Anang
Published 6 May 2012If you want to read more about WW2 leadership, read Andrew Roberts Masters & Commanders.
Victor Hanson, a professor emeritus of Classics at California State University, Fresno, lectured to a history class on Masters and Commanders at Hillsdale College. In this fall seminar in classical and military history Professor Hanson examined how leaders, both civilian officials and generals on the battlefield, conducted themselves in wartime. That day’s class focused on Franklin D. Roosevelt and Winston Churchill and how those very different American and British leaders learned to work together to defeat Nazi Germany.
Original link: http://www.c-spanvideo.org/program/29…
January 8, 2020
Victor Davis Hanson – World War II Leadership
January 6, 2020
The Nazis, The British Accent, and BBC News
Today I Found Out
Published 29 Apr 2016In this video:
The British Broadcasting Corporation (BBC) is an institution known and respected the world over for its relative impartiality and objectivity compared to many other news sources, with numerous surveys showing that the BBC is one of the most trusted sources of news in both the UK and the US. But we’re not here to talk about that. We’re here to talk about dinner jackets, Received Pronunciation, the Nazis, and what all of this has to do with the BBC News.
Want the text version?: http://www.todayifoundout.com/index.p…
Sources:
http://www.bl.uk/learning/langlit/sou…
https://books.google.co.uk/books?id=B…
http://www.bbc.co.uk/voices/yourvoice…
https://books.google.co.uk/books?id=Q…
http://news.bbc.co.uk/aboutbbcnews/sp…
https://books.google.co.uk/books?id=c…
http://www.theguardian.com/uk/2008/ap…
https://en.wikipedia.org/wiki/John_Re…
January 5, 2020
It’s 1941 – A World at War – WW2 – 071 – January 4 1941
World War Two
Published 4 Jan 20201941 begins with action in North-Africa and China, but Indy also takes a moment to assess the current stakes and stakeholders in the East-Asian theatre. What is sure, is that 1941 will be an eventful year!
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Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Produced and Directed by: Spartacus Olsson and Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
– Adrien Fillon – https://www.instagram.com/adrien.colo…
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/Sources:
– IWM: MH 2718, C 1850, E2294, E 18542, E 378, E 443, E 3721E, E 1573
– Bundesarchiv, Bild 101I-783-0104-09 / Moosmüller / CC-BY-SA 3.0
– Prison by FORMGUT. from the Noun Project
– Artillery by Creative Mania from the Noun ProjectSoundtracks from Epidemic Sound:
– “Easy Target” – Rannar Sillard
– “The Inspector 4” – Johannes Bornlöf
– “Magnificent March 3” – Johannes Bornlöf
– “March Of The Brave 10” – Rannar Sillard
– “March Of The Brave 9” – Rannar Sillard
– “Deviation In Time” – Johannes Bornlof
– “Disciples of Sun Tzu” – Christian Andersen
– “Last Point of Safe Return” – Fabien TellArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
2 days ago (edited)
Happy New Year to you all!! We hope you all had a great turn of the decade. We certainly have! Here’s a casual, spoiler-free statement: 1941 will be an interesting year. We are all very grateful for those who found us at the very start with the Invasion of Poland, during the Phoney War, the early fighting Northern and Western Europe and the more recent conflicts in Greece and North-Africa. Those of you who joined the TimeGhost Army and support us financially on patreon.com/timeghosthistory or Timeghost.tv deserve extra praise – as we would not have made 1941 without you! And we have BIG plans for the coming year, so please consider supporting us as well! Make history with us and join the TimeGhost Army!!Here’s to a great 2020 and ‘interesting’ 1941.
Cheers, Joram
January 4, 2020
The Rise and Fall of the Japanese Zero
Real Engineering
Published 31 Aug 2018Patreon:
https://www.patreon.com/user?u=282505…
Instagram:
https://www.instagram.com/brianjamesm…
Twitter:
https://twitter.com/thebrianmcmanus
Discord:
https://discord.gg/s8BhkmNThank you to AP Archive for providing footage: https://www.youtube.com/channel/UCHTK…
Get your Real Engineering shirts at: https://standard.tv/collections/real-…
References:
[1] https://www.thoughtco.com/world-war-i…
[2] http://rwebs.net/avhistory/history/ze…
[3] http://aboutjapan.japansociety.org/im…
[4] https://www.history.com/news/the-akut…
[5] https://www.japanpowered.com/history/…
[6] https://www.warbirdforum.com/sakai.htmCredits:
Narrator/Director: Brian McManus
Co-Director: Mike Ridolfi (https://www.moboxgraphics.com/)
3D Animations: Eli Prenten (http://eliprenten.com/)
Research: Stephanie Sammann (https://www.stephanie-sammann.com/)
Sound: Graham Haerther (https://haerther.net/)
January 3, 2020
“Union” – Battle of Monte Cassino – Sabaton History 048 [Official]
Sabaton History
Published 2 Jan 2020In early 1944, as the Allies are nearing Rome, Albert Kesselring orders a defensive line the likes of which rivals some of history’s greatest fortifications. Here, with the old hilltop abbey Monte Cassino looking down on the two front, the Axis and the Allies duel it out in a bloody and tiring fight for control of central Italy…
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to The Art Of War (where Union is featured):
CD: http://bit.ly/TheArtOfWarStore
Spotify: http://bit.ly/TheArtOfWarSpotify
Apple Music: http://bit.ly/TheArtOfWarAppleMusic
iTunes: http://bit.ly/TheArtOfWariTunes
Amazon: http://bit.ly/TheArtOfWarAmz
Google Play: http://bit.ly/TheArtOfWarGooglePlayListen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Production Intern: Rune Væver Hartvig
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastoryArchive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.Sources:
– Narodowe Archiwum Cyfrowe
– National Portrait Gallery
– Bundesarchiv
– National Army Museum
– IWM E446, E 3020E, MH 1557, NA 12895, NA 15139, MH 6352, MH 11250, NA15141, C4363, HU 16546, NA 9807, NA 13274
– Soldiers of 100th Infantry Battalion during the Battle of Monte Cassino courtessy of Bco100bn from Wikimedia Commons
– Gebirgsjäger in position in Saltdal in 1940, Courtessy of Rudi Margreiter through Arkiv i Nordland
– Fondo Antiguo de la Biblioteca de la Universidad de SevillaAn OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
M20 75mm Recoilless Rifle: When the Bazooka Just Won’t Cut It
Forgotten Weapons
Published 8 Mar 2018Sold for $6,325.
Note that this is a rewelded action. It should be inspected by a professional before being fired (the firing footage in the video is a different example).
The M20 75mm Recoilless Rifle was developed starting in 1944 as a replacement for the 3.5″ bazooka in an antitank role. It was developed and produced in parallel with a 57mm recoilless rifle (the M18), and both entered service in March of 1945, seeing just a slight bit of combat use before the end of World War Two. It would be a mainstay of US troops in the Korean War, however, along with a 105mm recoilless rifle. The M20 fired HE, HEAT, and WP (smoke) rounds, with the projectiles weighing 20-22 pounds (about 10kg) and having muzzle velocities of about 1000 fps (305 m/s). The shaped charge HEAT warhead could penetrate about 4″ (100mm) of armor, and had an effective range of about 400 yards. The HE warhead could be effectively used out to about 1000 yards, and the gun was equipped with both direct fire and indirect fire optical sights in order to effectively use both types of ammunition.
By the Vietnam War, the M20 was on its way out, as were recoilless rifles in general — they were being replaced with wire-guided missiles for antitank use. However, the M20 remains in service today for avalanche control in many Western states — a neat repurposing of obsolete weaponry!
http://www.patreon.com/ForgottenWeapons
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If you enjoy Forgotten Weapons, check out its sister channel, InRangeTV! http://www.youtube.com/InRangeTVShow
January 2, 2020
Tank Chats #57 Churchill AVRE | The Funnies | The Tank Museum
The Tank Museum
Published 20 Sep 2018Another episode in the Tank Chats Funnies Specials, with David Fletcher looking at the weird and wonderful vehicles of 79th Armoured Division led by Major General Percy Hobart, known as “Hobart’s Funnies”.
The Churchill AVRE (Armoured Vehicle Royal Engineers). The Churchill was the basis for a number of Funnies. David Fletcher looks at the Fascine, Bobbin, Small Box Girder bridge, Bullshorn plough, Conger, the Churchill ARK and Bridgelayer.
Support the work of The Tank Museum on Patreon: ► https://www.patreon.com/tankmuseum
Or donate http://tankmuseum.org/support-us/donateVisit The Tank Museum SHOP: ► https://tankmuseumshop.org/
Twitter: ► https://twitter.com/TankMuseum
Tiger Tank Blog: ► http://blog.tiger-tank.com/
Tank 100 First World War Centenary Blog: ► http://tank100.com/ #tankmuseum #tanks #tankchats
December 31, 2019
USMC Stinger Machine Gun: Medal of Honor on Iwo Jima
Forgotten Weapons
Published 30 Dec 2019Corporal Tony Stein
United States Marine Corps ReserveFor conspicuous gallantry and intrepidity at the risk of his life above and beyond the call of duty while serving with Company A, First Battalion, Twenty-Eighth Marines, Fifth Marine Division, in action against enemy Japanese forces on Iwo Jima, in the Volcano Island, 19 February 1945. The first man of his unit to be on station after hitting the beach in the initial assault, Corporal Stein, armed with a personally improvised aircraft-type weapon, provided rapid covering fire as the remainder of his platoon attempted to move into position and, when his comrades were stalled by a concentrated machine-gun and mortar barrage, gallantly stood upright and exposed himself to the enemy’s view, thereby drawing the hostile fire to his own person and enabling him to observe the location of the furiously blazing hostile guns. Determined to neutralize the strategically placed weapons, he boldly charged the enemy pillboxes one by one and succeeded in killing twenty of the enemy during the furious single-handed assault. Cool and courageous under the merciless hail of exploding shells and bullets which fell on all sides, he continued to deliver the fire of his skillfully improvised weapon at a tremendous rate of speed which rapidly exhausted his ammunition. Undaunted, he removed his helmet and shoes to expedite his movements an ran back to the beach for additional ammunition, making a total of eight trips under intense fire and carrying or assisting a wounded man back each time. Despite the unrelenting savagery and confusion of battle, he rendered prompt assistance to his platoon whenever the unit was in position, directing the fire of a half-track against a stubborn pillbox until he had effected the ultimate destruction of the Japanese fortification. Later in the day, although his weapon was twice shot from his hands, he personally covered the withdrawal of his platoon to the company position. Stouthearted and indomitable, Corporal Stein, by his aggressive initiative, sound judgment and unwavering devotion to duty in the face of terrific odds, contributed materially to the fulfillment of his mission, and his outstanding valor throughout the bitter hours of conflict sustained and enhanced the highest traditions of the United States Naval Service.
Harry S. Truman
President of the United StatesThe Stinger was a Browning aircraft machine gun adapted to use an M1 Garand buttstock and BAR bipod, used as a light machine gun by the US Marine Corps during the invasion of Iwo Jima in 1945. The gun was the creation of Sergeant Mel J Grevich oof the 5th Marine Division. Six were built and used on the attack on Iwo, including one by Corporal Tony Stein, whose outstanding bravery is documented in the Medal of Honor citation above. None of the original guns survive today, but I have the privilege of showing you this reproduction created by the Canadian Historical Arms Museum with the assistance of O’Dell Engineering.
http://www.patreon.com/ForgottenWeapons
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Contact:
Forgotten Weapons
6281 N. Oracle #36270
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The DeLisle: Britain’s Silenced .45 ACP Commando Carbine
Forgotten Weapons
Published 16 Sep 2017Armament Research Services (ARES) is a specialist technical intelligence consultancy, offering expertise and analysis to a range of government and non-government entities in the arms and munitions field. For detailed photos of the guns in this video, don’t miss the ARES companion blog post:
The DeLisle carbine was a conversion of a standard SMLE rifle to the .45 ACP cartridge, feeding from modified 1911 pistol magazines. It was fitted with a 7″ (175mm) barrel and a very large integral suppressor. The combination of the subsonic cartridge, the large suppressor volume, and even a sound-dampening pad on the bolt handle made for an extremely quiet firearm. Although often compared to the Welrod silenced pistol, the DeLisle was intended specifically for special forces (Commando) use, and not for dropping into occupied territories.
The conversions were done by the Sterling company, and an order of 550 was placed, with 500 of those using a fixed wooden stock and 50 using a folding metal stock. The contract was cancelled in 1943, however, with only about 130 having been made (and only a single prototype of the folding stock model).
Today we will take a look at one of the prototypes, two of the standard production models, and the only existing folding stock example. While a number of companies have made reproduction DeLisles of varying quality, originals are very rare, and none of the reproduction have duplicated them entirely correctly.
http://www.patreon.com/ForgottenWeapons
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If you enjoy Forgotten Weapons, check out its sister channel, InRangeTV! http://www.youtube.com/InRangeTVShow
December 29, 2019
Winter is coming, peace is not – the frozen fronts – WW2 – 070 – December 28, 1940
World War Two
Published 28 Dec 2019Italy finds itself in a dire position in Albania as Christmas is celebrated in a war-torn Europe and fighting continues in China.
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Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Produced and Directed by: Spartacus Olsson and Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
– Dememorabilia – https://www.instagram.com/dememorabilia/
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
– Adrien Fillon – https://www.instagram.com/adrien.colo…Sources:
– IWM: CH 251, A12882, FL 1905, A 1732, H 6285, D 717Soundtracks from Epidemic Sound:
– “March Of The Brave 4” – Rannar Sillard
– “March Of The Brave 9” – Rannar Sillard
– “Walk With Legends” – Bonnie Grace
– “The End Of The World 2” – Håkan Eriksson
– “March Of The Brave 10” – Rannar Sillard
– “Easy Target” – Rannar Sillard
– “Guilty Shadows 4” – Andreas Jamsheree
– “Deviation In Time” – Johannes BornlofArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
December 28, 2019
Shpagin’s Simplified Subgun: The PPSh-41
Forgotten Weapons
Published 15 Dec 2017http://www.patreon.com/ForgottenWeapons
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After making the decision to mass produce a submachine gun, the Soviet Union adopted the Degtyarev PPD-38 and PPD-40, but this design was too expensive for the huge scale of production that the USSR intended. A new design was needed, and was put into development almost as soon as the PPD was entering production.
Shpagin won the design competition with the PPSh-41, a weapon which required virtually no lathe work at all. It was assembled from a combination of heavy-gauge stampings and simple milled parts, and it fit the Soviet requirements quite well. Shpagin retained the high rate of fire and large drum magazines from the PPD, and even had a semiauto selector switch in his submachine gun, a bit unusual in a weapon intended for minimum expense.
The drum magazines proved to be the weak point of the design, being only somewhat interchangeable between weapons and being rather complex to manufacture as well as bulky to carry and fairly easy to damage. A 35-round box magazine was introduced later on which ameliorated some of these issues, although not all of them. The PPSh-41 would go on to be deemed itself too complex, and supplemented by the PPS-43 submachine gun, although it was never fully replaced during World War Two. In addition to Soviet service, it would be copied and manufactured by several other nations.
Thanks to Marstar for letting me examine and shoot their PPSh-41!
If you enjoy Forgotten Weapons, check out its sister channel, InRangeTV! http://www.youtube.com/InRangeTVShow
December 23, 2019
QotD: British meals – puddings
Suet crust, which appears in innumerable combinations, and enters into savoury dishes as well as sweet ones, is simply ordinary pastry crust chopped beef suet substituted for the butter or lard. It can be baked, but more often is boiled in a cloth or steamed in a basin covered with a cloth. Far and away the best of all suet puddings is plum pudding, which is an extremely rich, elaborate and expensive dish, and is eaten by everyone in Britain at Christmas time, though not often at other times of the year. In simpler kinds of pudding the suet crust is sweetened with sugar and stuck full of figs, dates, currents or raisins, or it is flavoured with ginger or orange marmalade, or it is used as a casing for stewed apples or gooseberries, or it is rolled round successive layers of jam into a cylindrical shape which is called roly-poly pudding, or it is eaten in plain slices with treacle poured over it. One of the best forms of suet pudding is the boiled apple dumpling. The core is removed from a large apple, the cavity is filled up with brown sugar, and the apple is covered all over with a thin layer of suet crust, tied tightly into a cloth, and boiled.
British pastry is not outstandingly good, but there are certain fillings for pies and tarts which are excellent, and which are hardly to be found in other countries. Treacle tart is a delicious dish, and the large or small mince pies which are eaten especially at Christmas, but else fairly frequently at other times, are almost equally good. The mince-meat with which they are filled is a mixture of various kinds of dried fruits, chopped fine, mixed up with sugar and raw beef suet, and flavoured with brandy. Other favourite fillings are jams of various kinds, lemon curd – a preparation of lemon juice, yolk of egg and sugar – and stewed apples flavoured with lemon juice or cloves. An apple pie is often given an exceptionally fine flavour by including one quince among about half a dozen apples.
The other main category of puddings – milk puddings – is the kind of thing that one would prefer to pass over in silence, but it must be mentioned, since these dishes are, unfortunately, characteristic of Britain. They are preparations of rice, semolina, barley, sago or even macaroni, mixed with milk and sugar and baked in the oven. The one made with barley is somewhat less bad then the others: the one made with macaroni is intolerable to any civilised palate. As all of these puddings are easy to make, they tend to be a stand-by in cheap hotels, restaurants and apartment houses, and they are one of the chief reasons why British cookery has a bad name among foreign visitors.
There are, of course, XXX countless other sweet dishes, including the whole range of jellies, blancmanges, custards, soufflés, ice puddings, meringues and what-nots, which are much the same in all European counties. A few oddments which do not fit into any of the above categories are pancakes – British pancakes are thinner than those of most countries, and are always eaten with lemon juice, – batter pudding, which is made of much the same ingredients as Yorkshire pudding, but is steamed instead of being baked and is eaten with treacle, and baked apples. The apples are cored but not peeled, filled up with butter and sugar, and cooked in the oven: it is important that they should be served in the dish in which they are cooked With cooked fruit of any kind British people always eat cream, if they can get it. In the West of England a particularly delicious kind of clotted cream is made by slowly simmering large pens of milk and skimming off the cream as it comes to the surface.
George Orwell, “British Cookery”, 1946. (Originally commissioned by the British Council, but refused by them and later published in abbreviated form.)
December 22, 2019
December 21, 2019
Christmas In Tobruk (1943)
British Pathé
Published 13 Apr 2014Full title reads: “CHRISTMAS IN TOBRUK”.
Tobruk, Libya.
Several shots of Pathe cameraman Terry Ashwood in his pyjamas as he gets up from his bed in the desert. He looks into his Christmas stocking and reads his cards. Bell on Tobruk Church ringing. Various shots of sacks of mail being sorted at desert sorting post. Several shots of ruined buildings in Tobruk where the Tommies are having their own. They write Merry Xmas on the wall and seem to be enjoying themselves. Soldiers ironing their clothes, “dress up” set the table and serve dinner. Men sitting at table with “Merry Christmas” written on the wall behind them. Christmas feast. Christmas pudding with a twig instead of piece of holly. Men drinking. Terry Ashwood leaving building and it is “snowing”. Pan up to show the men ripping paper into small pieces and throwing it from the balcony.
(Mute & Track Negs.)
FILM ID:1071.21A VIDEO FROM BRITISH PATHÉ. EXPLORE OUR ONLINE CHANNEL, BRITISH PATHÉ TV. IT’S FULL OF GREAT DOCUMENTARIES, FASCINATING INTERVIEWS, AND CLASSIC MOVIES. http://www.britishpathe.tv/
FOR LICENSING ENQUIRIES VISIT http://www.britishpathe.com/
British Pathé also represents the Reuters historical collection, which includes more than 136,000 items from the news agencies Gaumont Graphic (1910-1932), Empire News Bulletin (1926-1930), British Paramount (1931-1957), and Gaumont British (1934-1959), as well as Visnews content from 1957 to the end of 1984. All footage can be viewed on the British Pathé website. https://www.britishpathe.com/
December 19, 2019
Vive la Résistance! well, not really… French Resistance 1940 – WW2 – War Against Humanity 007
World War Two
Published 18 Dec 2019Immediately after France is occupied by the Nazis in 1940, the French are divided about what to do; resist for collaborate? To put it mildly, it’s complicated.
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Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Spartacus Olsson
Produced and Directed by: Spartacus Olsson and Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Spartacus Olsson and Francis van Berkel
Edited by: Wieke Kapteijns
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by: Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
Sources: Bundesarchiv, Mémorial de la Shoah
Icons via the Noun Project: collaboration by Pause08, protester by Blaise Sewell, Dove by Luis Prado, confused by LlisoleArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
Spartacus Olsson
16 hours ago
In the aftermath of WW2, everyone was probably pretty tired of the whole tragedy, and ready to just move on. Many of the people that I have met that lived through the war didn’t like talking about the war much. But somehow I had the privilege of getting many of the them that I met to open up and talk about it to me. Maybe not so much because of any personal quality I have other than being very persistent and curious — a pain in the neck is another way of putting it.Anyway, we talked about many things, terrible things, great things, sad, and happy stories. But there was one thing I never heard anybody talk about, and that was indecision. Fear and regret, yes — everyone spoke of that, but not indecision. There was always an undertone of manifest destiny or complete meaninglessness.
But, when you think about it, how could you not be indecisive when faced with this kind of calamity? How can you not wonder if this is destiny, or just bad luck? How can you not be shocked into a stupor, at least at first? And even if you’re an ideologically convinced partisan or combatant, how do you know for sure what the right thing to do is? Well, when you start looking into it all, those questions were pretty much what gripped France in 1940 after the sudden, tragic loss of independence.
I think that indecision is not something we want to remember, perhaps we shouldn’t if we want to stay our course, perhaps we’re wired not to, so that we can focus better on what we finally decide. But for others who want to learn from our mistakes, and our successes — it is in the moment of indecision that we display our thinking, our reasoning, the true origin of our cause.
I should also tell you that I grew up in France, so this is in many ways the story of the adults around me when I was a child.
















