Quotulatiousness

September 24, 2020

The End of the European Empires? | The Suez Crisis | Part 5

Filed under: Africa, Britain, France, History, Middle East, Military — Tags: , , , , , — Nicholas @ 04:00

TimeGhost History
Published 23 Sep 2020

Whilst the fighting may be over, the Crisis certainly isn’t. For starters, the three invaders may have agreed to a ceasefire, but aren’t too keen to give up the land they’ve conquered. And even if this is resolved, what lies in wait for the humiliated ex-colonial powers? Ultimately, only one thing does seem certain — irreversible change.

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Hosted by: Indy Neidell
Written by: Francis van Berkel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Francis van Berkel
Image Research: Daniel Weiss
Edited by: Daniel Weiss
Sound design: Marek Kamiński
Maps: Ryan Weatherby

Colorizations:
– Mikolaj Uchman
– Daniel Weiss – https://www.facebook.com/The-Yankee-C…
– Norman Stewart – https://oldtimesincolor.blogspot.com/

Sources:
National Archives NARA
Images from the UN News and Media
1960s Soviet Film “Egypt our Arab Ally”

From the Noun Project:
– speech_16988 By Juan Pablo Bravo, CL
– Parliament_1658396 By Dimitrios Stamatis, GB
– Money by Gilberto
– Ship by Edward Boatman
– soldier by Wonmo Kang
– oil barrel by Musmellow
– europe By Randomhero
– Income(not dollar)_2897802
– Trade by Adrien Coquet
– Handshake By priyanka, IN
– world by Guilherme Furtado
– telegraph By Luke Anthony Firth, GB
– people by ProSymbols
– documents by Srinivas Agra

Soundtracks from Epidemic Sound:
– “Devil’s Disgrace” – Deskant
– “In the Bank We Trust” – Jon Sumner
– “Searching Through Sand” – Deskant
– “The Inspector 4” – Johannes Bornlöf
– “Crying Winds” – Deskant
– “Scented Nectar” – Rune Dale
– “As the Rivers Collapse” – Deskant
– “Dark Beginning” – Johan Hynynen
– “Guilty Shadows 4” – Andreas Jamsheree

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

From the comments:

TimeGhost History
2 days ago (edited)
So that’s the end of our series on the Suez Crisis. It’s been a pretty wild and messy ride, but we think our realtime format gave it a fresh perspective that hasn’t done before.

If you liked that final point Indy made about Churchill and The Beatles, and you want to find out more about decolonisation, then you should look up the work of Bill Schwarz. He was the one who originally made the comparison in his book White Man’s World, and it’s a really fascniating read, if also a bit challenging. Decolonisation is actually becoming a really vibrant field of study in academia and there are a whole host of books available if any of you want to dive into the topic. Europe After Empire by Elizabeth Buettner is an excellent place to start and Fight or Flight by Martin Thomas will be right up your street if you want to learn about the wars of decolonisation and the politics behind them. If you have any other suggestions then feel free to post them below.

Anyway, we hope you enjoyed the series and learnt a thing or two.

I thought we were supposed to speak well of the (politically) dead

Filed under: Books, Britain, Government, Media, Politics — Tags: , , — Nicholas @ 03:00

In The Critic, Nigel Jones examines the soon-to-be-published “political tittle-tattle” of the wife of an MP and junior cabinet minister during David “Dave” Cameron’s premiership:

For anyone who has been holidaying under a rock for the past fortnight and may have missed the furore, I should explain that Lady Swire, daughter of Mrs Thatcher’s former Defence Secretary Sir John Nott, is the wife of ex-Tory MP Sir Hugo Swire, an Old Etonian chum of David Cameron, who somehow failed to be promoted beyond the ranks of junior ministers during his pal’s Premiership, but remained a close confidante and boon holiday companion to the PM. Lady Swire herself is half-Slovenian, and though brought up in the bosom of the Tory establishment, may not be entirely attuned to the evasions, hypocrisy and double standards that make up British political life, which makes her book all the more enjoyable.

Throughout Dave’s inglorious time in office, Lady Swire kept a secret diary detailing intimacies of conversation, banter and badinage, and revealing insights that give – shall we say – a not wholly flattering picture of the ruling Tory clique at play during their most unguarded moments. The bad behaviour, petty jealousies and embarrassing remarks of Dave, George, Boris and Michael and their wives are set down in all their toe-curling cringeworthiness.

The diaries are to be published next week but have been serialised in The Times and reviewed and widely commented on in the rest of the media. The two main targets – the duopoly of Cameron and Osborne – have already expressed their displeasure at the revelations. But all the tut-tutting disapproval of Lady Swire’s profitable indiscretions misses the main point: there is nothing that the British public relishes and enjoys more than an exposé of their leaders with their dignity gone and their metaphorical trousers down.

Moreover, gossip and tittle tattle as set down in diaries often tells us more about the true nature of politics and the motivations and personalities of politicians than a thousand self-serving pompous political memoirs or dull works of dry political analysis. What we really want is gossip – the gamier the better – and all the inconvenient truths our rulers rather we didn’t know.

Very often what we learn from particular epochs of history are the telling anecdotes and juicy titbits revealed by diarists rather than the respectability that the statesmen themselves wish to present and be remembered for. Our picture of the Restoration of the monarchy in 1660, for example, and the very merry court of Charles II, along with the apocalyptic disasters of fire and plague that followed comes largely from the indiscreet journals of Samuel Pepys, Daniel Defoe, and John Evelyn.

PIAT: Britain’s Answer to the Anti-Tank Rifle Problem

Filed under: Britain, History, Military, Weapons, WW2 — Tags: , , , — Nicholas @ 02:00

Forgotten Weapons
Published 25 Nov 2017

Sold for $3,163.

The British began World War Two with the Boys antitank rifle, but like all antitank rifles it rather quickly became obsolete. The replacement for it was adopted in 1942 as the PIAT – Projector, Infantry, Anti-Tank. This was a unique sort of weapon which fired a 3 pound (~1.35kg) hollow charge projectile using a combination of a massive spring and a firing charge much like a rifle grenade blank cartridge — a spigot mortar, really. The large (3.25″, 83mm) projectile was able to defeat almost any tank that would be developed during the war, as it could burn through 3-4 inches of hardened armor. However, it had a terrifyingly short effective range — 110 yards on paper and more like 50 yards in practice.

The PIAT would recock itself upon firing, but the initial cocking was something like a crossbow, requiring the shooter to brace their feet on the buttplate and pull the body of the weapon upwards, compressing the 200 pound (90kg) mainspring. When fired, the weapon has a pretty harsh recoil, although it did not have any flash or backblast like the American Bazooka did. By the end of the war more 115,000 PIATs had been made, and they would serve the British military into the 1950s, when they were replaced with more traditional rocket launchers.

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If you enjoy Forgotten Weapons, check out its sister channel, InRangeTV! http://www.youtube.com/InRangeTVShow

September 23, 2020

The Man in Monty’s Shadow – Claude Auchinleck – WW2 Biography Special

World War Two
Published 22 Sep 2020

Claude Auchinleck put military matters over that of politics. Although this angered some, mainly Churchill, Auchinleck still found himself in India, and later facing down Rommel in North Africa.

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Source list: http://bit.ly/WW2sources

Hosted by: Indy Neidell
Written by: Francis van Berkel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyle
Post-Production Director: Wieke Kapteijns
Research by: Lennart Visser
Edited by: Monika Worona
Sound design: Marek Kamiński

Colorizations by:
Norman Stewart

Sources:
National Portrait Gallery
USHMM

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

Tank Chats #80 Black Prince | The Tank Museum

Filed under: Britain, History, Military, Weapons, WW2 — Tags: , , , — Nicholas @ 02:00

The Tank Museum
Published 12 Jul 2019

The Tank Museum has the only surviving example of the Second World War prototype tank, the A43 Black Prince. The designers of the Churchill tank were commissioned to build a tank which could hold the larger 17 pounder gun. The Centurion was chosen to go into production instead of the Black Prince, due to its superior engine and armour.

Support the work of The Tank Museum on Patreon: ► https://www.patreon.com/tankmuseum

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September 21, 2020

The Iconic “Burp Gun” – Shooting the PPSh-41

Filed under: History, Military, Russia, Weapons, WW2 — Tags: , , , — Nicholas @ 02:00

Forgotten Weapons
Published 16 Dec 2017

http://www.patreon.com/ForgottenWeapons

Cool Forgotten Weapons merch! http://shop.bbtv.com/collections/forg…

The Soviet PPSh-41 submachine gun is most distinctive for its very high rate of fire — approximately 1250 rounds/minute — and large drum magazine. What may come as a surprise to those who have not tried it is how this very high rate of fire does not actually make the weapon difficult to control or hold on target. In fact, the PPSh-41 is an easier SMG to shoot effectively than the later PPS-43, at least in my opinion.

The Soviets and the Germans made quite different choices in magazines and rate of fire with the PPSh and the MP40, but both turned out to be very good submachine guns. The glaring weak point of the PPSh are its magazines, and the difficulty in finding a drum that would run reliably in this particular example is why today’s shooting session is done with one of the 35-round stick magazines instead.

Thanks to Marstar for letting me examine and shoot their PPSh-41!

If you enjoy Forgotten Weapons, check out its sister channel, InRangeTV! http://www.youtube.com/InRangeTVShow

September 20, 2020

Our World 100 Years Ago – September 1920 I THE GREAT WAR

Filed under: Africa, Britain, Europe, France, History, Japan, USA — Tags: , , , , , , — Nicholas @ 06:00

The Great War
Published 19 Sep 2020

Let’s take a look at our world 100 years ago, in September 1920.

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Presented by: Jesse Alexander
Written by: Jesse Alexander
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Editing: Toni Steller
Motion Design: Philipp Appelt
Mixing, Mastering & Sound Design: http://above-zero.com
Maps: Daniel Kogosov (https://www.patreon.com/Zalezsky)
Research by: Jesse Alexander
Fact checking: Florian Wittig

Channel Design: Alexander Clark
Original Logo: David van Stephold

Contains licensed material by getty images
All rights reserved – Real Time History GmbH 2020

Another week, another half million for the Germans – WW2 – 108 – September 19, 1941

Filed under: China, Germany, History, Japan, Military, Russia, WW2 — Tags: , , , , , — Nicholas @ 04:00

World War Two
Published 19 Sep 2020

Kiev falls to the Germans, yielding hundreds of thousands of prisoners as whole armies are surrounded, but behind the lines all over German-occupied territories, partisan movements are gaining steam. Meanwhile, in China, Japan launches another campaign against Changsha.

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Follow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Monika Worona
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
– Norman Stewart – https://oldtimesincolor.blogspot.com/
– Carlos Ortega Pereira, BlauColorizations – https://www.instagram.com/blaucolorizations
– Olga Shirnina, a.k.a. Klimbim – https://klimbim2014.wordpress.com/
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
– Jaris Almazani (Artistic Man) – https://instagram.com/artistic.man?ig…
– Daniel Weiss

Sources:
– Ra Boe / Wikipedia / Lizenz: Creative Commons CC-by-sa-3.0 de
– Mil. ru
– Narodowe Archiwum Cyfrowe
– Estonica

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

QotD: The anti-slavery movement

Filed under: Books, Britain, Government, History, Liberty, Quotations — Tags: , , , — Nicholas @ 01:00

“William Wilberforce,” writes Eric Metaxas in his book Amazing Grace, “was the happy victim of his own success. He was like someone who against all odds finds the cure for a horrible disease that’s ravaging the world, and the cure is so overwhelmingly successful that it vanquishes the disease completely. No one suffers from it again — and within a generation or two no one remembers it ever existed.”

What did Wilberforce “cure”? Two centuries ago, on March 25th 1807, one very persistent British backbencher secured the passage by Parliament of an Act for the Abolition of the Slave Trade throughout His Majesty’s realms and territories. It’s not that no one remembers the disease ever existed, but that we recall it as a kind of freak pandemic — a SARS or bird flu that flares up and whirrs round the world and is then eradicated. The American education system teaches it as such — as a kind of wicked perversion the Atlantic settlers had conjured out of their own ambition.

In reality, it was more like the common cold — a fact of life. The institution predates the word’s etymology, from the Slavs brought from eastern Europe to the glittering metropolis of Rome. It predates by some millennia the earliest laws, such as the Code of Hammurabi in Mesopotamia. The first legally recognized slave in the American colonies was owned by a black man who had himself arrived as an indentured servant. The first slave owners on the North American continent were hunter-gatherers. As Metaxas puts it, “Slavery was as accepted as birth and marriage and death, was so woven into the tapestry of human history that you could barely see its threads, much less pull them out. Everywhere on the globe, for 5,000 years, the idea of human civilization without slavery was unimaginable.”

Mark Steyn, The [Un]documented Mark Steyn, 2014.

September 19, 2020

History RE-Summarized: The Roman Republic

Filed under: Europe, History, Humour — Tags: , , , , — Nicholas @ 04:00

Overly Sarcastic Productions
Published 18 Sep 2020

The Roman Republic is a fascinating story all on its own, but it also serves as an excellent object lesson in civics.

This video is a Remastered, Definitive Edition of three previous videos from this channel — History Summarized: “The Roman Republic”, “The Punic Wars”, and “Julius Caesar and the Fall of The Republic”. This video combines them all into one narrative, fully upgrades all of the visuals, and adds extra historical notes and clarifications along the way. Please let me know if you enjoyed this, and are interested in more videos like this. There are many historical miniseries on this channel that would fit neatly into a compilation like this, and I’d be thrilled to make them!

SOURCES & Further Reading: Virgil’s Aeneid, Polybius’ Histories, Livy’s Ab Urbe Condita Plutarch’s Parallel Lives, Caesar’s De Bello Gallico, SPQR by Mary Beard, Rome: A History in Seven Sackings by Matt Kneale, Rubicon by Tom Holland, The Storm Before the Storm by Mike Duncan, (and also my degree in Classical Studies).

Note for 14:15 — I mention Livy’s History Of Rome (“Ab Urbe Condita“) by name, but made the lizard-brain mistake of showing Polybius instead. Poor Livy, first 75% of his work is lost, and now this.

Our content is intended for teenage audiences and up.

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September 18, 2020

Édith Piaf during World War Two, Kerensky, & the German Journey to N. Africa – WW2 – OOTF 017

Filed under: Africa, France, Germany, History, Military, Russia, WW2 — Tags: , , , , , — Nicholas @ 06:00

World War Two
Published 17 Sep 2020

How did Alexander Kerensky react towards the invasion of the Soviet Union? How were French musicians working during the war? How did Germans get to Africa in 1940? Find out from Indy the answers to all these questions in Out of the Foxholes!

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Hosted by: Indy Neidell
Written by: Rune Væver Hartvig
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Rune Væver Hartvig
Edited by: Karolina Dołęga
Sound design: Marek Kamiński
Map animations: Karolina Dołęga

Colorizations by:
– Mikołaj Uchman
– Klimbim
– Carlos Ortega Pereira, BlauColorizations – https://www.instagram.com/blaucolorizations
– Norman Stewart – https://oldtimesincolor.blogspot.com/

Visual Sources:
– Bundesarchive
– Fortepan: 146645
– Library of Congress
– United States Holocaust Memorial Museum
– US National Archive
– B. Huber from German Wikipedia
– Tigidoulaïlaï from Wikimedia
– Picture of Jacques Prévert courtesy of Ruth Bessoudo Courvoisier
– Icons from The Noun Project by: iconsphere, Luke Anthony, Jordan
Alfarishy, Gan Khoon Lay , Alice Design, ProSymbols & Hada Arkanda.

Music:
“The Inspector 4” – Johannes Bornlöf
“Moving to Disturbia” – Experia
“Castles of France” – Cercles Nouvelles
“Memories of Paris” – Trabant 33
“March Of The Brave 10” – Rannar Sillard

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

From innovation to absolutism — English inventors and the Divine Right of Kings

In the latest Age of Invention newsletter, Anton Howes looks at how innovations during the late Tudor and Stuart eras sometimes bolstered the monarchy in its financial battles with Parliament (which, in turn, eventually led to actual battles during the English Civil War):

King Charles I and Prince Rupert before the Battle of Naseby 14th June 1645 during the English Civil War.
19th century artist unknown, from Wikimedia Commons.

The various schemes that innovators proposed — from finding a northeast passage to China, to starting a brass industry, to colonising Virginia, or boosting the fish industry by importing Dutch salt-making methods — all promised to benefit the public. They were to support the “common weal”, or commonwealth. And to a certain extent, many projects did. The historian Joan Thirsk did much pioneering work in the 1970s to trace the impact of various technological or commercial projects, revealing that even something as mundane as growing woad, for its blue dye, could have a dramatic impact on local economies. With woad, the income of an ordinary farm labouring household might be almost doubled, for four months in the year, by employing women and children. In the late 1580s, the 5,000 or so acres converted to woad-growing in the south of England likely employed about 20,000 people. That may seem small today, but at a time when the population of a typical market town was a paltry 800 people, even a few hundred acres of woad being cultivated here or there might draw in workers from across the whole region. In the mid-sixteenth century, even the entire population of London had only been about 50-70,000. As Thirsk discovered, innovative projectors also sometimes fulfilled their other public-spirited promises, for example by creating domestic substitutes for costly imported goods, or securing the supplies of strategic resources.

But the ideal of benefiting the commonwealth could also, all too frequently, be elided with serving the interests of the Crown. Projectors might promise the monarch a direct share of an invention’s profits, or that a stimulated industry would result in higher income from tariffs or excise taxes. Increasingly, they proposed schemes that were almost entirely focused on maximising state revenue, with little evidence of new technology. They identified “abuses” in certain industries — at this remove, it’s difficult to tell if these justifications were real — and asked for monopolies over them in order to “regulate” them, then making money by selling licences. Last week I mentioned patents over alehouses, and on playing cards. They also offered to increase the income from the Crown’s property, for example by finding so-called “concealed lands” — lands that had been seized during the Reformation, but which through local resistance or corruption had ostensibly not been paying their proper rents. The projectors would take their share of the money they identified as “missing”. And they proposed enforcing laws, especially if the punishments involved levying fines or confiscating property. The projectors offered to find the lawbreakers and prosecute them, after which they’d take their share of the financial punishments.

Projectors thus came to present themselves as state revenue-raisers and enforcers, circumventing all of the traditional constraints on the monarch’s money and power. They provided an alternative to Parliaments, as well as to city corporations and guilds, in raising money and propagating their rule. Taking it a step further, projectors offered the tantalising possibility that kings like James I and Charles I might rule through proclamation and patents alone, without having to answer to anybody. They thus experimented with absolutism for much of 1610-40, only occasionally being forced to call Parliament for as briefly as possible when the pressing financial demands of war intervened.

In the process, with the growing multitude of projects — a few bringing technological advancement, but many merely lining the pockets of courtier and king — the designation “projector” became mud. It was as if, today, the Queen were to use her prerogative to grant a few of her courtiers monopolies on collecting all traffic fines, or litter penalties, to be rewarded solely on commission. Or if she were to award an unscrupulous private company the right to award all alcohol-selling licences (perhaps on the basis that underage drinking was becoming common). The country would soon be awash with hidden speed cameras and incognito litter wardens, and the price of alcohol would go through the roof. The people responsible would not be popular. A recent book by economic historian Koji Yamamoto meticulously charts the changing public perceptions of projects, describing the ways in which innovators then struggled, for decades, to regain the public’s trust.

“The Last Battle” – The Strangest Fight of WWII – Sabaton History 085 [Official]

Filed under: Germany, History, Media, Military, USA, WW2 — Tags: , , , , — Nicholas @ 04:00

Sabaton History
Published 17 Sep 2020

On the 5th of May 1945, the Second World War in Europe is literally in its final days. As the German lines and Nazi state collapse into free fall, some Nazi hardliners remain fighting until the very moment surrender is announced. At Castle Itter, the lines are blurred as US and German soldiers fight side by side in a medieval castle, home to some of the highest profile prisoners of the war.

Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory

Listen to “The Last Battle” on the album The Last Stand:
https://music.sabaton.net/TheLastStand

Watch the Official Lyric Video of “The Last Battle” here:
https://www.youtube.com/watch?v=BwfJs…

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Hosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Brodén, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Community Manager: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Editor: Iryna Dulka
Sound Editor: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastory
Archive: Reuters/Screenocean – https://www.screenocean.com
Sources:
– Photos of the Itter Castle: Sammlung Risch-Lau, Vorarlberger Landesbibliothek
All music by: Sabaton

An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.

© Raging Beaver Publishing AB, 2019 – all rights reserved.

Germany’s Not-So-Light 5cm LeGrW 36 Light Mortar

Filed under: Germany, History, Military, Weapons, WW2 — Tags: , , , — Nicholas @ 02:00

Forgotten Weapons
Published 2 Sep 2018

Sold for $18,400

http://www.patreon.com/ForgottenWeapons

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The 5cm 5CM Leichter Granatwerfer 36 was the standard German light infantry mortar going into World War Two. It was designed by Rheinmetall-Borsig in the mid 1930s and adopted in 1936. It fired a 0.9kg / 2 pound mortar bomb with a range of up to 550 meters. In theory, it occupied the same role as the French Mle 1937 50mm light mortar — except it was far heavier than was practical, and substantially more complex to use. The LeGrW 36 weighed in at a hefty 31 pounds (14kg) – nearly four times as much as its French counterpart.

It was a striker fired design, with a trigger lever and thus did not fire immediately upon a round being loaded. It used adjustments in angle to determine range, with a constant projectile velocity (as opposed to venting a varying amount of propellent gas to adjust range). By the middle of the war, it was being pulled out of front-line use, as its weight and relative complexity made it impractical for its intended role.

If you enjoy Forgotten Weapons, check out its sister channel, InRangeTV! http://www.youtube.com/InRangeTVShow

September 17, 2020

Book burning’s back on the menu, boys!

Filed under: Books, Britain, Politics — Tags: , , , , , , — Nicholas @ 05:00

Brendan O’Neill on the latest fad for the ultrawoke celebrities — book burning.

J.K. Rowling

So it turns out that Jedward, with their quiffed Aryan hair and strangely intense mannerisms, don’t only look like a couple of members of Hitler Youth who’ve been on a shopping spree at TK Maxx. They sound like it too. Yesterday, ever keen to jump on a bandwagon, even if it’s a bandwagon of misogynistic hate, the Shining twins of Irish pop suggested to their Twitter followers that they should burn JK Rowling’s next novel when it is published. “Does anyone need firewood this winter!”, they tweeted. “JK’s new book is perfect to burn next to a Romantic fire. Aww get all cozy and comfy can’t wait.”

Let’s leave to one side the industrial levels of gall it must require for two blokes who don’t know the difference between an exclamation mark and a question mark to have a pop at the most successful British author of all time. The more striking thing about Jedward’s tweet is that it suggests book-burning is back. Their tween-fascist cry for the burning of Rowling’s forthcoming novel was retweeted and liked thousands of times, by armies of so-called trans allies who now look upon Rowling as a real-life Voldemort: a despicable, evil figure whose works should be tossed on to raging bonfires as the woke mob yelps with delight.

The hatred for JK Rowling is out of control. It goes far beyond the everyday attempted cancellations and screeching Twittermob assaults on anyone who dares to deviate from the correct-think of the PC elites. The hatred for Rowling is far more raw, far more intense, far more irrational.

Her intellectual sin, her speechcrime, is of course that she believes in biological sex. She thinks there are differences between men and women. She thinks biological males should bugger off out of women’s changing rooms, sporting tournaments, prisons, rape-crisis centres, and so on. Many of us agree with her. And for this, she is frequently bombarded with rape threats and death threats. “Suck my cock!”, sexist pigs tweet at her. They invite her to die in a fire. They send her explicit pornography. This week #RIPJKRowling trended on Twitter. These people are insane. When your “activism” involves tirelessly insulting and sexually harassing a woman for having a thought that is different to your own, you need to have a serious word with yourself.

The deranged Rowling hate intensified this week after it was reported that her next Strike novel – the detective series she writes under the name Robert Galbraith – will involve a backstory about a man who dresses as a woman and then goes around murdering women. “Transphobia!”, the woke Twitterati predictably yelled. Not for the first time the sexist fury with Rowling for having the temerity to be a woman who thinks for herself was in large part inflamed by Pink News, the online gay magazine that has done more than most to depict women who are sceptical of certain aspects of transgenderism as “TERFs” – that is, witches, bitches, uppity broads who really ought to do what the editors at Pink News tell them to.

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