Quotulatiousness

July 15, 2020

Barbarossa, Hitler’s and Stalin’s Hell on Earth – War Against Humanity 014 – July 1941, Part 01

Filed under: Germany, History, Military, Russia, WW2 — Tags: , , , , , , , — Nicholas @ 06:00

World War Two
Published 14 Jul 2020

When the German armed forces invade the USSR, they come with an order to exterminate from Hitler. Now the defending Soviet armed forces receive similar orders from Stalin. The bloodshed that follows defies human imagination.

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Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_two_realtime
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Hosted by: Spartacus Olsson
Written by: Spartacus Olsson and Joram Appel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Joram Appel and Spartacus Olsson
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
Jaris Almazani (Artistic Man) – https://instagram.com/artistic.man?ig…
Klimbim – https://www.flickr.com/photos/2215569…

Sources:
Bundesarchiv
Yad Vashem 55AO6, 145CO2, 142GO5, 1019/2, 5648/40, 143EO1, 5648/39, 73BO2, 74FO7, 2725/17, 1564/2, 4360/49, 90DO9, 90DO8, 1278/19, 112GO7, 97GO2, 1597/11, 145CO1, 80DO5, 145AO, 5138/95
USHMM
Vilna Gaon State Jewish Museum

Soundtracks from the Epidemic Sound:
Skrya – “First Responders”
Philip Ayers – “Trapped in a Maze”
Farrell Wooten – “Mystery Minutes”
Cobby Costa – “From the Past”
Cobby Costa – “Flight Path”
Gunnar Johnsen – “Not Safe Yet”
Farrell Wooten – “Blunt Object”
Fluow – “Endlessness”
Jon Bjork – “Icicles”
Jon Bjork – “For the Many”

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

From the comments:

World War Two
8 hours ago (edited)
However hard it is to watch this horror, it’s important that we document it, and learn from it. Each and everyone of us can, and we must for the sake of ourselves and our fellow human beings do so. The steps that led the people involved in these atrocities to this point were small, sometimes innocent, or at least uninformed decisions that took many years to reach this level of inhumanity. It starts with denying facts, imagining conspiracies as the root of your own problems, and demonizing your imagined enemies. In this void you are already on a slippery slope that may lead into the abyss. On that note, the events depicted here are based on solid research, and verified sources that are irrefutable. Wherever there is uncertainty, we have mentioned it. The purpose of this documentation is neither to scapegoat any one side, nor exonerate anyone from blame. These are the facts. This is what happened. Think about that, because the perpetrators here were like us, they didn’t come out of their mother’s womb with the intent to torture and murder anyone. And the victims were also like all of us, ordinary people just trying to get on with their lives according to their best ability. They had dreams and goals in life, some of them political perhaps, but mostly they just got on with their everyday life, banal and difficult as that might be, until they ended up in the hands of someone who had learnt to hate them without even knowing them. Remember that – this could have been anyone of us, on both sides of the events. To have that humility is the beginning of a journey to do good.

Spartacus

PS. and if you wonder how we put up with making this kind of content; it’s difficult. I cried bitterly after recording this, and tears still well up when I think about it. While we write it’s easier to turn off, switch on the coping mechanisms, pretend that its just absurd facts and numbers. But when you act out the words… that what defies imagination is suddenly horribly real.

The Start of World War III? | The Cuban Missile Crisis | Day 08

TimeGhost History
Published 14 Jul 2020

On October 23 , 1962 as the blockade on Cuba is being prepared, US President John F. Kennedy and USSR Chairman Nikita Khrushchev question their own actions realising that they might have gone a step too far.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory

Hosted by: Indy Neidell
Written by: Spartacus Olsson
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Spartacus Olsson
Edited by: Jonas Klein & Karolina Dołęga
Sound design: Marek Kamiński

Colorizations:
Dememorabilia – https://www.instagram.com/dememorabilia/
Carlos Ortega Pereira, BlauColorizations – https://www.instagram.com/blaucoloriz…

Music:
“Cold Eyes” – Elliot Holmes
“From the Depths” – Walt Adams
“Juvenile Delinquent” – Elliot Holmes
“Moving to Disturbia” – Experia
“Under the Dome” – Philip Ayers
“When They Fell” – Wendel Scherer
“Zoot Suit” – Elliot Holmes
“Try and Catch Us Now” – David Celeste

Visual Sources:
Bundesarchiv

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

When The Dutch Ruled The World: Rise and Fall of the Dutch East India Company

Filed under: Asia, Business, Europe, History, India — Tags: , , , , , , — Nicholas @ 02:00

Business Casual
Published 14 Sep 2018

Thanks to Cheddar for sponsoring this episode! Check out their video on the iconic ad campaign that saved Old Spice here: https://chdr.tv/youtu8b4a6

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July 14, 2020

A previously unpublished photo of the 1917 Halifax explosion

Filed under: Cancon, History, WW1 — Tags: , , , — Nicholas @ 05:00

I’ve posted a few items about the Halifax explosion, so Colby Cosh linking to this CBC News article caught my attention:

Previously unpublished photo of the Halifax explosion in December 1917 taken by Mate Reg Stevens, RCN.
Original image from the Community Archives of Belleville and Hastings County, via CBC News.

“The photo has the look of a very troubling dream,” Dan Conlin says as he studies an old black-and-white image.

Conlin is a transportation historian who’s spent a lifetime studying images of ships, trains and aircraft. He’s also a former curator of Halifax’s Maritime Museum of the Atlantic, which houses a large collection of materials from the 1917 Halifax Explosion.

The image he’s studying surfaced recently on Reddit with a user from Halifax, England, wondering if it was a “new” image of the 1917 disaster.

“You have these tranquil little wavelets in the foreground and some stately, anchored vessels — including a sailing ship,” Conlin said. “But in the background there are these awful, nightmarish clouds, including a horrible column that is rising into the sky. It looks like a surreal nightmare.”

When Conlin first looked at it, the crisp details of the foreground and the blurry background raised his skeptical eyebrows. “There was quite a tradition in the World War I era of faking photos by doing composite photos, where you layer one image on top of another,” he said.

One well-known photo of the explosion taken from McNabs Island was later suspected to have been doctored by a company. They seem to have added clouds for dramatic effect — and to sell more postcards.

But Conlin thinks in the nightmarish photo, it’s more likely that the clouds are moving from the force of the explosion, while the ships were untroubled by any winds. The disaster killed nearly 2,000 people and badly hurt thousands more. It levelled the Richmond district in the north end.

“It’s carnage and destruction out of Dante at the base of that cloud. People are dying and fires are starting and this awful event has hit Halifax in the distance,” he said.

“That angry cloud gives you an idea of the violence and tragedy that is unfolding even as the shutter clicks. It’s really rare and that photo, as far as I can tell, has never been published.”

The End of the World Will be Televised | The Cuban Missile Crisis I Day 07

TimeGhost History
Published 13 Jul 2020

On October 22, in the world’s first televised announcement of an international military crisis, US President John F. Kennedy sets off panic and sudden fear of a third world war, with nuclear arms involved.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory

Hosted by: Indy Neidell
Written by: Spartacus Olsson
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Spartacus Olsson
Edited by: Daniel Weiss
Sound design: Marek Kaminski

Colorizations:
– Carlos Ortega Pereira (BlauColorizations) – https://www.instagram.com/blaucoloriz…

Sources:
PX 65-105:179 from LOOK Magazine 8405-1-26

Soundtracks from Epidemic Sound:
– “Cold Eyes” – Elliot Holmes
– “From the Depths” – Walt Adams
– “Juvenile Delinquent” – Elliot Holmes
– “When They Fell” – Wendel Scherer
– “Kid Me Not” – Elliot Holmes

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

British EM-2: The Best Cold War Battle Rifle that Never Was

Filed under: Britain, History, Military, Weapons — Tags: , , , , , — Nicholas @ 02:00

Forgotten Weapons
Published 12 Jul 2017

Armament Research Services (ARES) is a specialist technical intelligence consultancy, offering expertise and analysis to a range of government and non-government entities in the arms and munitions field. For detailed photos of the guns in this video, don’t miss the ARES companion blog post:

http://armamentresearch.com/british-j…

The EM-2 was the rifle that the British pushed for NATO trials in 1950. It was a rifle well ahead of its time in several areas — as a select-fire bullpup rifle, it was intended to replace both the infantry rifle and the submachine gun. Its .280 caliber cartridge was designed with combat ranges of 600 yards and less, acknowledging the reality that engagements beyond even 300 yards were extremely rare, and not important enough to base rifle design on. It was also designed to use primarily optical sights, long before this concept would be embraced elsewhere. Unfortunately, the potential of the EM-2 was lost to the political decision that compatibility with American ordnance choices was a more significant benefit than an improved infantry rifle.

Mechanically, the EM-2 is heavily based on the German G43 flapper-locking system. It uses a long stroke gas piston in place of the G43’s short stroke one, though. To help account for the slower handling of a bullpup configuration, the EM-2 would both lock open when its magazine was empty and also automatically close the bolt and chamber a round when a fresh magazine was inserted. The safety was much like that of the M1 Garand, and the selector lever was of the push-through type like on the German Sturmgewehr.

The optic on the EM-2 is quite tiny, and offers no magnification. Its purpose is to reduce the two-element sight picture of traditional iron sights to a single plane that can be more quickly and easily placed on the target.

In total, only 55 EM-2 rifles were manufactured, including the paratrooper model in this video and a number of 7.62mm NATO examples made as a last ditch effort to remain competitive in NATO trials. Where most failed prototype rifles were rejected for very legitimate technical shortcomings, the EM-2 is (I believe) a prime example of an outstanding weapon that fell victim to politics unrelated to its actually qualities.

http://www.patreon.com/ForgottenWeapons

Cool Forgotten Weapons merch! http://shop.bbtv.com/collections/forg…

If you enjoy Forgotten Weapons, check out its sister channel, InRangeTV! http://www.youtube.com/InRangeTVShow

July 13, 2020

German-Polish Proxy War In Silesia – French Troops On The Rhine I THE GREAT WAR 1920

Filed under: France, Germany, History, Military — Tags: , , , , — Nicholas @ 06:00

The Great War
Published 11 Jul 2020

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The summer of 1920 was marked by escalating tensions on the borders of the German Reich. In the Rhineland, a neutral zone per the Versailles Treaty, the revolutionary uprising after the failed Kapp Putsch was put down with the help of the army and the Freikorps. In Upper Silesia, the conflict between Poland and Germany was escalating into a proxy war. And all that while the German government was negotiating the payments of reparations at the Spa Conference.

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» SOURCES
Buat, Edmond. 8 (Perrin, 2015)
Beaupré, Nicolas. Occuper l’Allemagne après 1918 (Revue historique des armées, 2009)
Böhler, Jochen. Civil War in Central Europe, 1918-1921 (Oxford University Press, 2019)
Gietinger, Klaus. Kapp-Putsch (Stuttgart: Schmetterling, 2020)
le Naour, Jean Yves. La Honte Noire (Hachette, 2004)
Le Figaro, numéro du 8 avril 1920 (via Gallica)
Stengers, Jean. L’accord militaire franco-belge de 1920 et le Luxembourg (Revue belge de de Philologie et d’Histoire, 2004)
https://www.dhm.de/lemo/jahreschronik…
Pöppinghege, Rainer: Republik im Bürgerkrieg. Kapp-Putsch und Gegenbewegung an Ruhr und Lippe 1919/1920 (2019)
van Galen Last, Dick. Des soldats noirs dans une guerre de blancs (1914-1922): une histoire mondiale (Editions de l’Université de Bruxelles, 2015)

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“The Richard of Richard III is often regarded as a caricature, a cardboard-cutout villain rather like the Sweeney Todd of Victorian melodrama”

Filed under: Britain, History — Tags: , , , , — Nicholas @ 05:00

Theodore Dalrymple discusses two Shakespeare characters, the protagonists of Richard II and Richard III:

This was long thought to be the only portrait of William Shakespeare that had any claim to have been painted from life, until another possible life portrait, the Cobbe portrait, was revealed in 2009. The portrait is known as the “Chandos portrait” after a previous owner, James Brydges, 1st Duke of Chandos. It was the first portrait to be acquired by the National Portrait Gallery in 1856. The artist may be by a painter called John Taylor who was an important member of the Painter-Stainers’ Company.
National Portrait Gallery image via Wikimedia Commons.

… if we cannot know Shakespeare’s positive thoughts about any major question, as Nutall puts it, we can at least surmise some of the things that he did not believe. No one, I think, could imagine that Shakespeare romanticized the common man or was impressed by a crowd’s capacity for deep reflection. If there is one thing that he was not, it is a utopian.

Apart from the absence of direct evidence, one reason that it is so difficult to know what Shakespeare thought is that he seemed uniquely able to imagine himself into the minds of an almost infinite number of characters, so that he actually became them. He was, in a sense, like an actor who has played so many parts that he no longer has a personality of his own. A chameleon has many colors, but no color. What is perhaps even more remarkable is that, by some verbal alchemy, Shakespeare turns us into a pale version of himself. Through the great speeches or dialogues, we, too, enter a character’s world, or even become that character in our minds. I know of no other writer able to do this so often and across so wide a spectrum of humanity.

Included in this spectrum are the two King Richards, the Second and the Third. Shakespeare wrote the two plays in reverse historical order, about four years apart. The usurpation of Richard II’s throne in 1399 by Henry Bolingbroke, Henry IV, led to political instability and civil war in England that lasted until the death of Richard III in battle in 1485. Because everyone loves an unmitigated villain, Richard III is said to be the most frequently performed of all Shakespeare’s plays, but its historical verisimilitude is much disputed. It is clearly an apologia for the Tudor dynasty, for if Richard III were not the absolute villain he is portrayed as having been (and such is the power of Shakespeare’s play that everyone’s image of the king, except for those specially interested, derives from it), then Henry VII, whose dynastic claims to the throne were meager, to say the least, was not legitimately king — in which case neither was Henry VIII, Queen Elizabeth’s father, nor, therefore, was Queen Elizabeth legitimately queen: a dangerous proposition at the time Shakespeare wrote. So reminiscent of sycophantic Soviet historical apologetics does a Soviet emigré friend of mine find the play that he detests it. In 1924, a surgeon in Liverpool, Samuel Saxon Barton, founded what became the Richard III Society, which now has several thousand members globally, to rescue the reputation of the king from the Bard’s calumnies.

If Richard III were merely a propaganda play on behalf of the Tudors, however, it would hardly have held its place in the repertoire. It does so because it tackles the perennially fascinating, and vitally important, question of evil in the most dramatic manner imaginable; its historical inaccuracy does not matter. Richard III may not have been the dark figure Shakespeare portrays, but who would dare to say that no such figure could ever have existed?

The two plays offer a contrast between different political pathologies: that of ambitious malignity and that of arrogant entitlement, both with disastrous results, and neither completely unknown in our time. They share one rather surprising thing in common, however: before reaching the throne, both usurpers — Richard III, when still Duke of Gloucester; and Henry IV, when still Duke of Hereford — felt obliged to solicit the good opinion of the common people. This is perhaps surprising, in view of the extremely hierarchical nature of society in both the age depicted in the plays and the age in which they were written, and suggests a nascent populism, if not real democracy. However powerful the king or nobility, the Peasants’ Revolt of 1381, early in the reign of Richard II (as much a revolt of merchants as of peasants), must have alerted them to the need to keep the populace at least minimally satisfied.

Update: Fixed broken link and mis-placed image.

What if a Fool Has the Launch Codes? | The Cuban Missile Crisis I Day 06

TimeGhost History
Published 12 Jul 2020

On October 21 1962, politicians and military in both the US and in the USSR seem to have contradictory views on what to do next. Should the Soviet local commanders on Cuba get to play with the little nukes as they like, or rather wait for permission?

Join us on Patreon: https://www.patreon.com/TimeGhostHistory

Hosted by: Indy Neidell
Written by: Spartacus Olsson
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Spartacus Olsson
Edited by: Daniel Weiss
Sound design: Marek Kaminski

Colorizations:
– Carlos Ortega Pereira (BlauColorizations) – https://www.instagram.com/blaucoloriz…
– Daniel Weiss

Sources:
From the Noun Project:
Arm Sling By Sergey Demushkin
Death by Adrien Coquet

Soundtracks from Epidemic Sound:
– “Cold Eyes” – Elliot Holmes
– “Zoot Suit” – Elliot Holmes
– “From the Depths” – Walt Adams
– “Kissed by Thunder” – Elliot Holmes
– “Car Chase in Virginia” – White Bones
– “When They Fell” – Wendel Scherer

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

Sarah Hoyt on noblesse oblige

In the latest edition of the Libertarian Enterprise, Sarah Hoyt explains how noblesse oblige can and is used as a tool to benefit the powerful:

Of all the traps a culture can fall into, the fact that Americans tend to fall into Noblesse Oblige traps says very good things about us. It also doesn’t make the trap any less dangerous.

Noblesse Oblige, aka “nobility obligates” was a way that the excesses of a hierarchical society was kept in check. While the peasants were obligated to obey the nobleman, the nobleman was obligated to look after them/not put extreme demands on them/behave in certain paternalistic ways. (One of these days I need to do a post on paternalistic versus patriarchal. remind me.)

It is what is notably lacking from ideologically driven totalitarianisms and hierarchies, probably because their basis being atheistic they don’t seem the humans they have power over as being worth anything or commanding any duty from them. This is why in places like Cuba, Venezuela or China, the officials of the “democratic” government give themselves airs as long-suffering public servants while treating the people under their power worse than any of us would treat a stray animal (let alone a pet.)

In the US — where the citizen is king! — we have evolved a form of noblesse oblige best described as “Them who can, do what they can for those who can’t.”

[…]

But the noblesse oblige that affects the common individual in America is the foundation of worse traps.

Most of the idiotic compliance with ridiculous Winnie the Flu rules and restrictions hooked directly into Noblesse Oblige. For instance, the brilliant idea that you should wear masks to show you care even though we pretty much know they are completely ineffective and quite deleterious for a vast swath of people.

The idea that our kids should be forced to perform “volunteer” labor to graduate school, to “teach them to care for others.” The idea that you can always do a little more/sacrifice a little more for “those worse off” (Who often aren’t.)

When Noblesse Oblige turns into toxic altruism, it can take society apart.

Much of the “Green” mania is part of the noblesse oblige trap. They’re trying to convince us that if we just do these little things — most of them counterproductive, like, say recycling, which uses more resources and causes more issues than just using stuff — we’ll make it better for everyone.

In a bigger sense, they’re trying to make it so that we commit polite suicide so that “others live better.”

It can result in truly horrible racism, too. A great part of the left’s being convinced, say, that meritocracy is white supremacy comes from the fact that, being white, (and racist) they assume that they’re more competent than any other race, and therefore following “merit” causes white people to rise to the top.

The Iroquois Confederacy

Filed under: Cancon, Government, History, USA — Tags: , , , , — Nicholas @ 02:00

Historia Civilis
Published 20 Jun 2018

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Sources:
“Discourse Delivered Before the New-York Historical Society: At Their Anniversary meeting, 6th December, 1811,” by DeWitt Clinton: https://amzn.to/2JJZ7eB
The Great Law and the Longhouse: A Political History of the Iroquois Confederacy, by William N. Fenton: https://amzn.to/2JKVTYo
League of the Hodenosaunee or Iroquois, by Lewis H. Morgan: https://amzn.to/2MzRfue
Forgotten Founders, by Bruce E. Johansen: https://amzn.to/2Mz8VGf
French-Iroquois Diplomatic and Military Relations 1609-1701, by Robert A. Goldstein: https://amzn.to/2JLjfxd

Music:
“Deluge,” by Cellophane Sam
“Hallon,” by Christian Bjoerklund

We are a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for us to earn fees by linking to Amazon.com and affiliated sites.

July 12, 2020

Free French vs. Fascist French – WW2 – 098 – July 11 1941

Filed under: Britain, France, Germany, History, Italy, Military, Russia, WW2 — Tags: , , , , , , — Nicholas @ 06:00

World War Two
Published 11 Jul 2020

Germany keeps advancing on the eastern front, and yet by now, transport and supply problems are seriously undermining the capability of the German spearheads, even as they pull further away from the infantry. The Syria-Lebanon campaign is coming to an end, though, and an armistice is proposed which would give the Allies victory if accepted.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_two_realtime
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)
Map consultants: Rabih Rached and Patrick Adaimy

Colorizations by:
– Adrien Fillon – https://www.instagram.com/adrien.colo…
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
– Jaris Almazani (Artistic Man) – https://instagram.com/artistic.man?ig…
– Olga Shirnina, a.k.a. Klimbim – https://klimbim2014.wordpress.com/
– Norman Stewart – https://oldtimesincolor.blogspot.com/
– Carlos Ortega Pereira, BlauColorizations – https://www.instagram.com/blaucoloriz…
– Dememorabilia – https://www.instagram.com/dememorabilia/

Sources:
– Walter Frentz
– Bundesarchiv, CC-BY-SA 3.0: Bild_101I-187-0203-06A
– Narodowe Archiwum Cyfrowe
– Imperial War Museum: E21340, E 21339
– Mil.ru

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

Reforming the police

Filed under: Australia, Britain, Government, History, Law, USA — Tags: , , — Nicholas @ 05:00

A guest editorial at Catallaxy Files from former Australian senator David Leyonhjelm discusses the original civilian police force, the London Metropolitan Police, and the rules that governed their actions. Contrasting the origins of modern policing, he then discusses the ways police organizations have changed:

“On the bus” by OregonDOT is licensed under CC BY 2.0

One issue is the steady militarisation of the police. This ranges from references to the public as civilians and assertions that the police place their lives on the line every day, to black uniforms, military assault rifles and equipment such as armoured personnel carriers. This is a bigger concern in America, where a lot of military surplus equipment is sold to police and the emphasis on armed conflict is more pronounced, but the trend is the same here.

When they see themselves as soldiers in a war, it is not surprising that some police have no regard for public welfare. The negligence leading to the death of Miss Dhu in police custody in [Western Australia], and of course the notorious deaths in America, are obvious examples of where that leads.

Peel’s principles also stipulate that police should only use physical force when persuasion, advice and warning are insufficient, to use only the minimum force necessary, and that the cooperation of the public diminishes proportionately with the necessity of the use of physical force and compulsion.

Yet how often do we see police resort to violence when making an arrest? People are tackled, forced to the ground with knees on their back and neck amid blows, kicks and the vindictive use of Tasers, simply to apply handcuffs. Being “non-compliant” or raising verbal objections is enough to prompt this, and some have died as a result.

Moreover, when the victims of such treatment are not convicted or imprisoned, such rough handling amounts to a form of punishment. That is also in conflict with Peel’s Principles, which require the police to avoid usurping the powers of the judiciary by authoritatively judging guilt and punishing the guilty.

Enforcement of the Covid rules, including the authoritarian decrees and fines imposed by state premiers, provide further examples: petty closing of cafes, prosecutions for reading in a park, chasing individuals along a closed beach, stopping fishing from a pier the day after 10,000 have gathered in a demonstration, and even a Police Commissioner who denounces the cruise industry as criminal, are among them. The Australian public are never likely to accept the police as one of them while those sorts of things occur.

Change is necessary. Corrupt and thuggish police must be rooted out and the enforcement of laws that the public does not support, including political and victimless crimes, should never have priority. Moreover, arresting people seldom solves problems that originate in drug use, alcoholism, mental illness and poverty.

The fundamental responsibility of governments is to protect life, liberty and property. If the police were to focus on these while upholding Peel’s Principles, Australians might even come to their aid.

President Kennedy Decides for War? | The Cuban Missile Crisis I Day 05

Filed under: Americas, History, Military, Russia, USA — Tags: , , , , , — Nicholas @ 04:00

TimeGhost History
Published 11 Jul 2020

On Saturday October 20th, 1962, US President John F Kennedy moves to side more with the hawks advising a forceful response to the Cuban Missile Crisis.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory

Hosted by: Indy Neidell
Written by: Spartacus Olsson
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Spartacus Olsson
Edited by: Daniel Weiss
Sound design: Marek Kaminski

Colorizations:
– Carlos Ortega Pereira (BlauColorizations) – https://www.instagram.com/blaucoloriz…

Sources:
smithsonianmag.com – Never-Before-Seen Photos Taken 50 Years Ago During Preparations for Cuba Invasion

Soundtracks from Epidemic Sound:
– “Cold Eyes” – Elliot Holmes
– “Scope” – Got Happy
– “Juvenile Delinquent” – Elliot Holmes
– “Nightclub Standoff” – Elliot Holmes
– “From the Depths” – Walt Adams
– “When They Fell” – Wendel Scherer

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

Restoring Notre Dame – “The matter will be solved in a serene manner, and on time”

Filed under: Architecture, France, Government, History, Religion — Tags: , — Nicholas @ 03:00

Andrew Sullivan breathes a sigh of relief that the French government is going to properly restore the fire-damaged cathedral rather than — shudder — re-imagine it:

A small note of hope. The fiery destruction of the Notre-Dame Cathedral in Paris was one of the more searing occasions for acute depression these past couple of years, and it was not without some stiff competition. Yes, it’s just a building and not a human being. But it is also far more than a building. It’s a reminder to me of what the faith of Europe was once capable of; of a civilization proud, rather than ashamed, of itself; and of a lost world when beauty itself was a virtue and connected to a view of the whole of creation that made sense and provided hope and meaning.

Much of that has disappeared, of course, which is why the physical remains of a previous civilization are so precious. And so I was terrified, to be honest, that our own aesthetically squalid and spiritually devoid ideas of what architecture should be might ruin the rebuilding. And when you take a look at some of the original wackier proposed designs — you can see models for seven modernist monstrosities in this Architectural Digest compilation here — you can see what I was worried about. One tops the cathedral with a greenhouse; another with a swimming pool. One hideous version has the entire roof and new spire made out of stained glass; another re-creates a ball of fire in metallic form. Norman Foster’s design turned the place into a huge greenhouse, or as one Twitter wag put it, like “a conference center in Essex.” This was all because Macron himself hinted that he preferred a “contemporary architectural gesture.”

Mercifully, the chief architect put in charge of the restoration, Philippe Villeneuve, had some strong feelings on the matter. He wanted the original restored in its entirety, period. When I say “strong feelings,” I refer to the following statement he made on television last year: “I will restore it identically, and it will be me, or they will build a modern spire, and it won’t be me.” When President Macron’s somewhat more ambitious adviser on the project, General Jean-Louis Georgelin, testified on the matter to the National Assembly’s cultural-affairs committee, sparks flew when Villeneuve’s statement was brought up. Georgelin said: “The matter will be solved in a serene manner, and on time. I have already explained to the chief architect that he should just shut his big mouth, and I will do it again.” “On time” meant in time for Paris’s hosting of the Olympics in 2024.

And since that time is fast running out, and designing, approving and building a modernist tower would take too long, we found out yesterday that the restoration will be identical after all. It will copy the 19th-century Gothic design exactly. The contemporary gesture that Macron desired will instead be a giant Victorian single finger to all the modernists who would have destroyed it. And who knows how many generations in the future will be thankful.

Two of the “re-imagined” restorations:

Feel like a refreshing dip? One proposal for restoring Notre Dame envisioned a rooftop pool.


Still another proposal included this … thing … stuck on top.

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