Overly Sarcastic Productions
Published Apr 6, 2018Now that Caesar’s assassins are out of the picture, which would-be dictator will defeat the other to become the sole-ruler of Rome? In today’s episode of “How Long Before There’s Another Civil War?”: Not a lot … honestly not a very long time … BUT THEN WE GET THE ROMAN EMPIRE WOOOOOOOOO~~~
June 24, 2024
History Summarized: Augustus Versus Antony
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June 22, 2024
Why and when did the Romans start wearing different clothing and armor?
Maiorianus
Published Mar 5, 2024
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June 21, 2024
From “invention” to “tradition”
At Astral Codex Ten, Scott Alexander considers some “traditions” which were clearly invented much more recently than participants might believe:
Two NYC synagogues, one in Moorish Revival style and the other is some form of modernism (you can tell it’s not Brutalism because it’s not all decaying concrete). Like Scott, I vastly prefer the one on the left even if it isn’t totally faithful to the Moroccan original design.
A: I like Indian food.
B: Oh, so you like a few bites of flavorless rice daily? Because India is a very poor country, and that’s a more realistic depiction of what the average Indian person eats. And India has poor food safety laws – do you like eating in unsanitary restaurants full of rats? And are you condoning Narendra Modi’s fascist policies?
A: I just like paneer tikka.
This is how most arguments about being “trad” sound to me. Someone points out that they like some feature of the past. Then other people object that this feature is idealized, the past wasn’t universally like that, and the past had many other bad things.
But “of the past” is just meant to be a pointer! “Indian food” is a good pointer to paneer tikka even if it’s an idealized view of how Indians actually eat, even if India has lots of other problems!
In the same way, when people say they like Moorish Revival architecture or the 1950s family structure or whatever, I think of these as pointers. It’s fine if the Moors also had some bad buildings, or not all 1950s families were really like that. Everyone knows what they mean!
But there’s another anti-tradition argument which goes deeper than this. It’s something like “ah, but you’re a hypocrite, because the people of the past weren’t trying to return to some idealized history. They just did what made sense in their present environment.”
There were hints of this in Sam Kriss’ otherwise-excellent article about a fertility festival in Hastings, England. A celebrant dressed up as a green agricultural deity figure, paraded through the street, and then got ritually murdered. Then everyone drank and partied and had a good time.
Most of the people involved assumed it derived from the Druids or something. It was popular not just as a good party, but because it felt like a connection to primeval days of magic and mystery. But actually, the Hastings festival dates from 1983. If you really stretch things, it’s loosely based on similar rituals from the 1790s. There’s no connection to anything older than that.
Kriss wrote:
I don’t think the Jack in the Green is worse because it’s not really an ancient fertility rite, but I do think it’s a little worse because it pretends to be … tradition pretends to be a respect for the past, but it refuses to let the past inhabit its own particular time: it turns the past into eternity. The opposite of tradition is invention.
Tradition is fake, and invention is real. Most of the human activity of the past consists of people just doing stuff … they didn’t need a reason. It didn’t need to be part of anything ancient. They were having fun.
I’ve been thinking a lot about [a seagull float in the Hastings parade] … in the procession, the shape of the seagull became totemic. It had the intensity of a symbol, without needing to symbolise anything in particular. Another word for a symbol that burns through any referent is a god. I wasn’t kidding when I said I felt the faint urge to worship it. I don’t think it would be any more meaningful if someone had dug up some thousand-year-old seagull fetishes from a nearby field. It’s powerful simply because of what it is. Invention, just doing stuff, is the nebula that nurses newborn gods.
I’m nervous to ever disagree with Sam Kriss about ancient history, but this strikes me as totally false.
Modern traditionalists look back fondly on Victorian times. But the Victorians didn’t get their culture by just doing stuff without ever thinking of the past. They were writing pseudo-Arthurian poetry, building neo-Gothic palaces, and painting pre-Raphaelite art hearkening back to the early Renaissance. And the Renaissance itself was based on the idea of a re-naissance of Greco-Roman culture. And the Roman Empire at its peak spent half of its cultural energy obsessing over restoring the virtue of the ancient days of the Roman Republic:
Then none was for a party;
Then all were for the state;
Then the great man helped the poor,
And the poor man loved the great:
Then lands were fairly portioned;
Then spoils were fairly sold:
The Romans were like brothers
In the brave days of old.Now Roman is to Roman
More hateful than a foe,
And the Tribunes beard the high,
And the Fathers grind the low.
As we wax hot in faction,
In battle we wax cold:
Wherefore men fight not as they fought
In the brave days of old.(of course, this isn’t from a real Imperial Roman poem — it’s by a Victorian Brit pretending to be a later Roman yearning for the grand old days of Republican Rome. And it’s still better than any poem of the last fifty years, fight me.)
As for the ancient Roman Republic, they spoke fondly of a Golden Age when they were ruled by the god Saturn. As far as anyone knows, Saturn is a wholly mythical figure. But if he did exist, there are good odds he inspired his people (supposedly the fauns and nymphs) through stories of some even Goldener Age that came before.
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May 23, 2024
The Roman Colosseum: What It Was Like to Attend the Games
Tasting History with Max Miller
Published Feb 13, 2024Like at sports events today, you could get snacks and souvenirs in and around the Colosseum in ancient Rome. There were sausages and pastries and small sweet snacks, like these dates. Not the same as modern hot dogs and soft serve, but kind of in the same spirit.
These dates are really, really good. You could grind the nuts into a fine paste, but I like the texture a lot when they’re left a little coarse. They’re very sweet from the dates and the honey, but the salt and pepper balance it so well (highly recommend the long pepper here). Definitely give these a try!
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May 13, 2024
Archaeological Publishing – the unpalatable truth
Classical and Ancient Civilization
Published May 11, 2024Some anecdotes about publishing archaeological sites
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Roman Legions – Sometimes found all at sea!
Drachinifel
Published Feb 2, 2024Today we take a quick look at some of the maritime highlights of the new special exhibition at the British Museum about the Roman Legions:
https://www.britishmuseum.org/exhibit…
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May 2, 2024
Rome’s Biggest Construction Projects
toldinstone
Published Jan 26, 2024Chapters:
0:00 Introduction
3:06 Domitian’s Temple of Jupiter
4:45 Aura
5:48 The Forum of Trajan
7:16 Nero’s Golden HouseMy new book, Insane Emperors, Sunken Cities, and Earthquake Machines is now available! Check it out here: https://www.amazon.com/Insane-Emperor…
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April 30, 2024
QotD: The ambitious Roman’s path to glory and riches
The Romans, for one, admitted all the time that they screwed up … to themselves, in private (what passed for “private” in the ancient world, anyway). A big reason an ambitious man (a redundancy in ancient Rome) wanted to climb the cursus honorum was because that was the easiest way to get a field command, which was the easiest way to start a war with someone, which was the easiest route to riches and glory … provided you didn’t fuck it up. But if you did, the best thing to do was to go down fighting with your legions, because the minute you got back to Rome, there’d be ambitious men (again: redundant in context) lined up from here to Sicily waiting to prosecute your ass for something, anything — “losing a war” wasn’t a crime in itself, but whatever the official charge (usually “corruption” or “misuse of public funds” or something), everyone knew you were really getting punished for losing.
At no point, however, did the putative justification for war come into play. Picking a war with the Parthians wasn’t bad in itself. Nor was “picking a war with the Parthians because you gots to get paid”. Certainly picking a war with, say, the Gauls wasn’t bad in itself, and “picking a war with the Gauls because I need to capture and sell a few thousand slaves to cover my debts” was so far from being bad, guys like Caesar, if I recall my Gallic Wars correctly, openly declared it from jump street. And though Caesar surely would’ve been prosecuted if he’d lost, and Crassus if he’d lived, suggesting that anyone owed an apology to the Gauls or Parthians would’ve gotten you locked up as a dangerous lunatic.
A confident, manly power might lose a war or two. Hell, they might lose a bunch — the Romans got beat all the time, and so did the British. But no matter how bad the loss, or how embarrassing the peace treaty, they shrugged it off. You win some, you lose some, and when it’s clear you’re going to lose — or when it becomes clear that there’s no possible way “victory” will ever be worth the cost — you cut your losses and came home. HM forces, for instance, lost no less than three wars in Afghanistan. And so what? Great Britain was still the world’s preeminent power. They never even dreamed of apologizing — that’s the Great Game, old sock.
Severian, “Friday Mailbag / Grab Bag”, Rotten Chestnuts, 2021-07-23.
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April 22, 2024
Roman Honor: The Fire in the Bones
From last week’s blog post, Bret Devereaux reviews a book by a former instructor from his undergraduate days, documenting Roman values and attitudes and how understanding their views of themselves helps put their actions into context:
I studied under Barton as an undergraduate at the University of Massachusetts at Amherst, but only looped back around to fully read her book on Roman honor during my Ph.D studies. This is a book about Roman culture and the Roman worldview – or more correctly the way the Romans view themselves and more crucially their innermost selves. This is an important exercise for the student of history, because, as L.P. Hartley famously put it, “The past is a foreign country; they do things differently there”. And so part of what the historian aims to do is not merely know what happened, but in order to understand why it happened, to be able to get into the minds of those people in the past, doing things differently. To put another way: we must also understand the vibes. This is a book about some serious Roman vibes.
The focus of Barton’s book, of course, is the Roman concept of honor and the whole constellation of ideas and concepts that circle around it (virtus, pudor and so on). For Barton, the Roman lived for the discrimen or certamen – that moment of testing and decision for which we have so many well-worn phrases (“sorting the wheat from the chaff”, “separating the men and the boys” and so on).1 It is in that moment that the Roman is, in a sense, most alive, propelled forward by virtus, guided by the other virtues, to pass the test and thereby win honor.
Two things, I think, distinguish Barton’s approach. The first is a focus on how these ideas make Romans feel and act; the man of honor shines, he is fiery, he glows. He stands tall, while others defer to him. The man filled with shame is the opposite. Understanding how real these ideas could be in Roman culture is in turn important for understanding how the Roman state – republic and empire – works, because it is predicated on those values, on the assumption that those not yet tested defer to those with honos who have been so tested and have shown their virtus. Second, the way Barton engages with the sources leaves a strong impression: the reader is bombarded with quotations (translated in the text, original in the footnotes) where the Romans can speak themselves about their values. And goodness do the Romans ever speak for themselves – almost never one example but half a dozen or more.
That strength can also be a weakness: to get that many references, Barton has to cast a wide net, especially chronologically and it isn’t unusual to see different examples for a point covering centuries, for instance from Plautus (late 3rd cent. BC) to Seneca (mid-late 1st cent. AD) in the same paragraph. That somewhat weakens the book’s ability to address chronological change, though Barton does work a bit of that chronology back in some of the later chapters. That said, Barton’s conception remains rooted with the bulk of her sources in the Late Republic (c. 133-31 BC) and while she stretches beyond this and notes some changes, this is fundamentally not a chronologically focused work. On the upside, the book is printed with footnotes (often taking up half a page or more!) with both original text for the translations and other useful notes, so for the student a trip from Barton’s prose to the original sources is quick and often quite fruitful.
Barton’s prose is very readable. As someone who sat in her classes, I can hear her lecture voice in the pages – she is well-known among the students as a passionate lecturer (now retired) who would shout and gesture, jump up and down and even get a bit misty-eyed at the fall of the Gracchi. The passion, I think, comes through in the book as well, to its benefit and that’s important, because this is fundamentally about things the Romans themselves were passionate about. I will also note, I think this book combines well with J.E. Lendon’s Empire of Honor (somewhat harder to obtain) to give a the fullest picture of honor in Roman affairs. But for someone looking to understand how the Romans thought about their own inner-lives and emotions, Roman Honor is, I think, the place to start.
1. One thing that’s striking: whereas the Greek equivalent, the agon is a contest against another, the Roman discrimen is a test against any sort of challenge or hardship. Greek arete (“excellence”) tends to be comparative in nature: the best, the strongest, the fastest and so on, whereas the Roman equivalents are less inherently comparative. Virtus is not zero-sum. That doesn’t mean the Romans aren’t competitive, but it is, I think, a subtle but real difference in ethos (especially aristocratic ethos).
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April 18, 2024
What to do if Romans Sack your City
toldinstone
Published Jan 12, 2024Chapters:
0:00 Introduction
0:34 Progress of a siege
1:55 Looting and violence
3:42 Recorded atrocities
4:45 Captives
5:27 BetterHelp
6:36 Surviving a Roman sack
7:13 Where to hide
8:27 What to do if you’re captured
9:20 Advice for women
10:09 The fate of captives
(more…)
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March 28, 2024
The History of Fish Sauce – Garum and Beyond!
Tasting History with Max Miller
Published Dec 26, 2023Sweet frittata-like patina of pears with classic ancient Roman flavors and sprinkled with long pepper
City/Region: Rome
Time Period: 1st CenturyThis patina de piris is one of over a dozen recipes for similar dishes in Apicius’ De re coquinaria, a staple for ancient Roman recipes. It would have probably been part of mensa secunda, or second meal. Not a second breakfast, it was the final course in a larger meal and usually consisted of sweets, pastries, nuts, and egg dishes, kind of like a modern dessert course.
I finally made my own true ancient Roman garum in the summer of 2023, from chopped up fish pieces and salt to clear amber umami-laden liquid. There’s no fishiness in this surprisingly sweet dish, just a saltiness and savory umami notes that complements the other very ancient Roman flavors.
As with all ancient recipes, this is my interpretation and you can change things up how you like. I separated my eggs before beating them, but you could just whisk them up whole and add them like that.
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March 27, 2024
QotD: Roman imperial strategy
If deterrence fails and you have to fight, then the next best way to economize on force is by making somebody else do the fighting for you. In the late Republic and early Empire, much of Roman territory wasn’t “officially” under Roman rule. Instead, it was the preserve of dozens of petty and not-so-petty kingdoms that, on paper at least, were fully independent and co-equal sovereign entities.2 Rome actually went to some effort to keep up the charade: the client rulers were commonly referred to as “allies” [socii], and Rome took care never to directly tax or conscript their citizens. But, to be clear, it was a charade. If any of these “allies” ever wanted to leave the alliance or conduct any sort of independent foreign policy, he would not continue to be a king for long. Oftentimes the legions wouldn’t even have to show up — the terrified citizens of the client kingdom would overthrow and execute their wayward ruler themselves, in the hopes that Rome might thereby be induced not to make an example of the citizenry.
What was the point of all of this complicated kabuki theater? Once again, it’s about economy of force, this time on both the “input” and the “output” sides of the great machine of the state. On the input side: efficient government is hard to scale. Roman provincial governors were legendarily corrupt, and could get up to all kinds of mischief out there without supervision. Having a Roman ruling a whole bunch of non-Romans was also bound to cause resentment: it could lead to rebellions, or worse, tax-evasion. All of these problems were solved by pretending to have the barbarians be ruled by one of their own, a barbarian king. He could collect the taxes, and suppress revolts, and generally keep an eye on things. Moreover, as a fellow barbarian, he would know better how to keep his subjects in line, and would be less likely to commit an awkward cultural blunder. On the output side, he could also deal with border raids and other low-intensity threats. This exponentially magnified Roman military power, because it meant that instead of being stuck on garrison duty, spread out along the frontiers, the legions could be concentrated in a strategic reserve. They could then be deployed for “high intensity” operations in some remote part of the empire without worrying that they were thereby leaving the borders unguarded: operations like conquering new lands, or persuading a rebellious client kingdom that their interests lay with Rome.
If you can’t make somebody else do the fighting, then the next, next best thing is to carefully choose the time, circumstances, and location of the fight. Ideally you would muster a heavy concentration of your own forces and confront the enemy while they’re still dispersed. Ideally the ground would be thoroughly surveyed, well understood, and perhaps even prepared with static defenses. Ideally your own forces would have ample supply and good lines of communication, and your opponent would have neither of these things. It was to all these ends that in the second of the periods Luttwak surveys, the Romans built the limes3 — a massive system of defensive emplacements. These extended for thousands of miles around almost the entire frontier of the empire, but the most famous portion was Hadrian’s Wall.
John Psmith, “REVIEW: The Grand Strategy of the Roman Empire by Edward Luttwak”, Mr. and Mrs. Psmith’s Bookshelf, 2023-11-13.
1. This is actually also true of modern wars, and if you think you have an exception in mind, you may just not know the history that well. For instance, the current war in the Donbass wasn’t really a surprise invasion, but is best viewed as the latest and most violent stage of a conflict that’s been slowly ratcheting up for a decade.
2. Were you ever confused by who exactly this King Herod guy in the Gospel stories was? Why was there a king and also a Roman governor? He was precisely one of these client rulers!
3. Pronounced “lee-mays”, not like the fruit.
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March 23, 2024
The Roman Army’s Biggest Building Projects
toldinstone
Published Dec 15, 2023The greatest achievements of the Roman military engineers.
Chapters:
0:00 Introduction
0:38 Marching camps
1:36 Bridges
2:40 Siegeworks
3:26 PIA VPN
4:32 Permanent forts
5:49 Roads
6:24 Frontier defenses
7:41 Canals
8:21 Civilian projects
8:54 The aqueduct of Saldae
(more…)
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March 22, 2024
Rome conquered Greece … militarily, anyway
In The Critic, Gavin McCormick reviews Charles Freeman’s new book The Children of Athena: Greek writers and thinkers in the age of Rome, 150BC – 400AD:
“To a wise man,” said the first-century wonderworker Apollonius of Tyana, “everywhere is Greece.” That is to say, Greece is not a mere place, but a special state of mind. For Apollonius, on his extensive travels around the Greco-Roman world, the purported truth of this maxim is seldom open to doubt.
The author of Apollonius’s colourful biography, Philostratus, depicts his hero as not just a philosopher but also an impossibly accomplished champion of culture — a confounder of logic and expectations who could vanish in plain sight, now fascinating Roman emperors and foreign sages, now inspiring whole towns into acts of celebration and renewal. The guiding ideology that drove this hero is a heady mix of philosophy, religion, magic and political insouciance — or, to give it another name, Hellenism.
In the context of the third-century world, where Christianity was an increasingly noteworthy presence in the towns and cities of the Roman empire, pagans such as Philostratus were keen to highlight what their own tradition had to offer.
In fact, he seems almost to present his hero as a pagan rival to Jesus. And, in turn, Apollonius — in his successful renewal of the shrines and local cults of Hellas — seems to hint at what Philostratus would like to see happen in his own contemporary context.
Despite living under Rome, Apollonius (and Philostratus) wants to celebrate an emphatically Greek form of culture. The celebration of Greek culture in the Roman world was, of course, nothing new, and it was something the Romans themselves had long enjoyed.
Alongside their admiration for Greek literature, philosophy, art and architecture, there was the successful movement known as the “Second Sophistic” — whose parade of Greek-speaking intellectuals left a heavy imprint on the public life of the High Roman Empire.
But it is striking nonetheless that the virtues of Hellas — not Rome itself — were what many educated citizens of the empire turned to when they thought of cultural renewal. Indeed his was precisely the route taken later in the fourth century by the last pagan emperor of Rome, himself a champion of all things Greek, Julian the so-called Apostate.
Charles Freeman’s latest book, Children of Athena, is a highly readable tour through the lives and accomplishments of some of the great exponents of Greek culture under Rome. He introduces readers to a bracingly varied and energetic cast of characters — the geographers, doctors, polymaths, botanists, satirists, and orators are just part of the repertoire. In an early chapter, we meet the brilliant Greek historian Polybius, who wrote in the tradition of Herodotus and Thucydides, while training his sights on the rise of Rome in his own time.
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March 10, 2024
Viking longships and textiles
Virginia Postrel reposts an article she originally wrote for the New York Times in 2021, discussing the importance of textiles in history:
The Sea Stallion from Glendalough is the world’s largest reconstruction of a Viking Age longship. The original ship was built at Dublin ca. 1042. It was used as a warship in Irish waters until 1060, when it ended its days as a naval barricade to protect the harbour of Roskilde, Denmark. This image shows Sea Stallion arriving in Dublin on 14 August, 2007.
Photo by William Murphy via Wikimedia Commons.
Popular feminist retellings like the History Channel’s fictional saga Vikings emphasize the role of women as warriors and chieftains. But they barely hint at how crucial women’s work was to the ships that carried these warriors to distant shores.
One of the central characters in Vikings is an ingenious shipbuilder. But his ships apparently get their sails off the rack. The fabric is just there, like the textiles we take for granted in our 21st-century lives. The women who prepared the wool, spun it into thread, wove the fabric and sewed the sails have vanished.
In reality, from start to finish, it took longer to make a Viking sail than to build a Viking ship. So precious was a sail that one of the Icelandic sagas records how a hero wept when his was stolen. Simply spinning wool into enough thread to weave a single sail required more than a year’s work, the equivalent of about 385 eight-hour days. King Canute, who ruled a North Sea empire in the 11th century, had a fleet comprising about a million square meters of sailcloth. For the spinning alone, those sails represented the equivalent of 10,000 work years.
Ignoring textiles writes women’s work out of history. And as the British archaeologist and historian Mary Harlow has warned, it blinds scholars to some of the most important economic, political and organizational challenges facing premodern societies. Textiles are vital to both private and public life. They’re clothes and home furnishings, tents and bandages, sacks and sails. Textiles were among the earliest goods traded over long distances. The Roman Army consumed tons of cloth. To keep their soldiers clothed, Chinese emperors required textiles as taxes.
“Building a fleet required longterm planning as woven sails required large amounts of raw material and time to produce,” Dr. Harlow wrote in a 2016 article. “The raw materials needed to be bred, pastured, shorn or grown, harvested and processed before they reached the spinners. Textile production for both domestic and wider needs demanded time and planning.” Spinning and weaving the wool for a single toga, she calculates, would have taken a Roman matron 1,000 to 1,200 hours.
Picturing historical women as producers requires a change of attitude. Even today, after decades of feminist influence, we too often assume that making important things is a male domain. Women stereotypically decorate and consume. They engage with people. They don’t manufacture essential goods.
Yet from the Renaissance until the 19th century, European art represented the idea of “industry” not with smokestacks but with spinning women. Everyone understood that their never-ending labor was essential. It took at least 20 spinners to keep a single loom supplied. “The spinners never stand still for want of work; they always have it if they please; but weavers are sometimes idle for want of yarn,” the agronomist and travel writer Arthur Young, who toured northern England in 1768, wrote.
Shortly thereafter, the spinning machines of the Industrial Revolution liberated women from their spindles and distaffs, beginning the centuries-long process that raised even the world’s poorest people to living standards our ancestors could not have imagined. But that “great enrichment” had an unfortunate side effect. Textile abundance erased our memories of women’s historic contributions to one of humanity’s most important endeavors. It turned industry into entertainment. “In the West,” Dr. Harlow wrote, “the production of textiles has moved from being a fundamental, indeed essential, part of the industrial economy to a predominantly female craft activity.”
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