Forgotten Weapons
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Theme music by Dylan Benson – http://dbproductioncompany.webs.com
The Swedish Bofors company developed a sophisticated and very high-quality light anti-tank gun in the early 1930s, and found significant commercial success with it. A variety of countries either purchased the guns outright from Bofors or paid for licenses to produce them domestically. These countries included Denmark, Finland, Poland, the Netherlands, and Sweden itself. The largest number were in Poland (1200 or more), and there is speculation that some may have been sold to Spain during the Spanish Civil War (both these guns and a 40mm AA gun which definitely went to Spain were designated wz.36). A significant number were also captured and reused by German and Russian forces during WWII. On the Allied side, some of the guns were sold to the Sudan and used by British forces in North Africa (generally mounted on trucks).
The gun itself was an excellent design, capable of 12 rounds/minute of accurate fire and potent enough to deal with most of the smaller tanks in existence at the beginning of WWII. New tank developments made it obsolete, but it was at least effective against Russian light tanks (BT, T-26, T-28) in the Winter War if not the heavier T-34s. The gun has a sophisticated suspension system to help absorb recoil energy, and fired a 37 x 257mm shell with a 740g projectile at about 825 m/s (26oz @ 2700 fps). The action was semi-automatic, meaning that once fired, the action would recoil on the carriage, and automatically eject the empty case. It would then return to battery with the breech open, ready for a new shell to be loaded (in the video, the ejection mechanism has been disabled to help preserve the brass cases).
June 16, 2019
Finnish Bofors 37mm anti-tank gun
June 15, 2019
Miscellaneous Myths: Io
Overly Sarcastic Productions
Published on 14 Jun 2019The moon! The myth! The legend! The three millionth woman to live through an absolute nightmare just because Zeus couldn’t be bothered to keep it in his pants!
Still had a better life than Callisto, though.
Pro tip, if someone is listed on wikipedia as a “lover” of zeus, that does not at all indicate that their relationship was consensual.
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Just Peace Or Day of Dishonor? – The Treaty of Versailles I THE GREAT WAR June 1919
The Great War
Published on 14 Jun 2019Support us on Patreon and get an actual WW1 postcard signed by the team: http://patreon.com/thegreatwar
The Treaty of Versailles was the first of the big peace treaties after the armistice of 1918. In just six months the allied powers had – without talking to the defeated powers – negotiated a new world order while trying to make sure Germany would pay reparations to rebuild. The German delegation was only informed about the peace terms a few weeks before signing the Treaty and they were shocked about the terms. In May 1919 they even considered not signing the contract at all.
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Gerwarth, Robert. The Vanquished. Why the First World War Failed to End, 1917-1923 (Penguin, 2017).Leonhard, Jörn. Der überforderte Frieden. Versailles und die Welt 1918-1923 (CH Beck, 2018)
Macmillan, Margaret. The Peacemakers: Six Months that Changed the World (London: John Murray, 2001).
Sharp, Alan. The Versailles Settlement. Peacemaking after the First World War, 1919-1923 (Basingstoke: Palgrave MacMillan, 2008).
Stevenson, David. 1914-1918 (London: Penguin, 2012).
Winter, Jay and Antoine Prost. The Great War in History (Cambridge: Cambridge University Press, 2008).Hobsbawm, Eric. Age of Extremes. The Short Twentieth Century 1914-1991 (Abacus, 1994).
http://www.ataa.org/reference/iacom.pdfhttp://germanhistorydocs.ghi-dc.org/p… quoting:
Philipp Scheidemann, “Gegen die Annahme des Versailler Vertrages 12. Mai 1919”, Politische Reden III, herausgegeben von Peter Wende. Deutscher Klassiker Verlag:Frankfurt am Main, 1994, S.254-62»CREDITS
Presented by: Jesse Alexander
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The real explanation for our lack of moonbases/Concorde 2’s/great walls/pyramids
Homoitalicus Blog responds to a new book [At Our Wit’s End by Edward Dutton and Michael Woodley of Menie] that concludes that we (western civilization) are headed toward a similar fate as the western Roman Empire:
The reason that these staggering feats of engineering haven’t been repeated is more to do with economics and politics than with any perceived lack of engineering Genius in the population. The authors fail to reflect that emerging from the massively centralised wartime economy of the West there was an enormous technological infrastructure of scientists and capable administrators just sat there with no more Nazis to fight, communist megalomaniacs to support, Atom bombs to build and test, or greatest seabourne invasions in history to plan and implement.
This was probably the greatest concentration of intellect ever harnessed to a single cause and hopefully we’ll never need to see its like again
With the war done and dusted some new purpose needed to be found for all this talent, the way of government being what it is, returning all these geniuses to normal boring peacetime activity was never an option.
Newly nationalised aircraft industries took the wartime inventions of jet engine and the rest and evolved them with massive amounts of financial input from the government into Concorde, truly a magnificent aircraft but one which could uncharitably be described as using taxpayers’ money to ferry plutocrats from one side of the Atlantic to the other. Whether it ever really paid for itself is a moot point and the unseemly haste with which it was dumped after the crash tends to imply that its 50-year-old airframes were becoming a burden, and the economic case for making a new generation of supersonic planes is weak – luckily the will in the west for another taxpayer-funded effort doesn’t seem to be there. That is progress.
Likewise the man on the moon, possible only because of the Cold War space race.
The authors might as well explain the fact that we haven’t build another pyramid of Giza or Great Wall of China.
Their assertion that a general decline in the amount of creativity (which is correlated strongly with g) is justified by the observable decline in the quality of the output of the BBC. However other possible reasons for this are the infestation of Cultural Marxism and its baleful handmaid, Political Correctness, which really mitigate against creative thought. It is impossible to imagine making The Life of Brian, or The Sweeney or countless other shows which we enjoyed in our youth nowadays largely for reasons of PC and the fact that the BBC’s mission is now brainwashing rather than entertainment. State broadcasters the world over will suffer from the same problem, as does (worryingly) the world of academe in which speakers of truth or opinion which lie outwith accepted and very tightly bounded acceptability, are routinely no-platformed or summarily sacked. The teaching of history and the humanities generally has been debased, and only the STEM subjects seem to have resisted (excluding the question of Climate Change which has taken on the trappings of a religion rather than serious science).
As a consequence it is impossible to separate the effects of CM from the mooted results of a generalised decline in intelligence, and the authors are wrong not to point this out.
They don’t consider either the likely effect of the 20th century’s great blood letting in the fields of Flanders. A substantial proportion of the best and brightest of a generation were ground into the mud there before being able to procreate. I would be surprised if that had no effect on the quality of the gene pool.
H/T to the Continental Telegraph for the link.
QotD: The early Bauhaus
The ideas of the modernists were generally expressed in the imperative mood and were frequently of a pseudo-mystical nature. Professor Curl’s description of some of the practices prevalent in the early Bauhaus make for hilarity; cranks are always a source of fun. In the early days, the modernists of the Bauhaus tended to a form of health mysticism involving vegetarianism, garlic paste, and regular enemas. Far more important, however, was their early and inherent attraction to totalitarianism. As the author points out, Gropius and Miës van der Rohe had no objection to Nazism other than that the Nazis failed to commission work from them. Gropius was an opportunistic anti-Semitic snob who espoused communism until it was no longer convenient for his career. Miës sucked up to the Nazis as much as he was able. The fact that both of them emigrated from Germany has done much to obscure their accommodation with the Nazis and even allowed the modernists to pose as anti-Nazi — though the most important proponent of modernism in America, Philip Johnson, had for some years been a rank Nazi in more than merely nominal terms. Moreover, as Professor Curl points out, the Nazi aesthetic, like the communist, had much in common with modernism.
Theodore Dalrymple, “Crimes in Concrete”, First Things, 2019-06.
June 14, 2019
“Great War” – World War One – Sabaton History 019 [Official]
Sabaton History
Published on 13 Jun 2019The title track of the upcoming Sabaton Album The Great War is about the conflict in general. The horrors, modern techniques and tactics and the differences with other conflicts.
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Hosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Maps by: Eastory
Edited by: Iryna Dulka
Sound Editing by: Marek KaminskiEastory YouTube Channel: https://www.youtube.com/channel/UCEly…
Archive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.Sources:
– IWM: Q 57096, Q 24285, IWM 1053, Art.IWM ART 1921, Art.IWM ART 4028, Art.IWM ART 876, Art.IWM ART 2660, IWM 1062-02a, Q 23760, IWM 59, IWM 1043a, Q 2891, Q 5733, Q 2902, CO 2246, Q 2712, Q 5937, Q 2735, Q 5714, Q 3117, Q 3002
– National Library of Scotland
-Colorization: KlimbimAn OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
From the comments:
Sabaton History
1 day ago
This episode is somewhat different from what we normally do. Usually, the episodes are about battles, confrontations or individuals in war. This time, it is about an ENTIRE WAR. The title track of the upcoming Sabaton Album The Great War is about the horror and overall experience of the Great War. We have showcased a number of songs now, so if you’re certain that it is to your liking, make sure to go over to our Patreon site to check out the exclusive “History Edition” of The Great War album! -> https://www.patreon.com/sabatonhistoryCheers!
How Streamlining Changed Trains Forever | Spark
Spark
Published on 25 Jun 2018Steam trains leapt forward in speed once Nigel Gresley decided to make them slick, sexy and streamlined.
In the 1930’s, Britain had a railway network that was envied around the world. The East and West Coast railway companies fought to transport passengers from London to Scotland in the shortest time possible.
Originally broadcast in 2003. Content licensed by DRG Distributions. Any queries, contact us at hello@littledotstudios.com
QotD: Kink-shaming
Paradoxically, redrawing the boundaries of what is “acceptable” and “appropriate” in order not to make anyone feel “excluded” actually has the counter-productive effect of literally excluding many groups from both social media and public platforms: ex-Muslims espousing atheism, women querying the rights of the transgendered to play them at sport, and lesbians not attracted to a penis even if it has a frock over it. A whole page of last week’s Sunday Times was entirely composed of items reflecting what I call the Perils Of Inclusivity: “Tax expert fired for saying trans women aren’t women” – “Gallery covers up art after complaints by Muslim viewers” – “Anonymous journal lets academics publish and not be damned”. All in aid of preventing hurty feelz!
And now sexual perverts (among whom, on occasion, I happily count myself) are the latest group to demand “inclusion”. Please! When I was young, we thought nothing more desirable than being An Outsider – why are the young of today so obsessed with getting a tick on the register, rather than playing hooky? There is a happy place between believing that no one should be excluded on the basis of race, sex or social class, and believing that official validation of every life choice any person freely makes are the same. Someone who likes dressing up in a gimp mask is not Rosa Parks, and I find the increasing lack of ability to differentiate between the two in some quarters highly risible at best and downright insulting at worst.
The latest snowflake flutter is “Don’t kink-shame me!”. At a Vancouver university last year, a man insisting he was an “adult baby” pestered a university nurse to change his dirty nappy and perved over his repulsed female classmates. A whistle-blowing workplace-safety director was sacked for standing up for the women. In Wolverhampton a few months back, a tattooist calling himself “Dr Evil” was charged with grievous bodily harm after slicing ears and nipples from paying customers. He was reported as having support from “the body-modification community” who set up a petition in his favour.
Perhaps the most gobsmacking illustration of how mainstream perversion has become is a photograph of a Pride march showing a gaggle of kiddies (whose parents obviously got the memo that Pride is family-friendly) staring in what looks like confused repulsion at a man in front of them who leads a group of men, crawling on all fours and dressed as dogs, on leashes. Personally, I don’t think Pride needs to be family-friendly – it’s about the very adult desire to connect your genitalia to the genitalia of the same sex, which is pretty specific. But neither is it about kinks. Considering its origins, lesbians have far more right to be there than men who pretend to be dogs at weekends. Lesbians are now routinely removed from Pride marches by police due to their insistence that lesbians don’t have penises and the hurty feelz this causes in people who believe they can and do.
I’m a broad-minded broad, so I’m not offended by these people – but I do despise them for being so wimpy that they need their kink validated by straight society. When did perverts start being ashamed to be perverts and need to be a community? “Community” used to be such a jolly word, redolent of cheery singing or a nice place to land on the Monopoly board. Now it just means a bunch of whiners whining about stuff.
Julie Burchill, “The pervert community? Oh please”, Spiked!, 2019-05-08
June 13, 2019
Americans “don’t really believe in foreigners”
A few days back, Sarah Hoyt wrote a long post about the actual differences between American culture and the many different cultures that most Americans have difficulty understanding:
I don’t think anyone who hasn’t actually acculturated between two countries understands how different cultures can be, deep down, at the bone level and the most basic reactions level, let alone what causes the difference, from inherited influences to just deep built in assumptions about climate/physical plant/fauna.
And some of the people who have acculturated, at that, might not be self-aware enough to see the difference, and just replace one set of assumptions with another and roll with it. (Or get caught somewhere between. Well, to some extent we all get caught somewhere between. The question is, what percentage is in the new country. I’d say for me, after being in Portugal recently, probably 95% American. There are things trained in before the age of 3 which I’ll never let go of, though some got truly weird with the acculturation, like how I react to “shame.”)
That experience this weekend was the “clicking in” of something that’s been bothering me for a long time. In our writers’ group I used to run across people who projected modern AMERICAN female back into the time of pharaohs. One of my best friends refused to believe me when I told her there was zero chance of an alien race having the same university system as the US since even Portugal (avowedly human) doesn’t. There were other things. You guys have heard me rant about several “historical” books that make the past exactly like the future only with different tech. The fact that they don’t understand that tech affects not just how people live but how they think, feel and react is another of those things I don’t get, as I think even within living memory we should be able to see how different things have gotten. See for instance not wearing of aprons, because the clothes are cheap enough and abundant enough that ruining a shirt is not a big deal, unless it’s a very good shirt.
Technological shifts in living memory have made ordinary life from before the new technology (like cheap, dependable cell phones) almost unimaginable. How many movies and TV shows from before the mobile phone became widely available depended as a plot point on the characters being unable to communicate with one another at key moments? Many mystery novels of the pre-mobile-phone era probably make no sense at all to modern readers because instant communication has become “baked in” to our world.
The clothing aspect has been less obviously important, yet only a couple of generations back, most people owned perhaps three changes of clothing, including one “good” suit/dress for church-going or special occasions. We’ve become so wealthy as a culture that almost everyone has more than enough clothes for any imagined need … although church-going has become almost exotic to urban and even suburban folks, and formal attire is becoming more and more rare. (But everyone has more T-shirts and shorts than they know what to do with.)
But until this weekend I didn’t realize how prevalent and universal it is, since the clash took place between two people from native anglophone cultures, both of which are denizens of the net and contact people of other countries, regularly. Okay, one of them didn’t know she was dealing with a foreigner […] This weekend I realized people don’t really believe in foreign countries either. They’re willing to accept that some things (and those usually conform to their mental picture of the generic “culture” or “region”) are different, but that the fundamentals and the cherished unexamined assumptions might be different is unthinkable — literally. And if we can think of them, we still assume the other country is somehow “wrong” or worse “pretending” to be different to be contrary.
This means, ultimately, that even an era of instant all over the world communication, human tribalism still wins. And with it, I suppose, nationalism.
The wave of populism in the west that has taken the establishment and the mainstream media by surprise is a predictable response to the globalist attitudes of the elites. If you work hard enough at it, you can provoke unpleasant responses from those who don’t agree with your worldview, and the transnational elites have been working very hard indeed.
There are other implications: since it’s virtually impossible to avoid faster communication and more widespread travel in the future, this is going to make the next couple/three centuries a series of epic clashes, until either some sort of understanding emerges or polarized cultures can immigrate to the stars and far far away from each other.
Mass immigration is a REALLY bad idea (‘mkay) not that this is a surprise to any of you. People inhabiting enclaves of “their kind” are slow to acculturate (three generations, if it happens at all.) And the number of people coming over the Southern border is like nothing we’ve ever experienced before. And trust me, in terms of functionality, you do NOT want to import any culture descended from 17th century Spain. There is a reason that the American countries South of us are in crisis on a more or less permanent basis, and that Brazil, screwed up though it is, is more functional than the others. No, just no.
I’m certainly not against immigration, but I strongly believe it is possible to have too much immigration, as Europe and the United States are being forced to confront. When people leave their native land to go somewhere else, be it for economic or political reasons, there’s a natural expectation that they will at least attempt to acculturate to their new country. To western elites, this is wrong (or at least, misguided) and “we” should encourage new immigrants to avoid acculturation and to embrace and celebrate the culture they came from. Because reasons. And a lot of immigrants are happy to avoid the hard work of learning how to fit in to the foreign culture they find themselves in — and it is hard work — leading to second or third generations who still can’t or won’t fit in and adapt to the culture.
Let me just say that is one more proof of “people don’t really believe in foreigners.”
Sure, a lot of American culture is triumphant and imitated. Only it’s more “spoofed” because what they imitate is what they see in movies, and proving that humans prefer narrative to lack there of, even when it makes no sense, the bad parts are often picked up first. And they’re often bad parts only seen in movies, btw. Like certain underclass behaviors being seen as glamorous.
But it’s an overlay. At a deep down level, these people dressing in jeans and t-shirts are still foreign and — THIS IS VERY IMPORTANT — don’t believe Americans software-in-the-head is different, which leads to cargo-cultish attempts to import American successes without getting what brings them about, from innovation, to social mobility to freedom of speech. Not really, not at a deep level.
[…]
This means the left’s project of “fighting nationalism” is not just doomed, but it’s stupid as eating rocks, and will cause only unending misery suffering and war. (So, SOP for Marxists. In fact, chalk this whole internationalism bullshit as something else Marx was wrong about. Workers of the world unite, my little sore feet.)
Shooting the MG-34 and MG-42
Forgotten Weapons
Published on 11 May 2014Cool Forgotten Weapons Merch! http://shop.bbtv.com/collections/forg…
Theme music by Dylan Benson – http://dbproductioncompany.webs.com
The MG-34 and MG-42 machine guns were the mainstay of German infantry (and vehicle) firepower during World War II, and it will take several videos to properly cover them. For now, we are shooting them both, and explaining how to load, unload, and operate them (including changing barrels on the MG42). Enjoy!
June 12, 2019
High Hitler! – Nazis on Crystal Meth Part 1 – WW2 SPECIAL
World War Two
Published on 11 Jun 2019You might have heard he a was vegetarian. You might have heard that he shunned alcohol. You might have heard he was anti-tobacco. Then you might think he was against hard drugs as well, but you’d be wrong…
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Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
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Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Research by: Spartacus Olsson
Edited by: Wieke Kapteijns
Sound design: Joakim BrodénColorisations by Julius Jääskeläinen https://www.facebook.com/JJcolorization/
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
2 hours ago (edited)
This is the first of our specials on drug use in the Third Reich, and this episode is about the drug addiction of Adolf Hitler himself. As Indy mentions in the video, YouTube regularly demonetises our content. Instead, we fully rely on our Patreon supporters to finance these series and this special. What doesn’t help, is that YouTube algorithm recommends demonetised episodes less, even further limiting our efforts. So, please share this video with your brothers and sisters, your friends, neighbours, your grandma and your history teacher. And make sure to turn on your notifications! And if you really like what we do – please consider supporting us on https://www.patreon.com/TimeGhostHistory or at https://timeghost.tv.
QotD: Militant Islam and the Western media
Mark Steyn is a brave man. He doesn’t talk about his death threats or his security measures, but his public life speaks for itself. For the fifth anniversary of the Muhammad cartoon controversy, he stood on a stage in Copenhagen with the Danes who were not yet in hiding along with Lars Vilks, the Swedish cartoonist who had survived physical attacks, arson, at least three assassination plots, and an Al Qaeda hit list. Steyn returned for the tenth anniversary observance, a few months after the Charlie Hebdo massacre, but by then no cartoonists were left — they were all in hiding, including Vilks, after yet another attempt on his life.
“I’m always willing to stand with the guys in Denmark,” says Steyn. “But the reason all these left-wing Europeans end up on a stage with an eccentric right-wing Canadian like me is that no real A-list stars will agree to be there. At the tenth anniversary both the American State Department and the British Foreign Office even issued official warnings to their citizens to stay away from the Danish Parliament, where we were holding the ceremony. What kind of signal does that send? Why don’t the artists show up for these things? Why aren’t the movie stars there? When Theo Van Gogh was assassinated, no one at the Oscars had a word to say about it. They didn’t even put him in the obituary montage. And yet they congratulate themselves on their moral courage. George Clooney wears a Je suis Charlie Hebdo pin. Helen Mirren wears a brooch. But they were not with Charlie. Those guys died alone. This is gesture politics. No one would stand with them. I honour the genuine courage of Ayaan Hirsi Ali. Ayaan’s point is absolutely right — in the end you have to share the risk. Charlie Hebdo supported the Danish cartoonists, but the rest of the world didn’t. If every newspaper had published those cartoons, there would have been no point in killing anyone because there would have been too many people to kill. Instead, nobody stands with them, and so the small publication that does ends up massacred. The writer of the comic strip Doonesbury in America [Garry Trudeau] attacked the decision of PEN to honour Charlie Hebdo. Well, they were lying on the floor, bleeding and dying. I don’t think they noticed.”
The Danish cartoon controversy was actually the first moment the American press had been challenged by Islam and could do something in response — and their reaction was a spectacular failure of will and principle. In several countries around the world, it was actually against the law to publish the Danish cartoons, but many editors stepped up, published them anyway, and suffered the civil and criminal consequences. In the United States — where there was no such law — no major publication would print them.
Mark Steyn, interviewed by John Bloom, “Mark Steyn, Cole Porter and Free Speech”, Quadrant, 2017-05-11.
June 11, 2019
“[I]t may suddenly occur to you that Mazin has turned a deadly epochal disaster into … a buddy-cop movie”
I haven’t watched Chernobyl, but a lot of sensible people, including Colby Cosh, insist that it’s well-worth the watching:
It looks as though HBO’s miniseries Chernobyl will take the title as the prestige TV event of the first half of 2019. This is pretty remarkable, all things considered. The writer of the series, Craig Mazin, is still described on Wikipedia as “an American screenwriter and film director best known for writing Identity Thief, The Hangover Part II, The Hangover Part III, and The Huntsman: Winter’s War.” The director, Johan Renck, is a Swede who got his start as a Eurodance performer with the nom de guerre “Stakka Bo.” For the zillionth time, HBO has spread its patented secret sauce over unpromising ingredients and delivered superb television.
I am being something of a jerk about these people, of course. Screenwriters don’t have much control over which of their scripts get made and what happens to those scripts on the set, and Mazin is admired as a critic and teacher. (Unusual respect for writers is an obvious component of that HBO magic.) As for Renck, he got from trashy music to HBO through an apprenticeship in music video — the same kind of apprenticeship that brought us David Fincher, Spike Jonze and Michel Gondry. He may, in this regard, be the last gasp of a noble tradition.
It is not that the Chernobyl series doesn’t have elements of hackiness. After spending a couple of hours watching Jared Harris’s austere scientist and Stellan Skarsgård’s smarter-than-he-looks apparatchik warm to each other while trying to save Eastern Europe from obliteration, it may suddenly occur to you that Mazin has turned a deadly epochal disaster into … a buddy-cop movie. Set aside the wonderful visual poetry, the period detail and the fine soundtrack, and the spine you’re left holding is a whodunit. It’s the Case of the Exploding Reactor.
I think Mazin would probably admit this, if he hasn’t already, but if it’s not clear enough, the whole thing winds up in the last episode with a contrived courtroom drama, one which does not quite resemble anything that ever happened in connection with Chernobyl.
Here is the funny and admirable thing: the solution that Mazin’s “cops” work out is highly technical and involved, is explained in careful detail, and is more or less the real solution to the mystery of Chernobyl. Mazin, who is my age and was therefore a teenager when the reactor went kablooie, is not some Jordan Peterson-esque Soviet-history nerd or someone who wanted to turn Chernobyl into a metaphor. It just seems to have occurred to him one day, quite recently, that he knew the word “Chernobyl,” and remembered that Chernobyl was very bad, but wasn’t sure what exactly had happened. When he found out he realized there was a movie in it.
Between the accidents at Chernobyl and Three-Mile Island (in 1979), the nuclear power industry was set back literally decades … despite being one of the best — and safest — answers to the problem of generating enough electricity to keep modern industrial countries humming along while also reducing production of carbon dioxide in the atmosphere. Maybe someone will produce a TV mini-series to de-mystify the American nuclear accident soon, and debunk the half-truths, quarter-truths, and outright lies that still bedevil any discussion of nuclear power in the western world.
Actually, this explains so much about the British Tory party

Image by Peter Reynolds
https://peter-reynolds.co.uk/2019/06/01/which-conservative-leadership-candidate-has-the-intelligence-and-courage-to-legalise-cannabis/
I look at the race to succeed Theresa May as Tory leader and I wonder, to modify our Sunday Poem, where are the squares of yesteryear? No Conservative seeking to maintain political viability wants to seem too disconnected from the debauchery of contemporary Britain. So it has become the habit to confess to “youthful indiscretions”, “youthful” being a term of art stretching easily into late middle age.
This time round the craze is for drug-fiend Tories. Of this week’s crop of alleged leadership contenders, Foreign Secretary Jeremy Hunt says he had a cannabis lassi while backpacking in India; International Development Secretary Rory Stewart admits he puffed on an opium pipe at an Iranian wedding; my old boss Boris Johnson claims to have snorted icing sugar at Oxford; former Brexit Secretary Dominic Raab discloses he’s tried cannabis but never any “Class A drugs”; and, just to put the hallucinogenic icing on the psychotropic trifle, the Environment Secretary Michael Gove reveals he only does “Class A drugs”.
Mr Gove purports to have taken cocaine as a “young journalist” twenty years ago – that’s to say, when he was in his thirties and working for The Times. He applied for a job round about that time at a publication for which I then wrote, and the chum of mine who took the interview reported back that Gove was one of the most boring men he’d ever had the misfortune to sit through lunch with. If he was snorting in the bog between the soup and fish, it evidently didn’t add any sparkle to his repartee. For American readers, the notion of Michael Gove as a cokehead is roughly analogous to discovering Mike Pence spends his weekends in a gay leather bar: It renders the very concept of transgression pointless. Given what he’s like on his face, the idea of Gove off his face is too surreal to contemplate.
TAB Episode 48: QF 6pdr Anti-Tank Gun
The Armourer’s Bench
Published on Apr 28, 2019The 6pdr AT Gun was introduced in 1942, joining the lighter 2pdr, the new gun was more capable of dealing with the increasing thickness of Axis armour. The 6pdr first saw action in North Africa and was used throughout the war in Europe and Asia. It also armed a series of British armoured cars, tanks, ships and even aircraft!
In this video Matt looks at the history, development and use of Britain’s second dedicated anti-tank gun.
Check out our accompanying blog on the 6pdr AT Gun over at: http://armourersbench.com/2019/04/28/the-6pdr-qf-anti-tank-gun/If you enjoyed the video please consider supporting our work via Patreon, TAB is a viewer supported, non-monetised channel and any help is very much appreciated!
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