David Fletcher looks at the M22, dubbed the ‘Locust’ by the British during WW2. The M22 saw service with the British Airborne during the Rhine Crossing in 1945.
During their occupation of large parts of Europe, the Nazis systematically looted foreign countries for art, gold and other items holding financial or cultural value. Often not for any larger purpose, but for their own, egocentric, criminal gain.
Sources:
– Bundesarchiv
– Yad Vashem: 73_1_34, 72GO8, 03_198, 73_1_23, 99co5, 186_271, 99co6, 16_28,
– United States Holocaust Memorial Museum ID EA 65940
– Rijksmuseum
Soundtracks from Epidemic Sound:
– “The Inspector 4” – Johannes Bornlöf
– “London” – Howard Harper-Barnes
– “Moving to Disturbia” – Experia
– “Break Free” – Fabien Tell
– “Remembrance” – Fabien Tell
– “Disciples of Sun Tzu” – Christian Andersen
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
1 hour ago
Throughout history, people have obsessed with hidden treasure of past thieves. There were plenty of hidden art and gold collections left behind by the Nazis, often in caves or vaults. Many were found after the war by the several Allied units tasked with locating valuables. While finding some Nazi gold stash still sounds exciting, we should not forget the story behind this loot. Writing this episode, the exciting nature of it quickly faded once I fully realised how thousands of normal people were robbed of everything they owned – including their lives. The thievery of valuables can not be seen outside of the context of Nazi racial policies and ultimately the murder of millions in the Holocaust. The top Nazis truly reconfirm their true criminal nature in this episode, not caring a bit about anything other than themselves.
Cheers,
Joram
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One of the the flamethrower design styles to come out of experimentation late in World War One was the toroid type, with a donut-shaped fuel tank and a central spherical pressure bottle. The British continued development on this type of weapon between the wars, and used it in World War Two. While the early models used a hydrogen spark ignition system, this was replaced in 1942 by a cartridge flare system like the US and Japanese models.
The tank on this example is a fiberglass one, and very lightweight. This was introduced after World War Two, and this one is an experimental model.
Armament Research Services (ARES) is a specialist technical intelligence consultancy, offering expertise and analysis to a range of government and non-government entities in the arms and munitions field. For detailed photos of the guns in this video, don’t miss the ARES companion blog post:
The German advance has pushed within artillery range of Moscow, but can they reach it — and take it — before the Red Army and the murderously cold weather halt them? Meanwhile in North Africa, both Erwin Rommel and Claude Auchinleck make daring and brilliant moves that save the fight for their sides. A mighty Japanese fleet is now secretly heading for Hawaii to make a surprise attack on American territory while the US worries where in Southeast Asia the Japanese are planning to attack.
Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)
Sources:
Bundesarchiv
IWM E 6661, WPN 298, E 446
Bletchley Park Trust
Mil.ru
RIA Novosti #303890, #2551
Yad Vashem 4562/3
Picture of Cordell Hull, courtesy of National Portrait Gallery
Soundtracks from the Epidemic Sound:
Rannar Sillard – “March Of The Brave 10”
Johan Hynynen – “Dark Beginning”
Hakan Eriksson – “Epic Adventure Theme 3”
Johannes Bornlof – “Death And Glory 2”
Jo Wandrini – “To War!”
Fabien Tell – “Weapon of Choice”
Fabien Tell – “Last Point of Safe Return”
Johannes Bornlof – “The Inspector 4”
Andreas Jamsheree – “Guilty Shadows 4”
Philip Ayers – “Trapped in a Maze”
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
2 days ago (edited)
– IMPORTANT NOTICE –
Since we’re all busy working on our minute-by-minute coverage of Pearl Harbor, which is edging ever closer, it has been an especially challenging task to follow Operation Crusader in all its complexity. This has resulted in an error on the animated map about which we want to be transparent and honest.
The current map suggests that the 2nd New Zealand Division links up with the Tobruk garrison from the south-east. In reality, it does so from the Via Balba running along the coast, along which it has advanced during the past days. Another thing to note is the position of the Allied 30th Corps, which has withdrawn further south after the Battle of Sidi Rezegh than the map shows. They are positioned near Gabr Saleh as the New Zealanders link up with Tobruk.
We apologize for this inaccuracy and are working to fix this error as soon as possible.
———-
It’s getting closer … 9 days from now is December 7th, and we will cover the Japanese attacks of that day right here in real time for FIVE HOURS. Pearl Harbor minute by minute will be the most exciting documentary series you’ve ever seen. https://youtu.be/5D8c7YvLBUc
Japanse deploys biological weapons in China, leading to un unspecified number of deaths. Meanwhile, European Jews from Germany and their occupied territories are deported to Eastern Europe, where Jews are already being killed by the thousands.
Sources:
Bundesarchiv
Visuotinė-lietuvių-enciklopedija
Yad Vashem 2725/5, 4613/360, 85DO1, 142BO7, 4613/1055, 4147/32, 8747/3, 4360/99, 4613/525, 4572/3, 4572/2, 4572/4
USHMM
Picture of Jezdimir Dangic, courtesy of pogledi.rs
from the Noun Project: Skull by Muhamad Ulum
Soundtracks from the Epidemic Sound:
Farrell Wooten – “Blunt Object”
Yi Nantiro – “A Single Grain Of Rice”
Philip Ayers – “Trapped in a Maze”
Gavin Luke – “Drifting Emotions 3”
Gunnar Johnsen – “Not Safe Yet”
Cobby Costa – “From the Past”
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
3 hours ago
We often get the question how we cope with researching, editing and hosting a series which is almost exclusively about human suffering. Indeed, for every episode that we make, Miki, Spartacus and I spend hours researching, reading accounts and scrolling through gruesome pictures. It is hard or stressful at times, and of course it impacts us emotionally.
There’s a couple of things that help us get through this. The purpose with which we’re doing this, which is to learn, share and contribute to awareness so that this may never be forgotten definitely adds to our resilience. We have set up a small-scale support system between us, and we try to talk and share our emotions whenever we need to.
We recognise that some of you watching this may deal with similar questions. Talking about it, wether digitally or in person, helps us understand and process. We believe that exploring the motivations and fears of perpetrators and victims also helps to stay in touch with the human dimension behind staggering statistics. We try our best to keep this series down to earth with a close eye on the humane aspect – both in content and our community.
Thank you all for your support and kind comments,
Cheers,
Joram
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After the fall of France in June 1940, neutral Switzerland found itself surrounded on all sides by a hostile expansionist power. The small nation would have been a valuable possession but the jaws of the Reich hesitated to swallow it. How did Switzerland manage to exit the conflict intact and largely unscathed?
Hosted by: Spartacus Olsson
Written by: Lennart Visser & Francis van Berkel,
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Lennart Visser
Edited by: Karolina Dołęga
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)
Sources:
– Pictures of Swiss Army by Strübin Theodor courtesy of Archäologie und Museum Baselland Lizenzbedingungen
– Bundesarchiv
– Imperial War Museums: HU56131
– ETH-Bibliothek Zürich: 03258, LBS MH05-02-04, M01-0756-0001
– Fortepan:3889, 92301
– National Archives
– Staatsarchiv Bern – P362
– Plan of the defence lines of the National Redoubt courtesy of Auge=mit from Wikimedia Commons
– Picture of Swiss Soldiers with anti-aircraft gun courtesy of Paebi from Wikimedia Commons
– Picture of Swiss aircraft in 1943 from theM.Pilloud – Archive familiale
– United States Holocaust Memorial Museum
Soundtracks from Epidemic Sound:
– “Other Sides of Glory” – Fabien Tell
– “Moving to Disturbia” – Experia
– “Remembrance” – Fabien Tell
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
1 hour ago
As we draw close to the end of 1941, it becomes clear that neutrality is not a guarantee of safety. Its utility as a diplomatic strategy has been discarded and is non-existent.
A total of 12 sovereign and neutral nations have been invaded by Allied or Axis powers since the beginning of the war — Denmark and Norway on 9 April 1940; Belgium, the Netherlands, Iceland and Luxembourg on 10 May 1940; Lithuania on 15 June 1940 and Latvia and Estonia on 17 June; Greece on 28 October 1940 and Yugoslavia in April 1941; Iran in August 1941. Even those that are spared are compelled to assist either the Allies or the Axis or both in financial and economic terms, such as Switzerland and Sweden. Others offer voluntary military assistance such as Portugal and Spain.
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The long planned Allied Offensive in North Africa — Operation Crusader — begins, but the Allies are worrying about how to defend Singapore in case of Japanese aggression. The Germans renew their drive on Moscow, but their number one flying ace perishes, a major PR hit.
Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)
Sources:
Narodowe Archiwum Cyfrowe
Bundesarchiv
Australian War Memorial
Yad Vashem 143BO2
IWM E 6661, K 1261, A 3898, A 10499, FE 487, TR153, E 2384E
Soundtracks from the Epidemic Sound:
Johannes Bornlof – “Death And Glory 2”
Johan Hynynen – “Dark Beginning”
Farrell Wooten – “Blunt Object”
Reynard Seidel – “Deflection”
Johannes Bornlof – “Last Man Standing 3”
Johannes Bornlof – “The Inspector 4”
Philip Ayers – “Under the Dome”
Max Anson – “Ancient Saga”
Johannes Bornlof – “Deviation In Time”
Jon Bjork – “Disposal”
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
3 days ago
On December 7th we will cover the Japanese attack on Pearl Harbor in real time, minute by minute, as it happens … for five solid hours starting 0610 local Hawaiian time right here on this channel. Don’t miss it!
I wonder whether any historian of the future will ever be able to paint Winston in his true colours. It is a wonderful character — the most marvellous qualities and superhuman genius mixed with an astonishing lack of vision at times, and an impetuosity which if not guided must inevitably bring him into trouble again and again. Perhaps the most remarkable failing of his is that he can never see a whole strategical problem at once. His gaze always settles on some definite part of the canvas and the rest of the picture is lost. It is difficult to make him realize the influence of one theatre on another. The general handling of the German reserves in Europe can never be fully grasped by him. This failing is accentuated by the fact that often he does not want to see the whole picture, especially if this wider vision should in any way interfere with the operation he may have temporarily set his heart on. He is quite the most difficult man to work with that I have ever struck, but I should not have missed the chance of working with him for anything on earth!
Footnote by Field Marshal Lord Alanbrooke, War Diaries, 1939-1945, 1957.
How did the non-German Axis fare against the Soviet Union? What was the intelligence agency of the Free French like? And what were the Louisiana Maneuvers? All these questions are answered in this edition of Out of the Foxholes.
Hosted by: Indy Neidell
Written by: Ian Irungu, Shaun Harrison, Dennis Stepanov
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Ian Irungu, Shaun Harrison, Dennis Stepanov
Edited by: Karolina Dołęga
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)
Sources:
– Bundesarchiv
– Library of Congress
– Imperial War Museums: MI 14/822/12
– The Icons from Noun Project: Letter by Mochammad Kafi, Headphones by Simon Child, Russian soldier by Wonmo Kang, Skull by Muhamad Ulum
Soundtrack from Epidemic Sound:
– “Break Free” – Fabien Tell
– “Moving to Disturbia” – Experia
– “Other Sides of Glory” – Fabien Tell
– “Please Hear Me Out” – Philip Ayers
When Allies and Axis clash on the deserts of North Africa, harsh and unique conditions force them to develop new tactics. From misdirection to new ways to move across the desert, all to gain an advantage over the enemy.
Hosted by: Indy Neidell
Written by: Marlon William Londoño and Francis van Berkel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Marlon William Londoño
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)
Colorizations by:
Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
Spartacus Olsson
Sources:
IWM E 18461, E 8361, E 10147, E 12630, E 12385, E 12375, E 21337, E 12410, HU 3715, E 21339, E 4350
Picture of John Hutton, courtesy of Coventry Society
Picture of Edwin Galligan, Steven Sykes and Fred Pusey, courtesy of Rick Stroud
Picture of Hugh Cott, courtesy of Selwyn College, Cambridge
Picture og Ralph Alger Bagnold, courtesy of National Portrait Gallery
from the Noun Project: sun by MRFA
Soundtracks from the Epidemic Sound:
Reynard Seidel – “Deflection”
Max Anson – “Ancient Saga”
Hakan Eriksson – “Epic Adventure Theme 4”
Rannar Sillard – “March Of The Brave 4”
Jon Bjork – “Force Matrix”
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
6 hours ago
As we see the North African campaign ongoing in our week by week series, in today’s episode we take a closer look at the tactics and logistical developments that helped shaped that campaign.
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In the aftermath of World War One, the Japanese military saw the utility of infantry-portable light grenade launchers instead of rifle grenades, and adopted the Type 10 in 1921 (Taisho 10). It went into production in 1923 at the Tokyo Army Arsenal, although the great Tokyo earthquake led to production being moved to Nagoya, where about 11,000 were made between 1925 and 1937. The Type 10 was a remarkably light and handy weapon, weighing just 5.5lb (2.5kg) and disassembling into a transport configuration the size of a wine bottle.
The larger Type 89 grenade launcher was adopted in 1929, which led to the older Type 10s being relegated to use for illumination and signaling, which they did through the end of World War Two.
If you enjoy Forgotten Weapons, check out its sister channel, InRangeTV! http://www.youtube.com/InRangeTVShow
Contact:
Forgotten Weapons
6281 N Oracle #36270
Tucson, AZ 85704
Censored is one of 26 Private SNAFU (Situation Normal, All F*cked Up) cartoons made by the U.S. Army Signal Corps to educate and boost the morale of the troops. The SNAFU character was created by Theodore Geisel (Dr. Seuss) and Phil Eastman, and most were animated by Warner Brothers Animation Studios. They were voiced by actors including Mel Blanc and scored by Carl Stalling. This cartoon Censored, depicts the lengths to which Private SNAFU will go to sneak an uncensored letter in the mail — with terrifying results. Fortunately it all turns out to be a dream, but SNAFU is so shaken that he censors his own mail. The film was obviously inspired by the mass censorship of personal letters by the Army during the war, to reduce the chance that enemy spies would be able to gain intelligence by intercepting them.
Much of the military correspondence during the war took place via V-mail, short for Victory Mail. This was a hybrid mail process used as the primary and secure method to correspond with soldiers stationed abroad. To reduce the cost of transferring an original letter through the military postal system, a V-mail letter would be censored, copied to film, and printed back to paper upon arrival at its destination. The V-mail process is based on the earlier British Airgraph process
During World War II, both the Allies and Axis instituted postal censorship of civil and military mail. The largest organizations were those of the United States, though the United Kingdom employed about 10,000 censor staff while Ireland, a small neutral country, only employed about 160 censors. Both blacklists and whitelists were employed to observe suspicious mail or listed those whose mail was exempt from censorship. In the United States censorship was under the control of the Office of Censorship whose staff count rose to 14,462 by February 1943.
We encourage viewers to add comments and, especially, to provide additional information about our videos by adding a comment! See something interesting? Tell people what it is and what they can see by writing something for example: “01:00:12:00 — President Roosevelt is seen meeting with Winston Churchill at the Quebec Conference.”
This film is part of the Periscope Film LLC archive, one of the largest historic military, transportation, and aviation stock footage collections in the USA. Entirely film backed, this material is available for licensing in 24p HD, 2k and 4k. For more information visit http://www.PeriscopeFilm.com
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The M1915 bolo bayonet was originally the brainchild of US Army Captain Hugh D. Wise, Quartermaster with the 9th Infantry in the Philippines. In 1902, he recommended the implement in a letter to his superior officers, noting that a bolo style of bayonet (ie, one with a widened machete-like blade) would have several advantages over the standard knife bayonet then being issued with the Krag-Jorgenson rifles the US Army was using. Specifically, the wider bayonet would be easier to recover after a thrust (he noted several instances of troopers being killed while trying to extricate their bayonets from enemies) and also (and more significantly) make an excellent and necessary bushwhacking tool in the jungle environment of the Philippines.
Wise’s idea was taken with interest and Springfield produced a series of experimental bolo bayonets, but the project ended there as the 1903 Springfield was adopted with a rod bayonet instead of a blade. Of course, the rod bayonet would be shortlived, and the blade bayonet would come back. The bolo bayonet ideas resurfaced in 1911 when a commission was formed to look into special equipment for the Philippine Scouts. After another series of experimental designs, the M1915 Bolo bayonet was formally adopted on May 22, 1915 and an order was placed for 6,000 of them to be made at Springfield Armory.
Delivery of these bayonets took place in 1915 and 1916, and they proved to be extremely popular tools with the soldiers in the Philippines. They would remain in service on the islands until World War Two, serving at last as a replacement for the M1913 cavalry saber for the 26th Cavalry.
The British sink an entire convoy of supplies heading for Rommel in North Africa by using radar at night, something their opponents lack. In North Africa itself, the Allies are gearing up for a major offensive to begin in a few days. Meanwhile, the Germans are gearing up for a renewed drive on Moscow even as Georgy Zhukov launches small attacks there designed to spoil the larger German plans.
Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Karolina Dołęga
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)
Visual Sources:
– Bundesarchiv
– Imperial War Museums: A 8158, FL 4822, A7266, G40, A 6329, A 6333, E 6724, WPN 298, IB2095, CM1725,
– Mil.ru
– Portrait of Alfred Godwin-Austen courtesy of Berserker276 from Wikimedia Commons
– Icons from Noun Project: boy by Mauro Lucchesi, Nick Novell, Calendar by Lorena Salagre, horse by Luis Prado, Gentleman by Samy Menai, man face by Nick Novell, Russian Russian soldier by Wonmo Kang
Soundtracks from Epidemic Sound:
– “March Of The Brave 10” – Rannar Sillard – Test
– “Last Point of Safe Return” – Fabien Tell
– “Weapon of Choice” – Fabien Tell
– “Please Hear Me Out” – Philip Ayers
– “Potential Redemption” – Max Anson
– “nBreak Free” – Fabien Tell
– “Moving to Disturbia” – Experia
– “The End Of The World 2” – Håkan Eriksson
– “Epic Adventure Theme 4” – Håkan Eriksson
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
2 days ago
Mark December 7th in your calendars, for that day we have five hours of material — ten half-hour episodes — coming out to tell you the story of Pearl Harbor minute by minute in real time, starting 0610 local Hawaiian time.
And in addition to specials like that and our regular week by week coverage here on YouTube, we also cover the war day by day on Instagram, filling in things we don’t have time to cover here. It’s a perfect complement to this. Check it out at: https://www.instagram.com/world_war_two_realtime/
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