Historia Civilis
Published 18 May 2015Patreon: https://www.patreon.com/HistoriaCivilis
Website: https://www.historiacivilis.com
Twitter: https://twitter.com/HistoriaCivilisMusic is “The Life and Death of a Certain K. Zabriskie, Patriarch” by Chris Zabriskie. (http://chriszabriskie.com/)
TimeGhost History
Published 30 Jan 2020The Berlin Olympics in 1936 were a masterfully played piece of Nazi propaganda, where they framed their race as physically superior and their ideology as modern, organised and cultured while also ostensibly downplaying their anti-internationalism racism and anti-semitism. But the Germans didn’t embrace sports for friendly competition. They did so for something very different.
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Hosted by: Indy Neidell
Written by: Joram Appel
Directed by: Spartacus Olsson and Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Joram Appel
Edited by: Daniel Weiss
Sound design: Marek KaminskiSources:
Bundesarchiv_Bild:
183-G00372, 102-08105, 145_Bild-P017100, 183-R96374, 146-
1998-020-00A, 146-1976-033, 183-G00978, 183-1992-0421-500,
146-2005-0017, 183-G00352, 146-1976-116-08A, 146-1988-106-
29, 146II-728, 8076_Bild-0008
Modern Olympic Photos:
Photo from illang https://www.flickr.com/photos/ilan_sr…,
Photo by Agência Brasil http://agenciabrasil.ebc.com.br/rio-2…Colorizations by:
Daniel Weiss
Norman Stewart
Joram AppelSoundtracks from Epidemic Sound:
– “First Responders” – Skrya
– “The Inspector 4” – Johannes Bornlöf
– “Heroes On Horses” – Gunnar Johnsén
– “Split Decision” – Rannar Sillard
– “Not Safe Yet” – Gunnar Johnsen
– “Thunder Storm 01” – Fredrik Ekstrom
– “Dawn Of Civilization” – Jo Wandrini (1)
– “March Of The Brave 4” – Rannar Sillard
– “Magnificent March 3” – Johannes Bornlöf
– “Imperious” – Bonnie Grace
– “The Charleston 3” – Håkan ErikssonA TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
TimeGhost History
2 days ago (edited)
The 1936 Berlin Summer Olympics and Garmisch-Partenkirchen Winter Olympics were the first true modern Olympic games. Many of the now staples of the Olympic games were introduced for the first time by the Nazis. But magnificent as they might have been, the intent of the Germans was not really to advance the vision of the internationalist and pacifist goals of the Olympic games. And while we do realise that many of the characteristics of the 1936 Olympics – how it was used to push a certain national image or to strengthen nationalism, could be said of more recent editions of the Olympics as well. And while sports and international institutions are still today being used to push alternate agendas, we’d rather not discuss them in the comment section here as this is a history channel – not a current affairs channel.
Cheers, Joram
Sabaton History
Published 30 Jan 2020From 1935 onwards, the German Wehrmacht was expanding rapidly. Millions of men joined the army, the Luftwaffe and the Kriegsmarine to fulfill Adolf Hitler’s visions for the 3rd Reich.
Highly motorized Panzergrenadiers, elite parachute- and resilient mountain-infantry troops were trained and and led with the utmost combat-efficiency in mind, supported by state of the art Panzers and aircraft. If it came to war, they would break the enemy and break them fast, achieving fast victories in a series of devastating hits. However, succumbing to the ideological influence of National-Socialism, the Wehrmacht found itself soon to be both culprit and accomplice to a self-reinforcing cycle of violence and atrocities.
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Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastoryArchive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.Sources:
– Bundesarchiv
– IWM: H 21907- Bundesarchiv
– IWM: H 21907An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
In the latest Age of Invention newsletter, Anton Howes discusses the economic snapshot of 17th century Europe (and parts of the wider world) provided in the work of Giovanni Botero:
… I’ve spent the past couple of days reading the work of an Italian geographer, Giovanni Botero. His 1590s treatise, on The Strength of all the Powers of Europe and Asia (translated into English in 1601 as The Traveller’s Breviat) tries to provide a comprehensive account of the relative strengths of all the world’s great powers. It can be a bit dry — at times it’s a bit like reading a table of statistics, but in paragraph form, as he goes through every country’s population, geography, and industries, as well as their manpower, the sizes and qualities of their armies and navies, their political systems, taxes, and geopolitical situations. Yet in all that information, we get a snapshot of what characteristics stood out internationally, at a point that was midway through England’s crucial century of change.
I thought I had a pretty good general grasp of the economic history of Europe and the west in the post-Middle Ages period, but Anton mentions something I didn’t know anything about:
Panoramic view of the Old Medina in Fez, Morocco.
Photo by Michal Osmenda via Wikimedia Commons.
Yet there was another region that Botero singled out in terms of its technological and economic achievements, which I had never heard mentioned before: the land of “The Xeriffe”.
The term is usually rendered as sharif, denoting a descendant of the Prophet Muhammad via his grandson, Hasan ibn Ali. In 1600, the title was claimed by the rulers of the Saadi Empire, centred around Fez, in present-day Morocco. Botero claimed that its cities were of marble and alabaster, decorated with great lamps of brass. In Fez in particular were “200 schools of learning, 200 inns, and 400 water mills, every one driven with four or five wheels”, from which the ruler derived a substantial rent. The city also featured “600 conduits, from whence almost every house is served with water.” Indeed, he noted that “the inhabitants are very thrifty, given to traffic [commerce], and especially to the making of clothes of wool, silk, and cotton.”
So here was a remarkable city. One that was wealthy, populous, somewhat industrialised, and given to trade. It was a centre of learning for the entire region, especially under the long rule of one of its sultans, Ahmad al-Mansur “the Golden” and his immediate successors: the library they amassed forms one of the major surviving collections of Islamic manuscripts on literature and science (which was captured during a war in the seventeenth century, and has been in Spain ever since). The Saadi Empire even had some military might: during its rise it successfully contended with Portugal, and it had a large arsenal of gunpowder weapons, which it put to use in conquering parts of Sub-Saharan Africa. It maintained friendly commercial and diplomatic links with both England and the Dutch Republic, uniting with them in their opposition to Spain.
And yet, the Saadi Empire is never mentioned as an efflorescence [defined as “temporary bubblings up of innovation and economic growth, which ultimately resulted in stagnation or decline”]. It doesn’t even feature in debates about the causes of the Long Divergence — the centuries-long reversal of economic fortunes between northwestern Europe and the Islamic world. The latest major book on the reversal, by Jared Rubin (which is excellent, by the way), is entirely devoted to comparisons with the Ottoman Empire, not discussing Morocco even once. That may just be a product of which sources are most readily available in English, or because there are currently quite a few excellent Turkish economic historians, like Şevket Pamuk or Timur Kuran. It’s also possible that the descriptions of Fez’s wealth were exaggerated, or that there are straightforward explanations for its relative economic decline. But, if we’re to fully understand the causes of the Industrial Revolution in Britain, I think the rise and fall of the Saadi Empire is another efflorescence we need to seriously consider.
Real Engineering
Published 16 Jun 2017Get your Real Engineering shirts at: https://store.dftba.com/collections/r…
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http://www.RealEngineering.netThank you to my patreon supporters: Adam Flohr, darth patron, Zoltan Gramantik, Henning Basma, Karl Andersson, Mark Govea, Mershal Alshammari, Hank Green, Tony Kuchta, Jason A. Diegmueller, Chris Plays Games, William Leu, Frejden Jarrett, Vincent Mooney, Ian Dundore, John & Becki Johnston. Nevin Spoljaric
Once again thank you to Maeson for his amazing music. Check out his soundcloud here: https://soundcloud.com/maeson-1/tracks
Those of us who didn’t grow up in the first world (second and a half at best!) know d*mn well how people lived in the 20th century, with nominal indoor plumbing, but without a lot of changes of clothing, washers and dryers, heated houses, etc. (The trains from the mountains, where it was colder, in winter, smelled like a mix of VERY unwashed bodies and wood smoke. You never forget that smell.) The particular etc. I have in mind in this case is the lack of refrigeration.
Look Portugal is fertile enough that a careful planner can feed a family on less than an acre of land (particularly the area I come from, apparently one of the oldest inhabited in Europe and whose name in Indo European translated as wet and fertile valley.) I’m sure the food available to us in the 20th century when you could buy improved seeds, etc. was way better than the one available to people in the middle ages.
But … yeah, no. We didn’t eat like people do now. Not even close. For one, meat was fairly scarce. We mostly ate fish (thanks to the coasts!) and vegetables. Oh, and we were relatively lucky. A lot of people got almost no protein. The most common lunch among the people was the “isca” that is a bit of fried flour which might or might not have a couple of shreds of codfish in it. The very poor ate a lot of vegetable soup.
And again this was in the 20th century. In winter vegetables more or less vanished and the only fruit available were the wrinkled, flour-like apples.
Christmas treats were dried fruit, not cookies. It tells you all you need to know. (Yes, it was healthy too except for the scarce protein for most people, but no one said the way we eat is particularly healthy.)
I’m not complaining, but I know that we ate massively better than my parents did in the mid 20th century. And they ate better than their parents. So, kindly, do not tell me some serf on a medieval estate got his choice of however many flavors of ice-cream.
Sure the very rich ate well, if sometimes oddly. But the average person, not so much.
And as for living as long? Yeah, no.
I still remember vividly — as do many our age — when 60 was old, 70 VERY old.
Yes, I’m concerned for my parents in their late eighties. And that’s, as my dad puts it “after 80, that’s old”. But it would surprise no one is they lived another 10 years. Because a lot of people do now. And now one makes a big deal of people who turn 100. (Even though 114 seems to be, a little inexplicably, our hard drop-off limit.)
And besides we KNOW. Shakespeare at 58 — two years older than I’m now — was “very old.”
So kindly take your “people lived about as long,” fold it all in corners and put it where the sun don’t shine, even if people in the arctic in winter will be a little puzzled by it.
Sarah Hoyt, “What if I Told You?”, According to Hoyt, 2019-11-05.
Historia Civilis
Published 5 Dec 2018Patreon | http://patreon.com/HistoriaCivilis
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Website | http://historiacivilis.comSources:
The Jewish War, by Josephus: https://amzn.to/2Ub8JRq
Parallel Lives: The Life of Pompey, by Plutarch: https://amzn.to/2BP6vjq
Parallel Lives: The Life of Julius Caesar, by Plutarch: https://amzn.to/2BP6vjq
Letters to Atticus, Book 13, by Cicero: https://amzn.to/2Qa9SKv
The History of Rome, Book 1, by Livy: https://amzn.to/2PbCkX7
Natural History, Book 3, by Pliny the Elder: https://amzn.to/2PhX3Za
Roman History, Book 43, by Cassius Dio: https://amzn.to/2PgJ99C
Roman History, Book 44, by Cassius Dio: https://amzn.to/2PgJ99C
Roman History, Book 53, by Cassius Dio: https://amzn.to/2Pgdq8Q
Roman History, Book 54, by Cassius Dio: https://amzn.to/2Pgdq8Q
Roman History, Book 55, by Cassius Dio: https://amzn.to/2Pgdq8Q
The Life of Julius Caesar, by Suetonius: https://amzn.to/2QuwULE
The Fasti Triumphales http://www.attalus.org/translate/fast…
The Roman Triumph, by Mary Beard: https://amzn.to/2UafiDD
Rubicon, by Tom Holland: https://amzn.to/2E0x5HX
Cicero, by Anthony Everitt: https://amzn.to/2PgJJnO
Julius Caesar, by Philip Freeman: https://amzn.to/2DXortC
Caesar: Life of a Colossus, by Adrian Goldsworthy: https://amzn.to/2Q9rtlO
The Rise of Rome, by Anthony Everitt: https://amzn.to/2PeSEGw
“Circum Metas Fertur: An Alternative Reading of the Triumphal Route,” by Ida Östenberg. From Historia: Zeitschrift für Alte Geschichte, vol. 59, no. 3: https://bit.ly/2SpsjHJMusic:
“Honey,” by Nctrnm
“XY,” by Nctrnm
“The House Glows (With Almost No Help),” by Chris Zabriskie
“Hallon,” by Christian BjoerklundWe are a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for us to earn fees by linking to Amazon.com and affiliated sites.
The Cynical Historian
Published 30 Aug 2018It’s finally time to review Patton! I have a lot to say about it, as you can tell by the time stamp. Way back when I started the Based on a True Story series, the second episode was a bit about what I considered to be the best ones — and this movie was at the top. I love this film, but for more reasons than most of you could know — so this is going to be a deep dive into the film and its subject matter. It’s ambiguous, narrowed in subject, and just a perfect examination of the man. As the New Yorker said during the movie’s release, “[Patton] appears to be deliberately planned as a Rorschach test.”
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references:
Brian Sobel and George S. Patton IV, The Fighting Pattons (Westport: Praeger Publishing, 1997). https://amzn.to/2u2WI57MacMillan Compendium, America at War (New York: Macmillan Library Reference, 1994), 726-727. https://amzn.to/2m6o4mx
John Keegan and Andrew Wheatcroft, Who’s Who in Military History: from 1453 to the Present Day, (London: Routledge, 1996), 231-232. https://amzn.to/2KWv53M
Paul Fussell, “Patton”, in Past Imperfect: History According to the Movies, ed. Mark Carnes (New York: Henry Holt and Company, 1996). https://amzn.to/2J5iGc7
Jonathan Vankin and John Whalen, Based on a True Story: Fact and Fantasy in 100 Favorite Movies, (Chicago: A Cappella Books, 2005), 269-272. https://amzn.to/2m2sSZQ
Frank Sanello, Reel v. Real: How Hollywood Turns Fact into Fiction (Lanham: Taylor Trade Publishing, 2003), 177-181. https://amzn.to/2N072BB
http://www.historynet.com/patton-film…
https://dailyhistory.org/How_accurate…
http://jbell2ja.umwblogs.org/history-…
https://www.theguardian.com/film/2008…
https://www.moviemistakes.com/film960
Special thanks to my mom, dad, and uncle for making sure this was accurate and providing media for the end bit, especially my father (Mark Hall-Patton), who proofread the script as well.
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Wiki:
Patton is a 1970 American epic biographical DeLuxe Color war film about U.S. General George S. Patton during World War II. It stars George C. Scott, Karl Malden, Michael Bates and Karl Michael Vogler. It was directed by Franklin J. Schaffner from a script by Francis Ford Coppola and Edmund H. North, who based their screenplay on the biography Patton: Ordeal and Triumph by Ladislas Farago and Omar Bradley’s memoir A Soldier’s Story. The film was shot in 65 mm Dimension 150 by cinematographer Fred J. Koenekamp and has a music score by Jerry Goldsmith.Patton won seven Academy Awards, including Best Picture, Best Director and Best Original Screenplay. Scott won Best Actor for his portrayal of General Patton, but declined to accept the award. The opening monologue, delivered by George C. Scott as General Patton with an enormous American flag behind him, remains an iconic and often quoted image in film. The film was successful, and in 2003, Patton was selected for preservation in the United States National Film Registry by the Library of Congress as being “culturally, historically or aesthetically significant”. The Academy Film Archive preserved Patton in 2003.
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#History #Patton #Review #Accuracy #GeneralPatton
Forgotten Weapons
Published 28 Oct 2017Sold for $1,380 (deactivated).
The US was one of the few major military powers that went into World War II without a substantial infantry antitank weapon. Most countries had an antitank rifle of some sort, but the US just had some marginal antitank rifle grenades. That was rectified in late 1942 when the M1 Rocket Launcher — aka the Bazooka — was introduced. Using a 2.36″ shaped charge warhead, it was able to penetrate about 4.7 inches of armor, which was effective through most of the war. A larger version went into development in 1943 though, because it was clear that the M1 would soon become obsolete.
The 3.5″ M20 Super Bazooka was adopted in late 1945 and put into production in 1948, with its first combat use coming in the Korean War. It was much more powerful, capable of penetrating 11 inches of armor plate. The launcher itself weighed just 13 pounds, with each rocket adding another 8.9 pounds. This, and the updated M20A1, would serve as the main US infantry antitank weapon until replaced by the 90mm recoilless rifle in the 1960s.
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From the comments:
WeirdHarold49
2 years agoSince Ian forgot and Wikipedia knows:
Origin of the “bazooka” name
Shortly after the first prototype launcher and rockets had been tested by firing into the Potomac River, Skinner and Uhl took the new system to a competitive trial of various types of spigot mortar (at that time seen as the most promising way to deliver a shaped charge), which was held at the Aberdeen Proving Ground in May 1942. The new rocket launcher scored several hits on a moving tank while the five different mortars achieved none; this was a considerable achievement since the launcher’s sights had been fabricated that morning from a wire coat hanger. The trial was being watched by various senior officers, among them the Chief of Research and Engineering in the Ordnance Department, Major General Gladeon M. Barnes. Barnes was delighted by the performance of the system and fired it himself, but commented: “It sure looks like Bob Burns’ bazooka”. Bob Burns was a popular radio comedian, who used a novelty musical instrument which he had devised himself and called a “bazooka”.
Overly Sarcastic Productions
Published 23 Jan 2015I’m baaaaaaaack!
This one took me a while. The reason why should be pretty obvious. Enjoy your adorable murderfest.
Troy may be a good movie (though I have my doubts) but it sure as hell isn’t the Iliad.
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The Tank Museum
Published 23 Nov 2018The Valentine Bridgelayer, on a Valentine Mark I hull, was developed in 1943 during the Second World War. They were largely superseded by Churchill Bridgelayer, although some Valentine Bridgelayers were used in north-west Europe from 1944 to 1945, because the supply of Churchill Bridgelayers could not meet demand.
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World War Two
Published 25 Jan 2020The British offensive in East-Africa takes off with some rapid advances. Meanwhile in Eastern-Europe, Romania is the stage of fierce anti-semitism, but also infighting between two of the groups causing the anti-semitism.
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Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
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Daniel WeissSources:
IWM (B 10600)
Narodowe Archiwum Cyfrowe
freemason by Kyle Tezak from the Noun Project
Letter by Mochammad Kafi from the Noun Project
ETH-Bibliothek Zürich, Bildarchiv / Fotograf: Wehrli, Leo / Dia_247-08618
Private collection of Riggio family https://commons.wikimedia.org/wiki/Fi…Soundtracks from the Epidemic Sound:
Philip Ayers – “The Unexplored”
Max Anson – “Ancient Saga”
Hakan Erikson – “Epic Adventure Theme 4”
Andreas Jamsheree – “Guilty Shadows 4”
Johannes Bornlof – “Last Man Standing 3”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
2 days ago
Thank you all so much for reaching 400.000 subscribers! Thanks to all of your support and enthusiasm, more and more people get to see more and better content. In fact, from mid-February onwards, we are going to publish three WW2 videos a week, including Out of the Foxholes, Biographies, Special Episodes, War Against Humanity and a new series on the Homefronts. Not only that, we are also going to start a new series on the TimeGhost History Channel (http://www.youtube.com/c/timeghost). Our Patreons get to vote on what we’ll do next! So don’t miss out and change history here -> https://www.patreon.com/posts/what-timeghost-33300161
Cheers, Joram
Forgotten Weapons
Published 2 Apr 2018Sold for $17,250.
When the Browning Arms Company first began importing semiautomatic FAL rifles from FN in 1959, the submitted an example for evaluation, and ATF determined that it was not a machine gun. The rifle was made with a selector that could not be moved to the fully automatic position, and did not have the automatic sear required for full auto firing. This was acceptable at the time, and Browning would import 1,836 of these rifles (mostly standard configuration, but some heavy barrel and paratrooper patterns) by January 10, 1963. On that date, ATF changed its standard, and ruled the FAL as currently being imported now would be considered a machine gun subject to the NFA. In order to be acceptable now, the rifle must not be able to accept an automatic sear at all, not merely be made without one. However, ATF ruled that the previously imported guns would be grandfathered in, and remain legally owned as semiautomatic rifles. They were listed by serial number (an additional 12 guns were added in 1974 which were imported by “administrative error”), and remain exempted from the NFA to this day. For the FAL collector, these G-series rifles are desirable because they are completely authentic and original early FN production guns, without any of the design changes that would be required later for importation.
Exempt serial number list: http://www.gseriesfal.com/docpages/91…
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I don’t begrudge any Aboriginal person a desire to fill in the blanks in their histories with romanticism, particularly given the rewards on offer. The story of white injustice and black tragedy has become the most acceptable Aboriginal tale to tell, and is now the only perspective on Aboriginal history — despite that dearth of documented accounts — that could possibly be accepted as authentic and true. To suggest that our story is not all about victimhood is bad enough; to suggest that modernity was in any way a blessing is double-plus ungood crimethink.
[…]
Those who mourn the demise of Aboriginal culture almost always regard things from the viewpoint of the men, who were indeed dispossessed of their land, and subsequently their traditions and status. Land wasn’t the only item of property they lost, however. They also lost or traded their women to the settlers, and this absorption — along with frontier warfare and disease — rapidly eroded tribal structures and doomed Aboriginal traditions to obsolescence. The settlers arrived with a wealth of goods and a shortage of females, and they were generally less enthusiastic about beating women than was customary in Aboriginal culture. In contrast, the Aboriginal men held no wealth, treated their women appallingly, and there were few taboos to prevent women from straying — and so stray they did. The men lost a lot in the invasion, while the women had little to lose and plenty to gain. Modern-day Aboriginal women who mourn the loss of traditional culture have rocks in their heads. (Metaphorically, that is. Back then, it would have been literally.)
Kerryn Pholi, “Something More: An Alternative Perspective on Australia Day”, Penthouse.au, 2018-01-22.
Overly Sarcastic Productions
Published 24 Jan 2020Tantalus! The number one dude known for his eternal punishment in Hades, perhaps second only to Sisyphus
Our content is intended for teenage audiences and up.
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