The Tank Museum
Published 15 Dec 2018It was decided to put the KV heavy tank into production in December 1939, alongside the T34-76 medium tank.
The invading Germans received a major shock when they encountered the KV1 heavy tank in June 1941.
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February 16, 2020
Tank Chats #62 KV-1 | The Tank Museum
February 14, 2020
“Wolfpack” – German U-boat Tactics – Sabaton History 054 [Official]
Sabaton History
Published 13 Feb 2020The Battle of Britain had saved the United Kingdom from imminent invasion by the German Wehrmacht, however the war was far from over. To destroy Britain’s economic capabilities to wage war, the German Kriegsmarine had to win the tonnage war in the North Atlantic. The German submarines — the U-Boote, were sent out to hunt. As the British Royal Navy returned to the convoy system to protect its merchant fleet, the Germans as well began organizing their submarines in groups to attack in unison. These hunter-killer teams, the Wolfpacks, would soon haunt the depths of the North Atlantic.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to “Wolfpack” on the album Primo Victoria:
CD: http://bit.ly/PrimoVictoriaStore
Spotify: http://bit.ly/PrimoVictoriaSpotify
Apple Music: http://bit.ly/PrimoVictoriaAppleMusic
iTunes: http://bit.ly/PrimoVictoriaiTunes
Amazon: http://bit.ly/PrimoVictoriaAmzn
Google Play: http://bit.ly/PrimoVictoriaGooglePlayCheck out the trailer for Sabaton’s new album The Great War right here: https://www.youtube.com/watch?v=HCZP1…
Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastoryArchive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.Colorizations:
– Olga Shirnina, a.k.a. Klimbim – https://klimbim2014.wordpress.com/Sources:
– IWM: HU 16546, A 30292
– Bundesarchiv
– Otis Historical Archives, National Museum of Health and Medicine
– Narodowe Archiwum Cyfrowe
– Canadian ship being attacked, photo courtesy of the Government of Canada, https://www.canada.ca/en/navy/service…An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
Silent But Deadly: Welrod Mk IIA
Forgotten Weapons
Published 27 Dec 2016http://www.patreon.com/ForgottenWeapons
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If you enjoy Forgotten Weapons, check out its sister channel, InRangeTV! http://www.youtube.com/InRangeTVShow
The Welrod is a nearly completely silent bolt action pistol designed by SOE Section 9 for covert operation and assassination use during WW2. Chambered for the .32ACP cartridge (which is subsonic to begin with), the Welrod uses a ventilated barrel and large-volume suppressor with several solid rubber wipes to bring its firing report down to the minimum possible level. This noise reduction only lasts for about a dozen shots, after which time the rubber wipes have more or less bore-sized permanent holes in them, reducing the suppressor’s effectiveness to pretty much on par with other typical designs.
The Welrod is a manually operated pistol, to avoid action noise. It feeds from a Colt 1903 Pocket Hammerless magazine, which also serves as its grip. A grip safety is the only safety device, and it fires using a striker mechanism. The Welrod was first introduced in 1943, with a larger 9x19mm version added later in the war. They appear to have been manufactured by BSA, with a total of about 14,000 made. Welrods were in service as recently as Desert Storm, and are most likely still in use for those times when a very efficient silent pistol is necessary.
Thanks to the Institute of Military Technology for allowing me to have access to this very cool pistol and bring it to you! Check them out at:
February 13, 2020
The Animated History of Italy | Part 2
Suibhne
Published 23 Apr 2018The Armchair Historian Collab: https://youtu.be/vGM54x0LsII
Beginning part two, Italy has been recaptured by the Byzantines thanks to the tenacious ambitions of Emperor Justinian. But throughout the Middle Ages, the land became a battleground for more powerful empires. The 19th Century Italian revolution would see the peninsula swept up in the waves of nationalism that was taking the continent by storm.
February 12, 2020
Guderian – Myth & Reality
Military History Visualized
Published 24 Apr 2018Heinz Guderian, the father of the German Panzerwaffe, is one of the best known German generals from the Second World War. He is also known for his opposition to the Battle of Kursk (Operation Zitadelle) and the early deployment of the Panzerkampfwagen V Panther, yet some historians noted recently that many of Heinz Guderian’s claims are not backed up by archives. Well, time to take a closer look.
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» minds.com – https://www.minds.com/militaryhistory…» SOURCES «
Pöhlmann, Markus: Der Panzer und die Mechanisierung des Krieges: Eine deutsche Geschichte 1890 bis 1945 (Zeitalter der Weltkriege)
Corum, James S.: The Roots of Blitzkrieg. Hans von Seeckt and German Military Reform
Macksey, Kenneth: “Generaloberst Heinz Guderian”; in: Ueberschär (Hrsg.) Gerd R.: Hitlers militärische Elite – 68 Lebensläufe (3. Auflage), S. 351-358
Guderian, Heinz: Panzer Leader (English Version of Erinnerungen eines Soldaten)
Guderian, Heinz: Erinnerungen eines Soldaten
Munzel, Oskar: Die deutschen gepanzerten Truppen bis 1945
Schacter, Daniel L.: The Seven Sins of Memory: How the Mind Forgets and Remembers
Citino, Robert M.: The German Way of War. From the Thirty Years’ War to the Third Reich
Citino, Robert M.: The Wehrmacht Retreats: Fighting a Lost War, 1943
» CREDITS & SPECIAL THX «
Song: Ethan Meixsell – “Demilitarized Zone”#ww2 #panzergeneral #Guderian
February 9, 2020
Rommel to fix the Bungle in Benghazi – WW2 – 076 – February 8, 1941
World War Two
Published 8 Feb 2020As the Italian campaigns in Africa collapse, Hitler considers his options and then chooses Erwin Rommel to rescue their Italian allies.
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Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Produced and Directed by: Spartacus Olsson and Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Mikołaj Cackowski
Map animations: Eastory (https://www.youtube.com/c/eastory)
Additional animations: Ryan WeatherbyColorizations by:
Adrien Fillon – https://www.instagram.com/adrien.colo…
Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
Dememorabilia – https://www.instagram.com/dememorabilia/Sources:
Narodowe Archiwum Cyfrowe
Artillery by Creative Mania from the Noun ProjectSoundtracks from the Epidemic Sound:
Johannes Bornlof – “Last Man Standing 3”
Hakan Eriksson – “Epic Adventure Theme 3”
Phoenix Tail – “At the Front”
Gunnar Johnsen – “Not Safe Yet”
Johan Hynynen – “Dark Beginning”
Yi Nantiro – “Watchmen”
Rannar Sillard – “March Of The Brave 10”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
February 6, 2020
Tank Chats #61 Beaverette | The Tank Museum
The Tank Museum
Published 7 Dec 2018David Willey talks about the Beaverette, which was recently acquired by The Tank Museum.
Beaverettes were manufactured as a “stop gap” measure when invasion threatened in 1940, using the chassis of civilian saloon cars. These armoured cars were only ever issued to the Home Guard and RAF airfield defence units.
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Tank 100 First World War Centenary Blog: ► http://tank100.com/ #tankmuseum #tanks #tankchats
February 5, 2020
Submarine Warfare WW1 vs WW2 – Differences & Commonalities
Military History Visualized
Published 15 Nov 2016A comprehensive view that compares submarine warfare in the First and Second World Wars. Due to the lack of a submarine warfare in the Pacific in World War 1, the Pacific isn’t covered at all, but there will be an episode on it in the future.
Military History Visualized provides a series of short narrative and visual presentations like documentaries based on academic literature or sometimes primary sources. Videos are intended as introduction to military history, but also contain a lot of details for history buffs. Since the aim is to keep the episodes short and comprehensive some details are often cut.
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» SOURCES & LINKS «
Milner, Marc: “The Atlantic War, 1939-1945”; in: Cambridge History of the Second World War, Volume 1
Blair, Clay: Hitler’s U-Boat War – The Hunters 1939-1942
Owen, David: Anti-Submarine Warfare – An Illustrated History
Germany & The Second World War – Volume VI
Germany & The Second World War – Volume II
Breemer, Jan S.: “Defeating the U-boat. Inventing Antisubmarine Warfare”. Naval War College Newport Papers 36
https://www.usnwc.edu/getattachment/e…Das Deutsche Reich und der Zweite Weltkrieg – Band VI.
Das Deutsche Reich und der Zweite Weltkrieg – Band II.
Rahn, Werner: “Die Deutsche Seekriegsfürung 1943 bis 1945”; in: Das Deutsche Reich & der Zweite Weltkrieg, Band X/1, S. 3-276
Erster Weltkrieg – Zweiter Weltkrieg: Ein Vergleich.
U-boat losses by cause
https://web.archive.org/web/201006112…Differences German U-Boat Design WW1 vs. WW2
https://www.reddit.com/r/AskHistorian…» CREDITS & SPECIAL THX «
Song: Ethan Meixsell – “Demilitarized Zone”
Suomi m/31: Finland’s Famous Submachine Gun
Forgotten Weapons
Published 12 Sep 2017For some great firing footage and an assessment of the m/31 in practical terms, check out today’s video on InRangeTV: https://www.youtube.com/watch?v=6HJMv…
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Designed by Finland’s most notable arms inventor, Aimo Lahti, the m/31 Suomi submachine gun is an iconic weapon of the Winter War and the Continuation War. It is a first-generation submachine gun with a heavy milled receiver and very well-fitted parts — enough so that a series of vent holes were put in the end of the receiver tube to prevent air compression during the firing cycle. The gun is overall quite heavy (4.7kg / 10.4lb) and has a high rate of fire (~900 rounds/minute). It originally used 50-round quad-stack magazines and 71-round drum magazines, which allowed a shooter to exploit the high rate of fire without constantly having to change magazines.
The quad-stack magazines were eventually found to be insufficiently reliable, and were retired. The drum proved to be quite good in use, although quite awkward and bulky to carry (note that Finnish troops had no specialized pouches for these drums). The drum design would be taken by the Russians (handed over by a defecting Finnish officer, apparently) and copied for use in the Soviet PPD and PPSh submachine guns. In the 1950s, a simple double-stack 36 round magazine was developed and became most popular.
If you enjoy Forgotten Weapons, check out its sister channel, InRangeTV! http://www.youtube.com/InRangeTVShow
February 2, 2020
Africa, the Axis’ Achilles Heel – The Allied African Campaigns – WW2 – 075 – February 1, 1941
World War Two
Published 1 Feb 2020Greek Prime Minister Ioannis Metaxas dies this week as Italy is still uncomfortably wrapped up in the Albanian Mountains. Italy also finds itself in a pickle on other fronts, as Allied troops in Africa move into Italian territory with three offensives this week.
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Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Produced and Directed by: Spartacus Olsson and Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Mikołaj Cackowski
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Dememorabilia – https://www.instagram.com/dememorabilia/
Adrien Fillon – https://www.instagram.com/adrien.colo…
Julius Jääskeläinen – https://www.facebook.com/JJcolorization/Sources:
IWM (IND 883); (IND 2405); (E 3661); (E6661)
Vatican by Made by Made from the Noun Project
king crown by ProSymbols from the Noun Project
tick by akash k from the Noun Project
Artillery by Creative Mania from the Noun ProjectSoundtrack from the Epidemic Sound:
Christian Andersen – “Disciples of Sun Tzu”
Reynard Seidel – “Deflection”
Fabien Tell – “Last Point of Safe Return”
Johan Hynynen – “Dark Beginning”
Bonnie Grace – “Imperious”
Johannes Bornlof – “Last Man Standing 3”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
Israeli M1919 Brownings and the US Semiauto Market
Forgotten Weapons
Published 28 Mar 2018Sold for $4,888.
In the world of converted semiautomatic “machine guns,” the Browning 1919 is a happy example of one of the most iconic and historically important US machine guns and also one of the cheapest semiautomatic belt fed guns available. This stems from two factors, primarily. One is that the Browning 1919, being developed from the water-cooled M1917 Browning, is a closed bolt system. Open bolt semiautomatic designs are not allowed by ATF, and so most semiauto machine gun conversions require substantial alteration to convert from open bolt to closed bolt — which the M1919 does not need. Second, the IDF used the Browning M1919 for many years and in large numbers, and surplussed many of them in the late 1990s. These guns came into the United States as parts kits in large numbers. This meant a glut of cheap guns, easily built as semi autos, and in an easily shootable caliber — 7.62mm NATO (as converted by Israel from their original .30-06 chambering).
Today, we are looking at an example of a semiautomatic converted M1919, and specifically at the various changes made by Israel to both improve the design and convert it successfully to the NATO cartridge.
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January 31, 2020
“Wehrmacht” – The German Army 1935-1945 – Sabaton History 052 [Official]
Sabaton History
Published 30 Jan 2020From 1935 onwards, the German Wehrmacht was expanding rapidly. Millions of men joined the army, the Luftwaffe and the Kriegsmarine to fulfill Adolf Hitler’s visions for the 3rd Reich.
Highly motorized Panzergrenadiers, elite parachute- and resilient mountain-infantry troops were trained and and led with the utmost combat-efficiency in mind, supported by state of the art Panzers and aircraft. If it came to war, they would break the enemy and break them fast, achieving fast victories in a series of devastating hits. However, succumbing to the ideological influence of National-Socialism, the Wehrmacht found itself soon to be both culprit and accomplice to a self-reinforcing cycle of violence and atrocities.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to “Wehrmacht” here:
CD: http://bit.ly/CoatOfArmsStore
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iTunes: http://bit.ly/CoatOfArmsiTunes
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Google Play: http://bit.ly/CoatOfArmsGooglePlayCheck out the trailer for Sabaton’s new album The Great War right here: https://www.youtube.com/watch?v=HCZP1…
Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastoryArchive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.Sources:
– Bundesarchiv
– IWM: H 21907- Bundesarchiv
– IWM: H 21907An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
January 29, 2020
Patton | Based on a True Story
The Cynical Historian
Published 30 Aug 2018It’s finally time to review Patton! I have a lot to say about it, as you can tell by the time stamp. Way back when I started the Based on a True Story series, the second episode was a bit about what I considered to be the best ones — and this movie was at the top. I love this film, but for more reasons than most of you could know — so this is going to be a deep dive into the film and its subject matter. It’s ambiguous, narrowed in subject, and just a perfect examination of the man. As the New Yorker said during the movie’s release, “[Patton] appears to be deliberately planned as a Rorschach test.”
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references:
Brian Sobel and George S. Patton IV, The Fighting Pattons (Westport: Praeger Publishing, 1997). https://amzn.to/2u2WI57MacMillan Compendium, America at War (New York: Macmillan Library Reference, 1994), 726-727. https://amzn.to/2m6o4mx
John Keegan and Andrew Wheatcroft, Who’s Who in Military History: from 1453 to the Present Day, (London: Routledge, 1996), 231-232. https://amzn.to/2KWv53M
Paul Fussell, “Patton”, in Past Imperfect: History According to the Movies, ed. Mark Carnes (New York: Henry Holt and Company, 1996). https://amzn.to/2J5iGc7
Jonathan Vankin and John Whalen, Based on a True Story: Fact and Fantasy in 100 Favorite Movies, (Chicago: A Cappella Books, 2005), 269-272. https://amzn.to/2m2sSZQ
Frank Sanello, Reel v. Real: How Hollywood Turns Fact into Fiction (Lanham: Taylor Trade Publishing, 2003), 177-181. https://amzn.to/2N072BB
http://www.historynet.com/patton-film…
https://dailyhistory.org/How_accurate…
http://jbell2ja.umwblogs.org/history-…
https://www.theguardian.com/film/2008…
https://www.moviemistakes.com/film960
Special thanks to my mom, dad, and uncle for making sure this was accurate and providing media for the end bit, especially my father (Mark Hall-Patton), who proofread the script as well.
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https://twitter.com/Cynical_History
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Wiki:
Patton is a 1970 American epic biographical DeLuxe Color war film about U.S. General George S. Patton during World War II. It stars George C. Scott, Karl Malden, Michael Bates and Karl Michael Vogler. It was directed by Franklin J. Schaffner from a script by Francis Ford Coppola and Edmund H. North, who based their screenplay on the biography Patton: Ordeal and Triumph by Ladislas Farago and Omar Bradley’s memoir A Soldier’s Story. The film was shot in 65 mm Dimension 150 by cinematographer Fred J. Koenekamp and has a music score by Jerry Goldsmith.Patton won seven Academy Awards, including Best Picture, Best Director and Best Original Screenplay. Scott won Best Actor for his portrayal of General Patton, but declined to accept the award. The opening monologue, delivered by George C. Scott as General Patton with an enormous American flag behind him, remains an iconic and often quoted image in film. The film was successful, and in 2003, Patton was selected for preservation in the United States National Film Registry by the Library of Congress as being “culturally, historically or aesthetically significant”. The Academy Film Archive preserved Patton in 2003.
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#History #Patton #Review #Accuracy #GeneralPatton
January 27, 2020
Tank Chats #60 Valentine Bridgelayer | The Tank Museum
The Tank Museum
Published 23 Nov 2018The Valentine Bridgelayer, on a Valentine Mark I hull, was developed in 1943 during the Second World War. They were largely superseded by Churchill Bridgelayer, although some Valentine Bridgelayers were used in north-west Europe from 1944 to 1945, because the supply of Churchill Bridgelayers could not meet demand.
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Tank 100 First World War Centenary Blog: ► http://tank100.com/ #tankmuseum #tanks #tankchats
January 26, 2020
When Anti-Semites Infight, Jews Still Die – Pogroms in Romania – WW2 – 074 – January 25, 1941
World War Two
Published 25 Jan 2020The British offensive in East-Africa takes off with some rapid advances. Meanwhile in Eastern-Europe, Romania is the stage of fierce anti-semitism, but also infighting between two of the groups causing the anti-semitism.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
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Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Produced and Directed by: Spartacus Olsson and Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Mikołaj Cackowski
Map animations: Eastory (https://www.youtube.com/c/eastory)
Additional animations: Ryan WeatherbyColorizations by:
Adrien Fillon – https://www.instagram.com/adrien.colo…
Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
Dememorabilia – https://www.instagram.com/dememorabilia/
Daniel WeissSources:
IWM (B 10600)
Narodowe Archiwum Cyfrowe
freemason by Kyle Tezak from the Noun Project
Letter by Mochammad Kafi from the Noun Project
ETH-Bibliothek Zürich, Bildarchiv / Fotograf: Wehrli, Leo / Dia_247-08618
Private collection of Riggio family https://commons.wikimedia.org/wiki/Fi…Soundtracks from the Epidemic Sound:
Philip Ayers – “The Unexplored”
Max Anson – “Ancient Saga”
Hakan Erikson – “Epic Adventure Theme 4”
Andreas Jamsheree – “Guilty Shadows 4”
Johannes Bornlof – “Last Man Standing 3”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
2 days ago
Thank you all so much for reaching 400.000 subscribers! Thanks to all of your support and enthusiasm, more and more people get to see more and better content. In fact, from mid-February onwards, we are going to publish three WW2 videos a week, including Out of the Foxholes, Biographies, Special Episodes, War Against Humanity and a new series on the Homefronts. Not only that, we are also going to start a new series on the TimeGhost History Channel (http://www.youtube.com/c/timeghost). Our Patreons get to vote on what we’ll do next! So don’t miss out and change history here -> https://www.patreon.com/posts/what-timeghost-33300161
Cheers, Joram


















