Quotulatiousness

November 5, 2020

Fallen Flag — the New York, Ontario and Western Railway

Filed under: Business, History, Railways, USA — Tags: , , , — Nicholas @ 03:00

This month’s Classic Trains featured fallen flag is the New York, Ontario and Western, which ran from Oswego on the south shore of Lake Ontario down into the New York City megalopolis. Sadly, the line is best remembered as the only Class 1 US railway to be completely abandoned. John R. Taibi outlines the history of the NYO&W from formation to abandonment in 1957:

Preserved NYO&W General Electric 44-ton switcher number 104 preserved at the Southeastern Railway Museum in Duluth, GA.
Photo by Harvey Henkelmann via Wikimedia Commons.

The New York, Ontario & Western Railway struggled to find its place among the many transportation systems serving New York City, but in the end it was able only to secure a place in history as the first Class I railroad to be abandoned in entirety. Despite this unenviable status, “the O&W,” as it was known, did endear itself to the communities along its line. After all, it was the carrier that had brought boxcars full of prosperity to every community along the line during its 76-year life.

Begun on January 21, 1880, the O&W set a goal of improving the Oswego–New York corridor, as well as the branches to New Berlin, Delhi, and Ellenville, N.Y., it had inherited from the New York & Oswego Midland. The O&W developed a new entrance to Gotham from Middletown, N.Y., that ran to Cornwall on the Hudson River, thence to Weehawken, N.J., by rights on the New York, West Shore & Buffalo Railway (later New York Central).

[…]

As it improved its physical characteristics, the O&W also acquired modern motive power to haul its numerous coal, milk, passenger, and general freight trains. Where previously Camelback 4-4-0s, 2-6-0s, and 2-8-0s were as common as the road’s wooden coaches and country depots, a corps of end-cab locomotives helped usher in the new era. E-class Ten-Wheelers (1911), W-class Consolidations (1910-11), X-class 2-10-2 “Bull Mooses” (1915), and Y-class Mountains (1922 and ’29) provided the power for passenger trains to the Catskills, milk trains to Gotham, and coal trains to Oswego, Cornwall, and Weehawken. Still, many Camelbacks worked into the mid-1940s.

This familiar, widely circulated O&W map was created by cartographer Crawford C. Anderson.
Classic Trains.

[…]

Dieselization was hoped to be a savior, and under [O&W bankruptcy trustee, Frederick E.] Lyford’s direction a handful of GE 44-ton switchers arrived in 1941. Nine two-unit EMD FTs came in 1945 and were put into fast merchandise service between Scranton and Maybrook, and Scranton and Norwich. Lyford’s successors in 1948 acquired additional F3 and NW2 diesels, enough to banish steam locomotives from service by that summer.

By that time, though, O&W’s accumulated losses amounted to $38 million. It was beyond the ability of trustees, the reorganization court, and diesel locomotives to extricate the carrier from financial ruin. Nevertheless, passenger trains from Weehawken to Walton (then only to Roscoe) kept running until mail contracts gave out in 1950; the service was suspended in September 1953. Although milk and coal trains were a memory, gray-yellow-and-orange diesel locomotives soldiered on, leading a dwindling number of ever-shorter freight trains.

By the mid-1950s, the reorganization court — which had been searching for a buyer for the road now truly earning another of its nicknames, the “Old & Weary” — was advocating total abandonment. Additionally, the U.S. government was suing for taxes and retirement payments that were in arrears, and New York state began planning on how best to use the O&W right of way for highway improvements.

The Range Rover Story

Filed under: Britain, Business, History — Tags: , , , — Nicholas @ 02:00

Big Car old account
Published 26 Feb 2019

To help me continue producing great content, please consider supporting me: https://www.patreon.com/bigcar

Help support my channel through these Amazon UK affiliate links:
Range Rover t-shirt: https://amzn.to/2WVHiLX
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If Maria Von Trapp had driven a Range Rover, she’d have climbed every mountain, forded every stream and driven to every Austrian folk festival with the entire Von Trapp family singers in the back. Her and the Captain would have been able to roll up to the fanciest Salzburg dinner party in their finest glad rags after a day yodeling sweet nothings to each other on top of a mountain.

The Range Rover is the ultimate go-anywhere luxury SUV. It was born out of Rover’s desire to sell more cars in the USA, and its design was a complete accident. So how did a company known for saloon cars and agricultural off-roaders invent a car that created a brand-new market segment?

Much credit for this video has to go to aronline.co.uk for their excellent articles.

#RangeRoverClassic

November 4, 2020

How Mighty is the Red Army? – WW2 Special

Filed under: History, Military, Russia, WW2 — Tags: , , , , — Nicholas @ 04:00

World War Two
Published 3 Nov 2020

Hitler and German High Command had expected the invasion of the Soviet Union to be an easy victory and for the Red Army to quickly collapse. Yet here we are, with millions of Soviet soldiers captured, wounded or killed and the Red Army still holding fast.

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Follow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
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Hosted by: Indy Neidell
Written by: Francis van Berkel, Ian Irungu, Shaun Harrison, Dennis Stepanov
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Francis van Berkel, Ian Irungu, Shaun Harrison, Dennis Stepanov
Edited by: Karolina Dołęga
Sound design: Marek Kamiński

Colorizations by:
– Klimbim
– Norman Stewart – https://oldtimesincolor.blogspot.com/
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
– Carlos Ortega Pereira, BlauColorizations – https://www.instagram.com/blaucolorizations

Visual Sources:
– Mil.ru
– ANRM, Fototeca, 24945
– Map from December 1941 provided with GNU Free Documentation License by Wikimedia

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

November 3, 2020

How They DId It – Elections in Ancient Rome

Filed under: Europe, Government, History — Tags: , — Nicholas @ 02:00

Invicta
Published 14 Oct 2018

We step back in time to join the Romans as they head to the polls! In this episode on ancient elections we look at the offices, the voters, and the process of the mid-Republic.

Bibliography:
— Yakobson, Alexander. “Secret Ballot and Its Effects in the Late Roman Republic.” Hermes, Vol. 123, No. 4 (1995) pp. 426-442.
— “Traditional Political Culture and the People’s Role in the Roman Republic.” Historia: Zeitschrift für Alte Geschichte, Bd. 59, H. 3 (2010) pp. 282-302.
— Elections and Electioneering in Rome: A Study in the Political System of the Late Republic. Franz Steiner Verlag Stuttgart, 1999.
— Lintott, Andrew. The Constitution of the Roman Republic. Oxford: Oxford University Press, 2002.
— Phillips, Daryll. “Voter Turnout in Consular Elections”, Ancient History Bulletin 18 (2004), 48–60.
— Morstein-Marx, Robert. Mass Oratory and Political Power in the Late Roman Republic. New York: Cambridge University Press, 2004.
— Taylor, Lily Ross. Jerszy Linderski, ed. The Voting Districts of the Roman Republic. University of Michigan Press, 2013.
— Roman voting assemblies from the Hannibalic War to the dictatorship of Caesar. Ann Arbor: University of Michigan Press, 1990.
— “The Centuriate Assembly Before and After the Reform.” The American Journal of Philology, Vol. 78, No. 4 (1957), pp. 337-354.
Hall, Ursula. “Voting Procedure in Roman Assemblies.” Historia: Zeitschrift für Alte Geschichte, Bd. 13, H3 (1964), pp. 267-306.
— “‘Species Libertatis‘ Voting Procedure in the Late Roman Republic.” Bulletin of the Institute of Classical Studies, Supplement No. 71 (1998), pp. 15-30.

Research: James Conrad
Artwork: Anders Végh Blidlöv (https://www.behance.net/andersvb)

Music:
“Strings and Drums Comedy” by 8th Mode Music

#RomanHistory
#HowTheyDidIt

November 2, 2020

L1A1 SLR good and bad points

Filed under: Britain, History, Military, Weapons — Tags: , , , — Nicholas @ 04:00

Bloke on the Range
Published 19 Oct 2017

Sometimes Enfield does things right. Normally when they’re just polishing up an existing design. Like the L1A1 SLR, the British version of the FN FAL.

Patreon: https://www.patreon.com/BlokeOnTheRange

Hammurabi & the First Babylonian Empire

Filed under: History, Law, Middle East — Tags: , , , — Nicholas @ 02:00

History Time
Published 19 Feb 2018

A brief look at Hammurabi, the most famous king of the Old Babylonian Empire (1830 – 1531 BC)

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Music:-
Derek & Brandon Fiechter – “Byzantium”
Derek & Brandon Fiechter – “Assyrian Fortress”
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Recommended reading:-
Babylon, Paul Kriwaczek
The History of the Ancient World, Susan Bauer

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QotD: The Patriarchy

Filed under: History, Media, Politics, Quotations — Tags: , , , — Nicholas @ 01:00

Since anything men utter is tainted by their place in the power hierarchy and their implicit desire to maintain that power – a homeless man at Grand Central station may be surprised, even delighted, to learn that he occupies a “privileged” position in this hierarchy – nothing a man says can be taken at face value because, consciously or unconsciously, it is imbued with patriarchal values and language. Whether they realise it or not, all men are engaged in a struggle to consolidate and extend their power, particularly over women. This is doubtless why, according to this theory, rape is considered a manifestation of male dominance – of the patriarchy – rather than an expression of sexual desire. Power is everything – which tells you something, perhaps, about the status anxiety of this theory’s most fanatical adherents.

Thus it is okay to hate all men – they are all infected by the canker of patriarchy which, unlike individual thoughts and motivations, is a kind of all-powerful super-organism, a hive mind controlling its male worker bees. Men as individuals are simply tokens of something deeper – structural misogyny embedded in institutional power. If you’re a man who thinks you are not a misogynist, who in fact thinks you like women perfectly well, you are deluding yourself. For such men, their sexism is simply unconscious, just as in classical Marxism the “good” bourgeois was unconscious of the fact that he could not avoid exploiting his workers or employees, even though he might be providing them with a decent wage, good working conditions, and health and pension benefits.

This analysis, given a moment’s thought, doesn’t make a lot of sense. Even if you accept that all the ills of the world are down to patriarchy and the dominance of men, you have to concede the corollary – that all the triumphs of humankind are down to the patriarchy also, from medicine and science to the highest reaches of art and culture.

Women may point out that they have been excluded from these fields until now, and that’s largely true, although biology – the lack of control women have historically had over their own fertility and the greater physical strength of men – might be a far more simple and plausible explanation than the existence of a hypothetical, all-powerful super-organism. However, the very act that men hold the balance of power is proof of the existence of patriarchy, according to this belief system.

Tim Lott, “Why It’s Not OK to Hate Men”, Quillette, 2018-08-14.

November 1, 2020

Polish-Lithuanian War – Caught Between Poland and Soviet Russia I THE GREAT WAR 1920

Filed under: Europe, History, Military, Russia — Tags: , , , , , — Nicholas @ 06:00

The Great War
Published 31 Oct 2020

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Like the other Baltic states, Lithuania declared independence at the end of World War 1 and was caught in the chaotic and violent situation of 1919 and 1920 when much of Eastern Europe was in turmoil. Territories that today belong to Lithuania were claimed by Poland and Soviet Russia alike — while these two were waging a war in the direct vicinity of Lithuania.

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» SOURCES
Balkelis, Tomas, “From Self-Defense to Revolution: Lithuanian Paramilitary Groups in 1918 and 1919”, in Fleishman, Lazar & Weiner, Amir (eds.) War, Revolution and Governance: The Baltic Countires in the Twentieth Century, (Boston: Academic Studies Press, 2018)

Balkelis, Tomas, “Turning Citizens into Soldiers: Baltic Paramilitary Movements after the Great War” in Gerwarth, Robert & Horne, John (eds.), War in Peace: Paramilitary Violence in Europe after the Great War, (Oxford: Oxford University Press, 2012)

Gerutis, Albertas, “Independent Lithuania” in Gerutis, Albertas (ed.) Lithuania: 700 Years, (Woodhaven: Manyland Books, Inc, 1969)

Lieven, Anatol, The Baltic Revolution: Estonia, Latvia, Lithuania and the Path to Independence, (New Haven: Yale University Press, 2005)

Mačiulis, Dangiras and Staliūnas, Darius, Lithuanian Nationalism and the Vilnius Question, 1883-1940, (Marburg: Verlag Herder-Institut, 2015)

Senn, Alfred Erich, The Great Powers, Lithuania and the Vilna Question 1920-1928, (Leiden: E. J. Brill, 1966)

Snyder, Timothy, The Reconstruction of Nations: Poland, Ukraine, Lithuania, Belarus, 1569–1999, (New Haven: Yale University Press, 2008)

Leonhardt, Joern. Der Ueberfordete Frieden, (CH Beck, 2018).

Borzecki, Jerzy. The Polish-Soviet Peace of 1921 and the Creation of Interwar Europe, (New Haven and London: Yale University Press, 2008)

Lehnstaedt, Stephan. Der Vergessene Sieg. Der Polnisch-Sowjetische Krieg 1919-1921 und die Entstehung des modernen Osteuropa, (CH Beck, 2019)

Davies, Norman. White Eagle Red Star, (Random House, 2003 (1972))

Böhler, Jochen. Civil War in Central Europe, 1918-1921, (Oxford University Press, 2019)

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From the comments:

The Great War
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As you can see and hear we are back in the Emergency Lockdown Studio Also Known As Jesse’s Living Room (ELSAKAJLR™) and we know the sound isn’t ideal. Starting with the next episode, Jesse will have a better mic that should improve things dramatically. Next step we will also make a few more improvements to Jesse’s overall recording setup. Recording TGW episodes remotely while Jesse is in his ELSAKAJLR™ and we are in Berlin is not easy, but that bloody pandemic will not stop us.

Winter is Coming – WW2 – 114 – October 31, 1941

Filed under: Europe, Germany, History, Military, Russia, WW2 — Tags: , , , , , , — Nicholas @ 04:00

World War Two
Published 31 Oct 2020

Operation Typhoon is halted until the coming winter can freeze enough ground to increase mobility. But the ever colder weather is a disaster waiting to happen for an already over-stretched German supply line.

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Follow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
Mikolaj Uchman
Dememorabilia – https://www.instagram.com/dememorabilia/
Jaris Almazani (Artistic Man) – https://instagram.com/artistic.man?ig…

Sources:
Bundesrchiv
Narodowe Archiwum Cyfrowe
Yad Vashem 7283/146

Soundtracks from the Epidemic Sound:
Johannes Bornlof – “Death And Glory 2”
Johan Hynynen – “Dark Beginning”
Johannes Bornlof – “The Inspector 4”
Hakan Eriksson – “Epic Adventure Theme 4”
Farell Wooten – “Blunt Object”
Fabien Tell – “Last Point of Safe Return”

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

Arcelin Mousqueton: An 1850s Breechloader with a Ludicrous Bayonet

Filed under: France, History, Military, Weapons — Tags: , , , , — Nicholas @ 02:00

Forgotten Weapons
Published 26 Jun 2020

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The Arcelin system was a capping breechloader provisionally adopted by the French military in 1854. It was a bolt action system with a folding bolt handle, firing a paper cartridge. It impressed Emperor Louis Napoleon III in initial trials, and he directed it be used to arm his elite Cent Gardes bodyguard. More extensive testing showed that it suffered from insufficient obturation, and would with extended use, eventually become so difficult to close that bolt handles would break. Its adoption was rescinded, and it was replaced by the Treuille de Beaulieu 9mm pinfire carbine in Cent Gardes use within just a few years.

The most distinctive element of the Arcelin in use was its bayonet — a true full-length sword complete with brass handguard that could be clipped to the muzzle. This was chosen for its impressive length, although it would have been cumbersome if used beyond ceremonial guard duties.

Thanks to the Cody Firearms Museum for allowing me access to film this very rare and very cool musketoon and its bayonet! Check them out here: https://centerofthewest.org/explore/f…

Contact:
Forgotten Weapons
6281 N. Oracle #36270
Tucson, AZ 85740

QotD: Trumbo

Over the past weekend I watched Trumbo, the story of the Marxist screenwriter blacklisted by Hollywood during the Red Scare back in the 1950s. To say that I watched it with a jaundiced eye would be a very big understatement, because I suspected (just from the trailer) that the movie would just be one big blowjob for both Dalton Trumbo and his merry little band of Commiesymps who infested Hollywood back then.

And it was. Needless to say, the movie made villains of the conservatives who opposed the Marxist infiltration: people like John Wayne and Hedda Hopper in particular, Wayne because Wayne, and Hopper because she had a son serving in the U.S. Navy during the Korean War. Of course Wayne was made out to be a bully and Hopper a vindictive bitch — and the Senators and Congressmen who haled the Commies in front of the Senate and House Un-American Committee (HUAC) were depicted as ideological purists who saw Communists behind every bush — even though, in the case of Hollywood, there were Commies behind every bush at the time.

Of course, much was made of the fact that being a Communist wasn’t actually illegal (then, and now), and Trumbo made a great show of this being a First Amendment issue — which it was — and how these Commies all wanted to improve America, but of course there were evil right-wingers like Wayne, Joe McCarthy and HUAC harassing them at every turn.

The execution of the traitors Julius and Ethel Rosenberg got a little puff piece in the movie, which didn’t — couldn’t — actually say they weren’t guilty of treason espionage, so it was brushed over with the throwaway that it was the first execution for espionage in peacetime, as though peacetime should give espionage a pass. And if that wasn’t enough, the Rosenberg children were paraded around as sympathy magnets — as they still are — because Communists have no problem using children to serve their own purposes.

Kim du Toit, “Blacklists Matter”, Splendid Isolation, 2020-07-28.

October 31, 2020

Atun-Shei’s Dracula

Filed under: Books, Britain, Europe, History, Media — Tags: , , , , , — Nicholas @ 06:00

Atun-Shei Films
Published 30 Oct 2020

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An in-depth analysis of Dracula, the original 1897 book by Bram Stoker, possibly the most influential horror novel ever written. Why has the Count enjoyed such longevity in popular culture? What made Dracula so scary for Victorian readers? And what – pray tell – makes vampires so attractive?

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~REFERENCES~

[1] “Dracula Movies” (2016). IMDB https://www.imdb.com/list/ls058255047/

[2] Leslie S. Klinger. The New Annotated Dracula (2008). W.W. Norton & Company, Page xvi

[3] Klinger, Page xxi

[4] Dr. Andrzej Diniejko. “Slums and Slumming in Late-Victorian London.” The Victorian Web http://www.victorianweb.org/history/s…

[5] Gill Davies. “London in Dracula; Dracula in London” (2004). Literary London: Interdisciplinary Studies in the Representation of London, Volume 2 Number 1 http://www.literarylondon.org/london-…

[6] Klinger, xxxii-xli

[7] “An 1897 Review of Bram Stoker’s Dracula” (2019). Literary Hub https://bookmarks.reviews/an-1897-rev…

[8] “The Spectator‘s Review of Dracula, 1897″ (2012). The Spectator https://www.spectator.co.uk/article/t…

[9] olly Furneaux. “Victorian Se•ualities” (2014). British Library https://www.bl.uk/romantics-and-victo…

[10] Klinger, Page xvii-xviii

[11] Greg Buzwell. “Daughters of Decadence: The New Woman in the Victorian Fin De Siécle” (2014). British Library https://www.bl.uk/romantics-and-victo…

The Banality of Death – War Against Humanity 021 – October 1941 Pt. 2

Filed under: Europe, France, Germany, History, Military, Russia, WW2 — Tags: , , , , — Nicholas @ 04:00

World War Two
Published 29 Oct 2020

French resistance members liquidate a high-ranking German officer, triggering a series of retaliatory actions by the German occupiers. Meanwhile, actions in the “Holocaust of Bullets” continue in the east as German forces move further into the USSR, taking Odessa.

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Follow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Hosted by: Spartacus Olsson
Written by: Joram Appel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Joram Appel
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
Mikołaj Uchman
Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
Norman Stewart – https://oldtimesincolor.blogspot.com/
Jaris Almazani (Artistic Man) – https://instagram.com/artistic.man?ig…
Carlos Ortega Pereira – BlauColorizations, https://www.instagram.com/blaucolorizations
Tzo15 – https://commons.wikimedia.org/wiki/Fi…

Sources:
– Berkhoff, Karel (ed.), Basic Historical Narrative of the Babi Yar Holocaust Memorial Center (2018).
– Cobb, Matthew, The Resistance (2009).
– Desbois, Patrick, The Holocaust by Bullets: A Priest’s Journey to Uncover the Truth Behind the Murder of 1.5 Million Jews (2008).
– Fox, Holquist and Martin, The Holocaust in the East: Local Perpetrators and Soviet Responses (2014).
– Kay, Alex and David Stahel, Mass Violence in Nazi-Occupied Europe (2018).
– Klee, Dressen and Reiss, The Good old Days: The Holocaust as Seen by Its Perpetrators and Bystanders (1991).
– Longerich, Peter, The Unwritten Order: Hitler’s Role in the Final Solution (2001)
– Longerich, Peter, Holocaust: The Nazi Persecution and Murder of the Jews (2010).
– Mitter, Rana, Forgotten Ally: China’s World War II, 1937-1945 (2013).
– Müller, “The Brutalisation of Warfare, Nazi Crimes and the Wehrmacht”, In: Erickson & Dilks, Barbarossa: The Axis and the Allies.
– Parrish, Michael, The Lesser Terror Soviet State Security, 1939-1953.
– Rutherford, Jeff, Combat And Genocide on the Eastern Front: The German Infantry’s War, 1941-1944 (2014).
– Snyder, Timothy, Bloodlands: Europe Between Hitler and Stalin (2010).
– United States Holocaust Memorial Museum, Encyclopaedia of Camps and Ghettos, 1933-1945, volume II, Part A (2012).
– United States Holocaust Memorial Museum, Encyclopaedia of Camps and Ghettos, 1933-1945, volume II, Part B (2012)

Visual sources:
Yad Vashem 75EO4, 933/3/5, 94DO1, 75FO4, 75DO3, 3065/2, 4359/45, 2725/6, 86FO2, 3199/5, 7904/172, 3745/138, 90FO3, 4359/83, 4359/21, 4359/55, 4216/34, 86DO8, 3150/129, 4613/89, 142BO7, 3150/122
Bundesarchiv
Visuotinė lietuvių enciklopedija
Narodowe Archiwum Cyfrowe
Picture of Lavrentiy Beria in court, courtesy of Фотограф – Ист.доки https://commons.wikimedia.org/wiki/Fi…
Picture of Gilbert Brustlein, courtesy of Fbrustlein https://commons.wikimedia.org/wiki/Fi…
Picture of Jewish officials of the Vilnius ghetto, courtesy of United States Holocaust Memorial Museum, William Begell
Picture of Jewish and Lithuanian police guarding the entrence to the Vilnius ghetto, courtesy of United States Holocaust Memorial Museum, William Begell
from the Noun Project: Skull by Muhamad Ulum, students by Piotrek Chuchla, person by Adrien Coquet, Injury by Adraino Emerick, Man by Milinda Courey, Woman by Maxim Kulikov, Child by RocketDiction

Soundtracks from Epidemic Sound:
Reynard Seidel – “Deflection”
Johannes Bornlof – “The Inspector 4”
Johannes Bornlof – “Deviation In Time”
Farell Wooten – “Blunt Object”
Peter Sandberg – “Document This 1”
Gunnar Johnsen – “Not Safe yet”
Jon Bjork – “For the Many”

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

Modern Halloween costumes show us how wealthy we have become

Filed under: Cancon, Economics, History, Media, USA — Tags: , , , , , , — Nicholas @ 03:00

Richard Lorenc looks back at the “costumes” for Halloween from the 1970s and 1980s to help illustrate how much our general economic picture has improved since those dark days:

While my husband and I were recently struggling to figure out our costumes for this Halloween (and we still don’t have any idea), he pulled up some old commercials on YouTube. The off-the-shelf options that trick or treaters had were, in a word, pitiful.

Basically, costume makers thought it was ok to make a front-only plastic mask (in any color, really) of a character and top it off with a plastic smock featuring an illustration of said character with either its name or the name of the show or movie it comes from. There was no attempt to dress in the character’s actual attire. If you wanted that, you’d either have to know a professional costumer or cobble together something from your closet.

Take a look for yourself at just how costume-poor we used to be:

Obviously, every costume is an opportunity to generate interest in a brand or franchise, and slapping on a logo is an easy way to get a name out there, but these costumes truly heralded a dark time for Halloween. Some may even argue that it demonstrated crass consumerism at its worst, with cynical companies taking the easiest route to grabbing a couple of bucks from desperate parents.

The truth of the tragedy of terrible old Halloween costumes has to do with a simple idea: specialization.

[…]

The next time you compare our screen-accurate store-bought costumes of Darth Vader and Mr. Incredible to those of yesteryear, remember that we enjoy them today not because previous generations didn’t care for accurate costuming, but because growing trade across the globe has generated so much wealth for each of us that we can now demand things we may have only imagined previously.

I only realized as I got ready to schedule this post that it was an article I’d blogged a couple of years back, but the point of the story is still relevant even in our pandemic-wracked economy of 2020.

October 30, 2020

“We Burn” – The Road to Srebrenica – Sabaton History 091 [Official]

Filed under: Europe, History, Media, Military — Tags: , , , , , , , , — Nicholas @ 06:00

Sabaton History
Published 29 Oct 2020

Srebrenica in the summer of 1995. The road to the bloodiest massacre since the end of the Second World War was paved by the violence that followed the breakdown of Yugoslavia. A series of wars and brutal atrocities accompanied the individual struggles for independence as old ethnic and nationalist hatred resurged. The Bosnian Serbs who followed the leadership of politician Radovan Karadžić and General Ratko Mladić sought to separate themselves within Bosnia. However their views soon radicalized and Kradazic began to advocate for a Serbian ethno-state utopia, free of the Muslim Bosniaks. And he was willing to use extreme violence to achieve it.

Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory

Listen to “We Burn” on the album Attero Dominatus: https://music.sabaton.net/AtteroDomin…

Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
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Hosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Brodén, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Community Manager: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Editor: Karolina Dołęga
Sound Editor: Marek Kaminski
Archive: Reuters/Screenocean – https://www.screenocean.com

Visual Sources:
– Library of Congress
– Portrait of Slobodan Milosevic courtesy of Stevan Kragujevic with the approval of daughter Tanja Kragujevic
– Icons from The Noun Project: Arrow by Dolly Holmes
– Pictures from Siege of Sarajevo, Portrait of Mladić & Karadžić and more courtesy of Mikhail Evstafiev
– Photograph of execution in Brcko in 1992 – Photograph provided courtesy of the ICTY
All music by: Sabaton

An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.

© Raging Beaver Publishing AB, 2019 – all rights reserved.

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