Quotulatiousness

May 2, 2020

Saigon memories

Filed under: Asia, History, Media, Military — Tags: , , — Nicholas @ 06:00

I had no idea that David Warren had some brief journalism experience in Vietnam before the US pulled out their military forces:

A member of the CIA helps evacuees up a ladder onto an Air America helicopter on the roof of 22 Gia Long Street on April 29, 1975, shortly before Saigon fell to advancing North Vietnamese troops.
Hubert van Es photo via Wikimedia Commons.

An article in the New York Post (here) brings one historical event back into view, with a bitterness I haven’t yet overcome. It is only an aside on an old photo-caption, which like so many others from the Vietnam War was, shall we say, inaccurate. Taken for a symbol, it has passed into our electronic folk memory, as one of innumerable lies it contains. I wasn’t there, of course, but I had visited that country, and once, too briefly, lived in Saigon. The (very consequential) deceit, dishonesty, and faithlessness of “the mainstream media” was among the lessons I took from my apprenticeship. My ludicrous ambition, to “correct it” some day, will never be fulfilled. But to the link: my praise to one writer who did his homework. Let me be grand and say, the truth has set him free.

It will soon be fifty years since I first attended the “Five O’Clock Follies” at “MAC-V,” where the best hamburgers in South-east Asia could be obtained for the price of a chocolate bar. This press conference format — bluster and counter-bluster — has not changed in all this time. Everything in that vast sprawling compound of military administration was sprayed, swept, and polished; I always entered with wide eyes. There, and in bars along Tu-Do Street (the old rue Catinat, once an exquisite ribbon from the Cathedral down lines of fragrant tamarinds), was where I first fell in with “real professional journalists,” practising their trade.

Those I met were, by and large, pathological liars, and extremely vain. They were also coarsely disrespectful, much like our journalists today: rudely cynical and sarcastic. The only serious exceptions I came to know were a couple of religious weirdos — one a Lutheran ex-pastor from West Germany, the other a reject from a Catholic seminary in southern France. They, like me, had strayed into the field, from a misplaced sense of adventure.

At all levels, and on all sides, I was witnessing a freak show — there and wherever I wandered outside the Unreal City. I owned a reliable Nikkormat camera, that would sometimes earn me much-needed cash, but was quite unsuccessful as a print journalist. My earnest despatches, sent to newspapers on spec, were routinely “spiked” — not, I think, because I was so young (they didn’t know that), but because I kept, often unknowingly, writing things that contradicted what the New York Times and CBS were reporting.

Not only was I learning that the “mainstream” was all lies, but too, that it invariably followed an agenda. The self-appointed purpose of the press was to sabotage the American war effort. (That of the life-or-death desperate Viets was, at best, ignored.)

But then, I was deceitful, too. I was pretending to be over 18 when I was still only 17, in order to get a press pass.

Gabriel Over the White House – “the most unapologetic celebration of fascism ever put on film”

Filed under: History, Media, USA — Tags: , , , , — Nicholas @ 05:00

Jack Cashill found this “gem” while watching Turner Classic Movies during the Wuhan Coronavirus lockdown and was amazed:

By now, I have seen most of TCM’s movies, but one aired this past week I had not even heard of. On a whim, I DVR’ed it. Good move. Called Gabriel Over the White House, this 1933 liberal wet dream proved to be the most unapologetic celebration of fascism ever put on film.

I watched it wide-eyed. The movie opens with the inauguration of Jud Hammond. A laissez-faire back-slapper, Hammond sees the White House as a way to enrich himself and reward his cronies, Depression be damned. The audience assumes Hammond is a Republican.

Out joyriding one day, Hammond crashes his car and lapses into coma. While still comatose, the Angel Gabriel visits Hammond and turns him into a committed and caring progressive. Is there another kind?

Upon waking, Hammond convenes his cabinet of corrupt self-servers and rejects their plea that the party must come first. Instead, Hammond insists their first priority be the American people. He refuses to use the U.S. Army against a marching mass of the unemployed and fires the secretary of state when he objects.

“I suggest you read the Constitution of the United States. You’ll find the President has some power,” Hammond warns his cabinet members. Some power? Fully indifferent to the Constitution, Hammond grabs all the power that can possibly be grabbed.

When the cabinet objects to his usurpation of power, Hammond fires the cabinet. When Congress threatens to impeach Hammond, he declares martial law and dispenses with Congress. When accused of being a dictator, Hammond argues that his is a dictatorship based on some imagined Jeffersonian principle of Democracy, namely the greatest good for the greatest number of people.

Now with total power, Hammond enacts a national banking law, stops foreclosures, provides direct aid to some 55 million farmers, circumvents private industry and launches his own “Army of Construction.”

A young aide, Hartley Beekman, and his female counterpart, Pendie Molloy, serve as something of a progressive chorus. “The way he thinks is so simple and honest that it sounds a little crazy,” says Beekman of Hammond.

“He’s doing the things you wanted,” Molloy answers. “And If he’s mad, it’s a divine madness. Look at the chaos and catastrophe sane men have brought about.”

The divine madness includes the creation of a Federal Police force, a subset of the Army, with young Beekman at its head. When the nation’s chief racketeer refuses to go back to his unnamed home country, Hammond warns him that the government is about to “muscle in on his racket” and federalize the sale of alcohol.

The racketeer fights back, and Beekman employs a legion of tanks Waco-style against the racketeers. When captured, the racketeers are all hauled before a three-man court martial headed by Beekman, promptly declared guilty, and executed en masse by a firing squad.

Several years ago, the movie was brought to my attention and I found this clip on YouTube that I suspect captures the essence of the film:

James Lileks describes it as “a remarkable movie. And I don’t mean ‘astonishingly good, technically superb, visually ingenious.’ I mean utterly insane.”

QotD: Today’s psychological epidemic

Filed under: Health, Media, Quotations — Tags: , , , , , , — Nicholas @ 01:00

I think that one of the things the web has done is enable people who have personality disorders to validate their particular pathology, because they find all sorts of people who are like them.

There’s an epidemic of self-diagnosis among young people, there’s a race to multiply pathology, there’s a glorification of disorders like borderline personality disorder, which is rare. When being the most oppressed victim gives you the highest status, then it’s a race to the bottom.

We’re not helping young people figure out a noble and difficult pathway forward, where they bear responsibility and march forthrightly into adulthood. Quite the contrary. We’re saying, “Well, the system is corrupt and there’s no point in taking part in it. You’re going to be victimized no matter what you do.” And so the race is on for who gets to play the victim card with the highest degree of status. And it’s really bad, it’s especially bad for adolescents because they’re trying to sort their identity out, they’re already a mess.

Jordan Peterson, “Christie Blatchford Sits Down With ‘Warrior For Common Sense’ Jordan Peterson”, National Post, 2018-02-07.

May 1, 2020

Soldier of Three Armies Pt. 2 – Continuation War – Sabaton History 065 [Official]

Filed under: Europe, Germany, History, Media, Russia, WW2 — Tags: , , , , , — Nicholas @ 04:00

Sabaton History
Published 30 Apr 2020

With a bounty on his head, the Red Army wants him dead, Soviet enemy number one. Second part of the Lauri Törni trilogy. The Winter War between Finland and the Soviet Union was over, but the world was further tumbling down into war. Finland saw itself trapped between two power blocks. A new arrangement with Nazi Germany gave men like Lauri Törni an opportunity to train with the newly established Waffen-SS. But it was an opportunity with lasting consequences.

Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory

Listen to Soldier of Three Armies on the album Heroes:
CD: http://bit.ly/HeroesStore
Spotify: http://bit.ly/HeroesSpotify
Apple Music: http://bit.ly/HeroesAppleMusic
iTunes: http://bit.ly/HeroesiTunes
Amazon: http://bit.ly/HeroesAmz
Google Play: http://bit.ly/HeroesGoogleP

Check out the trailer for Sabaton’s new album The Great War right here: https://www.youtube.com/watch?v=HCZP1…

Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShop

Hosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastory

Archive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.

Additional video footage from Dennis Henson

Sources:
– Bundesarchiv, CC-BY-SA 3.0, Bild 101III-Hoffmann-04-23/Hoffmann
– Narodowe Archiwum Cyfrowe
– sa-kuva.fi

An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.

© Raging Beaver Publishing AB, 2019 – all rights reserved.

QotD: Cynicism

Filed under: Books, Media, Quotations — Tags: , , , , — Nicholas @ 01:00

Somewhere around that same eighth-grade mark where we all experimented with being mean, we get the idea that believing in things makes you a sucker — that good art is the stuff that reveals how shoddy and grasping people are, that good politics is cynical, that “realism” means accepting how rotten everything is to the core.

The cynics aren’t exactly wrong; there is a lot of shoddy, grasping, rottenness in the world. But cynicism is radically incomplete. Early modernist critics used to complain about the sanitized unreality of “nice” books with no bathrooms. The great modernist mistake was to decide that if books without sewers were unrealistic, “reality” must be the sewers. This was a greater error than the one it aimed to correct. In fact, human beings are often splendid, the world is often glorious, and nature, red in tooth and claw, also invented kindness, charity and love. Believe in that.

Megan McArdle, “After 45 Birthdays, Here Are ’12 Rules for Life'”, Bloomberg View, 2018-01-30.

April 29, 2020

“The war on ultraviolet radiation because it might help Trump is an educational moment”

Arthur Chrenkoff on the sudden decision that the World Health Organization is the ultimate arbiter of what we’re allowed to say on social media platforms like Twitter and YouTube:

There is of course no evidence that the video represents any disinformation. It relates to legitimate scientific research by a medical company conducted in association with a respected hospital to develop a novel treatment of possibly crucial importance in the current conditions and into the future. The only problem with the video is that is indirectly supports Trump’s flight of fancy speculation about using light and chemicals to “disinfect” the body. Ergo, according to a NYT journalist it represents a problem and YouTube agrees. YouTube now has a standing policy of removing COVID information that goes against the World Health Organisation’s guidelines. Putting aside the question of the WHO’s credibility in the wake of the pandemic, we are not talking here about some guy in a tinfoil hat talking about 5G towers spreading the virus; this is a video relating to ongoing, respectable scientific research. Will it work? Probably not. But perhaps neither will any of the 150 or so COVID-19 vaccines being currently developed around the world. We won’t know until we know. But in the meantime, scientific news should not be censored, period.

[…]

Goldsmith and Woods are correct in pointing out not only the greater role that governments have been playing in regulating speech but more importantly how much of that effort has been embraced and driven by the big tech — and by the private individuals enabled and encouraged by the big tech — what I have previously called the “democratised censorship”. The difference is that people like Goldsmith and Woods think that’s a good thing.

The dirty little secret is that a great number of leftists, progressives and even centrist technocrats and activists look at China, with its authoritarian government, social credit score system, ubiquitous surveillance, and the ability to “get things done” and done quickly and supposedly efficiently (in China, bullet trains run on time, I hear), and pine for such a system to be applied in their own countries — as long as, of course, they are the ones in power and decide what is right, important and valuable. The left’s objections are rarely against authoritarianism and its means and methods per se, just with the possibility that someone else — like Trump — is the one behind the wheel, implementing their, not the left’s, agenda.

The war on ultraviolet radiation because it might help Trump is an educational moment. One could say, first they came for crazy conspiracy theorists and I said nothing because I’m not an anti-vaxxer or anti-5G activist — and so on. The problem with censorship is that it keeps creeping up on everyone else. And those who do the censoring — who decide what the ignorant masses should and shouldn’t be allowed to read — are not some detached and impartial spiritual beings but people with political agendas. People who think that ideas and beliefs of one half of the society are harmful and offensive. People who will censor news that doesn’t fit the agenda and support the narrative.

And then they came for ultraviolet radiation… You have been warned.

April 27, 2020

The NFL may have a problem … everyone seems to have liked the virtual draft better than the “real” thing

Filed under: Business, Football, Media, Technology — Tags: , , , — Nicholas @ 05:00

It is usually difficult to muster much sympathy for the National Football League, but the record-setting popularity of the 2020 draft is a huge surprise:

The unique presentation of the 2020 NFL Draft established new all-time highs for media consumption in every category. With over 600 camera feeds from homes across the United States, all telecasts of the 2020 NFL Draft reached more than 55 million total viewers across Nielsen-measured channels over the three-day event, up +16% vs. 2019. An average audience of over 8.4 million viewers watched all three days of the 2020 NFL Draft across ABC, ESPN, NFL Network, ESPN Deportes, and digital channels easily breaking the previous high of 6.2 million viewers in 2019 (+35%).

Each day of the 2020 NFL Draft established new highs as an average audience of over 15.6 million viewers watched Round 1 on Thursday (+37% vs. 2019), over 8.2 million viewers watched Rounds 2 & 3 on Friday (+40% vs. 2019), and over 4.2 million viewers watched Rounds 4-7 on Saturday (+32% vs. 2019).

All seven rounds of the 2020 NFL Draft were presented across ABC, ESPN, and NFL Network – the second straight year that The Walt Disney Company partnered with the National Football League to offer a multi-network presentation of the entire Draft.

“I couldn’t be more proud of the efforts and collaboration of our clubs, league personnel, and our partners to conduct an efficient Draft and share an unforgettable experience with millions of fans during these uncertain times,” said NFL Commissioner Roger Goodell. “This Draft is the latest chapter in the NFL’s storied history of lifting the spirit of America and unifying people. In addition to celebrating the accomplishments of so many talented young men, we were pleased that this unique Draft helped shine a light on today’s true heroes – the healthcare workers, first responders, and countless others on the front lines in the battle against COVID-19. We are also grateful to all those who contributed to the NFL family’s fundraising efforts.”

“This year’s NFL Draft clearly took on a much greater meaning and it’s especially gratifying for ESPN to have played a role in presenting this unique event to a record number of NFL fans while supporting the league’s efforts to give back,” said ESPN President Jimmy Pitaro. “The success of this year’s Draft is a testament to the unprecedented collaboration across the NFL, ESPN, and The Walt Disney Co. in the midst of such a challenging time.”

The unique situation of having the vast majority of televised sports activities suspended clearly made a big difference — when you’re the only game in town, you can expect a wider audience — but the online draft seems to have been popular even among people who normally would have tuned in for the event anyway.

April 26, 2020

“Soldier of Three Armies” Pt. 1 – Winter War – Sabaton History 064 [Official]

Filed under: Europe, Germany, History, Media, Military, Russia, WW2 — Tags: , , , , — Nicholas @ 04:00

Sabaton History
Published 25 Apr 2020

Started out as a reserve, soon promoted well deserved, and the legend has begun. Lauri Allan Törni, the soldier of three armies. Born and raised in Viipuri in Finnish Karelia, Lauri Törni grew up into a world of tensions, of class-consciousness and conflicting ideologies. Boxed in between the Soviet Union and Germany, Finland was preparing for war of survival. The Winter War would be the first place for Lauri Törni to see battle and begin his legacy as a born soldier.

Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory

Listen to “Soldier of Three Armies” on the album Heroes:
CD: http://bit.ly/HeroesStore
Spotify: http://bit.ly/HeroesSpotify
Apple Music: http://bit.ly/HeroesAppleMusic
iTunes: http://bit.ly/HeroesiTunes
Amazon: http://bit.ly/HeroesAmz
Google Play: http://bit.ly/HeroesGoogleP

Check out the trailer for Sabaton’s new album The Great War right here: https://www.youtube.com/watch?v=HCZP1…

Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShop

Hosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastory

Archive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.

Sources:
– Lauri Törni Perinnekilta
– Helsinki City Museum
– Finnish Heritage Agency
– sa-kuva.fi

An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.

© Raging Beaver Publishing AB, 2019 – all rights reserved.

From the comments:

Sabaton History
2 days ago
Hello everyone! We hope you all stay safe and healthy! Due to the current situation, the interview part had to be recorded via webcam and the quality is sadly not the best. We apologize for that. Still we try to keep to our weekly schedule and bring you exciting new episodes of Sabaton History!

April 22, 2020

QotD: Actors

Filed under: Humour, Media, Quotations, USA — Tags: , , — Nicholas @ 01:00

Why waste a whole evening, once or twice a week, in a stuffy and over-red theater, breathing zymotic air, sniffing discordant perfumery, looking at idiotic scenery, listening to the bleeding English of ignorant and preposterous actors? Have you ever, in all your life, seen five leading men who actually looked like civilized gentlemen, or even like the authentic valets, head clerks or unburied corpses of civilized gentlemen? Have you ever sat through a whole performance without wishing it were possible to take at least one of the actors out into the alley, there to do execution of the lex non scripta upon him? Eheu, Postume, what all of us have suffered at the hands of such strutting mummers and mountebanks! How we have writhed and squirmed beneath their astounding outrages upon the vulgate! What is worse than an actor? Two actors? Three actors? A whole stage full of actors! An endless succession of actors! … How we have leaped and squealed under their broad a‘s, their fearful renderings of proper names, their obscene attempts at boarding school French! How our paws have itched to grab them by the collars of their advanced coats, and to strangle them with their futurist shirts, and to anatomize them with the razor edges of their superbly ironed pantaloons! …

There are, of course, such things as good actors. Let us be just and admit it. I have seen and known a few myself, and have heard of a few more. There are half a dozen in England and as many in France. In Germany, I dare say, the police have the names of twenty. (One memorable night, in that strange land, I saw two on the stage at once!) But is the good actor, either at home or abroad, the normal actor, the average actor? Of course he is not. He is the rare actor, the miraculous actor, almost the fabulous actor. Examine a hundred bartenders and you will find that fully sixty of them actually know how to tend bar: they can mix a cocktail that, whatever its faults, is at least fit to drink, and they have the craft needed to draw a Seidel of Pilsner and to beat the cash register. But in the allied art of acting there is no such general dispersion of talent. A handful of outstanding super-actors have it all. The rest of them not only don’t know how to act, but they don’t know that they don’t know.

H.L. Mencken, “Getting Rid of the Actor”, The Smart Set, 1913-09.

April 21, 2020

The Curator at Home | Film Review: Kelly’s Heroes | The Tank Museum

Filed under: Europe, Germany, History, Italy, Media, Military, USA, WW2 — Tags: , , , — Nicholas @ 04:00

The Tank Museum
Published 19 Apr 2020

Join Curator David Willey at Home, as he reviews the classic film: Kelly’s Heroes.
https://tankmuseumshop.org/products/k…

Support the work of The Tank Museum on Patreon: ► https://www.patreon.com/tankmuseum
Visit The Tank Museum SHOP & become a Friend: ► https://tankmuseumshop.org/

Twitter: ► https://twitter.com/TankMuseum
Instagram: ► https://www.instagram.com/tankmuseum/
Tiger Tank Blog: ► http://blog.tiger-tank.com/
Tank 100 First World War Centenary Blog: ► http://tank100.com/

April 17, 2020

“Diary Of An Unknown Soldier” – Lost in the Great War – Sabaton History 063 [Official]

Filed under: Britain, France, History, Media, Military, WW1 — Tags: , , — Nicholas @ 04:00

Sabaton History
Published 16 Apr 2020

The bells rang on Armistice Day 1920 in the 11th hour, and two minutes of silence followed. One minute for the soldiers that had fought in the Great War and had come back. The second for those who did not. Those unfortunate souls that had been left behind. They had died like so many others, but had been denied a final resting place due to the violence of war. They had vanished, without a trace, without an identity. Those men where the Unknown Soldiers.

Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory

Listen to “Diary of an Unknown Soldier” on the album The Last Stand:
CD: http://bit.ly/TheLastStandStore
Spotify: http://bit.ly/TheLastStandSpotify
Apple Music: http://bit.ly/TheLastStandItunes
iTunes: http://bit.ly/TheLastStandItunes
Amazon: http://bit.ly/TheLastStandAmz
Google Play: http://bit.ly/TheLastStandGooglePlay

Watch the official lyric video of “Diary Of An Unknown Soldier” here:
https://www.youtube.com/watch?v=Jhkz5…

Check out the trailer for Sabaton’s new album The Great War right here: https://www.youtube.com/watch?v=HCZP1…

Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShop

Hosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastory

Archive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.

Sources:
– National Library of Scotland
– National Library of France
– Imperial War Museum: Q 10378, Q 100373, Q 57227, Q 100624, Q 53727, Q 29155, ART 3991 a, Q 109517, Q 100928, Q 100699, Q 100913, Q 45814, Q 23706, Q 14963, Q 31518, Q 31494, RAF-T 3129, Q 31514, Q 909, Q 87441, Documents.5323, Q 100486, Q 48929A, Q 78614

An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.

© Raging Beaver Publishing AB, 2019 – all rights reserved.

From the comments:

Sabaton History
2 days ago
Something different this time. Since we already have two episodes about the fighting in the Argonne, we thought this time we’d talk about the sacrifice and the legacy of the “Unknown Soldier”. Of those who fought and died but were not fortunate enough to have a last known resting place. We hope you still enjoy the episode!

April 12, 2020

Self-interest in the clothing of idealism

Filed under: Economics, Media, Politics, USA — Tags: , , — Nicholas @ 03:00

Last week, Esteban wrote at the Continental Telegraph:

Much has been made over the past year of the fact that young people in America approve of Socialism in rather large numbers, and quite a lot more than their elders. Some explain that this is because they are more idealistic than the older crowd, who have become corrupted and “sold out” now that they have a mortgage and expensive lifestyle. Others argue that this supposed idealism is actually naivete.

It seems fair to point out that if you are 24 with negative net worth, a modest paying job and no reasonable expectation on the horizon to make serious cash, it isn’t idealistic to support redistribution, it’s self-interest. And you don’t change this fact by saying “Well, if I made that much money, I’d be happy to pay a lot in taxes”. If you ever get to that point we’ll see, until then this statement doesn’t fly.

Likewise, if you’re 55 with a couple of million dollars in your 401(k), a big home and an income well into six figures your view may be biased against “sharing the wealth” based on your wallet, not principles.

April 11, 2020

QotD: Zhou Enlai’s famous “too early to say” comment on the French Revolution

Filed under: China, France, History, Media, Quotations, USA — Tags: , , , , — Nicholas @ 01:00

When Chinese premier Zhou Enlai famously said it was “too early” to assess the implications of the French revolution, he was referring to turmoil in France in 1968 and not — as is commonly thought — to the more distant political upheaval of 1789.

So says a retired American diplomat, Charles W. (Chas) Freeman Jr., who was present when Zhou made the comment during President Richard Nixon’s visit to China in February 1972.

Freeman, who was Nixon’s interpreter during the historic, weeklong trip, made the disclosure last week during a panel discussion in Washington about On China, the latest book by former Secretary of State Henry Kissinger.

The discussion was moderated by Richard McGregor, a journalist and China expert who wrote about Freeman’s comments for the Financial Times of London.

In an interview yesterday, Freeman elaborated on his recollection about Zhou’s comment, the conventional interpretation of which is frequently offered as evidence of China’s sage, patient, and far-sighted ways. Foreign Policy magazine, for example, referred last month to that interpretation, saying the comment was “a cautionary warning of the perils of judgments made in real time.”

The Washington Post‘s recent review of Kissinger’s book likewise referred to the conventional understanding of Zhou’s remark.

Freeman described Zhou’s misconstrued comment as “one of those convenient misunderstandings that never gets corrected.”

He said Zhou’s remark probably was made over lunch or dinner, during a discussion about revolutions that had succeeded and failed. They included, Freeman said, the Prague Spring of 1968 and the Hungarian uprising of 1956, both of which the Soviet Union crushed.

He said it was clear from the context and content of Zhou’s comment that in saying it was “too early to say” the Chinese leader was speaking about the events in France in May 1968, not the years of upheaval that began in 1789.

Freeman acknowledged that the conventional interpretation makes for a better story but added that it was “absolutely clear” from the context of the discussion that Zhou was speaking about 1968.

W. Joseph Campbell, “‘Too early to say’: Zhou was speaking about 1968, not 1789”, Media Myth Alert, 2011-06-14.

April 10, 2020

“In Flanders Fields” – Sabaton History 062 [Official]

Filed under: Britain, Cancon, History, Media, Military, WW1 — Tags: , , — Nicholas @ 06:00

Sabaton History
Published 9 Apr 2020

“In Flanders fields the poppies blow, between the crosses, row on row.” These words, written by John McCrae in his famous war poem “In Flanders Fields”, immortalize death and dying in the Great War like only a few others. It is said, that shortly after the death of his dear friend, McCrae looked over the parapet and onto the battlefield once more. In all the mayhem, the smoke, the exploding shells and the dead bodies on the ground, he saw that the little red flowers, the poppies, still grew. After a strong wind, their pedals would fly across the field, and lay there strewn, like the blood that was shed by the soldiers that had to die there.

Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory

Listen to “In Flanders Fields” on the Album The Great War here:
CD: http://nblast.de/SabatonTheGreatWar
Spotify: https://sabat.one/TheGreatWarSpotify
Apple Music: https://sabat.one/TheGreatWarAppleMusic
iTunes: https://sabat.one/TheGreatWarItunes
Amazon: https://sabat.one/TheGreatWarAmazon
Google Play: https://sabat.one/TheGreatWarGooglePlay

Watch the Official Lyric Video of “In Flanders Fields” here:
https://www.youtube.com/watch?v=ZPgZn…

Check out the trailer for Sabaton’s new album The Great War right here: https://www.youtube.com/watch?v=HCZP1…

Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShop

Hosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Karolina Dołęga
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April 9, 2020

The (former) captain of USS Theodore Roosevelt

Filed under: Media, Military, USA — Tags: , , , , , — Nicholas @ 05:00

Another example of how civilians interpret an action in a radically different way than the military does (and must):

The Nimitz-class aircraft carrier USS Theodore Roosevelt (CVN 71) underway in the Persian Gulf, 3 December 2005.
U.S. Navy photo by Photographer’s Mate 2nd Class Matthew Bash via Wikimedia Commons.

Okay, about this USS Teddy Roosevelt captain …

No, he’s not some sort of rebel hero who fought the power for his sailors and stuff because only he gave a damn about them. That’s crap, and […] I am not happy to see him get canned. I was an O6 myself, and I would prefer O6s, as a rule, not end up fired. But that was the only course of action available to the SecNav. The guy screwed up, big time.

To believe this CAPT Crozier guy is a hero, you have to believe stupid and wrong things which you should not believe due to their stupidness and wrongness.

You have to believe that the Navy “didn’t care” about sick sailors. Libs take this further to imply that the Navy “didn’t care” about sick sailors because that would have made Trump angry.

This is, as I said, stupid and wrong.

The Navy brass has several things to think about, and there is an order of priority among those things. The priority order is 1) the mission and then 2) the sailors. Notice the order? One of the unique aspects of the military is that it is one of the very few institutions where the lives of its members are expressly and deliberately subordinated to the mission. An aircraft carrier is a major strategic asset, almost incalculably major. And this captain wanted to take it offline. Now, that could have been the decision. Command is about making tough decisions, but it was not his decision. Once he gave his input to his bosses, what he thought meant nothing.

Nothing.

We elect a commander-in-chief to make those decisions. He delegates them in a clear order of precedence to his subordinates. So, CAPT Crozier was not defying admirals or even Trump when he decided he should make the decision. He was defying you and me.

The chain of command is a thing, as he found out when he got his walking papers. And it did not stop being a thing when he did not like the orders it gave him.

If your sailors are your number one priority, you frankly have no business being in command. The mission is the number one priority. That’s hard, and no fun, but [it’s] true. And that’s not an excuse to abuse or neglect your men — far from it. But it is a recognition that you have a mission and that is your priority.

Corzier was the captain of the carrier. There was an admiral down the hall — literally — who was his boss as task force commander. Why did he not go to the admiral? Or maybe he did go to the admiral and didn’t like the answer he got. Your commander disagreed with you? Gee, welcome to military service. Salute and drive on.

There’s no scenario where he’s right on this.

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