World War Two
Published 1 Aug 2020Japan needs resources for its seemingly endless war in China, but where to look for them? And who might have a problem with it? Meanwhile in the Soviet Union, Hitler’s forces have been diverted from the Moscow Road, and are on the move in the north and the south.
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Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Director: Astrid Deinhard
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Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
– Norman Stewart – https://oldtimesincolor.blogspot.com/
– Jaris Almazani (Artistic Man) – https://instagram.com/artistic.man?ig…
– Dememorabilia – https://www.instagram.com/dememorabilia/
– Carlos Ortega Pereira, BlauColorizations – https://www.instagram.com/blaucoloriz…
– Olga Shirnina, a.k.a. Klimbim – https://klimbim2014.wordpress.com/
– Daniel WeissSources:
– Mil.ru
– Narodowe Archiwum Cyfrowe
– Bundesarchiv, CC-BY-SA 3.0 – Bild_101I-265-0024-21A, Bild 146-1976-080-13A
– Yad Vashem 1295/1Soundtracks from the Epidemic Sound:
Gunnar Johnsen – “Not Safe Yet”
Rannar Sillard – “Easy Target”
Johannes Bornlof – “Magnificent March 3”
Fabien Tell – “Break Free”
Brightarm Orchestra – “On the Edge of Change”
Wendel Scherer – “Growing Doubt”
Philip Ayers – “Under the Dome”
Philip Ayers – “Trapped in a Maze”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
August 2, 2020
August 1, 2020
QotD: Voluntary self-censorship
Obviously it is not desirable that a Government department should have any power of censorship (except security censorship, which no one objects to in wartime) over books which are not officially sponsored. But the chief danger to freedom of thought and speech at this moment is not the direct interference of the M.O.I. [Ministry of Information] or any official body. If publishers and editors exert themselves to keep certain topics out of print, it is not because they are frightened of prosecution but because they are frightened of public opinion. In this country, intellectual cowardice is the worst enemy a writer or journalist has to face, and that fact does not seem to me to have had the discussion it deserves.
Any fair‐minded person with journalistic experience will admit that during this war official censorship has not been particularly irksome. We have not been subjected to the kind of totalitarian “co-ordination” that it might have been reasonable to expect. The press has some justified grievances, but on the whole the Government has behaved well and and has been surprisingly tolerant of minority opinions. The sinister fact about literary censorship in England is that it is largely voluntary. Unpopular ideas can be silenced, and inconvenient facts kept dark, without the need for any official ban. Anyone who has lived long in a foreign country will know of instances of sensational items of news — things which on their own merits would get the big headlines — being kept right out of the British press, not because the Government intervened but because of a general tacit agreement that “it wouldn’t do” to mention that particular fact. So far as the daily newspapers go, this is easy to understand. The British press is extremely centralized, and most of it is owned by wealthy men who have every motive to be dishonest on certain important topics. But the same kind of veiled censorship also operates in books and periodicals, as well as in plays, films and radio. At any given moment there is an orthodoxy, a body of ideas which it is assumed that all right thinking people will accept without question. It not exactly forbidden to say this, that or the other but it is “not done” to say it, just as in mid‐Victorian times it was “not done” to mention trousers in the presence of a lady. Anyone who challenges the prevailing orthodoxy finds himself silenced with surprising effectiveness. A genuinely unfashionable opinion is almost never given a fair hearing, either in the popular press or in the highbrow periodicals.
At this moment what is demanded by the prevailing orthodoxy is an uncritical admiration of Soviet Russia. Everyone knows this, nearly everyone acts on it. Any serious criticism of the Soviet regime, any disclosure of facts which the Soviet Government would prefer to keep hidden, is next door to unprintable. And this nation-wide conspiracy to flatter our ally takes place, curiously enough, against a background of genuine intellectual tolerance. For though you are not allowed to criticize the Soviet Government, at least you are reasonably free to criticize our own. Hardly anyone will print an attack on Stalin, but it is quite safe to attack Churchill, at any rate in books and periodicals. And throughout five years of war, during two or three of which we were fighting for national survival, countless books, pamphlets and articles advocating a compromise peace have been published without interference. More, they have been published without exciting much disapproval. So long as the prestige of the U.S.S.R. is not involved, the principle of free speech has been reasonably well upheld. There are other forbidden topics […] but the prevailing attitude toward the U.S.S.R is much the most serious symptom. It is, as it were, spontaneous, and is not due to the action of any pressure group.
The servility with which the greater part of the English intelligentsia have swallowed and repeated Russian propaganda from 1941 onward would be quite astounding if it were not that they have behaved similarly on several earlier occasions. On one controversial issue after another the Russian viewpoint has been accepted without examination and then publicized with complete disregard to historical truth or intellectual decency. To name only one instance, the B.B.C. celebrated the twenty-fifth anniversary of the Red Army without mentioning Trotsky. This was about as accurate as commemorating the battle of Trafalgar with out mentioning Nelson, but evoked no protest from the English intelligentsia. In the internal struggles in the various occupied countries, the British press has in almost all cases sided with the faction favored by the Russians and libeled the opposing faction, sometimes suppressing material evidence in order to do so. A particularly glaring case was that of Colonel Mihailovich, the Jugoslav Chetnik leader. The Russians, who had their own Jugoslav protégé in Marshal Tito, accused Mihailovich of collaborating with the Germans. This accusation was promptly taken up by the British press: Mihailovich’s supporters were given no chance of answering it, and facts contradicting it were kept out of print. In July, 1943, the Germans offered a reward of 100,000 gold crowns for the capture of Tito, and a similar reward for the capture of Mihailovich. The British press “splashed” the reward for Tito, but only one paper mentioned (in small print) the reward for Mihailovich; and the charges of collaborating with the Germans continued. Very similar things happened during the Spanish civil war. Then, too, the factions on the Republican side which the Russians were determined to crush were recklessly libeled in the English leftwing press, and any statement in their defense, even in letter form, was refused publication. At present, not only is serious criticism of the U.S.S.R. considered reprehensible, but even the fact of the existence of such criticism is kept secret in some cases. For example, shortly before his death Trotsky had written a biography of Stalin. One may assume that it was not an altogether unbiased book, but obviously it was saleable. An American publisher had arranged to issue it and the book was in print — I believe the review copies had been sent out — when the U.S.S.R. entered the war. The book was immediately withdrawn. Not word about this has ever appeared in the British press, though clearly the existence of such a book, and its suppression, was a news item worth a few paragraphs.
George Orwell “The Freedom of the Press”, 1945 (written as the introduction to Animal Farm, but not published in Orwell’s lifetime).
July 31, 2020
“Coat Of Arms” – The Greco-Italian War – Sabaton History 078 [Official]
Sabaton History
Published 30 Jul 2020Morning of October 28th, 1940.
The Italian ambassador to Greece had entered the house of Greek Prime Minister Ioannis Metaxas. An unacceptable ultimatum in hand, he demanded subjugation under Italian rule. Refusal would mean war. An ardent Ochi! was the answer. No, the Greek would not bow to fascist demands, but instead fight for the defense of their country and their honor. What followed were months of bitter fighting in the harsh environment of Epirus and the Macedonian mountains.
The Greco-Italian War.
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https://youtu.be/wtax3Fl-UZoThe episode of WW2 in Real-Time Indy was talking about: https://www.youtube.com/watch?v=GYznP…
Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Community Manager: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Karolina Dołęga
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastory
Archive by: Reuters/Screenocean https://www.screenocean.com
Music by SabatonSources:
Bundesarchiv
Narodowe Archiwum Cyfrowe
Imperia War Museums: 205197881
Diplomatic and Historical Archive Department
Italian map by F l a n k e r from Wikimedia
The icons from Noun Project: Oksana Latysheva, Wichai Wi, baken studio, ProSymbolsAn OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
Herodotus on the Ancient Egyptians: An Introduction to Herodotus
The Study of Antiquity and the Middle Ages
Published 1 Mar 2020This is the first episode of a six part series by Herodotus on the Ancient Egyptians. This first episode is merely a brief overview and introduction to Herodotus himself and why his histories are important.
AN ACCOUNT OF EGYPT By Herodotus, translated By G. C. Macaulay
https://www.gutenberg.org/files/2131/…DW Draffin is an audiobook narrator, stage actor, and independent author.
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Music: “Sands of Mystery: Desert Music” (Royalty Free)
https://youtu.be/_6uGNZDSsAk
Trey Van ZandtImage credits:
kairoinfo4u : www.flickr.com/photos/manna4u
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July 29, 2020
What was TEKOI?
CGP Grey
Published 28 Jul 2020## Related Videos
Exploring Tekoi: https://www.youtube.com/watch?v=ABMV4…
Defeated by Tumbleweeds: https://www.youtube.com/watch?v=7FeXP…
## Special Thanks
Gregory Waltz
## Crowdfunders
Steven Snow, Bob Kunz, John Buchan, Nevin Spoljaric, Donal Botkin, BN-12 , Chris Chapin, Richard Jenkins, Phil Gardner, Martin, Steven Grimm, سليمان العقل, Elliot Lepley, Colin Millions, David F Watson, Saki Comandao, Ben Schwab, Jason Lewandowski, Bobby, rictic, Marco Arment, Shallon Brown, Shantanu Raj, emptymachine, George Lin, Jeffrey Podis, Ben Delo, Henry Ng, Thunda Plum, Awoo, David Tyler, Fuesu, iulus, Jordan Earls, Joshua Jamison, Nick Fish, Nick Gibson, Tyler Bryant, Zach Whittle, Oliver Steele, Kermit Norlund, Derek Bonner, Derek Jackson, Mikko, Orbit_Junkie, Ron Bowes, Tómas Árni Jónasson, Andrew Bereza, Rebecca Wortham, Bryan McLemore, Bear, chrysilis, David Palomares, Emil, Erik Parasiuk, Esteban Santana Santana, Freddi Hørlyck, John Rogers, ken mcfarlane, Leon, Maarten van der Blij, Peter Lomax, Rhys Parry, ShiroiYami, Tristan Watts-Willis, Veronica Peshterianu, Dag Viggo Lokøen, Essa omar, Ryan Richards, Alex Simonides, Felix Weis, John Lee, Maxime Zielony, Melvin Sowah, Elizabeth Keathley, Christopher Mutchler, Giulio Bontadini, Paul Alom, Ryan Tripicchio, Scot Melville, Kyle Wayman, Julien Dubois
## Music
David Rees: http://www.davidreesmusic.com
Update: CGP Grey posted a corrected version of this video here – https://www.youtube.com/watch?v=PCeMCwxayp0
He also posted the Director’s Commentary video (originally intended only for his Patrons) here – https://www.youtube.com/watch?v=ufsYK3Eecw4
There is also a video explaining how the whole process worked and how the error was missed, if you’re interested.
The Equity, Inclusivity, and Diversity Industrial Complex
In The Dominion, Ben Woodfinden comments on a Ross Douthat column on the “antiracist” demands of our modern protestariat (the hordes of un- or under-employed university-educated young liberals and socialists):

University College, University of Toronto, 31 July, 2008.
Photo by “SurlyDuff” via Wikimedia Commons.
… the most interesting aspect of this lockdown-induced outpouring of collective rage hasn’t been the protests, or the cancellations, but the woke job creation that is going on. The ideology behind things like “white fragility” is increasingly being transformed into what can be described as an equity-inclusivity-diversity (EID) industrial complex that might end up being the most significant long term structural change that emerges out of the protests.
One of the most common responses in elite institutions as they promise to address systemic racism has been the creation of new jobs and positions that will supposedly help to do so. For instance, the Washington Post created a set of new positions that will be focusing on racial issues. This included hiring a “Managing Editor for Diversity and Inclusion.” At Princeton, the administration announced, like many other elite universities, new courses (which means new teaching opportunities) focused on racial injustice, as well as new projects and funding for research to explore and address racial issues. Stanford has created a new Centre for Racial Justice at its law school.
This direct job creation is just the tip of the iceberg. The real EID industrial complex is in the creation of a vast number of new jobs dedicated to the promotion and advancement of the basic tenets of this ascendant ideology through the expansion of human resource departments to deal with these issues, the creation of new EID bureaucrats and administrators in universities, corporations, government departments, the rise of EID consulting and mandatory courses and workshops for employees, new jobs and potential litigation for lawyers, as well as courses and modules in law schools to teach aspiring lawyers about these things.
In the bestselling Ibram X. Kendi book How To Be An Antiracist, one of Kendi’s central solutions is to pass an anti-racist amendment to the U.S. Constitution and permanently establish and fund a Department of Anti-racism. This department:
would be comprised of formally trained experts on racism and no political appointees. The DOA would be responsible for preclearing all local, state and federal public policies to ensure they won’t yield racial inequity, monitor those policies, investigate private racist policies when racial inequity surfaces, and monitor public officials for expressions of racist ideas. The DOA would be empowered with disciplinary tools to wield over and against policymakers and public officials who do not voluntarily change their racist policy and ideas.
The radical tendencies of the bourgeois bolsheviks in the streets might make them seem like true revolutionaries, but what this movement seems to actually want to create, with remarkable success, is new employment opportunities for true believers in the new anti-racist creeds. Racism won’t so much be solved by tearing society down, but by massively expanding new professional and managerial jobs that can guarantee full employment for the credentialed class of true believers.
O’Boyle’s thesis is that the revolutions that swept across European cities in 1848 were because a large surplus of resentful and overeducated men felt society was denying to them what they were rightfully owed. O’Boyle looks at Germany, where university education was cheap, and was “emphasized as an avenue to wealth and power.” This ending up producing an excess of ambitious, but resentful and frustrated men who felt society was not allotting them the status and comfort they deserved. The same was true in France. But in Britain, the opportunities produced by industrialization that had yet to fully materialize on the continent kept this excess surplus of overeducated men much smaller, and helped insulate Britain from revolution.
What if the EID industrial complex actually helps to reduce the scarcity of opportunities in elite fields and institutions that will put a lid on the unrest that overproduction breeds? The EID industry is worth billions of dollars, and in a way it might be the solution liberalism offers to both the radical progressivism of this ideology, and to the challenge posed by elite overproduction.
QotD: Grog in the Royal Navy
More generally, though, do we have any historical evidence of groups whose alcohol consumption was documented with any confidence, to see how they fared?
Actually, we do, at least as a floor: we know the quantity of the Royal Navy’s spirit ration, which until 1823 was based on half a pint of rum (284 millilitres in foreign) per man per day. We also know its minimum strength, since it was tested by trying to ignite gunpowder soaked in it: it had to be over 57% alcohol by volume (“proof strength”) to pass. That’s sixteen units of alcohol – not per week, but per day – or north of a hundred units a week, just for the issued ration before sailors bought any extra from the purser. (No wonder Jack Tar was jolly back in those days!)
But clearly, we would expect a body of men consuming such suicidally destructive quantities of booze to be physical wrecks, raddled by cirrhosis and disease? As Dr James Lind (he of the discovery that citrus fruits were a sovereign remedy for scurvy) put it,
It is an observation, I think, worthy of record that fourteen thousand persons, pent up in ships, should continue, for six or seven months, to enjoy a better state of health upon the watery element, than it can well be imagined so great a number of people would enjoy, on the most healthful spot of ground in the world.
(For context, around this point the Navy won the battle of Quiberon Bay, with twenty ships – who had less than one man sick per ship).
The ration was halved in 1823, and again in 1850, but for a hundred and twenty years until Black Tot Day in 1970, the Navy still issued nearly thirty units of alcohol a week to everyone on the lower deck (junior rates got theirs diluted, seniors got neat rum). Either folk were hardier back then, or Britannia managed to rule the waves and keep her sailors reasonably healthy despite being a pack of hopelessly addicted alcoholics.
Jason Lynch, “How Much Is ‘Too Much’?”, Continental Telegraph, 2018-05-08.
July 28, 2020
Roman kit: featuring armour, swords, spears, artillery, rations, deckchairs, and of course shoes
Lindybeige
Published 27 Jul 2020Go to https://expressvpn.com/lindybeige and find out how you can get three months free.
A video of re-enactors and their Roman kit. Sorry about the wind noise.
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Tank Chats #76 Tetrarch Tank | The Tank Museum
The Tank Museum
Published 31 May 2019Tetrarch tanks were flown over on D-Day, 6th June, 1944, for the invasion of France during WW2. Find out more with David Fletcher.
Originally adopted by the British Army as a light tank it became the first British airborne tank.
Many thanks to Vitaly Kuzmin for providing the image of the Tetrarch at Kubinka https://www.vitalykuzmin.netSupport the work of The Tank Museum on Patreon: ► https://www.patreon.com/tankmuseum
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July 27, 2020
The Bronze Age Collapse (approximately 1200 B.C.E.)
Historia Civilis
Published 25 Jul 2020Just casually thinkin bout the end of the world. No, no reason, why?
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Oliver Dickinson, The Aegean From Bronze Age to Iron Age: Continuity and Change Between the Twelfth and Eighth Centuries B.C. | https://amzn.to/3h8ar0rMusic:
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“Heliograph,” by Chris Zabriskie
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From the comments:
ka v
1 day ago
I got Sea People Return in the December slot of my 2020 Apocalypse bingo card.
Food in Ancient Rome – Garum, Puls, Bread, and Moretum
SandRhoman History
Published 7 Jul 2019Food in ancient Rome – the cuisine of ancient Rome is probably not everybody’s cup of tea. Food in ancient Rome was consumed at the mensa, the dining table of the ancient Romans. A usual ancient Roman meal for the upper classes could look like this: puls, one of the main ancient Roman meals. This was essentially a form of porridge, along with that they might have eaten bread, refined with olives and figs. Bread was often eaten with moretum, a spread, made of sheep cheese, a lot of garlic and herbs. Most Roman meals would have been spiced with garum, a fermented fish sauce, to go along with such a meal, the Romans drank water or wine. Beer, called cervisia, in contrast would have been considered barbaric. The wine was usually diluted with water and sometimes spiced with herbs and vinegar. Water with vinegar was called posca, another variant was mulsum, wine spiced with honey.
Ancient Roman food had even more variety, but for now we just made the recipes below. We might make some more ancient Roman food in the future though.
Ancient Roman recipes:
First off: Put garum into everything. That’s actually what the Romans used, usually instead of salt and/or other condiments. [Consider it the ketchup of the ancient world.]
Garum recipe
– 1000 g small fish (sardines, anchovies or similar, fresh or frozen but uncooked)
– 500 g sea salt
– 2 1∕2 tbsp. dried oregano
– 1 tbsp. dried mint
– 1,5 litres water
– 5 tbsp. honey
Put everything in a pot and cook it until the fish falls apart (ca. 15 minutes). Pestle it with a spoon or similar and reduce this broth for at least 20 minutes. Then strain it, let it cool and strain it again. Additionally, you can pour it through a filter cone to refine the garum even further. Keep the garum in the fridge and throw it away if it gets dreggy.Moretum recipe
– 300 g of ricotta
– 100 g pecorino (or similar hard sheep cheese)
– 3 tbsp. white wine vinegar
– 3 tbsp. sea salt
– 3 cloves of garlic
– a bunch of thyme
– a bunch of rosemary
– a bunch of estragon [tarragon]
– a bunch of coriander
– garum
Press the garlic, grind the pecorino and stir all the ingredients until you get a consistent mass. Done!
Pro tip: You might want to be careful with the amount of salt and especially garlic you add. Three cloves make it very intense.Puls recipe
– 500 g rolled oats
– 1.5 litres of water
– 1 tbsp. olive oil
– 100 g pecorino (or similar hard sheep cheese)
– 1 onion
– 2 carrots
– 150 g mushrooms
– 100 g streaked pork
– garum
Chop all the vegetables and cut the pork into strips. Then roast it gently in a bit of olive oil and put it aside. Cook the rolled oats with some water and add continuously as it disperses until you get a porridge-like consistency. Then add the prepared vegetables and meat and fold in the ground pecorino.
If you want to stay somewhat authentic to the Roman recipe use white, violet or yellow carrots: orange ones weren’t known in the occident until the Middle Ages.Panis militaris castrensis (Roman bread) recipe
Ingredients for one loaf (4 – 6P):
– 500 g spelt flour (whole grain)
– ½ tsp. of salt
– olives
– figs
– 3 tbsp. olive oil
– 1 tsp. honey
– 3 dl water (hand-hot)
– 15 g yeast (or one package of dry yeast)Mix everything up and knead it for at least 15 minutes. Then let it rise for an hour in a bowl covered with a towel (preferably in a warm spot). Form a loaf, cut six pieces (halfway through) and bake it for 35 minutes at 180°C.
Pro tip: take big olives and lots of them because the whole grain flour will be so dense that they kind of disappear.
Those recipes are taken from a cookbook which has been written about 2,000 years ago. Taking this into account you should be rather careful applying these cooking techniques. We are not to be held responsible for any damage resulting, neither for smelly apartments, nor for health issues.
#food #ancientrome #history #ancienthistory #rome
Twitter: https://twitter.com/Sandrhoman
July 26, 2020
French War In Syria – British War Against The Iraqi Revolution I THE GREAT WAR 1920
The Great War
Published 25 Jul 2020Sign up for Curiosity Stream and get Nebula bundled in: https://curiositystream.com/thegreatwar
The French and British colonial powers had their own plans on how to rule the Middle East after the costly campaigns of World War 1. National self-determination for the different groups in Syria, Iraq, Palestine and Arabia were not part of these plans. And so in the summer of 1920 the situation in Iraq and Syria escalated and the French-Syrian War and the Iraqi Revolt broke out.
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Kadhim, Abbas. Reclaiming Iraq: the 1920 revolution and the founding of the modern state (U of Texas Press, 2012).
Allawi, Ali. Faisal I of Iraq (Yale University Press, 2014).
Fromkin, David. A Peace to End All Peace (Macmillan, 2009 [1989]).
Naaman, Abdullah. Le Liban: histoire d’une nation inachevée.
Karsh, Efraim & Karsh, Inari. Empires of the Sand: The Struggle for Mastery in the Middle East 1789-1923, (Cambridge, MA : Harvard University Press, 1999)» MORE THE GREAT WAR
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Hagia Sophia
Lars Brownworth (author of the excellent Lost to the West: The Forgotten Byzantine Empire That Rescued Western Civilization) on the building of the Hagia Sophia by Eastern Roman Emperor Justinian in Constantinople:

Illustration of the Hagia Sophia from European History: An outline of its development by George Burton Adams, 1899.
Wikimedia Commons
The Hagia Sophia was the brainchild of a unique figure in history. At birth, Justinian was a nobody among nobodies in a grindingly poor part of what is today North Macedonia. By his mid-40s, he was a Byzantine emperor. His appetites were large, his dreams larger. The man who knew what it was like to have nothing gave new meaning to the idea of luxury. For one memorable celebration, he spent almost two tons of gold on decorations.
Justinian had no time for small things. By the second year of his reign, he had decided to codify all of Roman law, founded several new cities, and had started construction on at least eight new churches.
The money for all these projects inevitably came from the public. And by the fifth year of his reign, his subjects had had enough. Already upset by rampant corruption, an inefficient bureaucracy, and crushing taxes, they hit the boiling point when Justinian severely restricted public games. A mob tore through the streets, overwhelming the unprepared police forces. Several stores were set on fire, and the wind quickly spread the flames to a nearby hospital, which burned down with its patients inside. An inferno raged. For five long days, Constantinople burned.
By the time Justinian reasserted control, more than 30,000 citizens were dead, and perhaps a third of the city was a blackened shell. It looked as if some barbarian horde had sacked the capital. The fact that its own people had inflicted such a wound hovered like a black cloud over the streets.
Characteristically, Justinian saw a perfect opportunity within the ashes. This was a blank canvas on which to create a new city in his image. The transformation would begin with the cathedral. The original building, known simply as the Magna Ecclesia — the Great Church — had been built by a son of Constantine the Great in the fourth century, but had burned down a few decades later. Since it was a standard Roman basilica — a large hall with square walls and angled wooden roof — it had been fairly easy to rebuild along the same lines.
But of course, Justinian had no intention of following the tired plans of an earlier age. This was a chance to remake the cathedral on a new scale, something worthy of the ages. It was to be nothing short of a revolution, equal parts art and architecture, the enduring grandeur of the emperor himself frozen in physical form.
Everything about this project was audacious, including his selection of architects. Instead of choosing a traditional builder, he picked two teachers who — like himself — had more vision than practical experience. This was a lifelong pattern with Justinian. He had a habit of plucking genius out of the common crush; his wife was a reformed prostitute, and his greatest generals were an elderly eunuch and a former bodyguard.
The emperor’s instructions to Isidore of Miletus, a physics teacher, and Anthemius of Tralles, a mathematician, should have terrified them. They merely had to design and successfully build a church unlike anything else the world had seen. Sheer scale wasn’t enough — the empire was full of grand monuments and immense sculpture. This had to be something different, something fitting for the new golden age that was dawning. Expense wasn’t an issue, but speed was. Justinian was already in his 50s, and he didn’t intend to have some successor apply the final coat of paint and claim the project as his own.















