PC [political correctness] represents, in essence, the institutionalisation of dishonesty, of deception, where people are given carte blanche to behave in an immoral way — ‘erect those fences, release the dogs, deport those people’ — but are encouraged to make it all seem nice and ‘non-hostile’. It brings to mind Wilde’s observation in his essay ‘The Soul of Man Under Socialism’, that ‘the worst slave-owners were those who were kind to their slaves, and so prevented the horror of the system being realised by those who suffered from it, and understood by those who contemplated it’. So today, the worst people in politics are those who are nice about the individuals they repress, whether it’s British politicians whose policies keep migrants in degrading limbo in Calais yet who insist everybody use nice words when talking about those migrants, or American army officials who kill Afghans yet demand that their soldiers write only PC, gay-friendly messages on the bombs that do the killing (as, remarkably, happened during the Afghan War).
Some apologists for PC describe it as simply ‘being nice’: ‘institutionalised politeness’. There’s nothing remotely nice about PC. It is the friendly slave-owner; it suppresses open, honest discussion; it obfuscates the divisions and tensions in modern society through stymying the expression of certain ideas; it is the ornate lid on a society which, however civil we make our speech, remains fractured, sometimes tense, packed with clashing interests that will never be resolved by niceness. Whether PC is being used as a glossy cover for brutal policies, as in the case of Calais, or is being used to justify anew old racial and gender divisions, as it does when it demands that we recognise and celebrate the alleged differences between blacks and whites and between men (competitive) and women (consensual), PC is a tool of censorship and conservatism, its chief accomplishment being the repression of difficult words and ideas in the name of pacifying public life.
Brendan O’Neill, “The Calais migrants and the moral bankruptcy of PC”, Spiked, 2015-08-03.
May 24, 2017
QotD: The evil of political correctness
May 23, 2017
Top 10 Reasons the Byzantine Empire Was Among the Most Successful in History
Published on 2 May 2017
You’d see a lot of changes when looking at a map of present day Europe and comparing it to a 30 year old one. Belarus, Moldova, Ukraine and the Baltic States were all part of the USSR. Yugoslavia and Czechoslovakia were still states. Go back even further and the map looks even stranger. Putting all those different people under the same banner and keeping them that way was and still is next to impossible. Many have tried and most have failed, but the first to even come close were the Romans. Their inheritors, the Byzantines, managed to keep it together for over 1100 years, thus creating the longest-living Empire on the continent. Here’s how they did it.
May 22, 2017
Who’s afraid of Mrs. Grundy?
In my family, the name “Mrs. Grundy” was used to describe someone of rigidly conformative taste and judgement (and keenly censorious bent). I’d always assumed it was just a family notion or perhaps a Yorkshire-ism, but the Wikipedia entry makes it clear that Mrs. Grundy has been the bane of many a would-be adventurous or daring spirit for centuries:
Mrs Grundy is a figurative name for an extremely conventional or priggish person, a personification of the tyranny of conventional propriety. A tendency to be overly fearful of what the respectable might think is also referred to as grundyism.
Although she began life as a minor character in Thomas Morton’s play Speed the Plough (1798), Mrs Grundy was eventually so well established in the public imagination that Samuel Butler, in his novel Erewhon, could refer to her in the form of an anagram (as the goddess Ydgrun). As a figure of speech she can be found throughout European literature.
It also discusses a real-life Mrs. Grundy from the early nineteenth century:
During the reign of William IV (reigned 1830-1837) a Mrs Sarah Hannah Grundy (1 January 1804 – 30 December 1863) was employed as Deputy Housekeeper at Hampton Court Palace one of Henry VIII of England’s most famous residences. Her husband, John Grundy (1798/1799 – August 1861), was keeper of the State apartments. Mrs Grundy became Head Housekeeper on 22 April 1838, a year after Queen Victoria ascended to the throne, and she served in that position until 1863 when she retired. Her duties included the care of the chapel at Hampton Court.
Royal families stopped using Hampton Court as a residence in 1737, and from the 1760s onward, it was divided up for “grace-and-favour” residents who were granted rent-free accommodation in return for great service to the Crown or country. These private rooms numbered in the hundreds. Much is revealed about the Victorian ladies living at Hampton Court Palace through their letters, particularly their correspondence to the Lord Chamberlain’s Office as the Ladies attempted to get around the regulations — to exchange their apartments for better ones, to sub-let their apartments for profit, to keep dogs, or other matters of convenience. Equally revealing are the letters from the Housekeepers to the Lord Chamberlain, complaining about the Ladies’ behaviour.
However, a bit of Canadian history indicates that the use of the term “Mrs. Grundy” as I’m familiar with it long predated the lady who policed morals at Hampton Court:
… in a book published in 1836, The Backwoods of Canada Being Letters From The Wife Of An Emigrant Officer, Illustrative Of The Domestic Economy Of British America, by Catharine Parr Traill, she writes: “Now, we bush-settlers are more independent: we do what we like; we dress as we find most suitable and most convenient; we are totally without the fear of any Mr. or Mrs. Grundy; and having shaken off the trammels of Grundyism, we laugh at the absurdity of those who voluntarily forge afresh and hug their chains.” This appears to show that the modern concept of “Mrs. Grundy” was current before the Mrs. Grundy of Hampton Court began her reign.
QotD: The nanny state’s ever-expanding reach
The Royal Society for Public Health is suggesting that unusual, unhealthy or minority pursuits should be criminalised in order to set a good example to others. They want people to be arrested, fined and possibly even imprisoned for being poor role models. In a liberal society, the only appropriate response can be made with two words or two fingers.
Chris Snowdon, “A smoking ban in pub beer gardens? Stop persecuting smokers”, City A.M., 2015-08-14.
May 21, 2017
The Hero Of Tannenberg – Paul von Hindenburg I WHO DID WHAT IN WW1?
Published on 20 May 2017
Paul von Hindenburg’s military career was already over when World War 1 broke out. He fought in legendary German battles like Königgrätz [and] Sedan and now was retired. But he returned in 1914 and became a living legend after the victory over the Russians at Tannenberg 1914. During the war he and Erich Ludendorff turned Germany in a de facto military dictatorship to steer the entire country through this total war. But Germany still lost and Hindenburg was also responsible for setting up the Dolchstoßlegende – the myth of the stab in the back of the undefeated German Army.
Tank Chats #9 Whippet – Medium A
Published on 31 Aug 2015
The ninth in a series of short films about some of the vehicles in our collection presented by The Tank Museum’s historian David Fletcher MBE.
While the heavy tanks were designed for direct attacks against enemy trenches the Tank Corps also wanted a lighter, faster tank to work with the cavalry over open country. Designed by Sir William Tritton and built by Fosters of Lincoln the Medium A, or Whippet, was the only such tank to see service with the Tank Corps, starting in 1918.
May 19, 2017
Tenth Battle of The Isonzo River – Trotsky Arrives in Petrograd I THE GREAT WAR Week 147
Published on 18 May 2017
The Italian Front has been quiet over the winter and while the Austrians used the time to improve their defences, the Italian Army prepared another offensive near the Isonzo River. At the same time, Leon Trotsky arrives in Petrograd which will ensure the further complication of the situation in Russia after the Revolution.
Diana Rigg on Farts, Knickers, Breast Size and Stage Nudity
Published on 6 Nov 2015
Portions of a fun interview with Mr. Cavett (America’s best interviewer) from years gone by.
May 18, 2017
World of Warships – HMS Hood
Published on 17 May 2017
Look up in the sky! Is it a bird? Is it a plane? No don’t be silly, it’s HMS Hood. Bugger off with your Superman jokes, Jingles.
If you subsidize art, you’ll get more [bad] art
I missed this when it got posted initially … Theodore Dalrymple on an Irish government initiative to actually audit the art they’re busy subsidizing:
Like most governments these days, the Irish government is a patron of the arts. The problem is that most governments know as much about the arts as I know about how to select camels for a camel race.
Naturally, therefore, governments rely on advisers to advise them on artistic matters, in effect delegating to them the disbursement of funds. Here the problem is that the art world is now so corrupt morally, intellectually, and aesthetically that the advice it gives is more likely to resemble Mr. Madoff’s advice to investors than Lord Duveen’s to Henry Clay Frick. There has always been bad art, of course, but rarely has it been so heavily subsidized; and when we see work of which we are inclined to ask, “But is it art?” we should perhaps be asking instead, “Is it government-funded?”
The Irish Arts Council, however, recently came up with a novel, even transgressive idea (“transgressive” is the highest term of praise in current art criticism, incidentally), namely that the artists they subsidize should show some sign of artistic endeavor. It is true that the council’s choice of word, audit, was an unfortunate one, as if artists were accountants having their accuracy checked; and the eminent Irish writer Colm Toibin said that the council’s terminology — for example, “working artists engaged in productive practice” — had a North Korean ring about it; an exaggeration, no doubt, given that the North Korean regime subjects its artists to something more severe than mere audit, but one knows what he means. These days it is increasingly difficult to distinguish, stylistically, between an official circular and a page from The Selected Works of Kim Il-sung. (The only one of those communist leaders worth reading, by the way, is Enver Hoxha, who had a wonderful natural gift for poisonous invective and insult. As by the end of his life he had fallen out with everyone, he also had a lot of practice at it; his principle was never to speak well of the dead, especially if he had killed them himself.)
But Mr. Toibin was exercised about the very idea of demanding of artists that they actually produce something in return for the money they receive. After all, many a great artist in the past has had a fallow patch in his life, sometimes lasting decades; you can’t just go to an artist and insist that he be inspired, any more than a photographer can insist that his subjects be natural in front of the lens. His logic appears to be:
Great artists a and b had fallow patches
Artist c is having a shallow patch
Therefore artist c is great and indefinitely worth subsidy
Now, I’m not against patronage as such; sometimes I even wish I had had a patron who had relieved me of the necessity to earn my daily bread (and jam). Then, surely, I would have written an imperishable masterpiece; I would have had time for le mot juste instead of having to make do with the le mot approximatif that mere journalism, as against literature, requires. But the government doesn’t have the taste or discrimination to act as patron. It can’t even choose its advisers well.
The Avengers On Location (1966)
Published on 13 Apr 2014
Beaulieu, Hampshire.
At Lord Montagu’s Motor Museum we see the filming of the ‘tag’ pieces for episodes of The Avengers television series, where Diana Rigg and Patrick Macnee drive off in a vintage car – a different one each time.
Several shots of the cast and crew in the grounds of Beaulieu; Patrick Macnee chats to Lord Montagu. Patrick and Diana get into a veteran car; Diana puts on a groovy kind of face/eye shield and they drive off; they stop and the director gives instructions to Diana; as they start off again funny business ensues as Diana puts her feet up, then jumps from the car, leaps back in, clutches her head and so on.
Diana, in an evening outfit of a chiffon over harem pants, has her make-up touched up. Another sequence is shot with a different vintage car; when it doesn’t start, Diana gets from the back seat into the front and prepares to drive while Patrick goes to the rear to push, and ends up with a blackened face from the exhaust. He gets in; Diana drives off.
Commentator says the crew are trying to complete all these end sequences in one day’s shooting. Diana, in a blue cat suit, chews gum while receiving direction. In this sequence, Diana and Patrick start to push the veteran car which zooms off without them as they chase after it.
Note: according to a press release on file, this series was the first in Colour. More details in notes on the clothes worn and the filming of these tag pieces; Diana’s costumes were designed by Alan Hughes; Patrick wore his own suits!
May 17, 2017
QotD: Britain’s post-Brexit access to the single market
You see, they think they are granting us a privilege by allowing us to sell them things. This is ludicrous of course, it is imports which make us richer, not exports. But let us humour their delusion for a little. The standard EU position is that if the companies and people of a country are to gain access to the Single Market then they must pay for that privilege. This cannot be about the imports that those people gain from the Single Market of course because that is always under their own domestic control. No, the EU’s insistence really is that if Switzerland gets to sell cuckoo clocks into the EU, Norway can ship fermented sharks heads and the like, then this is a privilege. And that access to the Single Market means that Switzerland and Norway must pay the EU for that privilege. And they do.
[…]
If you get to sell things in Europe then you’ve got to pay the tithe to the EU itself. Reminds me rather of Fat Tony and friends running a nice little protection racket but then much of the EU reminds me of that.
OK. But who should be paying that tithe?
Well, actually, the first question is whether that tithe is worth paying. As up above, it’s imports that make us all generally richer and that’s all under our control anyway. Exports do make some people richer – the people who profit from making exports of course. And that’s not us in general, that’s not Britain, nor the British, and it’s most certainly not the taxpayers who are made richer by exports. So, obviously, it should not be the taxpayers paying the tithe in order to gain access to that market for those exports which don’t profit them.
The people who should be paying the tithe are the people who profit from the tithe having been paid. Those very exporters. Which gives us the solution to who should be paying the tithe. And an interesting side effect of this will be that we will find out whether it’s worth paying at all.
The people who should be paying the tithe are the people who profit from the tithe having been paid. Those very exporters. Which gives us the solution to who should be paying the tithe. And an interesting side effect of this will be that we will find out whether it’s worth paying at all.
Actually, we could in fact argue that a payment into the EU budget in return for Single Market access is illegal state aid. And thus not allowed under the usual rules of trade with the EU. Because it is state aid. Exporters will face tariffs if the payment is not made. The payment thus benefits exporters. But the payment is made by taxpayers, this is thus aid from taxpayers to exporters. It’s a subsidy for exports – something that isn’t allowed.
[…]
The crucial point is that the benefits, as far as the UK is concerned, of Single Market access lie with those making the exports. Thus those making the exports should be those paying the cost of Single Market access. If those who benefit think it not worth the cost then no one should be paying such
bribesillegal state aidaccess fees. And simply by applying the costs, correctly, to those who benefit we find out which is the truth.It’s very difficult indeed, nay impossible, to see the down side of this suggestion. If exporters want Single Market access then exporters can pay for it, not taxpayers. If they won’t pay it then it’s not worth it, is it?
Tim Worstall, “Absurd But It Works – Ensure EU Single Market Access Post-Brexit With Export Taxes”, Forbes, 2016-06-27.
May 16, 2017
Exploring Fort Douaumont With The VERDUN Developers I THE GREAT WAR Special
Published on 15 May 2017
Join our Live Stream with the Developers: http://twitch.com/tgw_series
Check out Verdun: http://www.verdungame.com/We went to the Verdun area in France this winter and visited Fort Douaumont together with the developers of the video game VERDUN. They rebuilt the fort in their game and their knowledge of the sight shows when Indy is walking through the fort.
The Virtual Lorenz machine
At The Register, Gareth Corfield discusses the new virtual coding device simulating the WW2 German Lorenz cipher machine:
The National Museum of Computing has put an emulation of an “unbreakable” Second World War German cipher machine online for world+dog to admire.
The Virtual Lorenz machine has been launched in honour of WW2 codebreaker Bill Tutte, the man who broke the crypto used in the twelve-rotor cipher machine.
As The National Museum of Computing (TNMOC) puts it, Tutte’s work “shortened the conflict” – even though he had never even seen the cipher machine or its crypto scheme, the breaking of which the museum added was “the greatest intellectual feat of the war”.
TNMOC unveiled the Virtual Lorenz today to celebrate Tutte’s 100th birthday. Built by computing chap Martin Gillow, the simulation accurately reproduces the whirring of the cipher wheels (you might want to turn it down as the “background whirr” is a little too realistic).
The BBC profiled the “gifted mathematician” a few years ago, highlighting how the Lorenz machine whose secrets Tutte cracked was “several degrees more advanced than Enigma”, the cipher famously cracked by Tutte’s colleague Alan Turing. Tutte cracked the Lorenz in about six months, reverse-engineering its workings by reading intercepted Lorenz messages. When the Allies wanted to fool Hitler into believing the D-Day landings would take place in a false location, our ability to read Lorenz was critical for confirming that the ruse had worked – saving thousands of soldiers, sailors and airmen’s lives.
[…]
The Virtual Lorenz can be found here. Word to the wise – it’s not on an HTTPS site, so if you’re hoping to use it to thwart GCHQ, you might want to think again.
11 Things to see in Athens
Published on 5 Mar 2017
On February i got a few days away to relax from everything. I left you with some automatic videos, so you wouldn’t be without new documentaries and i went on holiday to Athens, Greece. I wanted to share a little bit about what i saw. This video is the first video made by me. (Be good, please!)
