Quotulatiousness

October 6, 2013

Nostalgic Doctor Who fans rejoice

Filed under: Africa, Britain, Media — Tags: , , , , — Nicholas @ 10:01

According to a report in the Mirror, over 100 lost Doctor Who episodes have turned up in the most unlikely spot:

A group of dedicated Doctor Who fans tracked down at least 100 long-lost episodes of the show gathering dust more than 3,000 miles away in Ethiopia.

It was feared the BBC ­programmes from the 1960s — featuring the first two doctors William Hartnell and Patrick Troughton — had vanished for all time after the Beeb flogged off a load of old footage.

But after months of ­detective work the tapes have been unearthed at the Ethiopian Radio and Television Agency.

A television insider said: “It is a triumph and fans ­everywhere will be thrilled.

“This is a really big deal for the BBC and is set to make them millions from the sale of the DVDs.”

H/T to Tabatha Southey for the link.

September 26, 2013

Charles Mingus

Filed under: History, Media, USA — Tags: , , — Nicholas @ 09:09

In The Nation, Adam Shatz looks back at the turbulent and creative career of Jazz giant Charles Mingus:

Mingus rarely left his pieces alone when he took them on the road with his Jazz Workshop, as he began calling his bands in the mid-1950s. When the Workshop played “Fables of Faubus,” a dart of sarcasm aimed at Arkansas’s segregationist governor Orval Faubus, at the Concertgebouw in Amsterdam, the jaunty eight-minute tune swelled into a half-hour suite, punctuated by tart allusions to “When Johnny Comes Marching Home” and “God Bless America” and a bass clarinet solo of blistering intensity by Eric Dolphy. (The performance is one of five concerts included in The Jazz Workshop Concerts 1964–65, a seven-disc boxed set on Mosaic Records.) In the studio, Mingus was always splicing, dicing and overdubbing, enriching the texture of his music, increasing its density. He tinkered with titles, giving old pieces new and sometimes cryptic names: the tender portrait of a woman he loved, “Nouroog,” reappeared after their breakup as “I X Love”; “Better Get It in Your Soul,” a foot-stomping gospel tune that’s still played on jukeboxes, became “Better Get Hit in Yo’ Soul,” a message to junkies that they’d be better off with a boost from the Lord than one from the needle.

Mingus was always true to his ever-changing moods: he wanted to create music that, in his words, was “as varied as my feelings are, or the world is.” For sheer range of expression, his work has few equals in postwar American music: furious and tender, joyous and melancholy, grave and mischievous, ecstatic and introspective. It moves from the rapture of the church to the euphoria of the ballroom, from accusation to seduction, from a whisper to a growl, often by way of startling jump cuts and sudden changes in tempo. Vocal metaphors are irresistible when discussing Mingus. As Whitney Balliett remarked, music for him was “another way of talking.”

Though he wrote only a few songs with lyrics, his compositions — and his own bass playing, which revealed new dimensions of the instrument and helped liberate it from its traditional time-keeping role — were supremely vocal. He collaborated with poets in East Village coffeehouses and never hesitated to call out to his sidemen when the spirit caught him, as if he was leading a gospel choir. Each instrument in a Mingus tune evoked the voice, invariably in conversation with other voices; and each voice was an extension of his famously tempestuous personality. (“We don’t need a vocalist,” he told the trombonist Britt Woodman. “This band can have an argument with instruments.”) Philip Larkin was astonished by “how every Mingus band sounds like a great rabble of players, like some trick of Shakespearian production.” No matter how small the ensemble, he could create a sense of passionate, often combative dialogue: as one of his sidemen put it, Mingus “liked the sound of a struggle.” If his Workshop settled into a groove, he would suddenly change the time signature: he didn’t want anyone to get too comfortable. Struggle — against complacency, against the confinements of race and genre, against the record industry and the American government — inspired him; he depended on it to create. Though he dreamed of finding refuge on some “colorless island,” it wasn’t clear how he’d spend his time there. He needed something to fight against; his anger, in Geoff Dyer’s words, was “a form of energy, part of the fire sweeping through him.”

August 27, 2013

Martin Luther King and the American Dream

Filed under: History, Liberty, USA — Tags: , , , — Nicholas @ 12:21

Brendan O’Neill on MLK’s most famous speech:

Tomorrow is the fiftieth anniversary of Martin Luther King’s “I Have a Dream” speech, made on the Mall in Washington, DC on 28 August 1963. Re-reading the speech 50 years on, the most striking thing about it is how much faith it puts in the American Dream. Where today it is positively hip to be disdainful of all things American, to look upon America as a land of shopping addicts and fat rednecks, King and his listeners were passionately devoted to the idea of America and an American project. Using tellingly capitalistic lingo, King said of those gathered that “we refuse to believe that the bank of justice is bankrupt. We refuse to believe that there are insufficient funds in the great vaults of opportunity of this nation.” King said that his dream, of racial equality, was “deeply rooted in the American Dream”.

Not for King the fashionable disgust for America’s obsession with consumerism and wealth. On the contrary, he said blacks were sick of living on “the lonely island of poverty” and longed to wade in America’s “vast ocean of material prosperity”. Not for King any sneering at America’s promise of wealth and opportunity to its citizens — “now is the time to open the doors of opportunity to all of God’s children”, he said. Not for King any mocking of the founding fathers of America, who have in recent years been judged by radical Leftists to have been racist and evil (in the words of The Nation magazine just last month, Thomas Jefferson was a “slave-owning rapist”). Instead, King extolled the “magnificent words of the Constitution and the Declaration of Independence” and talked about all men’s “inalienable rights of life, liberty, and the pursuit of happiness”.

In the run-up to the fiftieth anniversary of King’s speech, there’s been a great deal of debate about what has changed, especially for America’s blacks. But perhaps the most sweeping, dramatic change has been in attitudes towards the very idea of America. Today, cheap anti-Americanism is the glue that holds so-called liberals and radicals together. Tapping one’s toe to the Green Day song “American Idiot” while laughing knowingly at the fallacy of the American Dream is what passes for being edgy these days. Both within and without America, many Leftish activists and serious thinkers view America as dumb, fat, polluting, reckless and unwittingly hilarious, founded by narcissists and drunks, a “greedy and overweening power”, as the New Statesman said in the immediate aftermath of 9/11.

August 22, 2013

Sixties TV – it was different if you were under 12

Filed under: Britain, Media — Tags: , , , , , — Nicholas @ 14:14

James Lileks looks at a few Gerry Anderson productions:

The Sixties - different under 12

Gerry Anderson! You’re going to get everything you need for crackerjack adolescent-satisfying sci-fi: spaceships, shuttlecrafts, computers, control rooms, crisp commanding officers, futuristic gadgets, and a big score. And none of it will work half as well as you hoped. The spaceships will look great, though. The computers will blink and there will be switches, but nothing makes Star Trek Sounds. The control rooms are clean but everyone is talking in a British accent for some reason, like they have their own NASA that’s just as big. The gadgets are okay. The score has a trademark echoey quality you found in soundtracks, particularly British ones, from the late 60s to the early 70s. It should be good! Why isn’t it great?

I’ve pondered that mystery for a long time. Sometimes you have a revelation — hey, the founding concept of “Space: 1999 was really stupid” — or you carp about the details, wondering why the UFO interceptors went hunting with one (1) missile that required a direct hit to be effective, instead of just blowing the hell out of the area. Then you realize it’s not great because it’s all the work of someone who made horribly grinning square-headed puppets, that’s why, and never stopping thinking he was making entertainment for 8 years olds.

[…]

The title theme is here, complete with oddly romantic piano interlude. It’s every Barry Grey piece that ever left me cold, right there. In general I just don’t feel Barry Grey’s music — except for the opening of the “Space 1999” theme before it goes full whacka-chicka, and of course that other theme. Here’s a guy who wrote miles and miles of scores for things like “Supercar,” for heaven’s sake, and he turns around and knocks off the tightest, sharpest theme of the 70s.

Still, Laurie Johnson was better.

August 2, 2013

How soon we forget…

Filed under: Humour, Randomness — Tags: , — Nicholas @ 09:23

Mancow Muller shows us how quickly we forget the classics:

July 28, 2013

Procol Harum and the Danish National Concert Orchestra and choir

Filed under: Media — Tags: , , — Nicholas @ 11:34

Procol Harum performing A Whiter Shade of Pale with the Danish National Concert Orchestra and choir at Ledreborg Castle, Denmark in August 2006

H/T to American Digest for the link.

May 21, 2013

Ray Manzarek, RIP

Filed under: Media — Tags: , , — Nicholas @ 09:34

Musician Ray Manzarek, co-founder of The Doors is dead at 74:

Ray Manzarek, who as the keyboardist and a songwriter for the Doors helped shape one of the indelible bands of the psychedelic era, died on Monday at a clinic in Rosenheim, Germany. He was 74.

The cause was bile duct cancer, according to his manager, Tom Vitorino. Mr. Manzarek lived in Napa, Calif.

Mr. Manzarek founded the Doors in 1965 with the singer and lyricist Jim Morrison, whom he would describe decades later as “the personification of the Dionysian impulse each of us has inside.” They would go on to recruit the drummer John Densmore and the guitarist Robby Krieger.

Mr. Manzarek played a crucial role in creating music that was hugely popular and widely imitated, selling tens of millions of albums. It was a lean, transparent sound that could be swinging, haunted, meditative, suspenseful or circuslike. The Doors’ songs were generally credited to the entire group. Long after the death of Mr. Morrison in 1971, the music of the Doors remained synonymous with the darker, more primal impulses unleashed by psychedelia. In his 1998 autobiography, “Light My Fire,” Mr. Manzarek wrote: “We knew what the people wanted: the same thing the Doors wanted. Freedom.”

May 18, 2013

The micro-state of Sealand

Filed under: Britain, Europe, Government, Liberty, WW2 — Tags: , , , — Nicholas @ 08:56

Thomas Hodgkinson reports on his week-long visit to the tiny nation of Sealand:

Sealand

Seven miles off the coast of Suffolk, there is a country. It isn’t a very big country. In fact, its surface area extends to no more than 6,000 square feet, which is about twice the size of a tennis court. You won’t find it on Google Maps and it isn’t a member of Nato or, indeed, the EU. But it exists. And I know, because I’ve been there.

[. . .]

The reason for this suspicion of strangers in general lies in the violent, picaresque nature of its past. Sealand was built in 1943 by the Royal Navy as an anti-aircraft fortress designed to shoot down Luftwaffe planes. In those days it was equipped with two 94mm Vickers heavy anti-aircraft guns and two 40mm Bofors light anti-aircraft guns, and manned by 120 seamen crammed into accommodation in the hollow concrete towers. It was known as HM Fort Roughs, or Roughs Tower for short. Abandoned after the War, it gathered rust and guano, a gloomy relic of conflict, until the era of pirate radio in the 1960s.

Then two rival entrepreneurs competed for possession, regarding the fort as the perfect place (since it was outside the three-mile zone that then constituted British territorial waters) from which to broadcast pop music to a grateful generation of teenagers. The piratical pair were the long-haired Irish chancer Ronan O’Rahilly, of Radio Caroline fame, and one Roy Bates, a cravat-wearing former Army major.

Each time one of them put men on Roughs Tower, the other would send people to eject them, sometimes forcibly. It was a question of who was prepared to go further, and the answer turned out to be the Englishman. For Bates, the solitary fortress became far more than a radio project. It became an obsession that would absorb not only his life, but also the lives of his wife and children.

The key thing, he knew, was to maintain a presence. With even one occupant, Roughs Tower was tough to take. But Roy couldn’t afford a guard, so instead he plucked his 14-year-old son Michael out of school and put him up there, sometimes with his daughter Penny, sometimes with his wife Joan. For Michael, this was a welcome escape from the dreary rigours of a public-school education, but as he confided to me during a long lunch on-shore after my visit, “I expected it to last six months, not 40-something years”.

Sealand2

May 12, 2013

Thomas Szasz was no conservative

Filed under: Health, Liberty, Media — Tags: , , , , — Nicholas @ 09:50

In Reason, Jacob Sullum looks at an essay on the late Thomas Szasz that puzzlingly attempts to portray him as a staunch conservative:

In an interesting but puzzling Aeon essay, Cornell historian Holly Case notes the resemblance between contemporary doubts about the scientific foundation of psychiatry and the critique first laid out by Thomas Szasz half a century ago. “It might be that the world has only recently come around to his way of thinking,” Case suggests. Yet she misconstrues an important aspect of Szasz’s thinking by portraying him as “a staunch Republican” and a “conservative,” apparently unaware of his self-proclaimed libertarianism. Szasz, who died last year at the age of 92, was a Reason contributing editor for decades. He described the main motivation for his intellectual career as “my passion against coercion,” which he opposed (outside of situations involving the defense of rights) no matter who was advocating it, left, right, or center. Hence he opposed forced psychiatric treatment, but he also opposed interference in consensual transactions between psychiatrists and voluntary patients. Here he parted company with some left-wing critics of psychiatry.

[. . .]

But Case focuses mainly on common ground between what she views as right-wing and left-wing critics of psychiatry. Beginning in the 1960s, she writes, “Right and left sought to eliminate insanity in order to lionise dissent, legitimise the marginal and condemn the new normal. Few other issues show a convergence of right and left so far-reaching, while still allowing both sides to adhere to their politics and maintain a sense of total opposition.” At the same time, she says “Szasz was conspicuously alone in mounting the barricades from the right,” so she really needs him to be a right-winger. Bending the facts to fit her thesis, she ascribes to Szasz a “distinctively conservative perspective.” That label does not jibe with his opposition to drug prohibition and his forthright defense of the right to suicide, two major themes of his career that Case tellingly ignores. Szasz’s position on physician-assisted suicide combined both of these themes and demonstrated that his perspective was in fact distinctively libertarian. He opposed Oregon’s Death With Dignity Act (later imitated by Washington) because it medicalized a moral decision and required people to meet government-dictated criteria before they could legally end their lives. If the drug laws did not make it difficult for people to obtain substances useful for suicide (such as barbiturates), he said, there would be no need for physician-assisted suicide.

May 6, 2013

The Whole Earth Catalog was “the internet before the internet. It was the book of the future. It was a web in newsprint.”

Filed under: Books, Media, USA — Tags: , , — Nicholas @ 09:27

In the Guardian, Carole Cadwalladr profiles Stewart Brand and his early but vastly influential work, the Whole Earth Catalog:

Stewart Brand didn’t just happen to be around when the personal computer came into being; he’s the one who put “personal” and “computer” together in the same sentence and introduced the concept to the world. He wasn’t just a member of the world’s first open online community, the Well; he co-founded it. And he wasn’t just another of those 60s acid casualties; he was the definitive 60s acid casualty. Well, not casualty exactly, but he was there taking LSD in the days when it was still legal, with the most famous hipster of them all, Ken Kesey and his Merry Pranksters.

For nearly five decades, Stewart Brand has been hanging around the cutting edge of whatever is the most cutting thing of the day. Largely because he’s discovered it and become fascinated with it long before anyone else has even noticed it but, in retrospect, it does make him seem like the west coast’s answer to Zelig, the Woody Allen character who just happens to pop up at key moments in history. Because no one pops up like Stewart Brand pops up, right there, just on the cusp of something momentous.

[. . .]

This year marks its 45th anniversary. I have a slightly later, yellowing and decrepit edition, from 1971, though it’s the same oversized format. It’s the edition that sold 2m copies and won a US National Book award, and the tips on spot welding, home remedies for crabs (not the marine kind, I don’t think), dealing with drug busts, and building your own geodesic dome are rather delightfully quaint. (I especially like an extract from the underground guide to US colleges which states that, at the University of Illinois: “The hip chicks will do it. It is easier to find a chick who will have sex now than it was two years ago when things were extremely difficult.”) But it doesn’t even begin to convey the revolution that the Whole Earth Catalog represented.

But then, it’s almost impossible, to flick through the pages of the Catalog and recapture its newness and radicalism and potentialities. Not least because the very idea of a book changing the world is just so old-fashioned. Books don’t change anything these days. If you want to start a revolution, you’d do it on Facebook. And so many of the ideas that first reached a mainstream audience in the Catalog — organic farming, solar power, recycling, wind power, desktop publishing, mountain bikes, midwife-assisted birth, female masturbation, computers, electronic synthesizers — are now simply part of our world, that the ones that didn’t go mainstream (communes being a prime example) rather stand out.

April 15, 2013

When will the US embargo of Cuba achieve its purpose?

Filed under: Americas, Economics, History, Politics, USA — Tags: , , , — Nicholas @ 10:28

In Reason, Steve Chapman wonders if the US embargo has actually propped up the very regime it was intended to topple:

The U.S. embargo of Cuba has been in effect since 1962, with no end in sight. Fidel Castro’s government has somehow managed to outlast the Soviet Union, Montgomery Ward, rotary-dial telephones and 10 American presidents.

The boycott adheres to the stubborn logic of governmental action. It was created to solve a problem: the existence of a communist government 90 miles off our shores. It failed to solve that problem. But its failure is taken as proof of its everlasting necessity.

If there is any lesson to be drawn from this dismal experience, though, it’s that the economic quarantine has been either 1) grossly ineffectual or 2) positively helpful to the regime.

The first would not be surprising, if only because economic sanctions almost never work. Iraq under Saddam Hussein? Nope. Iran? Still waiting. North Korea? Don’t make me laugh.

What makes this embargo even less promising is that we have so little help in trying to apply the squeeze. Nearly 200 countries allow trade with Cuba. Tourists from Canada and Europe flock there in search of beaches, nightlife and Havana cigars, bringing hard currency with them. So even if starving the country into submission could work, Cuba hasn’t starved and won’t anytime soon.

Nor is it implausible to suspect that the boycott has been the best thing that ever happened to the Castro brothers, providing them a scapegoat for the nation’s many economic ills. The implacable hostility of the Yankee imperialists also serves to align Cuban nationalism with Cuban communism. Even Cubans who don’t like Castro may not relish being told what to do by the superpower next door.

April 1, 2013

QotD: The Social Democratic Moment

Filed under: Europe, Government, Quotations — Tags: , , , , — Nicholas @ 00:01

The 1960s saw the apogee of the European state. The relation of the citizen to the state in Western Europe in the course of the previous century had been a shifting compromise between military needs and political claims: the modern rights of newly enfranchised citizens offset by older obligations to defend the realm. But since 1945 that relationship had come increasingly to be characterised by a dense tissue of social benefits and economic strategies in which it was the state that served its subjects, rather than the other way around.

In later years the all-encompassing ambitions of the Western European welfare state would lose some of their appeal — not least because they could no longer fulfill their promise: unemployment, inflation, ageing populations and economic slowdown placed insuperable constraints upon the efforts of states to deliver their half of the bargain. Transformations in international capital markets and modern electronic communications hamstrung governments’ capacity to plan and enforce domestic economic policy. And, most important of all, the very legitimacy of the interventionist state itself was undermined: at home by the rigidities and inefficiencies of public-sector agencies and producers, abroad by the incontrovertible evidence of chronic economic dysfunction and political repression in the Socialist states of the Soviet bloc.

Tony Judt, “The Social Democratic Moment”, Postwar: A History of Europe Since 1945, 2005

March 27, 2013

The Beeching Report, 50 years on

Filed under: Britain, History, Railways — Tags: , , , , — Nicholas @ 09:36

In 1963, the British government published The Reshaping of British Railways, which became more commonly known as the Beeching Report. It was the trigger for the most substantive cuts in rail service and the focal point for a huge public outcry (and probably tipped the following national election to the Labour Party, too). The British railway system (which had been “rationalized” in 1923 and then fully nationalized in 1948) was bleeding money with little or no chance to pay back the debts it was running up. The operating deficit for British Railways ratcheted up from £16.5 million in 1956 to £104 million in 1962, with no likely end in sight. The Beeching Report was the government’s attempt to address the issue once and for all. History Today linked to this summary of the report and the public’s reaction by Charles Loft from 2003:

The lasting popular view of Beeching is of a cold-blooded accountant, concerned only with finance, whose report examined the railways in a vacuum when what was needed was a study of transport as a whole. One historian has called Beeching’s appointment ‘a tragedy for the nation’ and accuses him of ‘callously’ ignoring the social consequences of closures. Another, in a work entitled The Great Railway Conspiracy, suggests that the closure programme was at least partly motivated by a deliberate anti-rail bias on the part of the Conservative government of the day.

Such suspicions have been fuelled by a number of factors. Prior to 1962 closure proposals had (in effect, although not in law) to be approved by the relevant local Transport Users’ Consultative Committee. These committees rarely exercised a veto, but their hearings provided such an effective forum for critics of railway management, and took up so much time and effort, that they deterred railway managers from a vigorous pruning of the system. In 1956 the Ministry suggested that it might be better to publish a closure programme as part of a plan à la Beeching and have ‘one big row’ about it, than to fight a series of individual battles, but the British Transport Commission decided to experiment with diesel railbuses and other economies instead. Yet by 1959 it was clear that such measures were insufficient and therefore attempts were made to accelerate the rate of closures. [. . .]

Beeching’s apparent disregard for the social consequences of closure was merely a reflection of the fact that his report was a statement of what the railways should do as a business. What they should do as a social service was for ministers to decide, as only they could weigh the resulting costs against competing demands on the Exchequer. Because Beeching had little to say about social need and there was no legislative provision for subsidising loss-making services, the idea took root that the issue had simply been ignored. However, it was always accepted that many loss-making lines would have to be retained, particularly in urban areas where it was recognised that rail performed a vital role in reducing road congestion. Of course, the point at which hardship justified a loss was bound to be open to dispute; and in cases where losses were high and hardship affected relatively few, those few were unlikely to be consoled by the logic behind the process.

The Treasury’s concern over public spending levels also led it to initiate a series of studies of long-term demand in various sectors, in order to prioritise public investment. No such study of transport had been undertaken in Whitehall since the war and an initial attempt in 1957 revealed little more than officials’ lack of information or expertise on the subject. This problem proved difficult to solve. Such expertise could not be acquired overnight, and Whitehall was unable to establish a common measure for judging investment in road and rail. Instead, transport planning quickly crystallised around a choice between investing in rail and restricting road transport, or investing in roads and leaving the railways to perform only those tasks which they could accomplish profitably. As one Treasury under-secretary put it, the growth of road traffic in the 1950s meant that ‘Whitehall is … collectively fumbling after a new policy to meet new conditions which threaten to overwhelm us – indeed they may already have done so’.

[. . .]

In comparison to the lack of transport planning that typified the mid-1950s, the Beeching era represented a high point in transport policy-making. This is not to say that the resulting policy was unequivocally correct. Better roads were needed, but motorway-building did not offer a straightforward solution to congestion, and it is easy to point to regrettable rail closures. Some lines, such as Nottingham-Mansfield, have reopened, others, such as Oxford-Cambridge, may do so in the future; and the isolation of towns such as Hawick and Louth from the rail network was an act of dubious wisdom.

If these were errors, they were not Beeching’s, but politicians’. However, ministers of transport can never hope to satisfy our demand for unlimited road space and excellent public transport, as the availability of the former increases the latter’s cost. The lasting opprobrium heaped upon the memory of Dr Beeching is testimony to this fact — and to the gulf between the images conjured up by politicians’ talk of modernisation and the pains which, in reality, it all too often involves.

A collaboration that should have happened

Filed under: Britain, Media — Tags: , , , , — Nicholas @ 08:48

I missed this when it was posted last week:

Paul McCartney has revealed how he once asked electronic music pioneer Delia Derbyshire — creator of the Doctor Who theme music — to remake one of the Beatles’ most famous songs, Yesterday.

The former Beatle said that as a fan of experimental music he wanted the BBC Radiophonic Workshop composer to create a different version of the song.

[. . .]

Derbyshire is hailed as one of the most important figures in the history of electronic music in the UK. As part of the Radiophonic Workshop — the avant-garde wing of the BBC’s sound effects department — she created the distinctive signature tune for new TV series Doctor Who in 1963, using musique concrète techniques and sine- and square-wave oscillators to realise Ron Grainer’s score.

Derbyshire stopped making music in the 1970s, only rekindling her interest after working with Pete Kember (once of the group Spaceman 3) shortly before her death in 2001 at the age of 64.

Yesterday originally appeared on the Beatles’ 1965 album Help!. It is one of the most covered songs in the history of popular music, with more than 2,200 versions thought to exist.

March 20, 2013

The Profumo affair in context

Filed under: Britain, History, Media — Tags: , , , — Nicholas @ 10:06

In History Today, Richard Weight reviews An English Affair: Sex, Class and Power in the Age of Profumo by Richard Davenport-Hines which is being published on the 50th anniversary of the Profumo affair:

Meticulous though he is in separating historical fact from tabloid fiction, Davenport-Hines does not unearth any new secrets about the Profumo Affair. The originality of the book lies in the way he places it in the context of mid-20th century social attitudes. This, as the author says, is ‘a study of milieux’. An accomplished biographer, he puts colour on the cheeks and sparkle in the eyes of the main protagonists in a series of beautifully written portraits. We get to know fully Stephen Ward, for example – the high society osteopath who became the scapegoat of the affair – as a closet homosexual and vain Walter Mitty character, whose social climbing stemmed partly from the fact that osteopathy was dismissed by the medical establishment as ‘a modish form of cosseting’. Ward helped introduce the 46-year-old secretary of state for war, Jack Profumo, to the 19-year-old showgirl, Christine Keeler, at a pool party in the grounds of Cliveden on a July weekend in 1961. Soon after they began the fateful affair that linked him, via pillow talk and paranoia, to a Soviet military attaché that Keeler knew.

[. . .]

Jack Profumo typified British male attitudes: he had forced his wife, the actress Valerie Hobson, to give up her career for the sake of his image, before taking the lover who was raised in a converted railway carriage near Staines. The author describes Keeler and her friend Mandy Rice-Davies as ‘good-time girls who refused to be doormats’ – a new breed of ambitious women less willing to shut up once they had served their purpose. In a sense, Keeler anticipated the glamorous defiance of ‘the People’s Princess’ in the 1990s. And, like Diana Spencer’s, this is a story about the vacuity of the British people as much as it is a story about the hypocrisy of their leaders.

Davenport-Hines also confronts race, the subject usually ignored by historians of the affair. It was the jealous fight between two of Keeler’s black boyfriends outside the Flamingo Club in 1962 that led to a shooting through which the press got hold of the Profumo story. Then a taboo in a predominantly racist country, inter-racial sex gave the cocktail of cross-class transgression an extra shot of liqueur for the public to enjoy. Yet, as the author observes, the Flamingo Club was a multiracial Soho jazz venue then favoured by the ‘hip white Mods’ of Britain’s first youth culture. In other words the Profumo Affair didn’t so much change Britain as reveal how much it was already changing underneath the cracked surface of prudery and prejudice.

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