World War Two
Published 4 May 2021A spy story almost forgotten to history that is key to understanding the espionage campaign that was waged as Hitler, Stalin, Roosevelt, and Churchill publicly directed the frontlines. Coming together here are the histories of cryptography, Nazi double-agents, and nuclear weapons.
(more…)
May 5, 2021
May 2, 2021
Japan – One Battle from Victory? – 140 – May 2, 1942
World War Two
Published 1 May 2021Now Burma and control of the Burma Road have fallen to the Japanese. Can nothing stop them? The Allies are thinking about maybe using the Solomon Islands as a base to build to try and fight back, but to do that they’ll need control of the Coral Sea, but both sides are sending warships there since the Japanese plan to take Port Moresby. The Allies are aware of this, however, since they have the advantage of being able to read a substantial part of Japan’s radio traffic. It is a week of foreshadowing not just there, but also as the Allies send ships to take Madagascar from the Vichy French and the Soviets prepare to launch an offensive in the south of the Eastern Front.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
– Daniel Weiss
– Norman Stewart – https://oldtimesincolor.blogspot.com/Sources:
– IWM JAR 1240, A 9483Soundtracks from the Epidemic Sound:
– Rannar Sillard – “Easy Target”
– Jo Wandrini – “Dragon King”
– Fabien Tell – “Other Sides of Glory”
– Brightarm Orchestra – “On the Edge of Change”
– Edward Karl Hanson – “Spellbound”
– Johan Hynynen – “Dark Beginning”
– Rannar Sillard – “Split Decision”
– Dream Cave – “The Beast”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
Comments Off on Japan – One Battle from Victory? – 140 – May 2, 1942
April 30, 2021
The Horrors of Partisan Warfare – WAH 033 – April 1942, Pt. 2
World War Two
Published 29 Apr 2021April 1942 sees bombing campaigns in Germany and Britain, as well as German anti-partisan actions in the Balkans and Eastern Europe.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Spartacus Olsson
Written by: Spartacus Olsson and Joram Appel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Joram Appel
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Miki Cackowski and Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Klimbim https://www.flickr.com/photos/2215569…
Mikołaj Uchman
Spartacus Olsson
Daniel WeissSources:
IWM MH 24764, HU 36196, Q(HS) 256, D 16649
Yad Vashem 48AO3, 953, 86FO2, 3116/71
Bundesarchiv
Tito giving a speech in Foča, courtesy of Музеј Старе Херцеговине
Narodowe Archiwum Cyfrowe
Star of David, courtesy of Jacek Proszyk https://commons.wikimedia.org/wiki/Fi…
Picture of Gustav Braun von Stumm, courtesy of Thomas Föhl https://www.geni.com/photo/view/60000…Soundtracks from the Epidemic Sound:
Wendel Scherer – “Defeated”
Johan Hynynen – “Dark Beginning”
Jon Bjork – “Disposal”
Christian Andersen – “Barrel”
Wendel Scherer – “Growing Doubt”
Jon Bjork – “For the Many”
Reynard Seidel – “Deflection”
Gavin Luke – “Drifting Emotions 3”
Jon Bjork – “Icicles”
Gunnar Johnsen – “Not Safe Yet”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
Update: TimeGhost had to repost a censored version of this episode and provided this explanation:
World War Two
1 hour ago (edited)
The original version of this video was age restricted by YouTube for containing pictures of dead bodies. We do not feel that it is correct to document these events by finessing history and self censoring, but YouTube has left us no choice. We have several problems with these age restrictions, but let’s start off with what an age restriction means on YouTube. In theory it simply restricts the video from anyone who isn’t over 18 and logged in to the YouTube platform, but in effect it does much more than that;1. It takes the video out of most subscribers’ feeds and notification lists
2. In some countries like for instance South Korea, for legal reasons it is not accessible at all, for anyone
3. YouTube ranks it lower in their recommendation engines sending out recommendations to view to only a fraction of the ‘normal’ recommendations
4. It can no longer be viewed off YouTube as an embedded video – meaning that it won’t display even on our own website
5. It gets a boiler plate informing the viewer that the content has been “identified by the community as offensive to some viewers”
6. On many mobile devices it cannot be shared with the YouTube app
7. In countries were legal proof of age is required for adult content you have to provide a driver’s license, or credit card proving you are over 18In effect that means that YouTube is soft censoring the video from a large section of potential viewers. The result is that we get around half, or less of the views on videos that are age restricted. And we should note that according to YouTube’s own system more than 90% of our viewers are over 18, so it’s not just an effect of losing underage viewers.
Now, this content is without any doubt hard to watch, but it’s educational content based on solid facts, documented through crystal clear academic research. It is about the crimes against humanity during WW2. It documents events that are to this day in 2021, denied by sympathizers of extreme ideologies. Because of the special importance for new generations to learn about these events, many countries, especially in the EU and North America, do not require in their youth protection laws or media regulation that this kind of content shall be for 18+ only. To the contrary many countries have these topics, told just as graphically as we document them on their school curriculum for ages 13 and above. Moreover, YouTube has in their own community guidelines a provision that allows for displays of violence, dead bodies, and so on in an educational context also for under 18s.
So in effect YouTube is here choosing to restrict, even censor content of high educational importance although they are not legally required to do so, and they have their own provisions to allow it to be unrestricted. Why do they do that? Well, we can’t read their minds, but we have some indications that;
A) they ere on the side of caution to avoid ANY legal risk.
B) They fear any kind of content that has to do with extremism, even when unmasking it after the advertising boycotts they faced a couple of years back.
C) when the community complains they put extra weight on those complaintsIt is item C that troubles us the most. We have over 500 videos on our channels – very many of them contain graphic images of death and violence for reasons of the topics we document. Among these videos, a few dozen have been age restricted, while the rest have not. The common denominator between the age restricted videos is that they document events, or phenomena that unmask extremism by historical Communists, Nazis, and Imperialists. Its is difficult to not see the common interest by sympathizers of these groups and YouTube. If you want something suppressed, and there’s an easy way to just get it suppressed by just pressing a button – is it not reasonable to assume that you would use that button? We’re not conspiracy mythologists, we don’t believe there is a conspiracy here, but just by creating a simple path to fulfill different, but in effect common interests YouTube has made it easy for deniers of crimes against humanity, and war crimes to suppress information about these events.
We have explained to YouTube that inadvertently they are supporting the exact kind of hateful extremism they are fighting against with their other sword arm. We have implored them to lift the age restrictions in the interest of what society has decided: that content like this needs to be freely accessible in the public space. Despite an otherwise good and healthy relationship to the platform operators who are after all our distribution partners,, we have been met with standard replies, and a denial for our request.
Once again we express our dismay, sadness, and disappointment that YouTube chooses to restrict access to content that should serve a greater good; that we do not forget the victims of atrocities and extremism so that we can learn from our past and improve our societies.
Never Forget.
Comments Off on The Horrors of Partisan Warfare – WAH 033 – April 1942, Pt. 2
April 29, 2021
“Tokyo Rose” – WW2 Traitor or Victim?
Mark Felton Productions
Published 28 Apr 2021This is the story of “Tokyo Rose”, a Japanese-American from LA who broadcast propaganda for the Japanese during WW2. Was she a traitor or a victim?
Dr. Mark Felton is a well-known British historian, the author of 22 non-fiction books, including bestsellers Zero Night and Castle of the Eagles, both currently being developed into movies in Hollywood. In addition to writing, Mark also appears regularly in television documentaries around the world, including on The History Channel, Netflix, National Geographic, Quest, American Heroes Channel and RMC Decouverte. His books have formed the background to several TV and radio documentaries. More information about Mark can be found at: https://en.wikipedia.org/wiki/Mark_Fe…
Visit my audio book channel ‘War Stories with Mark Felton’: https://youtu.be/xszsAzbHcPEHelp support my channel:
https://www.paypal.me/markfeltonprodu…
https://www.patreon.com/markfeltonpro…Disclaimer: All opinions and comments expressed in the “Comments” section do not reflect the opinions of Mark Felton Productions. All opinions and comments should contribute to the dialogue. Mark Felton Productions does not condone written attacks, insults, racism, sexism, extremism, violence or otherwise questionable comments or material in the “Comments” section, and reserves the right to delete any comment violating this rule or to block any poster from the channel.
Comments Off on “Tokyo Rose” – WW2 Traitor or Victim?
April 28, 2021
The Royals at War – WW2 Special
World War Two
Published 27 Apr 2021From inspiring their subjects to plotting international strategy, the world’s monarchies still have a crucial role to play in their country’s war effort during the Second World War. As you’ll find out, some sovereigns are much more successful at this than others.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Astrid Deinhard
Written by: Fiona Rachel Fischer
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Fiona Rachel Fischer
Edited by: Karolina Dołęga
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
– Daniel Weiss
– Mikołaj Uchman
– Norman Stewart – https://oldtimesincolor.blogspot.com/
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
– Jaris Almazani (Artistic Man) – https://instagram.com/artistic.manSources:
– National Archives NARA
– National Portrait Gallery
– FDR Presidential Library & Museum
– Imperial War Museums: HU 55966, H 1971,
– Girl Guides of Canada
– Narodowe Archiwum Cyfrowe
– Australian War Memorial: AWM 4067471Soundtracks from the Epidemic Sound:
– “Other Sides of Glory” – Fabien Tell
– “London” – Howard Harper-Barnes
– “Break Free” – Fabien Tell
– “Last Point of Safe Return” – Fabien Tell
– “Weapon of Choice” – Fabien Tel
– “Please Hear Me Out” – Philip Ayers
– “Disciples of Sun Tzu” – Christian Andersen
– “Dragon King” – Jo Wandrini
– “Remembrance” – Fabien Tell
– “Ominous” – Philip AyersArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
1 day ago (edited)
With recent events surrounding the death of Prince Phillip, the British Royal Family has been front-and-center of the worldwide news cycle as of late. In 2021, it is rare for the royals to be at the center of people’s lives, but this wasn’t the case in the days of World War Two. Even though the age of kingdoms was largely over when war came around, sovereigns still had a role to play in their country’s war effort all over the world.In this episode, we are taking a closer look at the role royalty played during the war. Is there still a monarchy where you live and if so, what is your experience with it? We would love to hear about that in the comments!
Comments Off on The Royals at War – WW2 Special
April 25, 2021
Allied Intelligence cracks Japanese codes! – 139 – WW2 – April 25, 1942
World War Two
Published 24 Apr 2021After last week’s Doolittle Raid on Tokyo, pretty much the entire Japanese fleet is sent out looking for American ships. They do not find them, but the enormous amount of radio traffic they generate is a treasure trove for Allied codebreakers to work on. The Allies ship 46 British Spitfire planes to Malta … and all of them are destroyed by the Axis within 48 hours. Germany begins bombing tourist and cultural destinations in Britain, and to make things even worse for the British this week, they realize they can’t hold Burma and are now making tracks for India, with the Japanese Army in hot pursuit.
Get Collectibles here: https://timeghost.tv/collectibles/
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
– Mikołaj Uchman
– Daniel WeissSources:
– National Portrait Gallery
– Naval History and Heritage Command
– Book by Rob Crosswell, Arrow by 4B Icons – from the Noun Project
– Russian International News AgencySoundtracks from the Epidemic Sound:
– Rannar Sillard – “Easy Target”
– Jo Wandrini – “Dragon King”
– Howard Harper-Barnes – “Underlying Truth”
– Edward Karl Hanson – “Spellbound”
– Craft Case – “Secret Cargo”
– Johan Hynynen – “Dark Beginning”
– Andreas Jamsheree – “Guilty Shadows 4”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
Comments Off on Allied Intelligence cracks Japanese codes! – 139 – WW2 – April 25, 1942
April 23, 2021
Taiwan Under Occupation, Axis Solidarity, and U-Boats in the Med – WW2 – OOTF 022
World War Two
Published 22 Apr 2021Ever wonder what life was like in Taiwan during the Second World War? Or if German U-Boats were active in the Mediterranean? You can find out the answers in this episode of Out of the Foxholes!
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Indy Neidell
Written by: Ian Sowden, Lewis Braithwaite, Timothy Smith
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Ian Sowden, Lewis Braithwaite, Timothy Smith
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Miki Cackowski and Eastory (https://www.youtube.com/c/eastory)Sources:
David Rumsey Map Collection, David Rumsey Map Center, Stanford Libraries
Chapman University Digital CommonsSoundtracks from the Epidemic Sound:
Yi Nantiro – “Watchman”
Max Anson – “Ancient Saga”
Skrya – “First Responders”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
Comments Off on Taiwan Under Occupation, Axis Solidarity, and U-Boats in the Med – WW2 – OOTF 022
April 22, 2021
The Winter War
In Quillette, Sean McMeekin outlines the disaster of the first Soviet offensive against Finland in the opening battles of the 1939-40 Winter War:
While Finland, with a tiny population of scarcely 3.5 million, could hardly have threatened the Soviet colossus, it had fought fiercely for independence during the Russian Civil War, conquering Helsinki in April 1918 and dealing the Reds a series of painful blows. The Finnish White Guards — as the Bolsheviks referred to the forces then commanded by the redoubtable Gustaf Mannerheim — had also, Stalin remembered, worked with German troops and collaborated with the British Baltic fleet. Had Mannerheim’s connections with the Germans not been so strong, the British might have lent his Finnish guards more support in the critical days of fall 1919, when Petrograd nearly fell to the Whites. But this was small consolation to Stalin, who mostly remembered the humiliation of losing Finland and Finnish double-dealing with outside powers. The fear that Finland might once again invite in a power hostile to the USSR, whether Britain or Germany, was never far from Stalin’s mind.
When Molotov summoned a Finnish delegation to the Kremlin on October 12th, 1939, Stalin made a personal appearance to heighten the intimidation factor, and he handed the Finns a brutal ultimatum demanding, among other things, “that the frontier between Russia and Finland in the Karelian Isthmus region be moved westward to a point only 20 miles east of Viipuri, and that all existing fortifications on the Karelian Isthmus be destroyed.” Stalin made it clear that this was the price that Finland had to pay to avoid the fate of Poland.
Aggressive and insulting as the Soviet demands on Finland were, Stalin and Molotov fully expected them to be accepted. As the Ukrainian party boss and future general secretary Nikita Khrushchev later recalled, the mood in the Politburo at the time was that “all we had to do was raise our voice a little bit and the Finns would obey. If that didn’t work, we could fire one shot and the Finns would put up their hands and surrender.” Stalin ruled, after all, a heavily armed empire of more than 170 million that had been in a state of near-constant mobilization since early September. The Red Army had already deployed 21,000 modern tanks, while the tiny Finnish Army did not possess an anti-tank gun. The Finnish Air Force had maybe a dozen fighter planes, facing a Red Air armada of 15,000, with 10,362 brand-new warplanes built in 1939 alone. Finnish Army reserves still mostly drilled with wooden rifles dating to the 19th century. By contrast, the Red Army was, in late 1939, the largest in the world, the most mechanized, the most heavily armored, and the most lavishly armed, even if surely not — because of Stalin’s purges — the best led.
[…]
Just past dawn on November 30th, Stalin’s undeclared war against Finland began with a furious artillery barrage on all fronts, followed by the scream of warplanes overhead. The only difference between the bald acts of territorial aggression in Finland and Poland was that the Soviet blitzkrieg was less efficient. Soviet medium bombers — mostly SB-2s cautiously dropping one-ton payloads from heights of 3,000 feet or more — weren’t especially accurate. In Helsinki, Russian bombers failed to knock out a single docking bay, airfield runway, Finnish warplane, or oil tank (although one airport hangar was destroyed). A stray bomb hit the Soviet legation building. According to eyewitnesses, Red fighter pilots strafed Helsinki suburbs as well, “machine-gunning women and children who had fled their houses to the fields.” Similar scenes of horror were repeated in Viipuri (Vyborg), as well as in provincial towns such as Lahti, Enso, and Kotka.
Meretskov’s landward assault on the Karelian Isthmus fared poorly. During the interval between the border incident of November 26th and the Russian onslaught early on November 30th, Mannerheim had wisely evacuated most of the civilian population. A series of clever booby traps were set for the invaders, including “pipe mines” — steel tubes crammed with explosives buried in snowdrifts and set off by hidden trip wires. The most effective defense of all was the Molotov cocktail, first used in Spain but ingeniously updated by the Finns, who would fill liquor bottles with a blend of gasoline or kerosene, tar, and potassium chloride. In fits of derring-do, Finnish soldiers on skis would drop these into the turrets of advancing tanks, ram branches or crowbars into the tank treads, or slice holes in the ice to sink them. Despite boasts in the Russian high command that the campaign would be over in 12 days, by mid-December, most of the Soviet Seventh and Thirteenth Armies were still blundering along short of the Mannerheim Line. On December 17th, in fact, the Thirteenth Army actually went into reverse, retreating after bloody losses in a clash at Taipale. By then, even the tiny Finnish Air Force of old Dutch Fokker fighters had joined the rout, knocking down Soviet bombers — one Finnish ace took out six in four minutes — and doing wonders for the morale of the Finns below. Further north, the Soviet Ninth Army was nearly destroyed in a battle near a burned-out Suomussalmi on December 9th. One Finnish ski sniper, a farmer named Simo Häyhä, personally killed, according to (improbable) legend, more than 500 Russians[*]. Wounded Russians overwhelmed the hospitals of Leningrad. One overworked Soviet surgeon complained in early December that he was dealing with nearly 400 wounded Red Army soldiers every day.
* The story of Simo Häyhä was set to music by Sabaton in their song “White Death” on the Coat of Arms album. Indy Neidell discussed the history behind the music in a Sabaton History video in 2019.
Comments Off on The Winter War
April 18, 2021
America Strikes Back – Tokyo in Flames – WW2 -138 – April 18 1942
World War Two
Published 17 Apr 2021The Doolittle Raid is just a little bombing raid over Tokyo that doesn’t do that much physical damage. It does, however, have big repercussions — partly in terms of future offensive plans for the Japanese fleet, and partly in terms of the thousands of Chinese lives taken in reprisals for allowing the US bombers to land in China. There is small scattered action on the Eastern Front, more Japanese advances in Burma, and a French VIP escapes captivity in Germany and heads for Switzerland and freedom.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
– Mikołaj Uchman
– Norman Stewart – https://oldtimesincolor.blogspot.com/Sources:
– Stan S. Katz
– IWM: IND 3595
– Image of ‘The Fortress of Königstein from the North-West’ by Bernardo Bellotto, © National Gallery of Art, WashingtonSoundtracks from the Epidemic Sound:
– Rannar Sillard – “Easy Target”
– Howard Harper-Barnes – “London”
– Jo Wandrini – “Dragon King”
– Dream Cave – “The Beast”
– Reynard Seidel – “Rush of Blood”
– Wendel Scherer – “Out the Window”
– Brightarm Orchestra – “On the Edge of Change”
– Gunnar Johnsen – “Not Safe Yet”
– Johan Hynynen – “Dark Beginning”
– Philip Ayers – “Trapped in a Maze”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
Comments Off on America Strikes Back – Tokyo in Flames – WW2 -138 – April 18 1942
Boys Mk I Anti-Tank Rifle at the Range
Forgotten Weapons
Published 2 Jan 2021http://www.patreon.com/ForgottenWeapons
https://www.floatplane.com/channel/Fo…
Cool Forgotten Weapons merch! http://shop.bbtv.com/collections/forg…
(Edit: Tungsten carbine is, of course *denser* than steel, not lighter. Sorry.)
I have done several previous videos on the Boys antitank rifle, but never actually fired one — until today! We’re out at the range with a MkI Boys and five rounds of its .55 Boys ammunition. So let’s see if it’s as painful to shoot as people say …
Contact:
Forgotten Weapons
6281 N. Oracle #36270
Tucson, AZ 85740
Comments Off on Boys Mk I Anti-Tank Rifle at the Range
April 17, 2021
Can you build a Starter Set Model Kit using ONLY the included paints and glue?
Model Minutes
Published 10 Dec 2020Quite often I get asked if you can build a Starter Set Model Kit using ONLY the included paints and glue? Well, why not? What would it actually look like? I feel like there might be a bit of a CHALLENGE coming on …
Join me in this video as I build (and review) the Airfix Messerschmitt Bf109E-3 plastic model kit in 1/72 scale which comes as part of a starter set — with glue, paint and brush included. I will be building this kit with only these products to see how it turns out.
Unboxing review of this kit:
https://youtu.be/NWHsWtxot_cPlease consider pledging your support to help keep the channel growing from strength to strength. Find out what’s in-store and how to unlock additional perks here: https://www.patreon.com/modelminutes
If you like what I do, why not buy me a coffee over at http://ko-fi.com/modelminutes
Come join the live conversation over at Discord, chat to other modellers in real time! https://discord.gg/JP4tk2n
If you want to buy any of the kits I’ve built or recommend — take a look here (it helps support the channel):
https://www.amazon.co.uk/shop/modelmi…Let’s get social!
https://twitter.com/ModelMinutes
https://www.instagram.com/modelminutes/This video is intended for adult scale model enthusiasts.
Model Minutes holds no responsibility for any accidents, damage or injury that could occur as a result of attempting to replicate any steps depicted in this video.
All music used from the YouTube Audio Library.
#Airfix #Model #Modelkit #starterset #scale #bf109
From the comments:
Model Minutes
4 days ago
Before you leave a comment about thinning the paint or using extra tools/products, read this:I don’t think a lot of people watching this one quite “got” what I was going for here. My aim (if it wasn’t clear) was to see how good I could make this model kit using only the included products and a knife. I gave myself really strict rules to follow in an attempt to get a “best case” model out of a “worst case” situation.
Many people seem to think that beginners would instantly know that they are supposed to thin their paints, sand the plastic, fill the gaps, use extra brushes … and if, as a beginner you knew that, then you were so fortunate!
But this video is for those of us (me included) who knew nothing about model building, had no one to help us and nothing to look to for reference. When I started, YouTube didn’t exist (the internet wasn’t really a thing for me growing up either) and if I wanted to read up about modelling it meant buying magazines and looking for the information.
My build in this video is a throwback to my early days, where I built what I wanted, how I wanted, and usually with only what I had, could borrow, recycle or afford with my small amount of pocket money.
Ultimately though, I think the point of this build and video has been missed by some.
It’s meant to be fun, a light and entertaining look at our hobby. After all, isn’t this hobby supposed to be fun anyway?
I’d also like to think that some beginners out there see this one and realise that you don’t have to build a model kit with all these extra things that so many youtubers use these days. Although it’s good to have aspirations I think it’s unrealistic and can put newcomers off. If my video encourages just one new person to start building, then that’s a success right? We should be encouraging new members to the hobby because it’s in our interest too! If you agree, send someone this video and encourage them to start!
TLDR: I made this video for entertainment. It’s not a tutorial. I added extra restrictions because otherwise it wouldn’t be a “challenge” — it would be a normal build video.
Comments Off on Can you build a Starter Set Model Kit using ONLY the included paints and glue?
April 16, 2021
The Bataan Death March Begins – WAH 032 – April 1942, Pt. 1
World War Two
Published 15 Apr 2021Malta and British cities are victim to German bombs, while the Japanese advance in Burma causes a refugee crisis. In the Philippines, 80,000 Allied POWs walk the Bataan Death March.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Spartacus Olsson
Written by: Spartacus Olsson and Joram Appel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Joram Appel
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Miki Cackowski and Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Mikołaj Uchman
Election1960 https://commons.wikimedia.org/wiki/Fi…Sources:
IWM C 4743, CL 2377
Bundesarchiv
From the Noun Project: Watchtower by EliriconSoundtracks from the Epidemic Sound:
Johan Hynynen – “Dark Beginning”
Fabien Tell – “Weapon of Choice”
Wendel Scherer – “Defeated”
Philip Ayers – “Trapped in a Maze”
Cobby Costa – “From the Past”
Cobby Costa – “Flight Path”
Wendel Scherer – “Growing Doubt”
Jon Bjork – “For the Many”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
3 days ago (edited)
Under our previous episode I told you about how YouTube has been age restricting these videos, effectively censoring them and turning the format into an echo chamber that doesn’t reach beyond the viewers who already know about it. As I explained we feel that it’s a great disservice to education and remembrance, and it has affected me deeply personally making me question why we do this. Two things happened:1. You collectively gave us the most amazing reception and reminded us of how important the work we do is. I can’t thank you enough for the amazing comments, many of them where kind, supportive, and motivating far beyond what I feel we deserve. You lifted my spirits and brought me out of the slump I was in, cementing, and confirming that what we do matters. In the name of the entire team: thank you so much, it is an immense honor to have you all with us.
2. YouTube did not age restrict the video, and even cleared it for monetization, leading to that it once again reached a viewership like before the string of age restrictions we were struck with. We haven’t heard any explanation from YouTube and we won’t. Furthermore, I am painfully aware that these decisions depend completely on the whims of the individuals at Google who review the videos. We also know that these individuals are different for every video, so I fear that that this state of affairs will not remain. Already, this video was judged as “not suitable for all advertisers” and will therefore be recommended to viewers less often in YouTube’s system. Hence, although it pains us, and is against the principles we stand for, we have also prepared a version of this video with all images documenting the atrocities we expose blurred out – we can only hope that we don’t need it.
I’d like to end with an anecdote out of my motivation to create this series. Many, many moons ago, when I was in senior high at boarding school in Sweden, Elie Wiesel – author, chronicler of the Holocaust, and survivor of Auschwitz and Buchenwald came to our school. It was in 1986, the same year that he received the Nobel Peace Prize for his work, and if I remember correctly he had connected a lecture tour to his reception of the award.
In any case — I had the privilege of speaking to Mr. Wiesel in a small group. He explained something that has stayed with me ever since. To him, his experiences were not defeating, the entire Holocaust was not a defeat, not only had humanity been victorious in the end, but he and others had survived to tell the tale — which to him was a special kind of victory that came with the responsibility of sharing and educating.
Mr. Wiesel, a kind, warm hearted man, full of humor and life despite the horrors he had lived, passed five years ago. It is for him, for the other survivors of every ethnicity faced by any kind or terror, and for those who didn’t make it through that we do this — to celebrate their life and continue turning their suffering from defeat into victory by remembering even after they are gone.
Yours,
Spartacus
Comments Off on The Bataan Death March Begins – WAH 032 – April 1942, Pt. 1
April 15, 2021
Eichmann in Budapest
Alexander Faludy outlines the horrific “success” of Adolf Eichmann’s activities in Hungary in 1944:
SS-Obersturmbannführer Adolf Eichmann (1906–1962), head of Reichssicherheitshauptamt (RSHA, Reich Security Central Office) Department IV B4 (Jewish affairs), who organized the deportation of Jews to the Auschwitz concentration camp in German-occupied Poland during the Holocaust. Taken in or around 1942, this appears to have been Eichmann’s official RSHA ID photograph.
Photographer unknown, public domain image via Wikimedia Commons.
SS Obersturmbannführer (Lt. Col.) Adolf Eichmann, head of Reich Security Main Office IV.B.4 (Jewish Affairs), arrived at Budapest’s Keleti railway station together with 19 subordinates on 21 March 1944. Just 48 hours had passed since German troops had marched into the country, and a car was waiting to take Eichmann to the city’s Astoria Hotel close to the Pest riverbank. From these incongruously elegant surroundings Eichmann would commence the most feverous episode in the Final Solution of the Jewish question in Europe: the destruction of the Jews of Hungary, the only chapter in its history he was to supervise in person and in full.
For speed and scale the deportations went unmatched: 424,000 people were despatched by train in just 52 days, from 14 May to 9 July. In this fleeting window Hungarian Jews became the single largest group gassed at Auschwitz. The crematoria couldn’t cope with such “over-supply”, and Commandant Rudolf Höß ordered special fire pits dug — filling the camp with noxious smoke. According to Primo Levi, “there were weeks when only Hungarian was heard in Auschwitz”.
Physical annihilation was undergirded by Eichmann’s elaborate psychological strategy. Sophisticated Budapest Jews who might escape or resist were pacified by newspaper reports that only “ost Juden” from Hungary’s nether regions were being removed as “undesirables”. Many only saw through the lie, if at all, when deportations reached Budapest’s outer suburbs in early July — just before Admiral Miklós Horthy, Hungary’s Head of State, halted them under diplomatic pressure from the Western Allies and neutrals.
Throughout the deportations, and across Hungary’s length, Eichmann deluged Jews with ever more complex regulations covering the minutiae of daily life. These instilled a false sense of permanence which inhibited hiding or escape: “why would the authorities go to all this trouble if they were just going to get rid of us?”
Even as deportations rolled on, Eichmann conducted elaborate negotiations for fanciful “rescue schemes” including, but not limited to, the infamous “Blood for Trucks” project involving Rudolf Kastner — the proposed barter of one million Jewish lives for 10,000 Western motor vehicles for use on the Eastern front against the USSR. The aim, Eichmann later acknowledged, was not just to split Western powers from the Soviets, but also to distract Hungary’s Jewish leaders from counter-organising: keeping minds busy and hopes alive.
All the while Eichmann treated Jewish leaders in Budapest to flashes of menace. One day he promised them a return to normality “after the war”, the next he would snarl “Do you know who I am? I am a bloodhound!” With studied cruelty Eichmann arranged the ghettoisation of Hungary’s Jews to begin on Sunday, 16 April: the first day of Passover, 1944.
Eichmann did many things in Hungary; the one thing he did not do was simply “obey orders” — indeed over time he defied them with gathering frequency. That autumn as inevitable defeat became ever more apparent Eichmann, helped by local enthusiasts, intensified his efforts, instigating newly inventive means of eliminating Jews in Hungary and the Balkans through “death marches” and localised killing sprees. In doing so, Eichmann subverted instructions from Himmler who ordered cessation as part of a delusional plan to negotiate with the allies.
This “Eichmann in Budapest” should be recalled while contemplating the later Eichmann in Jerusalem.
Comments Off on Eichmann in Budapest
April 14, 2021
War Stories We Didn’t Get to Tell – WW2 – Reading Comments
World War Two
Published 13 Apr 2021Another edition of Across the Airwaves, where Indy, Sparty, and Astrid look at interesting and unique comments from our videos. In this episode, some amazing war stories that we didn’t get to tell.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Indy Neidell, Spartacus Olsson, and Astrid Deinhard
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Edited by: Karolina Dołęga
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory), Karolina DołęgaSources:
– Bundesarchiv
– Library of Congress
– Australian War Memorial
– Icons from the Noun Project: Boat by Richard Cordero, captain by Gan Khoon Lay, Mine Ship by Luke Anthony Firth, Wrench by Gregor Cresnar
– Explosion animation by Ignisium from YouTube
– Uboat.net, picture of SS Oklahoma courtesy of Texaco ArchivesSoundtracks from Epidemic Sounds:
– “Other Sides of Glory” – Fabien Tell
– “London” – Howard Harper-Barnes
– “Deflection” – Reynard Seidel
– “The Inspector 4” – Johannes Bornlöf
– “What Happens in the Park” – Claude SignetArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
2 hours ago (edited)
Day in day out, we review thousands of comments from people across the world. It’s always heartening to come across the ones that are particularly interesting, educational, touching, or even funny. This format, “Across the Airwaves”, is a great way for us to interact directly with our community and in this episode, Indy, Sparty and Astrid mainly look at comments from people offering extra details and analysis that we didn’t have the chance to include in our regular content.Hope you enjoy hearing them. A big thanks to our community, especially our TimeGhost Army members.
Comments Off on War Stories We Didn’t Get to Tell – WW2 – Reading Comments
April 11, 2021
America Surrenders – The Fall of Bataan – 137 – April 10, 1942
World War Two
Published 10 Apr 2021After holding out since the beginning of the year, the American and Filipino defenders at Bataan can do so no more, and they surrender to the Japanese — the Bataan Death March for the 75,000 prisoners begins. Meanwhile, the Japanese carrier fleet launches a raid on Colombo and shipping in the Bay of Bengal, wrecking Britain’s Eastern Fleet in the process and forcing them to move to African coastal bases. Adolf Hitler issues the directive outlining his plans for a summer offensive against the USSR that aim south toward the Caucasus.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvCheck out Indy’s Tie Barn to get your own tie right here: https://www.youtube.com/c/IndysTieBar…
Follow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
– Mikołaj Uchman
– Daniel Weiss
– Norman Stewart – https://oldtimesincolor.blogspot.com/Sources:
– IWM A 25477, A 10499Soundtracks from Epidemic Sound:
– Rannar Sillard – Easy Target
– Jo Wandrini – Dragon King
– Farrell Wooten – Duels
– Andreas Jamsheree – Guilty Shadows 4
– Howard Harper-Barnes- Underlying Truth
– Johan Hynynen – Dark Beginning
– Gunnar Johnsen – Not Safe Yet
– Flouw – A Far Cry
– Brightarm Orchestra – On the Edge of ChangeArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
Comments Off on America Surrenders – The Fall of Bataan – 137 – April 10, 1942
