In Quillette, George Case praises Orwell’s 1946 essay “Politics and the English Language” (which was one of the first essays that convinced me that Orwell was one of the greatest writers of the 20th century), and shows how it still has relevance today:
George Orwell’s “Politics and the English Language” is widely considered one of the greatest and most influential essays ever written. First published in Britain’s Horizon in 1946, it has since been widely anthologized and is always included in any collection of the writer’s essential nonfiction. In the decades since its appearance, the article has been quoted by many commentators who invoke Orwell’s literary and moral stature in support of its continued relevance. But perhaps the language of today’s politics warrants some fresh criticisms that even the author of Nineteen Eighty-Four and Animal Farm could not have conceived.
“Politics and the English Language” addressed the jargon, double-talk, and what we would now call “spin” that had already distorted the discourse of the mid-20th century. “In our time,” Orwell argued, “political speech and writing are largely the defence of the indefensible. … Thus political language has to consist largely of euphemism, question-begging and sheer cloudy vagueness. … Political language — and with variations this is true of all political parties, from Conservatives to Anarchists — is designed to make lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind.” Those are the sentences most cited whenever a modern leader or talking head hides behind terms like “restructuring” (for layoffs), “visiting a site” (for bombing), or “alternative facts” (for falsehoods). In his essay, Orwell also cut through the careless, mechanical prose of academics and journalists who fall back on clichés — “all prefabricated phrases, needless repetitions, and humbug and vagueness generally”.
These objections still hold up almost 80 years later, but historic changes in taste and technology mean that they apply to a new set of unexamined truisms and slogans regularly invoked less in oratory or print than through televised soundbites, online memes, and social media: the errors of reason and rhetoric identified in “Politics and the English Language” can be seen in familiar examples of empty platitudes, stretched metaphors, and meaningless cant which few who post, share, like, and retweet have seriously parsed. Consider how the following lexicon from 2023 is distinguished by the same question-begging, humbug, and sheer cloudy vagueness exposed by George Orwell in 1946.
[…]
Climate, [mis- and dis-]information, popular knowledge, genocide, land claims, sexual assault, and racism are all serious topics, but politicizing them with hyperbole turns them into trite catchphrases. The language cited here is largely employed as a stylistic template by the outlets who relay it — in the same way that individual publications will adhere to uniform guidelines of punctuation and capitalization, so too must they now follow directives to always write rape culture, stolen land, misinformation, or climate emergency in place of anything more neutral or accurate. Sometimes, as with cultural genocide or systemic racism, the purpose appears to be in how the diction of a few extra syllables imparts gravity to the premise being conveyed, as if a gigantic whale is a bigger animal than a whale, or a horrific murder is a worse crime than a murder.
Elsewhere, the words strive to alter the parameters of an issue so that its actual or perceived significance is amplified a little longer. “Drunk driving” will always be a danger if the legal limits of motorists’ alcohol levels are periodically lowered; likewise, relations between the sexes and a chaotic range of public opinion will always be problematic if they can be recast as rape culture, hate, or disinformation. This lingo typifies the parroted lines and reflexive responses of political communication in the 21st century.
In “Politics and the English Language”, George Orwell’s concluding lesson was not just that parroted lines and reflexive responses were aesthetically bad, or that they revealed professional incompetence in whoever crafted them, but that they served to suppress thinking. “The invasion of one’s mind by ready-made phrases … can only be prevented if one is constantly on guard against them, and every such phrase anaesthetizes a portion of one’s brain”, he wrote. He is still right: glib, shallow expression reflects, and will only perpetuate, glib, shallow thought, achieving no more than to give an appearance of solidity to pure wind.
