Quotulatiousness

October 30, 2020

Halloween Special: H. P. Lovecraft

Overly Sarcastic Productions
Published 31 Oct 2018

HAPPY HALLOWEEN IT’S TIME TO GET SPOOKY WITH HISTORY’S MOST PROBLEMATIC HORROR WRITER LET’S GOOOOO

While there’s something to be said for separating the art from the artist, I think there’s a lot of merit in CONTEXTUALIZING the art WITH the artist. Did Lovecraft write some pretty incredible horror? Sure! Was he also a raging xenophobe? Absolutely! Are his perspectives on life connected with the stories he felt compelled to tell? Duh! If you look at Lovecraft’s writing through the lens of his life, clear patterns emerge that allow us to pin down what exactly he built his horror cosmology out of. It’s an invaluable analytical tool that allows us to take apart his writings by getting inside his head. So before you yell at me for Not Separating The Artist From The Art, know that it was completely intentional and I’m not sorry.

3:20 – THE CALL OF CTHULHU
8:40 – COOL AIR
10:36 – THE COLOR OUT OF SPACE
14:38 – THE DUNWICH HORROR
19:32 – THE SHADOW OVER INNSMOUTH

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From the comments:

Overly Sarcastic Productions
1 year ago
Hey gang! Can’t help but notice the comment section is a little bit on fire. That’s all good with me, but one recurring complaint I’ve noticed has started to get under my skin – namely that my explanation of non-euclidean geometry was insufficient, or even – dare I say – inaccurate. Now this is a fair complaint, because after a lifetime of experience finding that people’s eyes glaze over when I talk math at them, I concluded that interrupting a half-hour horror video with a long-winded explanation of a mathematical concept wouldn’t go over too well. I put it in layman’s terms and used a simple example to illustrate the point. However, since some of the more mathematically-inclined of you took offense, I now present in full a short (but comprehensive) explanation of what exactly non-euclidean geometry is.

First, we axiomatically establish euclidean geometry. Euclidean geometry has five axioms:
1. We can draw a straight line between any two points.
2. We can infinitely extend a finite straight line.
3. We can draw a circle with any center and radius.
4. All right angles are equal to one another.
5. If two lines intersect with a third line, and the sum of the inner angles of those intersections is less than 180º, then those two lines must intersect if extended far enough.

Axiom #5 is known as the PARALLEL POSTULATE. It has many equivalent statements, including the Triangle Postulate (“the sum of the angles in every triangle is 180º”) and Playfair’s Axiom (“given a line and a point not on that line, there exists ONE line parallel to the given line that intersects the given point”).

Euclidean geometry is, broadly, how geometry works on a flat plane.

However, there are geometries where the parallel postulate DOES NOT hold. These geometries are called “non-euclidean geometries”. There are, in fact, an infinite number of these geometries, and because the only defining characteristic is “the parallel postulate does not hold”, they can be all kinds of crazy shapes. (As you can see, my explanation of “this is just how geometry works on a curved surface” is quite reductive, but at the same time serves to get the general impression across without going into too much detail.)

An example of a non-euclidean geometry is “Elliptic geometry”, geometry on n-dimensional ellipses, which includes “Spherical geometry” as a subset. Spherical geometry is, predictably enough, how geometry works on the two-dimensional surface of a three-dimensional sphere.

In spherical geometry, “points” are defined the same as in euclidean geometry, but “line” is redefined to be “the shortest distance between two points over the surface of the sphere”, since there is no such thing as a “straight line” on a curved surface. All “lines” in spherical geometry are segments of “great circles” (which is defined as the set of points that exist at the intersection between the sphere and a plane passing through the center of that sphere).

The axiom that separates spherical geometry from euclidean geometry and replaces the parallel postulate is “5. There are NO parallel lines”. In spherical geometry, every line is a segment of a great circle, and any two great circles intersect at exactly two points. If two lines intersect when extended, they cannot be parallel, and thus there are no parallel lines in spherical geometry.

Since the Parallel Postulate is equivalent to Playfair’s Axiom, the fact that no parallel lines exist in spherical geometry negates Playfair’s Axiom, which thus negates the Parallel Postulate and defines spherical geometry as a non-euclidean geometry. Also, since the Triangle Postulate is another equivalent property to the Parallel Postulate, it is thus negated in spherical geometry. Hence, my use in-video of an example of a triangle drawn on the surface of a sphere whose inner angles sum greater than 180º.

Hope that cleared things up (and helped explain why I didn’t want to say “see, non-euclidean geometry is just a geometry where Euclid’s Parallel Postulate doesn’t hold – hold on, let me get the chalkboard to explain what THAT is-” in the video)

Peace!

-R ✌️

October 23, 2020

The British Library goes “woke”

Filed under: Books, Britain, Bureaucracy, Politics — Tags: , , , — Nicholas @ 03:00

David Warren views this development with alarm and disdain:

British Library reading room.
Photo from the British Library website.

Did you know? That, “Racism is the creation of white people”?

Of course you did, if you are young, woke, and poorly educated, like the white woman who is now the British Library’s Chief Librarian. (“Liz Jolly.”) Her statement, in a video to staff last summer, promoting her Decolonizing Working Group, though perfectly acceptable to Guardian subscribers, was mocked by several African and Asiatic scholars who have depended upon that library’s resources over the years. Noting that history is more complicated than Ms Jolly was ever told, they criticized her as “pig ignorant,” &c.

But her explicitly racist “anti-racist” programme proceeds, with aggressive “anti-racist” exhibitions, new “anti-racist” signage, and so forth. The demand to de-acquisition authors who do not reinforce the current ideological stereotypes has not yet gathered to full force, but has started.

The capture of essentially all major cultural institutions by unhinged political fanatics with daddy issues, is among the signs of our times. Those who resist are driven out of employment; those who accede have a lock on the splendidly-paid positions, for which beleaguered taxpayers are billed. The consequences to Western Civ are not trifling.

Perhaps I am unfair to single out just the one career arts bureaucrat, when there are thousands to choose from. I may even be prejudiced, not only against white people, but against those of the scheduled races who have cooperated in trashing the institutional heritage of the Big Wen.

For London was my Athens, back in the day, and I take these things personally. My British Museum Library ticket was among my most cherished possessions, and the old Reading Room among my favourite haunts. I am now so old that I can remember when such places were ruled, and staffed, by respectably boring establishment types with Oxbridge degrees.

In a different context, we’ve seen just how eager Oxbridge types of the 1930s were eager to join the Soviet spy networks, so the change in establishment staff at non-explicitly communist establishments was only a matter of time…

October 21, 2020

“Canadian conservatism often suffers from a unique form of self-loathing”

Filed under: Books, Cancon, History, Politics — Tags: , , , , , — Nicholas @ 03:00

In his latest essay for The Dominion, Ben Woodfinden reviews an old book by Peter Brimelow and how it influenced the Canadian conservative scene at the time and why the book’s insights mattered so much to Stephen Harper:

Published in 1986, The Patriot Game captures the ideas and sentiment of an entire generation of Canadian conservatism. One quick note on Brimelow. He’s a controversial figure and has been called a “leader within the alt-right.” He’s also the founder of VDARE, an American anti-immigration website. I’m not getting into a back and forth with anyone about how best to describe his views, I’ll just say that none of this means his older work like The Patriot Game should be discounted or ignored, especially given the influence it’s had.

The game Brimelow is describing is the manufacturing of a new national identity that was undertaken by what he terms “Canada’s New Class.” This is a term he borrows from Irving Kristol. It refers to Canada’s politicians, civil servants, academics, business elites, writers, and journalists, who have a disproportionate influence shaping public discourse and national consciousness.

The manufacturing of a new national identity by this class, centred on the Liberal Party, was one that both rejected our heritage and replaced it with a self-serving and contradictory ideology that serves the interests of this New Class. The strategy of the Canadian New Class throughout Canada’s history has been “to concentrate rents from a resource-based economy in Central Canadian hands.”

The nationalism they manufactured to do this was an entirely artificial one, built around multiculturalism, bilingualism, anti-Americanism and heavy federal government involvement in the economy. At its core Brimelow’s argument is that 20th-century Canada is the creation of the Liberal party, but ultimately that it is fake and built to serve the interests of the New Class. This was done especially by placating Quebec at the expense of the West, and attempting to construct a new national identity that could unite English and French Canada.

This game played by Canada’s elite to enrich them and their bases of support in places like Quebec not only took money from the West and transferred it elsewhere, it dragged down the Canadian economy by crippling it in overbearing and burdensome regulation and the heavy hand of government involvement.

The most interesting, and clarifying part of the book to me is Brimelow’s description of the identity and nationalism that he thinks the Liberals consciously destroyed and then replaced with their own. Brimelow thinks that the New Class are consciously and actively anti-British, not just anti-American, and that this new identity was built as both a rejection of British heritage and the cultural affinities English Canada has with “North American identity.”

According to Brimelow “All of Anglophone Canada is essentially part of a greater English-speaking North American nation … Canada is a sectional variation within this super nation.” Our British heritage is at the core of who we are along with our common Anglo affinities with Americans, and this new national project is doomed to failure. Brimelow suggests that “Canada’s fundamental contradictions cannot be resolved in the present Confederation” and while English Canada is currently in a strange period of identity agnosticism, it will eventually recover and “assert its North American identity.” This process will only be accelerated by regional tensions within Canada that expose the futility of this new Liberal national identity. Modern Canada, in short, is a fraud and doomed to failure.

October 19, 2020

QotD: Afflicting the comfortable

Filed under: Books, History, Humour, Media, Quotations, USA — Tags: , , , — Nicholas @ 01:00

In 1893, Finley Peter Dunne, a journalist-turned-humorist at the Chicago Evening Post, introduced Martin J. Dooley to the people of Chicago. Mr. Dooley, as he was best known, was a thick-accented bartender from Ireland who owned a tavern in the Bridgeport neighborhood. Mr. Dooley became popular among Chicagoans for his rich satire of politics and society. Of course, Mr. Dooley wasn’t real. He was a fictional character created by Dunne. His work included countless sketches and wide-ranging commentary, but he may be best known for his biting one-liner on newspapers, since reclaimed by journalists as central to the profession’s creed: “The job of the newspaper is to comfort the afflicted and afflict the comfortable.”

The original quote is from Observations by Mr. Dooley, one of several works Dunne produced as the character, in which Dunne specifically satirizes the press’s penchant for trial-by-media. He presented Mr. Dooley through Irish dialect pieces, hence the diction, so the “affliction” quote below has been lightly edited for comprehension:

    When anything was wrote about a man ’twas put this way: “We understand on good authority that … is on trial before Judge G. on an accusation of larceny. But we don’t think it’s true.” Nowadays, the larceny is discovered by a newspaper. The lead pipe is dug up your backyard by a reporter who knew it was there because he helped you bury it. A man knocks at your door early one mornin’ an’ you answer in your nighty. “In name of the law, I arrest you,” says the man seizin’ you by the throat. “Who are you?” you cry. “I’m a reporter for The Daily Slooth,” says he. “Photographer, do your duty!” You’re hauled off in the circulation wagon to the newspaper office where a confession is ready for you to sign; you’re tried by a jury of the staff, sentenced by the editor-in-chief, and at ten o’clock Friday the fatal thrap is sprung by the fatal thrapper of the family journal. The newspaper does evrything for us. It runs the police force and the banks, commands the militia, controls the legislature, baptizes the young, marries the foolish, comforts the afflicted, afflicts the comfortable, buries the dead and roasts them aftherward.

That journalists of all stripes have touted a scathing critique of their profession and repurposed it as a mission statement is a textbook definition of irony that belongs on a Roman pedestal behind bulletproof glass in the Smithsonian. What is most vexing about the modern interpretation of Dunne’s quote is that its new meaning is implied to be synonymous with dispassionately seeking truth, which it necessarily is not.

Robert Showah, “Journalism Is Not Activism”, Quillette, 2018-07-05.

October 18, 2020

QotD: Nietzsche’s concept of “eternal recurrence”

Filed under: Books, History, Quotations, Religion — Tags: , , , , — Nicholas @ 01:00

In making Nietzsche’s eternal recurrence the theme of this book, Gillespie has set himself a huge task. Not only is it one of the philosopher’s weakest and most unconvincing theses, it is the one that sits in opposition to nearly everything else he wrote. For Nietzsche, despite his writing appearing wistful and gothic Romantic, was essentially an empiricist. He had no time for the dualism of Plato and only a fleeting but unconvinced interest in Kantian metaphysical idling about what lay beyond the tangible world. Nietzsche wrote that all there was for sure was the here and now.

This is exactly why he was not a militant atheist in the way we understand the expression today. He felt no need to concern himself with the veracity of Christianity’s claims about the afterlife, something we cannot be sure about. He seldom railed against the theological pretensions of Christianity or the absurdity of religion because to him the only thing that mattered was how religion affected us. He objected to Christianity because he saw it as nihilist and life-negating. It taught people to be meek, humble and to accept their lot. Nietzsche was an empiricist in that he wanted people to fulfil their life in the here and now, something that Christianity was hostile to.

Yet Nietzsche’s eternal recurrence belongs strangely to the realm of metaphysics and dualism. Its fatalism and determinism contradicts Nietzsche’s exhortation for each of us to become our own masters and to become who we truly are. While he did not believe in free will, he did believe that the Übermensch could harness and master the forces of his inner “will to power”. Contrarily, the eternal recurrence condemns us to history and supernatural fate. The notion of “eternal recurrence” reeks too much of his youthful dalliance with Schopenhauerian metaphysics.

This is perhaps why Nietzsche rarely mentioned it, and made even less effort to explain it in the books published in his lifetime. It seems too much of a flight of fancy, and the only time he spoke of it in all seriousness is when he recounted one day in August 1881, when walking in the Swiss mountains, when he had a kind of strange, rapturous religious experience – the day when the notion of “eternal recurrence” came to him in the first place.

Patrick West, “Nietzsche and the struggle against nihilism”, Spiked, 2018-08-03.

October 16, 2020

“The Art of War” – Wisdom of Sun Tzu – Sabaton History 089 [Official]

Filed under: Books, China, History, Media, Military — Tags: , , , , , , — Nicholas @ 04:00

Sabaton History
Published 15 Oct 2020

Sun Tzu says: “The Art of War is of vital importance to the state. It is a matter of life and death, a road either to safety or to ruin.” The Chinese Art of War by Sun Tzu is one of the most influential books in history. Throughout the centuries it would accompany generals, statesmen, and philosophers alike. Those who follow his teachings, who safeguard themselves against defeat and make sure of victory before the battle is fought, will triumph. Those who know everything about themselves and their enemies will achieve supreme excellence.

The Art of War by Sun Tzu Text: https://www.gutenberg.org/files/132/1…

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QotD: The Law of Abrogation

Filed under: Books, History, Middle East, Quotations, Religion — Tags: — Nicholas @ 01:00

Rather than say this myself, let me quote Dr. Patrick Sookhdeo, the “traditionalist” Anglican who directs the Institute for the Study of Islam and Christianity in London. He found himself recently trying to explain the crazy truth to a journalist who asked him about violent passages in the Koran, which Islamists quote constantly. “Is there no part of the Koran which modifies these violent texts in the way that we would say our New Testament modifies the Old Testament?”

Dr. Sookhdeo: “In fact the reverse is true. … All the peaceful passages that are enjoined on Muslims occur in the chapters written at Mecca. They are tolerant toward Jews and Christians. But when Muhammad gets to Medina and sets up his city/religious state, the tone towards other groups changes rapidly. The statements about slaying the pagans and killing the Jews and others occur there. Now in Islamic interpretation, all passages that are revealed later take precedence over those revealed earlier. This is known as the ‘law of abrogation’.”

David Warren, “Jihad Politics”, DavidWarrenOnline, 2005-08-03.

October 5, 2020

Letters to a Young Contrarian was fundamentally a twentieth-century work by a man who thought of himself as a sixties radical”

Filed under: Books, History, Liberty, Politics, USA — Tags: , , — Nicholas @ 03:00

In The Critic, Roland Elliott Brown considers the work of Christopher Hitchens, and particularly his Letters to a Young Contrarian from 2001:

The book is now nearly twenty years old. Hitchens wrote it in late 2000 and early 2001 for Perseus Books’ Rilke-inspired “Art of Mentoring” series, and it was published a month or so after 9/11. In view of this timeline, it occupies an eerily-placid DMZ between the “acceptable” 1990s Hitchens, whose only big sin against the political left had been to hound the centrist Bill Clinton, and the ostensibly-more isolated one post-2001, who took heart at the prospect of America using its military might against jihadis and Baathists. The book was largely a post-mortem on the intellectual battles of the twentieth century, and a lesson in writerly integrity. Today, it reads as a riposte to the new “populism” and the “awokening”.

Since Hitchens’s death from oesophageal cancer in 2011, his presence has been missed on major subjects. In a counterfactual world, it seems likely that Syria, ISIS, and the Iran nuclear negotiations (all entangled) would have occupied him in the first half of the 2010s, and that the potential unravelling of the American republic would have worried him in the second. Part of what his admirers miss, too […] is his performative flair. Though new media weren’t his passion, he owes much of his legacy to his YouTube archive, wherein his long-form lectures, debates, and C-span interviews seem, in hindsight, to have provided a model for the popularity of long-form podcasts.

The Letters can be read as a guide to giving an authentic performance as a political actor. Hitchens begins by selling an imagined student his lifestyle; in one good month, he writes (with some perhaps-inauthentic modesty), he has given evidence against Mother Teresa at the Vatican, taken pride in his arguments over Bosnia as Slobodan Milosevic went to the Hague, and had the thrill of being sued by Henry Kissinger. What the world needs now, the book implies, is for the young to find their appetite for the takedown. (One wonders to what extent his search for successors may have emerged from early intimations of mortality: in one C-span interview about the book, he also urged the youth not to take up smoking.)

[…]

But to reiterate, Letters to a Young Contrarian was fundamentally a twentieth-century work by a man who thought of himself as a sixties radical. Other sixties people like Noam Chomsky and Gore Vidal, with whom Hitchens would later fall out over the War on Terror, figure here in heroic roles. Radicals, he argues in the third chapter, are needed to force major issues. Would slavery have ended in America, he asks, if not for the fanaticism of John Brown? Many of his mentors — Peter Sedgwick, E.P. Thompson — were sometime British communists (and long-time socialists) who had ditched the Party after the Soviet invasion of Hungary (what a pity, then, that he never got to debate “the left” with Jordan Peterson).

Of course, Hitchens was not the only sixties radical to court influence in the 2000s, nor was he the most influential. Much of the radicalism he valued now comes to us — via less subtle mentors — in parody form: as sixties-worship gone sour, as a morbid focus on immutable characteristics, as a desire to short-circuit debate, as the unclean spirit that possesses young journalists to misrepresent their subjects so that they can gloat about the takedown. East of the old Iron Curtain, Alexander Lukashenko borrows a page from the dissidents of ’89 by carrying on “as if” there had been no pandemic, “as if” he had won a presidential election, and “as if” NATO was getting ready to invade Belarus. In such times, it seems worth living “as if” the cigarette-smoking ghost still had an eye on the scene.

October 4, 2020

The End of Gender by Dr. Debra Soh

Filed under: Books — Tags: , , , — Nicholas @ 03:00

In The Critic, Louise Perry reviews Debra Soh’s recent book The End of Gender:

Contrary to what is commonly believed, sex is defined not by chromosomes or our genitals or hormonal profiles, but by gametes, which are mature reproductive cells. There are only two types of gametes: small ones called sperm that are produced by males, and large ones called eggs that are produced by females. There are no intermediate types of gametes between egg and sperm cells. Sex is therefore binary. It is not a spectrum.

The chapters in the first two thirds of the book are mostly concerned with the transgender movement. Soh works through trans activist claims with admirable thoroughness — no, not all people with gender dysphoria will benefit from transitioning; yes, natal males do have a physical advantage over natal females in sports; no, not all trans people are motivated to transition for the same reasons.

This last point is particularly explosive in political terms, but there is no doubt that Soh is on firm ground scientifically. Researchers have long been aware of the existence of two distinct categories of trans women — that is, natal males who identify as women. One group — sometimes called “homosexual transsexuals” — usually transition at a young age, have sexual relationships exclusively with men, and tend to be stereotypically feminine from childhood.

Another group — known as “autogynephiles” — have a very different profile: transitioning later, usually having sexual relationships exclusively with women, and often living as conventionally masculine men until they begin the transition process. And this second group are motivated to transition as a result of autogynephilia (sexual arousal at the idea of being a woman), a fact that trans activists are reluctant to acknowledge, preferring, as Soh puts it, “to neutralise the sexual aspect of their wishes to transition”. But she attempts an optimistic argument for tolerance:

    In our sex-negative culture, trans women’s concerns are dismissed as a sexual fetish if anything about transitioning relates to sexual desire … I advocate for compassion and not being judgmental.

Soh, who writes for Playboy and other outlets, describes herself as sex-positive and supports destigmatising all discussion of sexual desire. Although I sometimes grew bored with the regular detours in which Soh writes about how much she loves going clubbing with her gay friends, or describes the confiding relationships she has formed with the parents of trans-identifying children, I understand the purpose of these sections: reassurance. This is a book written by a liberal for liberals, which prescribes a medicinal dose of yet more liberalism — more tolerance, more scientific inquiry, and more intellectual diversity. And liberal readers will no doubt be comforted that Soh’s live-and-let-live framing allows them to play the role of open-minded progressive, rather than (as trans activists would have it) bigoted reactionary.

October 1, 2020

Tank Revolutionary: Fuller’s Diary | The Tank Museum

Filed under: Books, Britain, France, History, Military, Weapons, WW1 — Tags: , , , , , — Nicholas @ 02:00

The Tank Museum
Published 5 Jun 2020

J.F.C. Fuller has been described as a satanist, Nazi and bigot. Director Richard Smith, explores this highly controversial character, who was pivotal to the story of armoured warfare, using Fuller’s personal diary.

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September 30, 2020

“The culture war is the ‘New Normal'”

Filed under: Books, Britain, Media, Politics, USA — Tags: , , , , — Nicholas @ 05:00

Andrew Doyle discusses the debate over the culture war in Spiked:

The phrase that probably best characterises the events of 2020 is the “New Normal”. Although it’s typically used to describe our changed circumstances under lockdown, it could just as easily be applied to the way in which we have all grown accustomed to the worst excesses of the social-justice revolution.

News stories that only five years ago would have been dismissed as asinine aberrations now recur with a quotidian certainty. Recent notable examples include: Princeton University confessing to “systemic racism”, leading to an investigation by the Department of Education on the grounds that racism is a violation of civil-rights law; the Royal Academy of Dramatic Arts making a similar admission, thereby emboldening some of its students to produce a 100-page document full of demands so entitled that it would make Veruca Salt blush; and an academic and novelist stating that debate is “an imperialist capitalist white supremacist cis-heteropatriarchal technique that transforms a potential exchange of knowledge into a tool of exclusion and oppression”. Yes, the culture war is the “New Normal”.

Yet with all the evidence before our eyes, certain commentators persist with their view that the culture war is a right-wing myth advanced by those who are resistant to change. “There’s no actual ‘culture war’, is there?”, writes LBC’s James O’Brien: “It’s just a new way of describing disagreements between people who hate racism and discrimination and people who love it.” Then there is the Guardian‘s Owen Jones, who maintains that “a lot of what’s called ‘the culture war’ is just younger people trying to assert their different social and moral values over older generations who run most of the media”. Nesrine Malik has argued that the culture war has been manufactured by the right, although it will not have escaped most people’s attention that the majority of salvos come from the left side of the battlefield.

It’s this kind of gaslighting – to borrow the language of social-justice activists – that we have already seen from writers who insist that “cancel culture” doesn’t exist, in spite of abundant and incontrovertible evidence that it does.

This is because, as Helen Pluckrose and James Lindsay have so clearly outlined in their seminal book Cynical Theories, the ideology of social justice has its origins in postmodernism, a school of thought which favours “lived experience” and multiple “ways of knowing” over objective truth. It doesn’t matter, for instance, that JK Rowling has never said or written anything transphobic — her new novel must be denounced for advancing an anti-trans agenda, even though it contains no actual references to trans people. These activists have apparently taken their cues from Humpty Dumpty in Lewis Carroll’s Through the Looking Glass (1871). “When I use a word”, he says to Alice, “it means just what I choose it to mean – neither more nor less”.

QotD: Victimhood culture

Filed under: Books, Politics, Quotations — Tags: , , , , , — Nicholas @ 01:00

In their newly released book, The Rise of Victimhood Culture: Microaggressions, Safe Spaces, and the New Culture Wars, the moral sociologists Bradley Campbell and Jason Manning describe the three main moral cultures that exist today, which they give the shorthand labels of dignity, honor, and victimhood. A dignity culture, which has been the dominant moral culture of Western middle classes for some time, has a set of moral values that promotes the idea of moral equality and was crystallized in Martin Luther King Jr.’s vision that people ought to be judged according to the content of their character, not the color of their skin.

Victimhood culture departs from dignity culture in several important ways. Moral worth is in large part defined by the color of one’s skin, or at least one’s membership in a fixed identity group: i.e., women, people of color, LGBTIQ, Muslims, or indigenous peoples. Such groups are sacred, and a lack of deference to them is seen as a sign of deviance. The reverse is true for those who belong to groups that are considered historical oppressors: whites, males, straight people, Zionists. Anyone belonging to an “oppressor” group is stained by their privilege, or “whiteness,” and is cast onto the moral scrapheap.

Claire Lehmann, “The Evils of Cultural Appropriation”, Tablet, 2018-06-11.

September 29, 2020

Modern Classics Summarized: 1984

Overly Sarcastic Productions
Published 24 Feb 2017

It’s the mother of all dystopias! Long before YA dystopia rose to power, before the age of Young Attractive Heroes who Rebel Against The State and Also Find Love, there was just Winston Smith — a middle-aged man in poor health who Rebelled Against The State and Also Found Love. It just ended much less prettily for him.

1984 codified most of the modern dystopia tropes — absolute control of the media, black-bagging people who spoke out, and a lot of popular terms like “doublethink”, “big brother”, and “thought police”. Unfortunately, a lot of those terms got stripped of context and thrown around for the sake of Extra Edge, and as a result they get used a little haphazardly. And there’s nothing Red hates more than misused terminology, so here’s the video outlining the ORIGINAL meaning of 1984!

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Was it actually a “Plandemic”?

Filed under: Books, Britain, Government, Health — Tags: , , , , — Nicholas @ 03:00

Sean Gabb recently published a collection of essays written during the lockdown for Wuhan Coronavirus. This excerpt is from the introduction to “Plandemic” or The Hand of God?:

My general argument is that the Coronavirus Panic should be divided under two headings. The first is the Virus itself as a medical fact and the immediate responses. The second is a set of changes already evident and sometimes advanced before the March of 2020, but that have now been greatly accelerated. Of these, the second is by far the more important. The first, even so, is of interest in its own right.

The Virus has not been all that we were told it would be. Last March, much of the world was ordered into indefinite lockdown on the grounds that we faced the greatest pandemic since the Spanish Flu of a century ago. For weeks in my own country, the BBC filled the television screens with statements by scared, sweating politicians, and lifted all restraint from its own hyperventilating staff. Now, as I write in the middle of September, we can be sure that it killed no more people than a seasonal influenza, and that most of its victims were very old or had been already weakened by some other condition. We can be sure it killed no more than seasonal influenza. Given the questionable definition of Coronavirus deaths, it may have killed many fewer.

I know that pandemic infections often come in several waves, and second waves can be more deadly than the first. But the second wave we are now said to be entering is evidenced by infections rather than deaths, and these infections are counted and published in ways more questionable than the counting and publishing of the earlier alleged deaths. I do not know what will have happened by Christmas. I suspect, however, that nothing much will have happened.

I have no fixed idea of what caused the panic. I am told that the Coronavirus was a bioweapon that escaped from a government laboratory. If it was, I can imagine that political leaders all across the world were taken aside by their own scientists, who were working on something similar, and told of the coming apocalypse. I lack the scientific understanding to judge the truth of this claim. But, if true, it would explain the panic. It would also justify the panic, so far as no one might have known for sure how infectious and how deadly this bioweapon was.

I am more inclined, though, to believe that the panic was a universal hysteria just waiting to be realised. The world at the beginning of this year was in a similar moral state to the world in 1914. There had been a generation of rising prosperity and of rising discontent. Some groups had benefitted out of proportion to their numbers and believed merit. If only relatively, others had fallen behind. Some believed the progress had not been fast enough, and that it could be hastened by various institutional changes, others that it was bad in its effects, and that it should be at least slowed. In 1914, all these discordant energies were channelled – both by deliberate policy and by popular enthusiasm – into a catastrophic war. This year, they found their outlet in the Coronavirus. Since I am making the same point, I might as well quote Marx:

    Hegel remarks somewhere that all great world-historic facts and personages appear, so to speak, twice. He forgot to add: the first time as tragedy, the second time as farce.

I will only add that, on the real stage of world affairs, farce is always preferable to tragedy. Facemasks are better than gasmasks. Better the statistical mirage of last spring than the genuine casualties of Verdun and the Somme.

QotD: Robin DiAngelo’s theory of “White Fragility”

Filed under: Books, Media, Politics, Quotations, USA — Tags: , , , , — Nicholas @ 01:00

Throughout White Fragility DiAngelo tries to convince readers of two things. First, DiAngelo argues that white people are inescapably racist, writing, “All white people are invested in and collude with racism,” and that “The white collective fundamentally hates blackness for what it reminds us of: that we are capable and guilty of perpetrating immeasurable harm and that our gains come through the subjugation of others.”

Second, DiAngelo argues that any white person who does not admit to their own racism is blinded by their “white fragility.” In DiAngelo’s words, because white people are, “Socialized into a deeply internalized sense of superiority that we either are unaware of or can never admit to ourselves, we become highly fragile in conversations about race.” This fragility purportedly explains why, “people who identify as white are so difficult in conversations regarding race.”

It’s not difficult to see why the theory of white fragility might catch on. Race is a sensitive subject that many people of all races are uncomfortable discussing. Furthermore, white people publicly accused of racism risk social ostracization and professional ruin. The idea that some white people may be defensive when accused of racism is not surprising. But though some white people may exhibit a degree of what DiAngelo calls fragility, her grandiose theory as applied to all or even most white people has two fatal flaws.

First, DiAngelo’s theory of white fragility is unfalsifiable. It is impossible for someone to prove that they are not fragile, just as it is impossible for someone to prove they are not possessed by a demon. One could play mad libs with racial groups and nouns — “Asian Insecurity,” “Black Hostility,” etc. — and there would be no way for members of those groups to prove they are not insecure or hostile.

More insidiously, DiAngelo frames her theory of white fragility such that any conceivable reaction a white person has when discussing race is purportedly evidence of fragility, and any denial of her theory is interpreted as proof of its validity. For example, DiAngelo writes that,

    The mere suggestion that being white has meaning often triggers a range of defensive responses. These include emotions such as anger, fear, guilt, and behaviors such as argumentation, silence, and withdrawal from the stress-inducing situation. These responses work to reinstate white equilibrium as they repel the challenge, return our racial comfort, and maintain our dominance within the racial hierarchy. I conceptualize this process as white fragility. Though white fragility is triggered by discomfort and anxiety, it is born of superiority and entitlement.

In other words, if DiAngelo accuses you of racism or fragility and you disagree with her in any way — through argument, silence, or withdrawal — your reaction is considered proof of your fragility. DiAngelo leaves white readers with only two options. Either acknowledge your fragility, which proves DiAngelo’s theory, or deny your fragility, which according to DiAngelo, also proves her theory. This is a logical fallacy known as a Kafkatrap. If our legal system worked this way, no person accused of a crime would ever be acquitted because their denial would prove their guilt.

David Edward Burke, “The Intellectual Fraud of Robin DiAngelo’s White Fragility“, The Logical Liberal, 2020-06-13.

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