was hateful for a professor to show an unflattering cartoon about Iranian Supreme Leader Ali Khamenei, a man whose theocracy executes people for being gay.
Proponents of the bill will tell you that it only applies to the most extreme forms of vilification, but at the end of the day it means government-appointees deciding who gets to say what in an environment that financially incentivizes the aggrieved. People will self-censor even more than they already do.
Where To Start With Terry Pratchett (And The Debt That I Owe Him)
Mark Stay
Published 6 Nov 2020New to Terry Pratchett? Which book should you read first? I’ve been reading Terry’s books for over 30 years and will give you a quick guided tour of the best places to start with Terry and the Discworld. I also acknowledge the influence of Terry’s writing on my own work and my new book The Crow Folk.
Discover my Witches of Woodville series here: https://witchesofwoodville.com/#bookshop
My blog is here: https://markstaywrites.com
I’m co-presenter of the Bestseller Experiment podcast: https://bestsellerexperiment.com/podc…
QotD: Haruspicy and Augury in Roman religious observances
Perhaps the most important form of divination in Rome was haruspicy (which spell-check insists is not a word, but is). Performed by a haruspex, haruspicy was the art of determining the will of the gods by examining the entrails of animals – particularly sacrificed animals and most commonly (but not exclusively) the liver. The most common thing haruspicy might tell you is if the sacrifice was accepted: a malformed or otherwise ill-omened liver might indicate that the ritual had failed and that the god had refused the sacrifice.
Remember that the do ut des system is essentially one of bargaining with the gods, and the god you are bargaining with always has the option of simply refusing the bargain. This might mean some failure in the mechanics of the ritual (necessitating it be performed again), or that the god had been offended in some way, but it might also mean something more. A lot of sacrificial rituals were done at the outset of important tasks – before battles, political events, etc. What the god might be telling you then with a failed sacrifice is “DO NOT PROCEED”.
The practitioner is given a bit of wiggle room on how to interrupt a failed sacrifice in this way: it might mean “don’t attack at all”, but it might also mean “don’t attack now”. Roman generals, ready to attack, might repeat the same ritual over and over again, like a runner at the start of a race waiting for the “go” signal.
But more information was potentially available, because the exact nature of the liver and its quality might signal more things. In Rome, it was understood that the very best knowledge in this regard came from the Etruscans (an example of how antiquity lends credibility to ritual – Etruscan religion was old even to the Romans, and thus had acquired a strong reputation). The reading of a liver could be complex: we find “liver models” from both Italy and the Near East with guidance on how to interpret different parts of the liver of a sacrificed animal. This could be fairly specific: famously, it was haruspex who warned Caesar about the danger of the Ides of March (Seut. Caes. 81.2).
Another key system for divining the will of the gods in Rome was augury, the reading of the flights of birds (mostly, there are actually other categories of auspicia); doing so is called taking the auspices, and the men who do so are the augurs. Augurs were particularly important in political matters, taking the auspices for elections and the like. Unfavorable auspices could invalidate even a consular election: the gods get a vote too.
Bret Devereaux, “Collections: Practical Polytheism, Part III: Polling the Gods”, A Collection of Unmitigated Pedantry, 2019-11-08.
April 5, 2022
Tower Bridge Fighter Jet Incident | Tales From the Bottle
Qxir
Published 26 Nov 2021This jet pilot decided to stage a protest in the skies of London, but his actions became more well known for an incident that occurred on his journey home.
“The Hawker Hunter Tower Bridge incident occurred on 5 April 1968 when Royal Air Force (RAF) Hawker Hunter pilot Alan Pollock performed unauthorised low flying over several London landmarks and then flew through the span of Tower Bridge on the Thames. His actions were to mark the 50th anniversary of the founding of the RAF and as a demonstration against the Ministry of Defence for not recognising it.
Upon landing he was arrested and later invalided out of the RAF on medical grounds, which avoided a court martial.”
More on Wikipedia:
https://en.wikipedia.org/wiki/Hawker_…Merch: teespring.com/stores/qxir
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From the comments:
Qxir
3 weeks ago (edited)
Yes, I know it’s pronounced “Tems” lol
QotD: The “rules” of bad writing
Another common habit of the bad writer is to use five paragraphs when one paragraph will do the trick. One of the first rules they used to teach children about writing is the rule of women’s swimsuits. Good writing is like a woman’s swimsuit, in that it is big enough to cover the important parts, but small enough to make things interesting. This is a rule that applies to all writing and one bad writers tend to violate. They will belabor a point with unnecessary examples or unnecessary explication.
Bad writers are also prone to logical fallacies and misnomers. There’s really no excuse for this, as there are lists of common logical fallacies and, of course, searchable on-line dictionaries in every language. In casual writing, like blogging or internet commentary, this is tolerable. When it shows up in a professional publication, it suggest the writer and the editor are not good at their jobs. A brilliantly worded comparison between two unrelated things is still a false comparison. It suggests dishonesty on the part of the writer.
Certain words seem to be popular with bad writers. The word “dialectic” has become an acid test for sloppy reasoning and bad writing. The word “elide” is another one that is popular with bad writers for some reason. “Epistemology” is another example, popular with the legacy conservative writers. Bad writers seem to think cool sounding words or complex grammar will make their ideas cleverer. Orwell’s second rule is “Never use a long word where a short one will do.” It’s commonly abused by bad writers.
Finally, another common feature of bad writing is the disconnect between the seriousness of subject and how the writer approaches the subject. Bad writers, like Jonah Goldberg, write about serious topics, using pop culture references and vaudeville jokes. On the other hand, feminists write about petty nonsense as if the fate of the world hinges on their opinion. The tone should always match the subject. Bad writers never respect the subject they are addressing or their reader’s interest in the subject.
The Z Man, “How To Be A Bad Writer”, The Z Blog, 2019-03-03.
April 4, 2022
The Falklands War — the first postmodern war or the last colonial war?
Dominic Sandbrook in UnHerd says Britain “needed the Falklands War”:
On the morning of Monday, 5 April 1982, the aircraft carrier Invincible slipped its moorings and eased into Portsmouth Harbour, bound for the South Atlantic. It was barely ten o’clock, yet the shoreline was packed with tens of thousands of flag-waving onlookers, singing and cheering for all they were worth, many of them in tears. From every building in sight flew the Union Jack, while well-wishers brandished dozens of homemade banners: “God Bless, Britannia Rules”, “Don’t Cry for Us, Argentina”. In the harbour, a flotilla of little boats, crammed with spectators, bobbed with patriotic enthusiasm. And as the band played and the ship’s horn sounded, red flares burst into the sky.
It is 40 years now since the outbreak of the Falklands War, one of the strangest, most colourful and most popular conflicts in British military history. Today this ten-week campaign to free the South Atlantic islands from Argentine occupation seems like a moment from a vanished age. But that was how it felt at the time, too: a scene from history, a colossal costume drama, a self-conscious re-enactment of triumphs past.
On the day the Invincible sailed, Margaret Thatcher quoted Queen Victoria: “Failure? The possibilities do not exist.” In the Sun, executives put up Winston Churchill’s portrait. And as the travel writer Jonathan Raban watched the departure of the Task Force on television, he thought it was like a historical pageant, complete with “pipe bands, bunting, flags, kisses, tears, waved handkerchiefs”. He regarded the whole exercise with deep derision, until the picture blurred and he realised that, despite himself, he was crying.
For many people the Falklands War was only too real. There were serious issues and genuine lives at stake, not just for the 1,813 islanders who had woken to find military vehicles roaring down their little streets, but for the tens of thousands of Argentine conscripts and British servicemen who were soon to be plunged into the nightmare of combat. And although polls suggest that about eight out of ten Britons strongly supported it, there were always those who considered it a mistake, a tragedy, even a crime. A certain Jeremy Corbyn thought it a “Tory plot to keep their money-making friends in business”. The novelist Margaret Drabble considered it a “frenzied outburst of dying power”. A far better writer, Argentina’s Jorge Luis Borges, famously called it “two bald men arguing over a comb”. That seems an odd analogy, though, for almost 2,000 blameless sheep farmers, who had no desire to be ruled by a junta that threw dissenters out of helicopters.
One common view of the Falklands campaign is that it was Britain’s last colonial war. But this strikes me as very unpersuasive. When we think of colonial wars, we think of wars of conquest by white men in pith helmets against brown-skinned underdogs. We think of embattled imperialists struggling to stave off a nationalist uprising, or fighting in defence of white settlers against a native majority. But the Falklands War was none of those things. There was no oppressed indigenous majority — except perhaps for the islanders themselves, some of whom had been there since the 1830s. As for the Argentines, their Spanish and Italian surnames were a dead giveaway. Indeed, few countries in the Americas had done a more thorough job of eliminating their original inhabitants.
The Congress of Vienna (Part 2) (1814 to 1815)
Historia Civilis
Published 2 Apr 2022Patreon | http://historiacivilis.com/patreon
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Website | http://historiacivilis.comSources:
Eric Hobsbawm, The Age of Revolution, 1789-1848
Adam Zamoyski, Rites of Peace: The Fall of Napoleon and the Congress of Vienna
Richard J. Evans, The Pursuit of Power: Europe 1815-1914
Wolfram Siemann, Metternich: Strategist and Visionary
A. Wess Mitchell, The Grand Strategy of the Habsburg Empire
Robert K. Massie, Dreadnought: Britain, Germany, and the Coming of the Great War
Adam Hochschild, Bury the Chains: Prophets and Rebels in the Fight to Free an Empire’s Slaves
Harry Dickinson, Public Opinion and the Abolition of the Slave Trade | https://bit.ly/2XRMLJC
The History of Parliament: The 5th Parliament of the United Kingdom | https://www.historyofparliamentonline…Music:
“Past,” by Nctrnm
“While She Sleeps (Morning Edit),” by The Lights Galaxia
“Mell’s Parade,” by Broke For Free
“Day Bird,” by Broke For Free
“Thomas Neutrality,” by Enrique Molano
“Infados,” by Kevin MacLeod
“The House Glows (With Almost No Help),” by Chris Zabriskie
“Hallon,” by Christian Bjoerklund
Reconsidering the legacy of conservative activist Mary Whitehouse
Mary Whitehouse was a figure of mockery and abuse for much of her time on the public stage, a one-woman British equivalent to the American “Moral Majority” in the 1980s, without the performative religious connections. Even those who agreed with her concerns were careful to distance themselves from her, yet Alexander Larman wonders if she wasn’t more right than wrong after all:
“The Queen of Clean”. “The Archangel of Anti-Smut”. Whatever you thought of the campaigner and activist Mary Whitehouse, she was hard to ignore. From her heyday in the 60s until her gradual decline in both relevance and physical faculties in the late 80s, she became the physical embodiment of social conservatism, loudly demanding that “family values” be placed at the heart of the national conversation, and that national evils (including pornography, abortion, swearing, homosexuality and the BBC in general) should be either tamed or dispensed with altogether.
Whitehouse died in 2001, and the obituaries trod a fine line between acknowledging her impact — even, at times, her importance — and denigrating her as someone who was almost driven insane by her campaign to clean up Britain’s screens. The Daily Telegraph, a newspaper that one might have assumed was a natural ally, sighed “[she was] seemingly as concerned to eliminate the occasional ‘damn’ or ‘bloody’ as to prevent the worst excesses of pornography or violence” and the Guardian, a long-standing and probably inevitable bête noire, marked her passing by calling her “a self-appointed and much-derided guardian of public morals”, sneered at her “simplistic and nannyish” views and approvingly cited Ned Sherrin’s comment that “If she had been ignored for the last 30 years the world would have been a better place”.
It also, with some reluctance, admitted that “it was possible for many middle-of-the-roaders to think she was just possibly right”. The debate continues as to whether Whitehouse was an oddly prurient figure, whose apparently endless campaigning was dictated by some sort of strange mental imbalance (she boasted about her “direct line to God”, as if the Almighty were responsible for guiding her attempts to rail against the likes of Dennis Potter) or an ahead-of-her-time master of both media relations and social understanding. And now, for some reason, Whitehouse has once again returned to our screens and airwaves, two decades after her death.
The journalist Samira Ahmed recently presented a Radio 4 documentary, Disgusted, Mary Whitehouse, that attempted to ask whether Whitehouse had somehow anticipated the rise of the internet, social media and society’s concomitant, and doomed, attempts to preserve the nation’s innocence amidst the ready availability of virtually every human depravity imaginable at the jab of an eager finger. This was followed by another two-part documentary on television, Banned! The Mary Whitehouse Story, in which various luminaries debated whether Whitehouse was simply a bigot who should best be forgotten about, or if she had a salient point that has, if anything, become more relevant since her death.
On the one hand, there is little doubt that Whitehouse was a proudly ignorant and even destructive figure when it came to arts and culture. She refused to watch most of the programmes that she organised campaigns against, announcing, “I have too much respect for my mind,” and declined to consider such things as artistic merit, creative intentions or context. For her, nudity, violence and sex were things that had no place in British public life, and she was happy to roll up her sleeves and lead well-organised campaigns against things that she disapproved of. It was partly because of her that Kubrick withdrew A Clockwork Orange from exhibition in Britain for two decades, and her private prosecutions of Gay News and the director Michael Bogdanov for, respectively, blasphemous libel and staging a homosexual rape scene in The Romans in Britain, were vindictive and viciously closed-minded. The first was successful, the second was not, and its failure in 1983 saw the beginning of her decline from public relevance.