Joseph Kast recounts the story of a post-war government scheme to demolish slums, re-house the slum-dwellers in a massive public housing project and the architect whose career was forever blighted by the failure of the design:
An undated overview of some of the 33 buildings of the Pruitt-Igoe complex in St. Louis, Missouri. Designed by Japanese-American architect Minoru Yamasaki and built in the early 1950s. All had been demolished by 1976.
Uncredited photo from Wikimedia Commons.
Can society be designed? Can an expert engineer alleviate people’s pains and struggles with a good-enough central plan and blueprint?
Minoru Yamasaki thought so.
Yamasaki was one of America’s most well-respected architects in the 20th century and was a member of the school of thought that people’s human nature could be improved (whether those people needed or wanted improving) by a properly planned building surrounding them.
Yamasaki got to test his theory by designing the public housing complex that promised to be a template for all public housing going forward. The complex, St. Louis’ Pruitt-Igoe, was made possible by post-war New Deal housing and urban development programs. And like many New Deal initiatives, Pruitt-Igoe was guided by the idea that good intentions, centralized planning, and strong government power would progress society more than protecting people’s rights or personal choices.
Pruitt-Igoe and Yamasaki’s designs were sold as the solution to poverty, crime, and housing in America’s major cities, but within just a few years, the complex would show the dangerous consequences when government planners take away people’s liberties and homes.
As with so many vast schemes to use the government’s power to reshape people’s lives, the hopes of the central planners quickly fell afoul of economic and social realities that the plan never took into account.
St. Louis quickly realized that Pruitt-Igoe was a problem. But it was unclear who, if anyone, could fix it. The federal government, the St. Louis Housing Authority, the state, and the City of St. Louis itself all shared responsibility for the complex. When a problem belongs to everyone, it belongs to no one.
Within five years of its launch, Yamasaki was regularly apologizing for his role in the project. Though the final design of the complex differed from his original vision, he came to question the core assumption behind the project: that people’s lives could be effectively engineered through urban design. He expressed regret for his “deplorable mistakes” with Pruitt-Igoe. By the late 1950s, he was giving eloquent speeches about the “tragedy of housing thousands in exactly look alike cells,” which “certainly does not foster our ideals of human dignity and individualism.”
To the Detroit Free Press, he put it more simply: “Social ills can’t be cured by nice buildings.”
By the early 1970s, the 33 concrete tombstones lining St. Louis’ skyline were a cautionary tale for utopian housing schemes. It was a den of crime and misery, rather than anything anyone could call home. When the decision came to demolish the complex, occupancy was only 10 percent.
The day the demolitions began at Pruitt-Igoe, architectural historian Charles Jencks declared the death of high modernist architecture and its grand assumptions: “It was finally put out of its misery. Boom, boom, boom.”
Three towers were demolished in 1972. The last tower finally came down in 1976, leaving nothing of Pruitt-Igoe behind.
The demolition of one of the Pruitt-Igoe buildings, which began in 1972 with the final building demolished in 1976.
Uncredited image from Wikimedia Commons.
