World War Two
Published 19 Nov 2020How did the non-German Axis fare against the Soviet Union? What was the intelligence agency of the Free French like? And what were the Louisiana Maneuvers? All these questions are answered in this edition of Out of the Foxholes.
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Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Indy Neidell
Written by: Ian Irungu, Shaun Harrison, Dennis Stepanov
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Ian Irungu, Shaun Harrison, Dennis Stepanov
Edited by: Karolina Dołęga
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
– Norman Stewart – https://oldtimesincolor.blogspot.com/
– Mikołaj UchmanSources:
– Bundesarchiv
– Library of Congress
– Imperial War Museums: MI 14/822/12
– The Icons from Noun Project: Letter by Mochammad Kafi, Headphones by Simon Child, Russian soldier by Wonmo Kang, Skull by Muhamad UlumSoundtrack from Epidemic Sound:
– “Break Free” – Fabien Tell
– “Moving to Disturbia” – Experia
– “Other Sides of Glory” – Fabien Tell
– “Please Hear Me Out” – Philip AyersArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
November 20, 2020
The political danger if the “chumps” unite
In City Journal, James B. Meigs describes what he calls the “Chump Effect” in American politics:

Senator Elizabeth Warren speaking at the Iowa Democrats Hall of Fame Celebration in Cedar Rapids, Iowa, on 9 June, 2019.
Photo by Lorie Shaull via Wikimedia Commons.
Last January, a small but telling exchange took place at an Elizabeth Warren campaign event in Grimes, Iowa. At the time, Warren was attracting support from the Democratic Party’s left flank, with her bulging portfolio of progressive proposals. “Warren Has a Plan for That” read her campaign T-shirts. The biggest buzz surrounded her $1.25 trillion plan to pay off student-loan debt for most Americans.
A man approached Warren with a question. “My daughter is getting out of school. I’ve saved all my money [so that] she doesn’t have any student loans. Am I going to get my money back?”
“Of course not,” Warren replied.
“So you’re going to pay for people who didn’t save any money, and those of us who did the right thing get screwed?”
A video of the exchange went viral. It summed up the frustration many feel over the way progressive policies so often benefit select groups, while subtly undermining others. Saving money to send your children to college used to be considered a hallmark of middle-class responsibility. By subsidizing people who run up large debts, Warren’s policy would penalize those who took that responsibility seriously. “You’re laughing at me,” the man said, when Warren seemed to wave off his concerns. “That’s exactly what you’re doing. We did the right thing and we get screwed.”
That father was expressing an emotion growing more common these days: he felt like a chump. Feeling like a chump doesn’t just mean being upset that your taxes are rising or annoyed that you’re missing out on some windfall. It’s more visceral than that. People feel like chumps when they believe that they’ve played a game by the rules, only to discover that the game is rigged. Not only are they losing, they realize, but their good sportsmanship is being exploited. The players flouting the rules are the ones who get the trophy. Like that Iowa dad, the chumps of modern America feel that the life choices they’re most proud of — working hard, taking care of their families, being good citizens — aren’t just undervalued, but scorned.
The word “chump” probably derives from an ancient Norse term for a stump or large chunk of wood. The modern word “blockhead” comes to mind, which — no coincidence — was Lucy’s favorite label for the too-trusting Charlie Brown in the Peanuts comic strip. Lucy never tired of snatching away the football; Charlie fell for it every time. We all know the feeling: when you’re inching forward in the freeway exit lane, say, and another driver flies past and swerves onto the ramp at the last second; when your child has to complete her college-entrance exams within a designated time period, but your neighbor’s child gets twice as long because of a suddenly diagnosed “learning disability”; when you pay extra to have your pet travel in the airplane’s cargo hold but the yipping poodle across the aisle, an “emotional-support animal,” gets to ride on its owner’s lap for free. You didn’t know that you could get an emotional-support card just by claiming an anxiety disorder and paying a fee to an online agency? What are you — a chump?
November 19, 2020
White Lives Matter More – A Summer of Blood | BETWEEN 2 WARS: ZEITGEIST! | E.04 – Summer 1919
TimeGhost History
Published 18 Nov 2020Technology promises a better and more connected world in the summer of 1919. But battles still rage everywhere over who will inherit it.
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Subscribe to our World War Two series: https://www.youtube.com/c/worldwartwo…
Like TimeGhost on Facebook: https://www.facebook.com/TimeGhost-16…Hosted by: Indy Neidell
Written by: Indy Neidell and Francis van Berkel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell and Francis van Berkel
Image Research by: Miki Cackowski and Michał Zbojna
Edited by: Michał Zbojna
Sound design: Marek KamińskiColorizations:
Mikołaj Uchman
Spartacus OlssonSources:
From the Noun Project: bridge by Adrien Coquet, Delete by Kevin Eichhorn, Fire by Sweet Farm, Model T by Alex Valdivia, people by Anastasia Latysheva, peoples by Musmellow, revolt by Symbolon, Smoke by Krish, people by Nithinan Tatah, explosion by Aldric RodríguezArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
TimeGhost History
21 hours ago
Four episodes into this new series and we think it’s going pretty well. Behind-the-scenes we have been getting ahead with our planning to make make things as laser-focused as possible and we have some pretty fascinating pieces of history we want to talk about.But we know that there is always a learning curve with a new series and we care what our community thinks. It’s the TimeGhost Army who make our content possible so we’d like to hear from you what you think about Season Two of Between 2 Wars. What are you enjoying about it? Is there anything you think we should work on? How do you feel about Indy’s outrageous suits and ties?
November 18, 2020
Tanks Chats #85 | M46 Patton | The Tank Museum
The Tank Museum
Published 11 Oct 2019David Fletcher takes a look at the M46 Patton tank designed by the United States, which saw action during the Korean War.
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QotD: Feminism and gender equality
It takes one’s breath away to watch feminist women at work. At the same time that they denounce traditional stereotypes they conform to them. If at the back of your sexist mind you think that women are emotional, you listen agape as professor Nancy Hopkins of MIT comes out with the threat that she will be sick if she has to hear too much of what she doesn’t agree with. If you think women are suggestible, you hear it said that the mere suggestion of an innate inequality in women will keep them from stirring themselves to excel. While denouncing the feminine mystique, feminists behave as if they were devoted to it. They are women who assert their independence but still depend on men to keep women secure and comfortable while admiring their independence. Even in the gender-neutral society, men are expected by feminists to open doors for women. If men do not, they are intimidating women.
Thus the issue of Summers’s supposedly intimidating style of governance is really the issue of the political correctness by which Summers has been intimidated. Political correctness is the leading form of intimidation in all of American education today, and this incident at Harvard is a pure case of it. The phrase has been around since the 1980s, and the media have become bored with it. But the fact of political correctness is before us in the refusal of feminist women professors even to consider the possibility that women might be at any natural disadvantage in mathematics as compared with men. No, more than that: They refuse to allow that possibility to be entertained even in a private meeting. And still more: They are not ashamed to be seen as suppressing any inquiry into such a possibility. For the demand that Summers be more “responsible” in what he says applies to any inquiry that he or anyone else might cite.
Harvey Mansfield, “Fear and Intimidation at Harvard”, Weekly Standard, 2005-03-07.
November 17, 2020
Cancel culture comes for Donald Trump’s lawyers
Mark Steyn reported yesterday that the Lincoln Project’s latest doxxing has been successful and that a law firm representing President Trump in one of his Pennsylvania suits has been intimidated into withdrawing from the case:

Donald Trump addresses a rally in Nashville, TN in March 2017.
Photo released by the Office of the President of the United States via Wikimedia Commons.
Back in the summer I mentioned on The Mark Steyn Show that “cancel culture” was increasingly literal: It used to mean you got kicked off Twitter or Facebook; then it progressed to losing your job or television show or book contract. By 2020 it had advanced to being denied domain registration on the Internet, credit-card services, bank accounts and other basic necessities of modern life. Now, in a country with more lawyers than the rest of the planet combined, the supposedly “most powerful man on earth” wakes up and finds his counsel just canceled:
Lawyers with Porter Wright Morris & Arthur LLP submitted a filing late Thursday stating they were withdrawing as counsel in a federal suit seeking to block Pennsylvania from certifying its vote. No reason was given. In a statement issued Friday, the firm confirmed the filing but did not say why it was exiting the case.
Powerline‘s John Hinderaker reckons the reason is pretty obvious:
Porter Wright is a mid-sized law firm with offices in eight cities across the country. But apparently it lacked the courage to stand up against the Twitter mob. The “Lincoln Project” doxxed the two Porter Wright lawyers who signed the Pennsylvania complaint, tweeting their pictures, addresses and telephone numbers, and encouraging leftists to harass them. Reportedly there also were employees at the law firm who objected to representing President Trump. Porter Wright’s abandonment of its client is shameful conduct for which I suspect it will receive little but praise.
[UPDATE: A Powerline reader with knowledge of the situation says that Porter Wright has withdrawn from only one of five suits.]
As John points out, in America everybody from 9/11 plotters to celebrity pedophiles, Boston bombers to Oscar-winning serial rapists gets hotshot law firms and nobody bats an eyelid. But not Donald J Trump, who is apparently unfit for legal representation.
If you like the sound of all that “unity” and “healing”, this is what it boils down to — unity in the sense the Soviets meant it: the absence of opposition. And, when they’re done with Trump, they’re serious about that “Truth & Reconciliation” enemies list. To reiterate a point I’ve made for months: on free speech and related issues, things are going to head south very fast. I carelessly assumed they’d wait till the inauguration, but it seems “the Office of the President-Elect” is already on the case.
Private SNAFU “Censored” WW2 US Army cartoon
PeriscopeFilm
Published 11 Aug 2020Want to support this channel and help us preserve old films? Visit https://www.patreon.com/PeriscopeFilm
Visit our website www.PeriscopeFilm.com
Censored is one of 26 Private SNAFU (Situation Normal, All F*cked Up) cartoons made by the U.S. Army Signal Corps to educate and boost the morale of the troops. The SNAFU character was created by Theodore Geisel (Dr. Seuss) and Phil Eastman, and most were animated by Warner Brothers Animation Studios. They were voiced by actors including Mel Blanc and scored by Carl Stalling. This cartoon Censored, depicts the lengths to which Private SNAFU will go to sneak an uncensored letter in the mail — with terrifying results. Fortunately it all turns out to be a dream, but SNAFU is so shaken that he censors his own mail. The film was obviously inspired by the mass censorship of personal letters by the Army during the war, to reduce the chance that enemy spies would be able to gain intelligence by intercepting them.
Much of the military correspondence during the war took place via V-mail, short for Victory Mail. This was a hybrid mail process used as the primary and secure method to correspond with soldiers stationed abroad. To reduce the cost of transferring an original letter through the military postal system, a V-mail letter would be censored, copied to film, and printed back to paper upon arrival at its destination. The V-mail process is based on the earlier British Airgraph process
During World War II, both the Allies and Axis instituted postal censorship of civil and military mail. The largest organizations were those of the United States, though the United Kingdom employed about 10,000 censor staff while Ireland, a small neutral country, only employed about 160 censors. Both blacklists and whitelists were employed to observe suspicious mail or listed those whose mail was exempt from censorship. In the United States censorship was under the control of the Office of Censorship whose staff count rose to 14,462 by February 1943.
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QotD: Prejudice
For instance, when an Islamic terrorist murders people, there’s an instant rush to fret over and condemn any sort of “anti-Muslim backlash.” Never mind that such backlashes have been vastly rarer than we’re usually told, the principle is correct: It is wrong to blame innocent Muslims for the things other Muslims did.
Or just think about how much ink has been spilled arguing that it is unfair and unjust to assume that one black youth is a criminal or a threat just because he resembles in some way a negative stereotype. I’m not mocking this argument; I am agreeing with it.
As I’ve been saying until I’m blue in the face on my book tour, one of the greatest things about this country is the ideal — always in tension with the lesser devils of our natures — that says we should take people as we find them. My objection to identity politics is that it reduces millions of people to a single attribute or grievance. It assumes that, simply by accident of birth, some people are more noble or more evil than others.
If you think that all you need to know about an African-American person to size up his character or humanity is his skin color, then you’re a racist. […]
You can run similar thought experiments about virtually any group. If all you need to know about Oscar Wilde is that he was a gay dude, just like Richard Simmons or Milo what’s-his-name, you’re a bigot. If Meyer Lansky and Albert Einstein are merely two Jews to you, you’re an anti-Semite. If Margaret Thatcher, Joan of Arc, and Lizzie Borden are just three chicks, you’re a sexist.
And again, historically, this is mostly a left-wing or liberal (both in the classical and modern senses of the word) insight. But for some bizarre reason, for many people, this idea evaporates like water off a hot skillet when you replace any of these categories with “white” or, very often, “male.”
Suddenly fancy words and phrases fly like sawdust from a wood chipper: “structures of oppression!” “decontextualized!” “ahistoricized!” etc. It’s all so clever and complicated. The same people who take to the streets at the slightest suggestion that Muslims can be judged by the evil deeds of other Muslims will lecture and harangue you for hours, mob you on Twitter, or condescendingly dismiss you for not understanding that all white people have it coming.
I am not denying the history of white racism in America. I’m more than eager to acknowledge it. But what these people are basically saying is that you can say bigoted things about all white people based on things other white people have done. And spare me the argument that some 70-hour-a-week truck driver in Appalachia has it coming because he’s a grand beneficiary of white supremacy.
Jonah Goldberg, “The G-File”, National Review, 2018-08-03.
November 16, 2020
US M1915 Bolo Bayonet – Dual Purpose Gear That Worked!
Forgotten Weapons
Published 27 Nov 2017The M1915 bolo bayonet was originally the brainchild of US Army Captain Hugh D. Wise, Quartermaster with the 9th Infantry in the Philippines. In 1902, he recommended the implement in a letter to his superior officers, noting that a bolo style of bayonet (ie, one with a widened machete-like blade) would have several advantages over the standard knife bayonet then being issued with the Krag-Jorgenson rifles the US Army was using. Specifically, the wider bayonet would be easier to recover after a thrust (he noted several instances of troopers being killed while trying to extricate their bayonets from enemies) and also (and more significantly) make an excellent and necessary bushwhacking tool in the jungle environment of the Philippines.
Wise’s idea was taken with interest and Springfield produced a series of experimental bolo bayonets, but the project ended there as the 1903 Springfield was adopted with a rod bayonet instead of a blade. Of course, the rod bayonet would be shortlived, and the blade bayonet would come back. The bolo bayonet ideas resurfaced in 1911 when a commission was formed to look into special equipment for the Philippine Scouts. After another series of experimental designs, the M1915 Bolo bayonet was formally adopted on May 22, 1915 and an order was placed for 6,000 of them to be made at Springfield Armory.
Delivery of these bayonets took place in 1915 and 1916, and they proved to be extremely popular tools with the soldiers in the Philippines. They would remain in service on the islands until World War Two, serving at last as a replacement for the M1913 cavalry saber for the 26th Cavalry.
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November 15, 2020
Mark Steyn is looking for an argument
I somehow missed this when it went up on Mark’s website:

“Polling Place Vote Here” by Scott Beale is licensed under CC BY-NC-ND 2.0
One of Mrs Thatcher’s great insights was: First you win the argument; then you win the election.
To win the argument, you have to make it. In the Westminster system, you make the argument for three or four years, then you have a six-week election campaign. That’s when the system’s functioning, which it certainly wasn’t under, say, Andrew Scheer’s Tory leadership in Ottawa.
But, even when it’s not functioning, somebody’s making an argument. Thus the fatal miscalculation of David Cameron when he decided that the Brexit referendum would be the best way to put the EU issue to bed once and for all. By then every electorally viable political party — from the Tories to Sinn Féin — was “pro-Europe”. Nigel Farage had been making the argument for twenty years, but, because he had no real political party to advance it, it didn’t get him anywhere at UK general elections. So, the minute Cameron called a referendum on Nigel’s issue in splendid isolation, it gave Farage a shot at the second half of Maggie’s great formulation: He’d won the argument; and Cameron delivered up a mechanism that allowed him to win the vote.
In the American system, it is, as the Brits say, arse over tit: As Monty Python once asked, where’s the room for an argument? There are no parliamentary debates, so you never see a Dem senator going at it with a GOP senator. Even more strikingly, there are a bazillion political talk shows, none of which ever features a Dem senator going at it with a GOP senator — the way that even the most despised BBC, CBC, ABC yakfests routinely feature opposing legislators debating health care or the Irish backstop or Covid response.
Instead, there is a multi-billion-dollar two-year campaign, which is all polls, fundraising, horse race piffle, telly ads for the halfwitted, plot twists of no interest to anybody normal (ooh, look, Cory Booker is up from point-three to point-four in Iowa!), all culminating in a stilted pseudo-debate tediously moderated by a pompous mediocrity asking questions all framed from the left’s point of view. You’d almost get the idea that the entire racket was designed to eliminate the very possibility that someone might make an argument.
November 13, 2020
QotD: Military allies
Partnership implies the burden is shared more or less equally. If I bought twenty quid’s worth of shares in The Spectator and started swanning about bitching that Conrad Black didn’t treat me as a partner, he’d rightly think I’d gone nuts. The British in their time were at least as ruthless about such realities as the Americans are today. For example, in September 1944, in one of the lesser-known conferences to prepare for the post-war world, Churchill and Roosevelt met in Quebec City. They had no compunction about excluding from their deliberations the Canadian Prime Minister, Mackenzie King, even though he was the nominal host. There’s a cartoon of the time showing King peering through a keyhole as the top dogs settled the fate of the world without him.
And guess what? Militarily speaking, Canada was a far bigger player back then than Britain is today: the Royal Canadian Navy was the world’s third-biggest surface fleet, the Canucks got the worst beach at Normandy — but hey, why bore you with details? In those days that still wasn’t enough to get you a seat at the table.
Mark Steyn, “The Brutal Cuban Winter”, The Spectator, 2002-01-26.
November 12, 2020
The General Relativity of Revolution | BETWEEN 2 WARS: ZEITGEIST! | E.03 – Spring 1919
TimeGhost History
Published 11 Nov 2020It is a springtime of revolution throughout the world in 1919 and not just the political kind. Era-defining advances in science and technology and iconic cinematography are made this season.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Hosted by: Indy Neidell
Written by: Indy Neidell and Francis van Berkel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell and Francis van Berkel
Edited by: Michał Zbojna
Sound design: Marek KamińskiColorizations:
Klimbim
Mikołaj Uchman
Wayne Degan
metacolor.orgSources:
Library of Congress
Bundesarchiv
Icons from The Noun Project:
– retro computer By Tinashe Mugayi, MY
– audio sound recorder By Vectors Point, PK
– Radio by Bill Denk
– Old TV By Pascal Heß, DE
– Radio Tower by Iris SunSoundtracks from Epidemic Sound:
– “British Royalty” – Trailer Worx
– “Flight Path” – Cobby Costa
– “Deflection” – Reynard Seidel
– “Flight Path” – Cobby Costa
– “A Single Grain Of Rice” – Yi Nantiro
– “Trapped in a Maze” – Philip Ayers
– “Symphony of the Cold-Blooded” – Christian Andersen
– “Rainy Landscapes” – Farrell Wooten
– “Ancient Saga” – Max AnsonArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
TimeGhost History
1 day ago
J’accuse is one of the many iconic films we’ll explore in this series. The interwar period is when European cinema really starts to hit its stride again after some serious setbacks during the Great War. In those years, American cinema rocketed to the mainstream both at home and abroad, with revolutionary filmmaking techniques being developed that we still see today such as close-ups, huge cast lists, and realistic set design.The post-Great War is set to be a great era in the history of cinema and not just because of the films themselves, J’accuse and other films are important as historical movers in their own right! They shape public perceptions, influence political change, and inspire whole social movements, so make sure you stay tuned to find out.
And in the meantime, are there any iconic interwar films you think deserve to be in this series?
The party of the Lucky Winners
Brian Micklethwait sends some thoughts from his sick-bed on the (still in question) outcome of the US election:

“Polling Place Vote Here” by Scott Beale is licensed under CC BY-NC-ND 2.0
Democrat electoral cheating is not a new story. I’ve been reading stuff about America and American politics all my life, off and on and mostly off, and like a thread through it all is the fact that in big cities that they run and are determined to go on running, Democrats cheat in elections. So Democrats cheating in elections this time around is not the big change.
The big change is a Republican refusing to retreat in the face of it. Why? Why is Trump being so unpresidential, so undignified, so … just so ghastly? The answer is that the big political picture has been transformed, partly by him, but partly by him responding to the fact that it has already changed so much.
Time was when Republicans were the party of the Lucky Winners. Country clubbers, corporate executives, yacht owners, owners of houses with several garages, presided over by perfectly manicured wives, in charge of several well behaved children and subservient servants. The Democrats, meanwhile, were the party of the workers, of people struggling to do work or even to get work. Any plutocrats who were attached to the Democrats, like the Kennedys or (FD) Roosevelt, were numerically insignificant oddities. (Whether that was true, I don’t know. But this was the dominant narrative, as people say now.)
But that’s all changed. The Democrats are now the party of the Lucky Winners, and also of the unlucky losers at the very bottom of the heap who can only now depend on the crumbs of comfort bestowed upon them by the Lucky Winner class. The Republicans have become the party of the workers in the middle, the middle class, as Americans accurately describe them. The Republicans are the party of the people who still struggle to work and to stay working, and who hate the whole idea of giving up and becoming dependant upon the Lucky Winners.
Not all “workers” voted for Trump. A lot of workers, especially in things like IT, are still solidly Democrat. But the heart of the Trump vote was workers of a certain sort. The heart of the Trump vote was no longer the Lucky Winners class. They have migrated over to the Democrats.
Okay, now for the key bit of what I’m saying.
In olden times, if you were a member of the Lucky Winners class, and your guy lost an election, complaining about cheating was frankly a bit, well, undignified. You and your pals controlled almost all the levers of power in society. You owned the big corporations. Your children were creaming off most of the expensive education. The world was yours. Were you going to bitch about electoral corner-cutting by a few machine politician Democrats in big cities who had enough clout to say boo to you, every once in a while? This was not a good look. And on the whole, Republicans took their defeats, and if Democrat cheating cost them a win or two, well, that was how it crumbled, cookie-wise. Legally, that may not have been the rule, but actually, that was the rule. Noblesse oblige. Let the people picked by the struggling class have their turn. Suck it up. Go play golf.
But now? Now, what is happening is that the Lucky Winners class is telling the class definitely below it in the pecking order that this subordinate class now has to just lie back and let it happen, when the electoral cheating happens all over them.
This is not a good look either, but it’s what the Lucky Winner class now think they can do, and get away with. Maybe they can, in the sense that they may well get their guy over the line this time around. But if they do, but if it then becomes clear that they did this by cheating on a large scale in this election, then the words “reap” and “whirlwind” spring to mind.
The history of Canada explained in 10 minutes
Epimetheus
Published 19 Jan 2019The history of Canada explained in 10 minutes
Support new videos on this channel on Patreon! 🙂
https://www.patreon.com/Epimetheus1776Canadian history from the discovery of the Vikings to the French and English colonization until modern times.
Tags:
Canadian history documentary, Canadian history crash course, Canada history, history of Canada documentary, history Canada summarized, Canada, history, Canadian history, Canadian American history, animated history of Canada, canadian history in a nutshell, canadian history for kids, educational, Canada Indians, Canada great Britain, English Canada, Quebec, French Canada, French English Canada,











