Quotulatiousness

February 7, 2010

Philippine music critics over-react to “My Way” karaoke

Filed under: Asia — Tags: , , , — Nicholas @ 15:14

I’m not a karaoke fan, but even I think that this is a bit of over-reaction to bad singing:

The authorities do not know exactly how many people have been killed warbling “My Way” in karaoke bars over the years in the Philippines, or how many fatal fights it has fueled. But the news media have recorded at least half a dozen victims in the past decade and includes them in a subcategory of crime dubbed the “My Way Killings.”

The killings have produced urban legends about the song and left Filipinos groping for answers. Are the killings the natural byproduct of the country’s culture of violence, drinking and machismo? Or is there something inherently sinister in the song?

Whatever the reason, many karaoke bars have removed the song from their playbooks. And the country’s many Sinatra lovers, like Mr. Gregorio here in this city in the southernmost Philippines, are practicing self-censorship out of perceived self-preservation.

Karaoke-related killings are not limited to the Philippines. In the past two years alone, a Malaysian man was fatally stabbed for hogging the microphone at a bar and a Thai man killed eight of his neighbors in a rage after they sang John Denver’s “Take Me Home, Country Roads.” Karaoke-related assaults have also occurred in the United States, including at a Seattle bar where a woman punched a man for singing Coldplay’s “Yellow” after criticizing his version.

H/T to Walter Olsen for the link.

February 4, 2010

Men at Work lose court battle over plagiarism

Filed under: Australia, Law, Media — Tags: , — Nicholas @ 08:54

Remember the flute part in “Down Under”? Men at Work now probably wish they’d chosen a different way to highlight typical Australian tunes, as they’ve been ordered to pay costs to the estate of Marion Sinclair for using the theme to “Kookaburra Sits in the Old Gum Tree” in their song:

Larrikin Music had claimed the flute riff from the 1981 hit was stolen from Kookaburra Sits in the Old Gum Tree, written by Marion Sinclair in 1934.

The federal court in Sydney ordered compensation to be paid.

That amount has yet to be determined but Larrikin’s lawyer said it could reach 60% of income from the song.

“It’s a big win for the underdog,” said Larrikin’s lawyer Adam Simpson after the judgment.

Sinclair, who died in 1988, wrote the song for performance at a Girl Guides Jamboree in 1935.

Kookaburra Sits in the Old Gum Tree has since been sung by generations of Australian schoolchildren.

Oddly enough, I downloaded this song just last week, prompted by a recent Mark Steyn column.

Men At Work came from a land Down Under and in January 1983 they were on top of the world: “Down Under” was Number One not only in Oz but also in the United Kingdom and in the United States, and to this day Men At Work are the only Australian band to have topped simultaneously both the British and American singles and albums charts. A lot of the pop songs from that period you’ll still hear on the Eighties oldies stations: in America, Men At Work were succeeded at the top of the Hot One Hundred by Toto and “Africa”, which is pleasant enough in a bland sort of way; and in Britain they made way in the Number One slot for Kajagoogoo and “Too Shy”, and gosh, it’s years since my fingers have had cause to type the word “Kajagoogoo” and even then it was as a punchline for a cheap gag. But “Down Under” transcended the passing fancies of the hit parade and has become an Australian anthem. There have been other international Oz hits, of course, notably Rolf Harris’ classic recording of “Tie Me Kangaroo Down, Sport” – and, as we always have to point out whenever the subject arises, a truly great novelty song like “Tie Me Kangaroo” should never be confused with a truly atrocious one like Charlie Drake’s “My Boomerang Won’t Come Back”.

But “Down Under” has become a kind of musical shorthand for contemporary Australia

February 2, 2010

QotD: Who’s on for halftime? And what does it actually mean?

Filed under: Football, Media, Quotations — Tags: , , , — Nicholas @ 12:59

This year’s Super Bowl halftime act is The Who, a band that would be eligible for Medicare if its members were American — Roger Daltrey is 65, Pete Townshend is about to turn 65. Now, I like senior citizens who scream into microphones as much as the next guy, but isn’t the Super Bowl halftime format getting a bit geriatric? Last year we got Bruce Springsteen, age 60. The year before — Tom Petty, age 59. Yes, recent halftime shows have been more up-tempo than the 1970 Super Bowl halftime act: Carol Channing. But there have got to be some younger groups out there that merit the Super Bowl stage, and could broaden the appeal to those younger than the Baby Boomer demographic.

Surely The Who will sing “Won’t Get Fooled Again.” When rock anthems are heard on television or in advertising, often they are electronically edited to emphasize well-known lines and downplay or delete anything that might make audiences uncomfortable. When this song is heard, the refrain “We won’t get fooled again!” is amped up — it sounds bold and defiant. Done away with are other lines such as “Meet the new boss, same as the old boss” or “We’ll be fighting in the streets/with our children at our feet/and the morals that they worship will be gone.” And the following lyrics — what, exactly, do they mean? “I’ll move myself and my family aside/if we happen to be left half alive/I’ll get all my papers and smile at the sky/for I know that the hypnotized never lie.” What does any of the song mean?

Originally, the song was received as anti-war or an extremely vague call to revolution. Some thinkers maintain the song is conservative — a disillusioned revolutionary declaring that street-protest tactics are useless. Townshend, who wrote the song, maintains the lyrics are apolitical, and mean, “Don’t expect to see what you expect to see. Expect nothing and you might gain everything.” Huh? My guess is that, like a lot of what was received as “deep” in this field — Bob Dylan’s music, some of Springsteen’s — the lyrics don’t have any coherent meaning, they’re just a bunch of interesting individual lines cobbled together. I wince to think that a billion people watching the halftime show will nod happily as the line “We won’t get fooled again!” echoes around the world, when the majority of those watching will, most assuredly, get fooled again.

Gregg Easterbrook, “TMQ: Colts vs. Saints a contrast in styles”, ESPN Page 2, 2010-02-02

January 19, 2010

The evolution of music

Filed under: History, Humour, Media — Tags: , , — Nicholas @ 12:59

In spite of the portentious title, this is just an excuse to post an old James Lileks quote from a few years back talking about the difference between popular music of the early 20th century with the worst excesses of the 60’s (the “60’s” being defined for convenience as running from about 1965-1974):

Every note is simple and obvious but it still seems remarkable that no one had thought to arrange them in that particular order. It’s the countertheme, to invent a musical term, that gives it spice, and the middle section has a lovely expansive quality that makes you think of Frank Sinatra peeing off a balcony in Vegas. And of course the beat: bum / bum / bum / bumbum bum / bum / bum / bum / bumbum bum.

The name of the show was a callback to an old song from the early part of the 20th century — “I Dream of Jeannie with the Light Brown Hair.” I’ve only heard the first few bars, sung by Bugs Bunny with appropriate alterations: “I dream of Jeannie, she’s a light brown hare.” Old as the song was, audiences in the forties got the joke, just as people today recognize a reference to a song from the 60s.

The difference, of course, is that the 60s aren’t seen as The Past; the 60s are a Timeless Vault of Cultural Touchstones, the apotheosis of Western Civ. Sigh. Well. One of the future Diners will take place in the 60s — don’t ask why, it’ll be explained — and I will use many of the gutbustingly dreadful “psychedelic” records I have collected. It’s obvious from Note One that everyone involved in the effort had so much THC in their system you could dry-cure their phlegm and get a buzz off the resin, but instead of having the loose happy ho-di-hi-dee-ho cheer of a Cab Calloway reefer number, the songs are soaked with Art and Importance and Meaning. You can imagine the band members sitting down to hash out (sorry) the overarching themes of the album, how it should like start with Total Chaos man because those are the times in which we live with like war from the sky, okay, and then we’ll have flutes because flutes are peaceful like doves and my old lady can play that part because she like studied flute, man, in high school. The lyrics are all the same: AND THE KING OF QUEENS SAID TO THE EARTH THE HEIROPHANT SHALL NOW GIVE BIRTH / THE HOODED PRIESTS IN CHAMBERED LAIRS LEERED DOWN UPON THE LADIES FAIR / NEWWWW DAAAAY DAWNNNING!

Five years later it was obsolete. The Jeannie theme, however, will make toes tap in 2476 AD.

There’s more than enough evidence to support James in this notion . . . pick up a random 60’s Psychedelic album and this is what the lyrics are like.

January 5, 2010

QotD: What will be the big inane fears of the Twenty-teens?

Filed under: Media, Quotations — Tags: , , , , , — Nicholas @ 12:37

What will be the great hysterical fears of the coming decade? By definition, such worries need to be simultaneously undocumentable and just plausible enough to convince politicians, celebrities, civic do-gooders, captains of industry and media types that our very society hangs in the balance.

For a classic example, think back to the 1980s, when Tipper Gore, the wife of then-Sen. Al Gore, helped form the Parents Music Resource Center and addressed the Senate Committee on Commerce, Science and Transportation regarding the pressing topic of sexual, violent and occult imagery in pop music. As Mrs. Gore wrote in her best-selling (and now hard-to-find) 1987 book “Raising PG Kids in an X-Rated Society,” “By using satanic symbols on the concert stage, and album covers, such as those used by Ozzy Osbourne…certain heavy metal bands lure teenagers into what one expert has called ‘the cult of the eighties.’ Many kids experiment with the deadly satanic game, and get hooked.”

It is probably only thanks to the intervention of the Gores that we managed as a country to wrestle free both of Beelzebub’s and Ronnie James Dio’s bony grasp. Which, it’s worth adding, might have been preferable to that of Ben Bernanke and Timothy Geithner.

Nick Gillespie, “Don’t Fear The 2010s! Embrace the coming decade’s new distractions and overblown worries”, Reason, 2010-01-05

January 4, 2010

Whitby’s latest dining gem: Cuisine ‘n’ Jazz

Filed under: Randomness — Tags: , — Nicholas @ 08:45

Yesterday afternoon, we braved the bitter cold and drove down to Cuisine ‘n’ Jazz in the AMC complex near Thickson and the 401, to hear some live Jazz. Every Sunday from 2 ’til 5, there’s a jam session which (if yesterday’s example is representative) is well worth the drive. We got there just after 2, and the musicians were already in fine form.

Between the great music and the excellent food, we were well rewarded for heading out into the cold. We’ll certainly be back for more.

December 16, 2009

Indie Wednesday

Filed under: Cancon, Media — Tags: — Nicholas @ 09:01

Here’s a brief performance by (two-thirds of) Texting Mackenzie from last month at the “Indie Attic” in Ottawa:

H/T to Sam Mallett for the link.

December 10, 2009

Combining great music with a sense of humour

Filed under: Humour, Randomness — Tags: , — Nicholas @ 13:05

Tom Vinson sent this link to the Lois McMaster Bujold mailing list:

To which Dorian E. Gray responded, “I see your Hallelujah Chorus, and raise you an Anvil Chorus with real anvil:”

November 26, 2009

WoW considered harmful, sued for damages

Filed under: Gaming, Law — Tags: , , — Nicholas @ 08:41

It must be a slow news week: a gamer in California claims that World of Warcraft is harmful, seeks damages in a law suit:

Depeche Mode’s Martin Gore subpoenaed in World of Warcraft lawsuit
What do you do when a videogame makes you miserable? You take its makers to court and get the Depeche Mode guitarist to testify on the nature of melancholy, of course

In one of this year’s loonier lawsuits, Depeche Mode’s Martin Gore has been subpoenaed by an American videogamer and asked to testify on the subject of “alienation”. Erik Estavillo is suing the makers of World of Warcraft, alleging that the game has alienated him from the real, orc-less world.

According to the San Jose, California resident, World of Warcraft is a “harmful virtual environment” and its developers follow “sneaky and deceitful practices”. Despite this, Estavillo admits he “relies on videogames heavily for the little ongoing happiness he can achieve in this life”. He just wants World of Warcraft to cost less money. And to stop making him so sad.

Which brings us to Depeche Mode, those purveyors of angst and sorrow. Estavillo’s court filings put forward multi-instrumentalist songwriter Martin Gore as an expert witness on melancholy. Gore should be called to Santa Clara county superior court, Estavillio suggests, “since he himself has been known to be sad, lonely, and alienated, as can be seen in the songs he writes”.

November 3, 2009

Obscure band discovers controversy is cheapest advertising

Filed under: Media — Tags: , , , , — Nicholas @ 08:37

The Guardian reports on the umpteen-thousandth demonstration that controversial material gets more column inches than good music:

San Francisco band Girls have made sure their music video won’t be played on MTV — by filling it with “gay porn”. That’s how they describe the “Hardcore XXX Edit” of their Lust for Life video, which features phallus-flaunting footage that is itself a toned-down version of the original idea they sent to their label.

Perhaps unsurprisingly, the group’s new video is not safe for work, children or anybody with a delicate disposition. Over the song’s joyous shuffle, there are nude girls in bathtubs, men putting on lipstick and, er, singing into penises. Certainly it won’t be showing on MTV any time soon, but according to guitarist Chet “JR” White, the Hardcore XXX Edit is “not even the [real] hardcore XXX version”. “It got cut,” he told Pedestrian.tv. “I’m kind of upset [the original] didn’t get put out, actually.”

“There’s a gay porn version we were really pushing for that was incredible, like nothing else. But at the same time, it’s really beautiful — about two people who love each other. We’re from San Francisco, so it’s not a surprise to us.”

The only difference with this manufactured “controversy” is that they’re not even trying to pretend that it’s anything other than a publicity grab. In a way, that’s kind of refreshing.

October 22, 2009

Soon, they’ll demand a fee for thinking about the songs

Filed under: Britain, Law — Tags: , , , — Nicholas @ 07:44

Although this particular case appears to have ended correctly — with an apology from the heavy-handed enforcer — it does still illustrate just how far the copyright police are willing to go:

A shop assistant who was told she could not sing while she stacked shelves without a performance licence has been given an apology.

Sandra Burt, 56, who works at A&T Food store in Clackmannanshire, was warned she could be fined for her singing by the Performing Right Society (PRS).

However the organisation that collects royalties on behalf of the music industry has now reversed its stance.

They have sent Mrs Burt a bouquet of flowers and letter of apology.

Mrs Burt, who describes herself as a Rolling Stones fan, said that despite the initial warning from the PRS, she had been unable to stop herself singing at work.

October 16, 2009

Friday links of possible interest

Filed under: Britain, Football, Health, Humour, Religion, Technology — Tags: , , , , , , — Nicholas @ 12:25

October 15, 2009

Tweet of the day: Bob Dylan’s Christmas album

Filed under: Humour, Media — Tags: , — Nicholas @ 18:17

John Scalzi: Listening to the Bob Dylan Christmas Album, because, honestly, WTF. I think these days Bob’s just screwing with folks for fun.

John Scalzi: To answer the question: The Bob Dylan Christmas album is, in fact, terrifying. As in “stop it, you’re scaring the reindeer.”

September 10, 2009

Beatlemania? I’ll sit this one out, thanks

Filed under: Media — Tags: , , — Nicholas @ 10:20

Stephen Robb looks at those poor, unenlightened barbarians (like me) who aren’t just wetting themselves with joy over the release of the remastered Beatles collection:

James Bond apparently hated The Beatles.

In Goldfinger, he advises Jill Masterson that “drinking Dom Perignon ’53 above the temperature of 38 degrees” is “as bad as listening to The Beatles without earmuffs”.

The Bond girl’s own verdict on the Fab Four, unfortunately, is not recorded before her untimely demise on the inside of a coating of gold paint.

That was 1964, when 007 may have felt threatened by that year’s global success of The Beatles’ first movie, A Hard Day’s Night.

I’m not a “hater” . . . there are a few Beatles songs I still like, but of the (quick check on the iPhone) 2254 songs currently residing in my collection, zero of ’em are by the Beatles. If I want to hear ’em, there’s plenty of “oldies” radio stations (real and virtual) offering them on regular rotation.

And I always liked that line from “London Calling“: All that phony Beatlemania has bitten the dust.

September 3, 2009

That’d better be a really, really good concert

Filed under: Humour — Tags: , , — Nicholas @ 10:23

Colby Cosh reposts a very odd craigslist posting (well, I’m assuming that it’s not representative of typical craigslist postings . . .)

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