Quotulatiousness

May 17, 2024

“Once a mind is infected with Climate Change, bioweapons are just another kind of carbon credit”

Filed under: Education, Health, Media, Politics, Science — Tags: , , , , , — Nicholas @ 05:00

Jo Nova presents evidence of a university professor — a vulcanologist — who perhaps has more sympathy for the volcanoes he studies than the human race:

Let’s just say, hypothetically, that someone wanted an excuse to reduce global population, or limit competing tribes and religions, there’s a scientific hat for that. Climate Change is the ultimate excuse for mass death — done in the nicest possible way and for the most honorable of reasons. But isn’t that what they all say: Jim Jones, the Branch Davidians, Heavens Gate — death makes the world a better place?

The cult that pretends it isn’t a cult sells itself as “science”. I mean, what the worst thing you can think of? Would that be one degree of warming, or the Black Death?

In Bill McQuire’s mind the catastrophe is not when billions of innocent people die.

One hundred years from now, what would our great grandchildren prefer: that the world was slightly cooler or they were never born at all? If you hate humans it’s a terrible dilemma …

Bill McGuire, vulcanologist, accidentally put his primal instincts in a tweet last weekend:

Thirty years of telling us that humans are bad has consequences. As Elon Musk said” They want a holocaust for humanity.” It turns out a televised diet of one-sided climate projection by mendicant B-Grade witchdoctors might be a dangerous thing for mental health. If only Bill McQuire had seen a skeptic on TV?

Predictably the McGuire tweet spread far, and got crushing replies so the Emeritus Professor deleted it, as all cowards do, yelling at us:

To which the winning reply was:

May 16, 2024

The replication crisis and the steady decline in social trust

Filed under: Education, Government, Media, Politics, Science — Tags: , , , , , , , — Nicholas @ 05:00

Theodore Dalrymple on the depressing unreliability — and sometimes outright fraudulence — of far too high a proportion of what gets published in scientific journals:

Until quite recently — I cannot put an exact date on it — I assumed that everything published in scientific journals was, if not true, at least not deliberately untrue. Scientists might make mistakes, but they did not cheat, plagiarise, falsify, or make up their results. For many years as I opened a medical journal, the possibility simply that it contained fraud did not occur to me. Cases such as those of the Piltdown Man, a hoax in which bone fragments found in the Piltdown gravel pit were claimed to be those of the missing link between ape and man, were famous because they were dramatic but above all because they were rare, or assumed to be such.

Such naivety is no longer possible: instances of dishonesty have become much more frequent, or at least much more publicised. Whether the real incidence of scientific fraud has increased is difficult to say. There is probably no way to estimate the incidence of such fraud in the past by which a proper comparison can be made.

There are, of course, good reasons why scientific fraud should have increased. The number of practising scientists has exploded; they are in fierce competition with one another; their careers depend to a large extent on their productivity as measured by publication. The difference between what is ethical and unethical has blurred. They cite themselves, they recycle their work, they pay for publication, they attach their names to pieces of work they have played no part in performing and whose reports they have not even read, and so forth. As new algorithms are developed to measure their performance, they find new ways to play the game or to deceive. And all this is not even counting commercial pressures.

Furthermore, the general level of trust in society has declined. Are our politicians worse than they used to be, as it seems to everyone above a certain age, or is it that we simply know more about them because the channels of communication are so much wider? At any rate, trust in authority of most kinds has declined. Where once we were inclined to say, “It must be true because I read it in a newspaper”, we are now inclined to say, “It must be untrue because I read it in a newspaper”.

Quite often now I look at a blog called Retraction Watch which, since 2010, has been devoted to tracing and encouraging retraction of flawed scientific papers, often flawed for discreditable reasons. Such reasons are various and include research performed on subjects who have not given proper consent. This is not the same as saying that the results of such research are false, however, and raises the question of whether it is ethical to cite results that have been obtained unethically. Whether it is or not, we have all benefited enormously from past research that would now be considered unethical.

One common problem with research is its reproducibility, or lack of it. This is particularly severe in the case of psychology, but it is common in medicine too.

The Thüringen Project – “where our greatest legal minds are at this very moment brainstorming ways to defend Thuringian democracy from the grave threat of ordinary people expressing their political preferences via voting”

Filed under: Germany, Media, Politics — Tags: , , , , — Nicholas @ 04:00

eugyppius on the brave defenders of German democracy in Thuringia (and Brandenburg and Saxony) who are doing everything they can to ensure that the unwashed masses don’t disturb the stately progress toward their long-dreamed-of utopia:

“German flag” by fdecomite is licensed under CC BY 2.0 .

To live in Germany in 2024 is to be lectured constantly about democracy. An endless parade of doubtful personalities – pundits, experts and a lot of very shrill women – appear on the television every night to tell you which parties are democratic, which people are democratic and therefore who enjoys democratic legitimacy. As we have seen, however, the whole concept of democracy is very confusing. Those people and organisations who want to mute free expression and ban political parties are all held to be extremely democratic, while those parties that demand more direct democracy and talk constantly about respecting the popular will are the direct modern equivalent of illiberal antidemocratic fascists.

To make all of this even harder, we are told that the upcoming September elections in Thüringen, Brandenburg and Saxony present a grave threat to democracy. To counteract this threat we have things like the Thüringen Project, where our greatest legal minds are at this very moment brainstorming ways to defend Thuringian democracy from the political preferences of actual voters. Crucially, the very existence of the Thüringen Project means that democracy must still reign supreme in Thüringen. Otherwise, there would be nothing for the democratic police of the Thüringen Project to defend. We therefore need only study Thuringian politics in their present state to gain a better idea of what this mysterious, shape-shifting, elusive phenomenon we call German democracy might be.

We will start at the top. The current Minister President (i.e., governor) of Thüringen is a highly democratic man named Bodo Ramelow:

Ramelow is a member of Die Linke, or the Left Party, which is the direct successor of the Socialist Unity Party (or SED) that used to govern the DDR. That might seem baffling, as the SED and the DDR were anything but democratic. Still more baffling is the fact that the constitutional protectors suspected Ramelow of antidemocratic tendencies and even surveilled him for many years. But democracy as we have learned is extremely complicated, and whatever antidemocratic essence Ramelow may have harboured in the past, he is a stalwart democratic politician today. He is also a huge fan of the mobile game Candy Crush, which he enjoys playing during government meetings. That at least seems unambiguously democratic, and perhaps it is even enough to overcome Ramelow’s political unreliability in other respects.

[…]

In summary: A constitutional protector who owes his office to a Minister President who was appointed to a second term via the anti-constitutional interventions of outsiders is now vowing to use his office to forestall political developments that may deprive his Minister President of power in the future. It is almost like “democracy” in Thüringen is synonymous with left-wing government. Elections which threaten to deprive Bodo Ramelow of office or his left-wing coalition of power are by definition anti-democratic, deplorable and perhaps even illegal.

Thuringians can vote for whichever party they want, but their votes are only democratic if they are cast for those specific parties. If Kramer has his way, Thuringia will soon achieve the democratic end-state – one in which the sad reality of popular sovereignty in practice will be replaced with a theoretical popular sovereignty that exists entirely in an ideal, Platonic form, unchanging and as it ought to be, now and forever.

May 15, 2024

Disintermediation Now! “Even the gatekeepers are sick of dealing with gatekeepers”

Filed under: Bureaucracy, Business, Media, USA — Tags: , , — Nicholas @ 04:00

Ted Gioia on the trend for even people at the top of the distribution chain trying to find ways to get around the distribution chain they inhabit:

The Emoji Movie premiere at the Fox Theatre, Westwood Village, 23 July 2017.
Photo by Kristofer Gonzalez-DeWhitt via Wikimedia Commons.

A few weeks ago, 35 of the biggest names in Hollywood collaborated on a business venture. Can you guess what it is?

I’ll help by providing a list of the participants. Here they are in alphabetical order, to avoid wounding any of the huge egos involved:

    J.J. Abrams, Judd Apatow, Damien Chazelle, Chris Columbus, Ryan Coogler, Bradley Cooper, Alfonso Cuarón, Jonathan Dayton, Guillermo del Toro, Valerie Faris, Hannah Fidell, Alejandro González Iñárritu, James Gunn, Sian Heder, Rian Johnson, Gil Kenan, Karyn Kusama, Justin Lin, Phil Lord, David Lowery, Christopher McQuarrie, Chris Miller, Christopher Nolan, Alexander Payne, Todd Phillips, Gina Prince-Bythewood, Jason Reitman, Jay Roach, Seth Rogen, Emma Seligman, Brad Silberling, Steven Spielberg, Emma Thomas, Denis Villeneuve, Lulu Wang and Chloé Zhao.

What are these movie titans up to?

Maybe they want to make a film together? Or perhaps they’re thinking bigger — planning to launch their own production company or even a movie studio?

Nope. They weren’t thinking big. They were thinking small — very small.

These heavy hitters got together to buy a 93-year-old building.

They now own the Westwood Village theater at 945 Boxton near the UCLA campus. I went there to see films when I was in high school and it was old even back then. At some point it stopped being old, and became historic and vintage. (Maybe if I live long enough this will happen to me too.)

But these 35 investors aren’t just interested in preserving a quaint old building. They want to own a place where they can show quality movies to a flesh-and-blood audience without anybody getting in their way.

We’ve reached a point where even the people in power at the top of the industry want to bypass the system. Even the gatekeepers are sick of dealing with gatekeepers.

That’s how bad it’s gotten.

May 14, 2024

The Eurovision non-binary song contest

Filed under: Europe, Media, Politics — Tags: , , , , , , — Nicholas @ 04:00

Unless you’re very tuned in to all things Euro, you might not have known that the gala Eurovision Song Contest has again come and gone (I only noticed after the fact myself). It wouldn’t be a televised pan-European event if there wasn’t at least a tiddly bit of controversy, so that role appears to have been eagerly filled by the Irish contestant, in whom Brendan O’Neill is unimpressed:

What a thing of beauty that Israel beat Ireland in Saturday’s Eurovision Song Contest. That Israel’s serene songstress, Eden Golan, got more points than Ireland’s warbling, gurning, pseudo-Satanic they / them, Bambie Thug. That an actually decent song trumped the caterwauling of a fake punk who mistakes having tattoos, identifying as “nonbinary” and saying “I’m queer!” for a personality. More importantly, that a singer who was harangued by baying mobs of Hamas fanboys did better than the “singer” who helped to whip up this orgy of cruelty by saying she cried when she heard Israel had made it to the final. Boo-fucking-hoo. I bet you’re crying even more now, Ms Thug.

This is the news – the beautiful news – that Israel came fifth and Ireland sixth in the Eurovision Song Contest. Of course – because they are racist and mentally unstable – Israel haters on social media are saying the Zionist octopus helped to bump up Israel’s points. One pictures Mossad agents taking a break from hunting down the anti-Semites who slaughtered a thousand of their compatriots to post memes on Facebook saying “Screw Bambie, Vote Eden!”. In truth, the reason Israel did so well in the public vote – getting the maximum “douze points” from no fewer than 14 of the 37 nations eligible to vote in Eurovision – is because normal people don’t share the Euro-bourgeoisie’s feverish loathing for the Jewish State. It wasn’t only the emotionally incontinent Israelophobe Bambie Thug who took a beating last night – so did the entire anti-Israel middle class whose cries for a boycott of Eurovision clearly fell on deaf ears.

We shouldn’t get ahead of ourselves, of course, given it’s only Eurovision, and given that some people (me, for example) were highly motivated to vote for Israel in order to wind up the wankers of Europe. But it is undeniably delicious that, despite the pompous pleas of drag queens and other paragons of morality for everyone to switch off Eurovision this year, millions watched. Around 7.6million Brits tuned in. Yes, that’s lower than last year – when we were the hosts – but it’s higher than every year between 2015 and 2021. It will be a source of mirth for me for some time that while the LGBTQ lobby was self-importantly putting away the glitter, locking the drinks cabinet and doing their very best not to check X for Eurovision updates, the general public were watching and enjoying the daftness of it all. Rarely has the moral gulf between us and our preening cultural overlords been so starkly exposed.

Then there were the votes for Israel. It felt like a tiny rebellion against the hysteria of the elites. Brits gave Israel 12 points. So did France, Germany, Belgium, Italy and others. This was people saying “We don’t agree with your bullying of a young woman and your obsessive hatred for her homeland”. Even the good people of Ireland gave Israel 10 points. As someone who knows and loves Ireland, it would not surprise me one iota to discover that people there are as yawningly vexed by Bambie Thug as everyone else in Europe who enjoys the sense of hearing. The land that gifted Eurovision Dana, Johnny Logan and Riverdance now finds itself represented by a self-styled “goth gremlin goblin witch” who does “primordial screaming” (shorter version: she can’t sing). What a mess. I’ve been listening to Logan’s “Hold Me Now” (winner in 1987) to try to liberate my brain from Thug’s narcissistic howling.

Andrew Doyle also commented on the “non binary” emphasis of many participants:

This year the trophy went to Switzerland’s Nemo, a man in a skirt who identifies as “non-binary”. The UK entry, Olly Alexander, calls himself “gay and queer and non-binary” but magnanimously accepts the pronouns “he” and “him”. And then there is the “queer” and “non-binary” Irish entry Bambie Thug, a woman who came sixth in the competition but first in the award for the sorest of losers. Having being beaten by Israel, whose very presence in the competition was a source of outrage for Thug, she had the following to say:

    I’m so proud of Nemo winning. I’m so proud that all of us are in the top ten that have been fighting for this shit behind the scenes because it has been so hard and it’s been so horrible for us. And I’m so proud of us. And I just want to say, we are what the Eurovision is. The EBU [European Broadcasting Union] is not what the Eurovision is. Fuck the EBU. I don’t even care anymore. Fuck them. The thing that makes this is the contestants, the community behind it, the love and the power and the support of all of us is what is making change. And the world has spoken. The queers are coming. Non-binaries for the fucking win.

One might argue that all of this is simply an extension of the high-campery of old. Thug certainly looks pantomimic, with her Christmas-cracker devil horns, and the layers of makeup piled on to what used to be a face. But what were once the glittery fripperies of gay culture have been hijacked by the acolytes of gender identity ideology, a movement that has appropriated this whimsical sheen to advance its authoritarian and sinister goals. It is this same movement that has successfully lobbied governments to introduce draconian speech laws, has hounded people out of their jobs for wrongthink, and has normalised bullying and threats of violence in the name of “social justice”.

The very notion of “non-binary” is a reactionary concept dressed up in the guise of progressivism. Most of those who identify as non-binary are embracing, rather than rejecting, sex stereotypes. They claim to feel neither sufficiently masculine nor feminine, which is simply another way of reinforcing what it means to be male or female.

The same ambiguity goes for “queer”. Many gay people see this as a anti-gay slur, associating the term with the practice of “queer-bashing”. But now, many young heterosexuals are identifying themselves into this category as a means to claim the high status that now accompanies victimhood. Dannii Minogue, a lifelong heterosexual, recently “came out” as “queer”. To those who have been the victims of homophobic abuse and violence, it’s galling to see straights embracing the term as a fashion accessory. Minogue may as well have come out as a “faggot” or a “dyke”.

Spirit Duplicators: Copies Never Smelled So Good

Filed under: Business, Education, History, Media, Technology — Tags: , , , — Nicholas @ 02:00

Our Own Devices
Published Feb 7, 2024

Widely used throughout the 20th Century by schools, churches, fan clubs, and other small organizations, Spirit Duplicators or “Ditto” machines allowed small runs of documents to be copied cheaply and quickly. Often conflated with mimeographs, they were in fact a distinct technology, used a master sheet printed with dye-bearing wax instead of liquid ink. Paper passing through the machine was wetted with a solvent and pressed against the master sheet, causing some of the dyed wax to dissolve and transfer onto the paper.

0:00 Introduction
1:26 “Ditto” and “Banda” as Genericized Trademarks
2:15 Rex Rotary R11 – History
2:56 Rex Rotary R11 – External Controls
3:17 Creating Master Sheets
4:44 Correcting Master Sheets
5:21 Loading the Master Sheet
6:00 Solvent (“Duplicator Fluid”) System
7:35 Loading Paper/Final Setup
8:31 Making Copies
9:05 Other Design Features / Internal Mechanism
9:52 Design Variations
10:12 Master Sheet Variations
11:00 Impact of Spirit Duplicators
11:23 Outro
(more…)

May 13, 2024

QotD: Of course, they could try just … acting

Filed under: Britain, Media, Politics, Quotations — Tags: , , , , — Nicholas @ 01:00

In any case, the demand that actors should play only those parts that are somehow consonant with what we now call their “lived experience” is self-evidently absurd. If taken seriously, Richard III would have to be played by a member of the Royal Family (Prince Andrew, perhaps?), for only such a person could know or imagine what it was like to be a royal person and covet the crown. Taken to its logical conclusion, or its reductio ad absurdum, the argument would mean that the only person an actor could play was him- or herself.

Of course, a happy medium exists, though we are increasingly unable to find it. We should not expect Ophelia to be played by a 90-year-old crone. We should add difficulties in the way of an audience’s “willing suspension of disbelief”, as Coleridge put it, by casting a tall man as short or a short man as tall.

The whole silly controversy reveals to what absurdities we have sunk, thanks to identity politics and a willful misunderstanding, for the sake of personal or group advantage, of what wrongful discrimination is. Storms in teacups can be revealing.

Theodore Dalrymple, “My Kingdom for Some Crutches”, New English Review, 2024-02-06.

May 12, 2024

Javier Milei and the “Malvinas” question

Filed under: Americas, Britain, History, Media, Politics — Tags: , , , , , — Nicholas @ 03:00

Colby Cosh on how Argentine President Javier Milei handled British press inquiries about the Malvinas Falkland Islands like a boss:

I’ve been relishing a classic feast of British press overreaction to a BBC interview with the colourful libertarian president of Argentina, Javier Milei. The Beeb’s Ione Wells visited Milei at the Casa Rosada last week in Buenos Aires for a chat, and nothing like this could possibly happen without some talk about those damned islands — the Falklands or las Malvinas, depending on which country you believe to be their rightful sovereign.

Argentine leaders have to be careful how they talk about the Falklands (and about their uninhabited dependencies elsewhere in the South Atlantic). For decades regimes of left and right in Argentina have opportunistically kept the disputed islands at the forefront of the public imagination, fostering a spirit of delayed revenge. Sometimes this leads to daft verbal outbursts about “colonialism”, alongside game-playing with supplies and access to the islands. The constitution of Argentina contains language asserting “legitimate and imprescriptible sovereignty” over the rocks.

So anything a current Argentine leader says about the Falklands is bound to be scrutinized closely at home and in the United Kingdom. Milei is naturally impulsive, and has the particular problem that he is a political admirer of the late Margaret Thatcher. Wells tried to provoke him by bringing up the 1982 sinking of the General Belgrano and the consequent deaths of 323 Argentine sailors, which is still a slightly controversial episode of the Falklands War among the most self-hating shades of U.K. political opinion.

Milei, who had arranged a little display of Thatcher memorabilia in the room where the interview was held, sliced right through Wells’s Gordian knot. “Criticizing someone because of their nationality or race is very intellectually precarious,” he told Wells. “I have heard lots of speeches by Margaret Thatcher. She was brilliant. So what’s the problem?”

Even if you venerate Thatcher, who ordered the sinking of the Belgrano in very cold blood, you can perceive that this is a non sequitur. Milei is under no obligation to like a fellow neoliberal who was a military enemy of his own country. But one does remember that British statesmen have often been willing to express admiration for Napoleon I, Washington, Rommel and other killers of large numbers of British soldiers.

May 11, 2024

The second time as farce – “we’re living through a performative version of the seventies”

Filed under: History, Media, Politics — Tags: , , , , , — Nicholas @ 05:00

Sarah Hoyt posted this a few days back, but I only noticed it now:

A member of the CIA helps evacuees up a ladder onto an Air America helicopter on the roof of 22 Gia Long Street April 29, 1975, shortly before Saigon fell to advancing North Vietnamese troops.
Hubert van Es photo via Wikimedia Commons.

Yesterday talking to a friend, he said that it seems like we’re living through a shoddy version of the seventies.

But that’s not QUITE it. It’s more complicated. It’s more like we’re living through a performative version of the seventies.

It’s like all the recasting and re-doing of classic movies and series, at this point even those that weren’t particularly successful: it feels like Hollywood is just redoing these things out of some sort of dinosaur brain memory that they were successful. However, the people in charge no longer have any idea why these things were successful or why they resonated or achieved the results they did.

So the re-casts/re-dos sound hollow and strange, and would even if they didn’t use them to push their weird personal current obsessions. (All heroes must be women and black and increasingly of some odd sexual identity! Only villains can be white!) Because the car is there, but the engine is gone metaphorically speaking.

A Boeing CH-47 Chinook transport helicopter appears over the U.S. embassy compound in Kabul, 15 Aug 2021. Image from Twitter via libertyunyielding.com

All these redos and recastings and all are just shells of what the original was. And imbuing them with current wokeness doesn’t make them massively popular, because it doesn’t have that kind of purchase amid the public.

The left and current “Cultural gatekeeping elite” doesn’t seem to be aware of this, or aware of why they fail. In fact, each failure baffles them.

I could be snide, here, and say that it’s because this entire administration, and in fact, the entire upper-crust/controlling layer of our institutions are profoundly untalented theater kiddies, who have no creativity but love the style, and so are trying to do performance of what they think should be there, in the hopes it will work. And are forever baffled it doesn’t.

The truth is not quite that mean, but it rhymes. They are people of a certain frame of mind. In most places and most times, this would make them profoundly “conservative.” Frankly they are, because 100 years into the “progressive” project, those who support it are conservatives. But it’s a weird sort of “conservatism” because what they’re conserving is the cult that tells them if they tear Western civ apart paradise ensues. The whole just-so cult of Marx as filtered through their parents, grandparents and great grandparents.

Part of the whole Marxian philosophy is that it’s a self-contained system, congruent within itself, and with no basis in reality. This makes a certain type of mind susceptible to it. In other centuries they’d be religious fanatics, missionaries to the heathens and zeal-burned puritans.

That type of mind tends to think of things in terms of pre-ordained and fixed narrative, not wildly creative and innovative. That THEY think of themselves as creatives is the insanity of the current system and the Marxian corruption of institutions. They are not actually capable of creativity, only of passing on the received word.

And so we get to the other side of the rerun of the seventies: These kids, by and large, grew up with everything from schools, to TV to even their parents (for the children and grandchildren of boomers) being sold a version of the sixties and seventies in which protesting on the street, behaving badly and destroying property was being passionate and fighting for the voiceless and by itself meant IMPROVING SOCIETY and MAKING THE WORLD A BETTER PLACE.

So the most gullible of this generation are rebels without a clue. They must perform the hit the streets and protest, but they lack the immediacy of the draft to make it personal, and they lack anything like civil rights to make it righteous.

Instead they attach to any stupid cause they can find or which is handed to them by manipulative SOBs. So, you know, it might be saving the endangered Prebles Jumping Mouse, or perhaps saving old buildings, or even well … Lately Occupy Wall Street, BLM, antifidiots and of course pro-Hamass.

Apple crushes it

Filed under: Business, Media — Tags: , , , , , — Nicholas @ 04:00

You might not believe me, but I haven’t seen the Apple ad that everyone is hating on. I actively avoid ads of all kinds and refuse to open websites that are little more than shills for whoever is paying for the advertising. That aside, the description of the current ad — that Apple has already apologized for, I’m told — would certainly make me less likely to deal with the company that produced it:

Not since Kendall Jenner slipped away from a modeling shoot to defuse the tensions around a Black Lives Matter protest by handing a can of Pepsi to a riot cop has a mainstream ad campaign generated as much hostility as the just-released spot from Apple pitching the arrival of the thinnest iPad ever.

The ad was shared on Twitter by Apple CEO Tim Cook, who implored potential customers to “Just imagine all the things it’ll be used to create.” The clip shows a huge hydraulic press slowly crushing a bunch of old analog-era creative tools and treats, including a trumpet, an acoustic guitar and a piano, a record player, a camera, an old stand up arcade game, some rubber squeeze toys, and a bunch of paint cans. Then it pulls up to reveal the new, ultra thin iPad Pro, which has assimilated all of these things like some flatland Borg.

You can see what Apple was going for here – all these old, bulky, single purpose tools and playthings are now available at your fingertips, in a package no bigger than a magazine. It’s an upgraded version of that old meme that used to go around about everything that used to be literally on your desktop – phone, typewriter, file folders, fax machine, and so on – is now digitally sitting there on your computer desktop.

People got it all right. The response to the spot was immediate, visceral, and vicious. They hate it.

How did Apple go so wrong?

The most salient feature of the western mind’s relationship with technology is the ambivalence we have felt ever since Prometheus stole fire from the gods. On the one hand, we can now cook our food and keep ourselves warm. On the other hand, who knows where this will lead? Have we unleashed forces that will lead us to our destruction, or at least, lead us away from our true, authentic, selves? We love technology but we fear it, and the pendulum tends to swing from one extreme to the other depending on a host of factors, the most important of which is probably the rate of change and innovation. The faster things move, the less time we have to adapt, and we fear what is being lost more than we appreciate what is being gained.

We are living through a period of what is for most of us unprecedented technological change, where the threats – to both humanity, and to our humanity – seem more urgent than they have in decades, certainly since the advent of the nuclear bomb. Whether it is the sudden fears over AI or the rising moral panic over smartphones or the leery way we look at self-driving cars, there is a firm sense that things are just happening too fast, that the old is being replaced by the new in ways we are barely able to process, let alone control.

Update, 17 May: Samsung picks up something from the wreckage:

The publicity error was compounded by a frenzy of critical mainstream media coverage accompanied by celebrities expressing their outrage at the ad. But Samsung was not ready to let it lie.

The South Korean consumer technology mega-corp posted a short video on Twitter — which now calls itself X — accompanied by the hashtag “UnCrush”.

It shows a young woman walking into what appears to be the wreckage left behind by the Apple ad. Picking up a badly damaged guitar, with strings missing and holes in the body’s soundboard, she nonetheless sits down to play, reading music from a Samsung tablet.

“We would never crush creativity,” Samsung says in the social media post.

It might be a cheap shot, but it is one that is bound to sting for Apple.

Rex Murphy, RIP

Filed under: Cancon, Media, Politics — Tags: , , , — Nicholas @ 03:00

Canadian political commentator Rex Murphy has died at 77:

Tributes and remembrances from across the political spectrum have poured in for Rex Murphy, who died aged 77.

Mark Critch, a fellow Newfoundlander who parodied Murphy on the CBC program This Hour Has 22 Minutes, recalled that Murphy had worked with his father at VOCM radio in St. John’s, N.L. “You might not always agree with what he had to say but oh, could he say it”, Critch wrote on X, formerly Twitter. “I hope he makes it home to Gooseberry Cove.”

That theme — of not always agreeing with Murphy, but admiring his style — has been frequent in remembrances of his life.

Bob Rae, a long-time Liberal member of Parliament, former premier of Ontario and now Canada’s ambassador to the United Nations, wrote of meeting Murphy on television in 1978: “He stole the show”.

“We disagreed about many things, but I never lost my affection and admiration for him,” Rae wrote on X.

In a video posted Thursday evening, which had been recorded for an award Murphy received prior to his death, Conservative Leader Pierre Poilievre praised Murphy’s “verbal ninja moves”.

“You are a national treasure. You are a voice of reason. You are a champion of all things that are great in our country,” Poilievre said.

    Canada has lost an icon, a pioneer of independent, eloquent, and fearless thought, and always a captivating orator who never lost his touch.I was honoured to toast to Rex a few months ago on receiving the Game Changers Award for one of this country’s true game changers.

    Rex,… pic.twitter.com/Nz8fWBPv7F

    — Pierre Poilievre (@PierrePoilievre) May 10, 2024

On Friday, the House of Commons held a moment of silence in honour of Murphy.

“Few gifts from the rock rival that of the now-departed Rex Murphy,” Conservative MP John Williamson said in the House. “Rex stood on guard for all of us with great wit and wisdom throughout his many newspaper columns and on-air commentaries. Rex was brave but without pretence. He despised the smug.”

Murphy’s writing, which appeared for more than a decade in National Post, was always fierce, often controversial, and liberally peppered with the sort of language that has the feel of an age gone by.

May 10, 2024

QotD: The artificially induced public interest in women’s football

Filed under: Europe, Media, Politics, Quotations, Soccer, USA — Tags: , , , — Nicholas @ 01:00

Sometimes I think (or is it feel?) that we are living in a propaganda state, not like that of North Korea, of course, in which the source of a univocal doctrine is clear and unmistakable, but one in which we are constantly under bombardment by an opinion-forming class that wants to make us believe, or be enthusiastic about, something to which we were previously indifferent or even hostile. There is no identifiable single source of the propaganda, and yet there seems also to be coordination: for how else to explain its sudden ubiquity? It is more Kafka than Orwell.

For example, quite recently there has been a concerted attempt to persuade the European public that women’s football (soccer) is interesting and exciting. The newspapers and online publications suddenly carry stories about it, with pictures, reports, profiles, and the like, whereas, shortly before, most people were only vaguely aware that women even played football.

No one can object to their doing so, of course, but the fact remains that they are not very good at it, at least not by comparison with men. They may be good — but with for women always appended. It is not the fault of women that they are not very good at football, any more than it is the fault of fish that they are illiterate, but the fact that everyone pretends not to notice it and dares not say it, at least in public, is surely a little sinister. A man of seventy may still play a good game of tennis, but it is always for his age: one wouldn’t expect him to win Wimbledon, nor would one expect excited, breathless reports on an over-seventies’ tennis tournament. The sudden interest in women’s football thus has a bogus feel about it, like the simulated enthusiasm of a crowd for the dictator in a communist state.

Theodore Dalrymple, “Propaganda & uglification”, New English Review, 2023-12-21.

May 9, 2024

“[B]ad music does seem to disappear – you just need to wait 70 or 80 years, more or less”

Filed under: Business, Europe, History, Media, USA — Tags: , — Nicholas @ 03:00

I’m far from a modern music fan, so I find Ted Gioia’s analysis of the genre to be hopeful for the future … there’s so much objectively bad music being released these days, but the vast majority of it will sink without a trace:

Handwritten score by Bach

“No stupid literature, art or music lasts.”

That’s a quote from literary critic George Steiner (1929-2020) — in his highly recommended book Real Presences from 1986.

I was shocked when I read that sentence. But pleasantly shocked.

Could it really be true that all the sonic detritus circulating in our culture will just magically disappear? It seems too good to be true.

And Steiner wrote that before the rise of the Internet and AI. If he thought we were drowning in crappy art back in the 1980s, what would he think now?

Around 100,000 songs are uploaded online every day. I can’t listen to more than a fraction of them, but almost every day I check out random new tracks on Bandcamp — and sometimes the process is painful.

Nobody can say that I’ve shirked my responsibilities as a music critic. In recent months, I’ve listened to death metal bands from Croatia who sounded like they were ready to bludgeon the entire population of Zagreb; incoherent Christian drone pop that only delivers the Good News when it’s finally over; entire albums of static, buzzes, burps, or toots; people singing to backup tracks, but apparently unaware that they are in different keys; and various home recordings that should never have left the basement.

It’s an ugly job, but somebody has to do it. I occasionally find that rare gem, a self-produced needle of rare pointedness in the otherwise dismal haystack. That makes it all worthwhile.

But Steiner may be on to something. Most of the bad stuff disappears without anyone worrying about it. In fact, it disappears for that very reason — because nobody worries about it.

And the deeper I peer into the past, the more I see the same Darwinian trend. He called it survival of the fittest.

My considered judgment is that almost every musical work from the 17th and 18th centuries that survives in the standard repertoire possesses some merit. An interesting case is Bach, who is the presiding genius among the known composers from that era. Bach was unfairly forgotten in the years following his death — in fact, his sons got more acclaim than their dad.

Bach had been dead for more than 75 years before his reputation started rising again. The neglect was unfair, almost horrendously so. But with the passage of time, he gained preeminence, almost as if an invisible hand — much like those the economists describe — was setting things right. You could tell similar stories about other composers, from Antonio Vivaldi to Scott Joplin. It’s almost magical the way things work.

I must say that this is a judgment that takes a long time to make. Back at age twenty, I couldn’t have told you if Bach wrote better fugues than other composers, or Joplin composed better rags. Yet after decades seeking lost masterpieces from the past, and picking through the works of secondary and tertiary figures, I’ve concluded that the legendary figures from the past definitely earned their preeminence.

As a result, I worry more about the artists whose work has disappeared completely. Those are wrongs that can’t be rectified.

May 8, 2024

ESR on the shambolic response of the “elite” universities to the protests

Filed under: Education, Media, Politics, USA — Tags: , , , , , , — Nicholas @ 04:00

ESR finds a silver lining to the storm clouds of all the ongoing pro-terrorist campus protests we’re seeing these days:

What I’m thinking as I watch the shitshow elite universities are making of their response to violent pro-Hamas demonstrations and the systematic terrorization of Jewish students:

All my life I’ve been watching Marxist infiltrators capture more and more of our institutions, and been terrified of the moment when they achieved primacy, because our f*cking useless conservatives ran away from that fight after the Army-McCarthy hearings, a few years before I was born.

The moment of victory for the Long March is here, or as close to it as makes no difference, but I’m feeling curiously relieved. Because it turns out that what they discarded in order to sock-puppet every institution in sight was *competence* (which is white supremacy, doncha know, they keep telling us that themselves), and then public trust in those institutions.

Their triumph is collapsing around them because they are literally too dysfunctional and insane to run what they have captured. I was expecting competent totalitarianism, not this. I like this better.

Of course there is the problem that the wider civilization might not survive the collapse of everything they’ve corrupted. But as long as we can avoid that, I actually feel more hopeful about the future than I did 20 years ago.

And the thing elite academia has become is certainly something we can watch collapse into rubble without worrying that it’s going to take civilization down with it.

May 7, 2024

But Carbon Dioxide is scary, m’kay?

Filed under: Britain, Environment, Media, Politics, Science — Tags: , , , , , , , — Nicholas @ 03:00

Last week, Chris Morrison shared some charts that show atmospheric carbon dioxide to be nowhere near high enough to be a concern … in fact, compared to ancient atmospheric conditions, CO2 may be at a potentially concerning low point:

Last year, Chris Packham hosted a five-part series on the BBC called Earth, which compared a mass extinction event 252 million years ago to the small rise in atmospheric carbon dioxide seen in the last 150 years. He said he hoped the “terror factor” generated by his programme would “spur us to do something about the environment crisis”. But as we shall see, the only terror factor is having to sit through an hour-long film consisting of cherry-picked science data and unproven assertions in the hope of persuading us that the increase in global temperatures in the last 150 years or so is comparable to the rise in temperatures over a considerable swath of geological time. Great play was made of a 12°C rise in average global temperatures 252 million years ago as CO2 levels started to rise, although Packham fails to report that CO2 levels were already at least four times higher back then than in modern times. The “science” that Packham cloaks himself with on every occasion is hardly served by terrorising the viewer with what is little more than a highly personal political message.

Think of all that suffering and wastage, he says about the fourth great mass extinction. I don’t think we want a comparable extinction to the one that happened 252 million years ago on our conscience, he adds. Of course, Packham is not the first person to politicise the end-Permian extinction when most plant and animal life disappeared to be replaced eventually with what became known as the age of the dinosaurs. As we can see from the graph below, even though that extinction event coincided with an uptick in CO2 levels, the general trend over a 600-million-year period was downwards ending in the near denudation currently experienced today. But scientists note that the rise started some time before the extinction event, with most of the Permian characterised by very low levels of CO2.

It is obvious why the three other great extinctions are of little interest to modern day climate alarmists. The Ordovician extinction 445 million years ago occurred when CO2 levels were 12 times higher than today, the Devonian wipe-out happen 372 millions ago when CO2 levels were falling, while the later Triassic/Jurassic event 201 million years ago occurred at a time of stable CO2. Hard to see a pattern there suggesting rising CO2 levels equals a mass extinction event. The disappearance of the dinosaurs 66 million years ago is generally attributed to the impact of a giant meteorite, while the current sixth mass extinction exists only inside the head of the Swedish doom goblin, and need not detain us at this point.

Since Packham was essentially making a BBC political film promoting Net Zero, he inevitably started with the fixed view that all our current environmental problems are the fault of CO2. An intense period of volcanic eruptions that led to huge coal deposits catching fire increased CO2 levels and almost instantly sent temperatures soaring at the end of the Permian period. About 20 million years of rain subsequently followed, he observed, taking some of the CO2 out of the atmosphere and order it seems was restored. Certainly, CO2 resumed a small descent but levels remained almost as high, or for some periods higher, as those at the end of the Permian period for another 120 million years. Packham does not provide an explanation of what happened to the average global temperature at this time.

The graph above shows why he avoided the subject. Temperatures did rise at the end of the Permian period after a long decline, but only as far as previous highs recorded 200 million years earlier. They then stayed at those levels for most of the next 200 million years, throughout the age of the dinosaurs. Helped by the increased levels of CO2, this is considered one of the most verdant periods in Earth’s history.

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