Quotulatiousness

December 11, 2014

Megan McArdle on whether we should “automatically” believe rape accusations

Filed under: Law, Liberty, Media, USA — Tags: , , , — Nicholas @ 00:03

Megan McArdle isn’t impressed by the statement from Zerlina Maxwell in the Washington Post: “We should believe, as a matter of default, what an accuser says. Ultimately, the costs of wrongly disbelieving a survivor far outweigh the costs of calling someone a rapist.”.

Where to begin with this kind of statement?

For one thing, even an outlandish accusation would not exactly be cost-free; it could be devastating. There would be police interviews, professional questions. As Maxwell blithely notes in the piece, the accused might be suspended from his job. Does he have enough savings to live on until the questions are cleared? Many people don’t. What about the Google results that might live on years after he was cleared? Sure, he can explain them to a prospective girlfriend, employer, or sales prospect. But what if they throw his communication into the circular file before he gets a chance to explain? What about the many folks who will think (encouraged by folks like Maxwell) that the accusation would never have been made if he hadn’t done something to deserve it?

But while the effect on the accused is one major problem with uncritically accepting any accusation of rape, it is not the only problem. There’s another big problem — possibly, an even bigger one: what this does to the credibility of people who are trying to fight rape. And I include not only journalists, but the whole community of activists who have adopted a set of norms perhaps best summed up by the feminist meme “I believe.”

[…]

So let’s look at how these sorts of rules are actually being applied to rape victims on campus. Emily Yoffe’s new article on how these cases are being handled is an absolute must-read to understand this landscape. Seriously, go read it right now and come back. I’ll still be here.

What do you see in this article? People are frustrated by rape on campus and want it to stop. Their frustration is righteous, their goal laudable. In the name of this goal, however, they are trying to drive the rate of false negatives down to zero, and causing a lot of real problems for real people who are going through real anguish that goes far beyond weeping in the doctor’s office. The main character is a boy who had sex with a friend. According to his testimony and that of his roommate (who was there, three feet above them in a bunkbed), the sex was entirely consensual, if extremely ill-advised. According to Yoffe, after the girl’s mother found her diary, which “contained descriptions of romantic and sexual experiences, drug use, and drinking,” the mother called the campus and announced that she would be making a complaint against the boy her daughter had sex with. Two years later, after a “judicial” process that offered him little chance to tell his side, much less confront his accuser, he is unable to return to school, or to go anywhere else of similar stature because of the disciplinary action for sexual assault that taints his record.

As I’ve written before, the very nature of rape makes these problems particularly difficult. On campus, especially, sexual assaults usually offer no physical evidence except that of an act that goes on hundreds of times every day, almost always consensually, at those campuses. It involves only two witnesses, both of whom were often intoxicated.

December 10, 2014

US child poverty is bad … but nowhere near as bad as they say

Filed under: Media, USA — Tags: , , , , — Nicholas @ 00:04

Tim Worstall debunks a headline statistic from earlier this month:

We’ve a new report out from the Mailman School of Public Health telling us that in some urban parts of the US child poverty is up at the unbelievable rates of 40, even 50% or more. The problem with this claim is that it’s simply not true. Apparently the researchers aren’t quite au fait with how poverty is both defined and alleviated in the US. Which is, when you think about it, something of a problem for those who decide to present us with statistics about child poverty.

[…]

Everyone else [in the world] (as well as using a relative poverty standard, usually below 60% of median earnings adjusted for family size) measures poverty after the effects of the tax and benefits systems on alleviating poverty. So, in my native UK if you’re poor you might get some cash payments (say, unemployment pay), some tax credits, help with your housing costs (housing benefit we call it), reduced property taxes (council tax credit) and so on. Whether you are poor or not is defined as being whether you are still under that poverty level after the effects of all of those attempts to alleviate poverty.

In the US things are rather different. It’s an absolute standard of income (set in the 1960s and upgraded only for inflation, not median incomes, since) but it counts only market income plus direct cash transfers to the poor before measuring against that standard. Thus, when we measure the US poor we do not include the EITC (equivalent of those UK tax credits, indeed our UK ones were copied from the US), we do not include Section 8 vouchers (housing benefit), Medicaid, we don’t even include food stamps. Because the US measure of poverty simply doesn’t include the effects of benefits in kind and through the tax system.

The US measure therefore isn’t the number of children living in poverty. It’s the number of children who would be in poverty if there wasn’t this system of government alleviation of poverty. When we do actually take into account what is done to alleviate child poverty we find that it’s really some 2-3% of US children who live in poverty. Yes, that low: the US welfare state is very much child orientated.

(Emphasis mine)

Orwell at the BBC

Filed under: Britain, History, Media, WW2 — Tags: , , — Nicholas @ 00:03

The most recent issue of Intelligent Life looks at the brief interlude of George Orwell’s career while he was working at the BBC during the Second World War:

Orwell spent a mere two years (1941-43) at the BBC, which he joined as a talks assistant in the Indian section of the Eastern Service. No recording survives of him giving a talk, which is perhaps fitting; for what is most striking about his essays and journalism is the tart, compelling timbre of his voice. The critic Cyril Connolly, an exact contemporary, thought that only D.H. Lawrence rivalled Orwell in the degree to which his personality “shines out in everything he said or wrote”. Any reader of Orwell’s non-fiction will pick up on the brisk, buttonholing manner (“two things are immediately obvious”), the ear-catching assertions (“the Great War…could never have happened if tinned food had not been invented”) and the squashing epithets: “miry”, “odious”, “squalid”, “hideous”, “mealy-mouthed”, “beastly”, “boneless”, “fetid” and — a term he could have applied to himself — “frowsy”.

Orwell might well have damned this new honour too. In his studio on the edge of the Blenheim estate in Oxfordshire, Martin Jennings, the sculptor working on the eight-foot likeness, told me that Orwell had made some disobliging remarks about public statues, thinking that they got in the way of perfectly good views. The bronze Orwell will look down on the comings and goings of BBC staff who, returning his gaze, can read some chiselled wisdom from his works on the wall behind him. The Financial Times recently called Orwell “the true patron saint of our profession”, another tribute he would probably resist. “Saints”, he warned, “should always be judged guilty until they are proved innocent.”

Why Orwell? His time at the BBC was ambivalent at best. As students of 1984 soon discover, the novel’s dreary, wartime ambience and the prominence of propaganda owe much to his BBC experiences; Room 101, where Winston Smith confronts his worst nightmares, was named after an airless BBC conference room. “Its atmosphere is something halfway between a girls’ school and a lunatic asylum,” Orwell wrote in his diary on March 14th 1942, “and all we are doing at present is useless, or slightly worse than useless.”

One answer to “why Orwell?” is because of his posthumous career. Five years before his death in 1950, he was, in the words of one of his biographers, D.J. Taylor, “still a faintly marginal figure”. He had published seven books, four of them novels, none of which put him in the front rank of novelists, two of which he had refused to have reprinted. He was acknowledged as a superb political essayist and bold literary critic, but his contemporary and friend Malcolm Muggeridge, first choice as his biographer, frankly considered him “no good as a novelist”. It was only with his last two books, Animal Farm and 1984 (published in 1945 and 1949), that Orwell transformed his reputation as a writer. These two books would change the way we think about our lives.

H/T to Kathy Shaidle for the link.

December 9, 2014

Exodus: Gods and Kings gets panned by Forbes

Filed under: History, Media, Middle East, Religion — Tags: , , , — Nicholas @ 00:04

Scott Mendelson reviews the soon-to-open movie by Ridley Scott, and finds it awful:

Exodus: Gods and Kings is a terrible film. It is a badly acted and badly written melodrama that takes what should be a passionate and emotionally wrenching story and drains it of all life and all dramatic interest. It hits all the major points, like checking off boxes on a list, yet tells its tale at an arms-length reserve with paper-thin characters. It is arguably a film intended for adults, with violence that makes a mockery of its PG-13 rating, yet it has far less nuance, emotional impact, and moral shading than DreamWorks Animation’s PG-rated and seemingly kid-targeted The Prince of Egypt.

The film starts with an arbitrary mass battle scene, one which serves no purpose save for having a mass battle sequence to toss into the trailers. The primary alteration to the story is the inclusion of said gratuitous action beats. The film is relentlessly grim yet oddly unemotional, which is a tricky balance to accidentally pull off. The actors (who have all done excellent work elsewhere) are all oddly miscast, and that’s not even getting to the whole “really white actors playing Egyptians” thing. Oh right, that little issue… It’s actually worse than you’ve heard.

In retrospect, it may have been better to just make a 100% white cast similar to Noah. This film instead is filled with minorities in subservient roles, be it slaves, servants, or (implied) palace sex toys. Instead of merely having a film filled with only white actors, what the film does is implicitly impose a racially-based class system, where the white characters are prestigious and/or important while the various minorities are inherently second or third-class citizens almost by virtue of their skin color. I am sure this was unintentional, but that’s the visual picture that Exodus paints.

Now to be absolutely fair, even if Exodus was cast with 100% racial/ethnic authenticity, it would still be a pretty bad motion picture. The screenplay has our poor, miscast actors speaking in various accents and in a bizarre hybrid of “ancient times period piece” English and more modern American English, which leads to lines like “From an economic standpoint alone, what you’re asking is problematic,” which is Rameses’s (Joel Edgerton) response to Moses’s initial plea to “Let my people go!”

The intra-feminist arguments over sex work and video game portrayals of it

Filed under: Gaming, Media, Politics — Tags: , , — Nicholas @ 00:02

Noah Berlatsky talks about feminist videographer Anita Sarkeesian’s criticism of the portrayal of sex workers in video games and how that contributes to negative views toward all women and the sex workers who take issue with Sarkeesian’s presentation:

In her series of controversial videos critiquing sexism in video games, Anita Sarkeesian often focuses on the way games treat sex workers. She points to games like Hitman: Absolution, in which characters can dump the dead body of a stripper over a railing as a way to distract police; or Saints Row, in which characters are encouraged to steal prostitutes from one pimp and deliver them to another; or Grand Theft Auto, where having sex with a sex worker increases health much like quaffing an energy drink. Sarkeesian concludes that sex workers in many video games are viewed as commodities and objects, rather than as people — and that they are often targeted for violence. In Red Dead Redemption, for example, the player is rewarded with an achievement for kidnapping a sex worker and murdering her.

Violence against sex workers is a serious problem, both nationally and internationally [PDF], and Sarkeesian makes a good case that the games she discusses treat that violence as fun, enjoyable, or even laudable. But Sarkeesian’s videos have not garnered much praise from those most directly affected by these tropes. On the contrary, many sex workers have argued that Sarkeesian’s videos contribute to the objectification and stigma that she claims she is trying to reduce.

Much of the criticism of Sarkeesian has centered around her terminology. She doesn’t call sex workers “sex workers.” Instead she refers to them throughout her video series as “prostituted women.” That’s a term often used by writers who see all sex work as automatically exploitative or harmful to women, and by those who want to criminalize sex work. Sex workers have repeatedly tried to ask Sarkeesian on social media to reconsider her language, but she hasn’t responded, and has continued to use the term. For example, in this recent tweet she says that fans of Grand Theft Auto have been harassing her by sending her images of “gameplay of the use & murder of prostitutes.” The fact that gamers are using images of sex workers to harass Sarkeesian seems like it fits into her analysis—violence against sex workers is deployed in a misogynist way, in order to harass and intimidate a woman. But at the same time, Sarkeesian, by referring to the “use” of sex workers, seems to buy into the same logic, treating sex workers as things or utilities, rather than as human beings. (Sarkeesian did not respond to a request to comment for this article.)

This seeming contradiction is tied to longstanding tensions between some strands of feminist cultural criticism and sex workers. Sarkeesian’s criticism of video games is in a tradition of feminist analysis that goes back to the 1980s, when theorists like Andrea Dworkin argued that “Pornography is used in rape — to plan it, to execute it, to choreograph it, to engender the excitement to commit the act.” Dworkin saw sexualized images of women as directly implicated in misogyny and violence against women — which could mean that women taking part in pornography, or in sexualized imagery, were seen as themselves culpable or morally flawed. Thus anti-porn feminists like Julie Burchill declared that, “When the sex war is won prostitutes should be shot as collaborators for their terrible betrayal of all women.” Anti-porn feminists and video games here come together in celebrating violent attacks on sex workers.

December 8, 2014

Reason‘s Nick Gillespie and Matt Welch did an AMA at Reddit

Filed under: Liberty, Media — Tags: , — Nicholas @ 00:04

The two Reason stalwarts did an “Ask Me Anything” session at Reddit last week:

Hello reddit.

We’re Matt Welch (/u/MattWelchReason) and Nick Gillespie (/u/Nick_Gillespie), the editors of Reason magazine, Reason.com and Reason TV and co-authors of 2011’s The Declaration of Independents: How Libertarian Politics Can Fix What’s Wrong With America.

Matt’s also the co-host of The Independents on Fox Business Network and Nick is a columnist for The Daily Beast and Time.com.

Go ahead and ask us anything about politics, culture, and ideas and the libertarian movement, 2016, you name it. But we’ve got to warn you that quite probably the toughest question — “Ever wonder what it’d look like if you switched faces?” — has already been asked and answered #triggerwarning

Proof: Matt and Nick

QotD: Talking about “rape culture”

Filed under: Law, Media, Quotations, USA — Tags: , , , , — Nicholas @ 00:01

So I am having a hard time getting my head around something. All week people have been calling me a “rape apologist” and “pro-rape.” I’m being constantly informed that I don’t understand “rape culture.” These often hysterical accusations tend to come from people who seem to understand rape culture the same way some people understand the geopolitics of Westeros or Middle Earth: They’ve studied it, they know every detail about it, they just seem to have forgotten it doesn’t exist.

Now, hold on. I certainly believe rape happens. And I definitely believe we have cultural problems that lead to date rape and other drunken barbarisms and sober atrocities. But the term “rape culture” suggests that there is a large and obvious belief system that condones and enables rape as an end in itself in America. This simply strikes me as an elaborate political lie intended to strengthen the hand of activists. There’s definitely lots that is wrong with our culture, particularly youth culture and specifically campus culture. Sybaritic, crapulent, hedonistic, decadent, bacchanalian: choose your adjectives.

What is most remarkable about our problems is that they seem to take people by surprise. For instance, it would be commonsense to our grandmothers that some drunk men will do bad things, particularly in a moral vacuum, and that women should take that into account. I constantly hear that instead of lecturing women about their behavior we should teach men not to rape. I totally, completely, 100 percent agree that we should teach men not to rape. The problem is we do that. A lot. Maybe we should do it more. We also teach people not to murder — another heinous crime. But murders happen too. That’s why we advise our kids to steer clear of certain neighborhoods at certain times and avoid certain behaviors. I’m not “pro-murder” if I tell my kid not to walk through the park at night and flash money around any more than I am pro-rape if I give her similar advice.

Of course, the problem is that feminists want to expunge any notion that women are gentler and fairer. This requires declaring war on chivalric standards for male conduct, which were once a great bulwark against caddish and rapacious behavior. Take away the notion that men should be protective of women and they will — surprise! — be less protective of women.

None of this means we’d all be better off with women in corsets on fainting couches. (I like strong, assertive women so much I married one. I’m also the son of one, and I’m trying to raise another.) But somehow feminists have gotten themselves into the position of adopting the adolescent male’s fantasy of consequence-and-obligation-free sex as an ideal for women. Uncivilized and morally uneducated men have, for millennia, wanted to treat women like sluts. And now feminists have embraced the word as a badge of honor. Call me an old-fogey, but I think that’s weird.

Jonah Goldberg, The Goldberg File, 2014-12-05.

December 7, 2014

Here’s a Christmas campaign I can get behind – Ban Rudolph!

Filed under: Media — Tags: , , — Nicholas @ 00:02

My old internet friend Roger Henry sent this to a mailing list we both subscribe to … and I think it’s a good cause indeed:

If you wish to start a bun fight then you should support me in my efforts to have Rudolph the Red-Nosed Reindeer banned.

It promotes bullying, humiliation of disabled or disfigured people. Rudolph’s fellow reindeer are bullies and sycophantic suck-holes. Santa needs serious re-education for allowing this behavior to flourish in the reindeer stables, and it sets a very bad example to the kiddies — and adults.

December 6, 2014

I still say Galaxy Quest was the best Star Trek movie

Filed under: Humour, Media — Tags: , , , — Nicholas @ 00:04

… and now here’s Kathy Shaidle saying the same thing:

“By Grabthar’s Hammer…” but also “It’s real.”

And when they torture the little alien.

Oh, man. I’m tearing up just typing that.

If Star Wars had been this good, I’d have been a fan.

One day people will realize that Galaxy Quest is the better movie, like they’ll realize that Goodfellas is better than The Godfather and Psycho is better than Vertigo.

Anyway:

    “By Grabthar’s Hammer” was a temp line. It was basically the Hammer of Thor, but Grabthar just sounded so silly. I kept meaning to change it, but around the production offices, they started to make t-shirts, it started to sink in a little bit.

Harold Ramis was initially supposed to direct.

He wanted either Alec Baldwin or Kevin Kline for the Tim Allen role. But Allen being a recovering alcoholic f-up in real life really adds to his performance.

Uploaded on 20 Oct 2006

This is the mockumentary on Galaxy Quest that aired on E! before the movie came out. It’s about the fake show’s 20th anniversary and everybody’s in character. The quality is kind of sketch but this is crazy rare. Credit goes to britbitsandclips.com.

Everyday life in “The Ghetto Archipelago”

Filed under: Bureaucracy, Law, Media, USA — Tags: , , , , — Nicholas @ 00:03

At Reason, J.D. Tuccille reviews On the Run: Fugitive Life in an American City, by Alice Goffman:

The police presence in 6th Street is pervasive. Residents, young black men in particular, can expect to be frequently stopped, questioned, and searched. Many initial arrests are for drugs, often possession of marijuana. After that, as Goffman records, the system takes on a horrible logic of its own. Criminal records make employment hard to find, and recurring court dates devour time that might be devoted to work, job searches, or family responsibilities. Without regular income, court fees add up and may prove unpayable. Many of the people Goffman writes about are essentially constant low-level fugitives, hunted by police for missed appointments. Some end up committing additional crimes to pay their accumulating debts to the courts.

People living on the wrong side of the law are both dependent on and vulnerable to those around them. Goffman documents how chronic legal problems prevent young men from attending the births of their children or the funerals of their friends, since the authorities often monitor those occasions looking to make arrests. Those legal problems also provide opportunities for angry girlfriends and other acquaintances to avenge perceived wrongs with a simple phone call to the cops.

Neighborhoods heavily populated by young men on the run (usually in the most figurative sense, since their lives become circumscribed by familiar people and streets) also create business opportunities for those willing to serve their idiosyncratic needs. One memorable character in On the Run is Jevon, whose memory and ability at mimicry allow him to earn money impersonating men to their parole officers for curfew-checking phone calls. Another, Rakim, augments income from his passport photo business selling clean urine to men facing drug tests. Many local businesses-such as rental car lots and motels-have two price sheets, one for mainstream customers and one for those who have no credit cards or ID.

Identification itself is a commodity, with employees inside the Pennsylvania Department of Transportation selling drivers licenses-basically, new identities — for a substantial fee. (Other public employees, from court clerks to prison guards, also find it lucrative to sell favors and services.) “The level of social control that tough-on-crime policy envisions-particularly in a liberal state-is so extreme and difficult to implement,” Goffman writes, “that it has led to a flourishing black market to ease the pains of supervision.”

H/T to ESR who wrote:

Linked article explains why, though I’ve defended the shooting of Michael Brown as a prudent and ethical response to an imminent threat of deadly force, I’ve had little patience with those defending the Ferguson police in general either before or after the shooting.

Yes, the system oppresses people like the blacks in Ferguson, in a way that has little to do with “institutional racism” but everything to do with a vicious cycle of deteriorating ghetto culture coupled with perverse incentives on the police created by “tough on crime” laws.

How do I know? I’ve never been to Ferguson…but Philadelphia is my city. I used to live there, mere blocks from the ghetto archipelago. I’ve seen some of the overspill from what Goffman is writing about. She speaks truth, and we would do well to heed her.

December 5, 2014

QotD: The art of political leadership

Filed under: Media, Politics, Quotations, USA — Tags: , — Nicholas @ 00:01

[A politician’s] ear is ever close to the ground. If he is an adept, he can hear the first murmurs of popular clamour before even the people themselves are conscious of them. If he is a master, he detects and whoops up to-day the delusions that the mob will cherish next year.

H.L. Mencken, Notes on Democracy, 1926.

December 4, 2014

QotD: Roman medical advice

Filed under: Books, Europe, Health, History, Media, Quotations — Tags: , — Nicholas @ 00:01

Before I forget it, I must record two valuable health hints that I learned from Xenophon. He used to say: “The man is a fool who puts good manners before health. If you are troubled with wind, never hold it in. It does great injury to the stomach. I knew a man who once nearly killed himself by holding in his wind. If for some reason or other you cannot conveniently leave the room — say, you are sacrificing or addressing the Senate — don’t be afraid to belch or break wind downwards where you stand. Better that the company should suffer some slight inconvenience than that you should permanently injure yourself. And again, when you suffer from a cold, don’t constantly blow your nose. That only increases the flow of rheum and inflames the delicate membranes of your nose. Let it run. Wipe, don’t blow.” I have always taken Xenophon’s advice, at least about nose-blowing: my colds don’t last nearly so long now as they did. Of course, caricaturists and satirists soon made fun of me as having a permanently dripping nose, but what did I care for that? Messalina told me that she thought I was extremely sensible to take such care of myself: if I were suddenly to die or fall seriously ill, what would become of the City and Empire, not to mention herself and our little boy?

Robert Graves, Claudius the God, 1935.

December 2, 2014

Mr. Plinkett Reacts to the Star Wars: The Force Awakens Trailer

Filed under: Humour, Media — Tags: , , — Nicholas @ 07:03

Published on 30 Nov 2014

http://www.redlettermedia.com – Harry S. Plinkett has awoken from his booze induced slumber to comment on the new J.J. Abrams Star Wars film. Now that he’s awake he just might start work on his next review…

Joanna Williams talks to the author of Stand By Your Manhood

Filed under: Books, Britain, Media, Politics — Tags: , , — Nicholas @ 00:02

Joanna Williams talks to Peter Lloyd about his recent book and the ongoing vilification of all things masculine in the popular press:

Lloyd, who somehow combines writing for both the Daily Mail and the ‘women in leadership’ section of the Guardian, was prompted to write Stand By Your Manhood in response to the ‘dismissive, patronising and skewed narrative about heterosexual men’, which he suggests is apparent in the mainstream media. He argues that it has become normal to consider masculinity as entirely negative and problematic, and to present boys as ‘defective girls, damaged by default’ who need to be medicated, educated and socialised out of their masculinity. Whereas once manhood was celebrated in all its stiff-upper-lipped glory, it is now considered threatening. Lloyd welcomes the progress society has made in recent years, and he is happy that homosexuality is no longer so stigmatised. However, he warns that there is a danger that things have gone too far in the other direction, and that shame is now attached to masculinity, with heterosexual men, in particular, being made to feel guilty if they don’t frequently display a more feminine side to their personalities.

Lloyd suggests today’s men’s movement is a response to strains of feminism that first appeared in the late 1970s — these strains were far more explicitly anti-men than pro-equality. He claims today’s feminists perpetuate the idea that women are oppressed and ‘refuse to let go of old arguments’ despite the changes that have taken place in the real world. Often, Lloyd argues, there are monetary incentives for feminist campaigning groups, such as the Fawcett Society, continuously to propagate an image of women as victims of a non-specific patriarchy. He cites the case of Erin Pizzey, who established one of the first refuges for female victims of domestic violence, but who later received death threats for suggesting that women were also capable of violence. Certainly it is not in the financial interests of groups like Hollaback and FCKH8 to question the facts promoted in their campaigns against sexism. Lloyd blames the media for unthinkingly picking up on such campaigns and escalating an anti-male sentiment. As a result, he says, feminism can seem like a ‘hate movement’ and men have not had a voice to challenge these newly dominant perceptions.

[…]

While it may seem either naive or disingenuous of Lloyd to suggest that the men’s rights movement won’t embrace victimhood and a crusading ethos, he does follow his own arguments to their logical conclusion. Success for the men’s rights movement, he argues, will be when it is no longer needed — that is, when there is true equality, and people are judged according to merit rather than gender. It’s a long time since I’ve heard feminists arguing anything similar. However, until such a point in the future, the inescapable fact is that both the men’s rights movement and feminism continue to cast people as victims of their gender identity.

Feminism today is premised on the assumption that women are persecuted by an oppressive patriarchy; the men’s rights movement considers men to be equally as persecuted by feminists. Both sides need a reality check. Arguing the toss over who is the most oppressed serves only to pitch men and women into battle against each other. It fails to look at what people have in common and how society can be made to work in the best interests of everyone. To achieve individual emancipation today, it’s not feminism or men’s rights that we need — it’s a movement to liberate us all from the stifling constraint and moral authoritarianism of being defined by our biology rather than by what we have the potential to become.

December 1, 2014

Seeing your political opponents as cartoon villains

Filed under: Media, Politics, USA — Tags: , , , — Nicholas @ 07:42

Nicholas Frankovich on how at least some liberals view their conservative foes:

In the liberal imagination, the conservative plays many parts, all of them villainous, the most flamboyant being that of the crank who combines political activism with mental instability: a dangerous combination. Earlier this week Ian Tuttle documented a few random but typical reports from those who have recently sighted this menacing character. I especially liked Ian’s excerpt from a column by Charles Blow, who sees “the fear that makes the face flush when people stare into a future in which traditional power — their power — is eroded.”

Blow means status anxiety. The idea is that conservatives are either downwardly mobile or fearful of becoming so. Conservatism is reduced to the image of people blustering and raging as they tumble down the social ladder, either in fact or in their fevered delusions. The term “status anxiety” has fallen out of fashion, but obviously the concept has not. As an explanation for conservatism and for anti-Communism particularly, it came into vogue in the mid 20th century, popularized by the sociologists Daniel Bell and Seymour Martin Lipset but especially by the Columbia historian Richard Hofstadter, who in the run-up to the 1964 presidential election published “The Paranoid Style in American Politics” (Harper’s, November 1964), the classic essay on conservatism as mental illness.

Hofstadter began with a reference to the “angry minds at work mainly among extreme right-wingers, who have now demonstrated in the Goldwater movement how much political leverage can be got out of the animosities and passions of a small minority.” This was less a news hook for a groundbreaking psychoanalysis of American history than the psychoanalysis of American history was a context in which Hofstadter could situate Barry Goldwater and his supporters.

Meanwhile, “The Unconscious of a Conservative: A Special Issue on the Mind of Barry Goldwater” appeared as the October–November issue of the newly founded (and short-lived, as it would turn out) Fact magazine. “1,189 psychiatrists say Goldwater is psychologically unfit to be president!” the cover read. (The American Psychiatric Association later established the “Goldwater rule”: “It is unethical for a psychiatrist to offer [to media] a professional opinion [of a public figure’s mental health] unless he or she has conducted an examination and has been granted proper authorization for such a statement.”)

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