Quotulatiousness

December 21, 2014

“Wicca is religion’s answer to the Liberal Democrats”

Filed under: Books, Britain, Humour, Media, Religion — Tags: , , — Nicholas @ 00:03

All the British newspapers have apparently decided that it’s worth column-inches devoted to the random Twitter comments of J.K. Rowling:

Of the various insights into the diversity of Hogwarts culture JK Rowling has been sharing on Twitter lately, one in particular caught my eye. It wasn’t the revelation, reported by the Guardian, that the school had Jewish wizards. (So what?) Nor was it that Hogwarts probably had a few poofs in it. (We knew that already, didn’t we?)

No: what tickled me was her remark that the only group she never envisaged in the achingly multi-culti Hogwarts School of Witchcraft and Wizardry was Wiccans, those faux-druidic attention-seekers and drop-outs obsessed with black candles, lesbianism and velvet gowns.

Wiccans and those oddballs who dress up in bizarro costumes, redolent of cheap seasonal medieval re-enactment camps, who believe in magic (or, as they hilariously insist on spelling it, “magick”) and the mystical forces of mother nature.

[…]

What most fans will have taken from that, I’m guessing, is: “Come off it, even by the standards of my totally invented fantasy-land full of mystical creatures, boy wizards and horcruxes, those people are off their trolleys.”

You can tell rather a lot about those respective newspapers by which details they chose to lead their reports with. The Guardian, with its creepy Jewish obsession, leapt on Rowling’s confirmation that Anthony Goldstein of Ravenclaw was semitic, while the Independent ran with her statement that “of course” Hogwarts would have been an LGBT-friendly place to learn how to magic up enchanted water.

What neither of them saw fit to give due prominence to, though, was the fact that Wiccans, hilariously, are the only group in the Harry Potter universe incapable of performing magic. You’d need a heart of stone not to laugh.

Repost – “I want an Official Red Ryder carbine action 200-shot Range Model air rifle”

Filed under: Humour, Media — Tags: , , , — Nicholas @ 00:02

ChristmasStory-blog

H/T to KA-CHING! for the image.

December 20, 2014

Repost – Induced aversion to a particular Christmas song

Filed under: Business, Cancon, Gaming, Media, Personal — Tags: , , , , — Nicholas @ 00:02

Earlier this year, I had occasion to run a Google search for “Mr Gameway’s Ark” (it’s still almost unknown: the Googles, they do nothing). However, I did find a very early post on the old site that I thought deserved to be pulled out of the dusty archives, because it explains why I can — to this day — barely stand to listen to “Little Drummer Boy”:

Seasonal Melodies

James Lileks has a concern about Christmas music:

This isn’t to say all the classics are great, no matter who sings them. I can do without “The Little Drummer Boy,” for example.

It’s the “Bolero” of Christmas songs. It just goes on, and on, and on. Bara-pa-pa-pum, already. Plus, I understand it’s a sweet little story — all the kid had was a drum to play for the newborn infant — but for anyone who remembers what it was like when they had a baby, some kid showing up unannounced to stand around and beat on the skins would not exactly complete your mood. Happily, the song has not spawned a sequel like “The Somewhat Larger Cymbal Adolescent.”

This reminds me about my aversion to this particular song. It was so bad that I could not hear even three notes before starting to wince and/or growl.

Mr. Gameways' ArkBack in the early 1980’s, I was working in Toronto’s largest toy and game store, Mr Gameways’ Ark. It was a very odd store, and the owners were (to be polite) highly idiosyncratic types. They had a razor-thin profit margin, so any expenses that could be avoided, reduced, or eliminated were so treated. One thing that they didn’t want to pay for was Muzak (or the local equivalent), so one of the owners brought in his home stereo and another one put together a tape of Christmas music.

Note that singular. “Tape”.

An ad from the year of Trivial Pursuit (via OSRcon)

An ad from the year of Trivial Pursuit (via OSRcon)

Christmas season started somewhat later in those distant days, so that it was really only in December that we had to decorate the store and cope with the sudden influx of Christmas merchandise. Well, also, they couldn’t pay for the Christmas merchandise until sales started to pick up, so that kinda accounted for the delay in stocking-up the shelves as well …

So, Christmas season was officially open, and we decorated the store with the left-over krep from the owners’ various homes. It was, at best, kinda sad. But — we had Christmas music! And the tape was pretty eclectic: some typical 50’s stuff (“White Christmas” and the like), some medieval stuff, some Victorian stuff and that damned “Drummer Boy” song.

We were working ten- to twelve-hour shifts over the holidays (extra staff? you want Extra Staff, Mr. Cratchitt???), and the music played on. And on. And freaking on. Eternally. There was no way to escape it.

To top it all off, we were the exclusive distributor for a brand new game that suddenly was in high demand: Trivial Pursuit. We could not even get the truck unloaded safely without a cordon of employees to keep the random passers-by from trying to grab boxes of the damned game. When we tried to unpack the boxes on the sales floor, we had customers snatching them out of our hands and running (running!) to the cashier. Stress? It was like combat, except we couldn’t shoot back at the buggers.

Oh, and those were also the days that Ontario had a Sunday closing law, so we were violating all sorts of labour laws on top of the Sunday closing laws, so the Police were regular visitors. Given that some of our staff spent their spare time hiding from the Police, it just added immeasurably to the tension levels on the shop floor.

And all of this to the background soundtrack of Christmas music. One tape of Christmas music. Over and over and over and over and over and over and over again.

It’s been over 20 [now 30] years, and I still feel the hackles rise on the back of my neck with this song … but I’m over the worst of it now: I can actually listen to it without feeling that all-consuming desire to rip out the sound system and dance on the speakers. After two decades.

QotD: When it’s steam engine time

Filed under: Books, Humour, Media, Quotations — Tags: , , , — Nicholas @ 00:01

Ridcully poked at his pipe with a pipe cleaner and said, “Ye-es, that is a conundrum. Surely the steam engine cannot happen before it’s steam-engine time? If you saw a pig, you would, I think, say to yourself, well, here’s a pig, so it must be time for pigs. You wouldn’t question its right to be there would you?”

“Certainly not,” said Lu-Tze. “In any case, pork gives me the wind something dreadful. What we know is that the universe is never-ending story that, happily, writes itself continuously. The trouble with my brethren in Oi Dong is that they are fixated on the belief that the universe can be totally understood, in every particular jot and tittle.”

Ridcully burst out laughing. “Oh, my word! You know, my wonderful associate Mister Ponder Stibbins appears to have fallen into the same misapprehension. It seems that even the very wise have neglected to take notice of one rather important goddess … Pippina, the lady with the Apple of Discord. She knows that the universe, while it requires rules and stability, also needs just a tincture of chaos, the unexpected, the surprising. Otherwise it would be a mechanism — a wonderful mechanism, ticking away the centuries, but with nothing different happening. And so we may assume that the loss of balance will be allowed this time and the beneficent lady will decree that this mechanism might yield wonderful things, given a chance.”

“For my part, I would like to give it a chance,” said Lu-Tze. “Serendipity is no stranger to me. I know the monks have been carefully shepherding the world, but I rather think they don’t realize that the sheep sometimes have better ideas. Uncertainty is always uncertain, but the difficulty with people who rely on systems is that they begin to believe that nearly everything is in some way a system and therefore, sooner or later, they become bureaucrats.”

Terry Pratchett, Raising Steam, 2013.

December 19, 2014

Mark Steyn on the collapse of moral fibre at Sony

Filed under: Asia, Business, Media, USA — Tags: , , , — Nicholas @ 00:04

Mark Steyn is never one to hold back an opinion:

I was barely aware of The Interview until, while sitting through a trailer for what seemed like just another idiotic leaden comedy, my youngest informed me that the North Koreans had denounced the film as “an act of war”. If it is, they seem to have won it fairly decisively: Kim Jong-Un has just vaporized a Hollywood blockbuster as totally as if one of his No Dong missiles had taken out the studio. As it is, the fellows with no dong turned out to be the executives of Sony Pictures.

I wouldn’t mind but this is the same industry that congratulates itself endlessly — not least in its annual six-hour awards ceremony — on its artists’ courage and bravery. Called on to show some for the first time in their lives, they folded like a cheap suit. As opposed to the bank-breaking suit their lawyers advised them they’d be looking at if they released the film and someone put anthrax in the popcorn. I think of all the occasions in recent years when I’ve found myself sharing a stage with obscure Europeans who’ve fallen afoul of Islam — Swedish artists, Danish cartoonists, Norwegian comediennes, all of whom showed more courage than these Beverly Hills bigshots.

While I often find Mark Steyn’s comments amusing and insightful, the real lesson here may not be the spineless response of Sony, but the impact of a legal system on the otherwise free actions of individuals and organizations: if Sony had gone ahead with the release and someone did attack one or more of the theatres where the movie was being shown, how would the legal system treat the situation? As an act of war by an external enemy or as an act of gross negligence by Sony and the theatre owners that would bankrupt every single company in the distribution chain (and probably lead to criminal charges against individual theatre managers and corporate officers)? While I disagree with Sony’s decision to fold under the pressure, I can’t imagine any corporate board being comfortable with that kind of stark legal threat … Sony’s executives may have been presented with no choice at all.

I see that, following the disappearance of The Interview, a Texan movie theater replaced it with a screening of Team America. That film wouldn’t get made today, either.

Hollywood has spent the 21st century retreating from storytelling into a glossy, expensive CGI playground in which nothing real is at stake. That’s all we’ll be getting from now on. Oh, and occasional Oscar bait about embattled screenwriters who stood up to the House UnAmerican Activities Committee six decades ago, even as their successors cave to, of all things, Kim’s UnKorean Activities Committee. American pop culture — supposedly the most powerful and influential force on the planet – has just surrendered to a one-man psycho-state economic basket-case that starves its own population.

Kim Jong-won.

Eugene Volokh makes some of the same points that Steyn raises:

Deadline Hollywood mentions several such theater chains. Yesterday, the Department of Homeland Security stated that there was “no credible intelligence” that such threatened terrorist attacks would take place, but unsurprisingly, some chains are being extra cautious here.

I sympathize with the theaters’ situation — they’re in the business of showing patrons a good time, and they’re rightly not interested in becoming free speech martyrs, even if there’s only a small chance that they’ll be attacked. Moreover, the very threats may well keep moviegoers away from theater complexes that are showing the movie, thus reducing revenue from all the screens at the complex.

But behavior that is rewarded is repeated. Thugs who oppose movies that are hostile to North Korea, China, Russia, Iran, the Islamic State, extremist Islam generally or any other country or religion will learn the lesson. The same will go as to thugs who are willing to use threats of violence to squelch expression they oppose for reasons related to abortion, environmentalism, animal rights and so on.

December 18, 2014

QotD: Fear and fairy tales

Filed under: Media, Quotations — Tags: , , — Nicholas @ 00:01

The timidity of the child or the savage is entirely reasonable; they are alarmed at this world, because this world is a very alarming place. They dislike being alone because it is verily and indeed an awful idea to be alone. Barbarians fear the unknown for the same reason that Agnostics worship it – because it is a fact. Fairy tales, then, are not responsible for producing in children fear, or any of the shapes of fear; fairy tales do not give the child the idea of the evil or the ugly; that is in the child already, because it is in the world already. Fairy tales do not give the child his first idea of bogey. What fairy tales give the child is his first clear idea of the possible defeat of bogey. The baby has known the dragon intimately ever since he had an imagination. What the fairy tale provides for him is a St. George to kill the dragon.

Exactly what the fairy tale does is this: it accustoms him for a series of clear pictures to the idea that these limitless terrors had a limit, that these shapeless enemies have enemies in the knights of God, that there is something in the universe more mystical than darkness, and stronger than strong fear.

G.K. Chesterton, “The Red Angel”, Tremendous Trifles, 1909.

December 15, 2014

The world of the imagination

Filed under: Books, Gaming, Health, Media, Technology — Tags: , , , — Nicholas @ 00:04

At BoingBoing, Jason Louv talks about getting back into his teenage passion (Dungeons and Dragons), but also worries that as a culture, we’re losing our opportunities — and capability — to imagine:

There’s just something about high Arthurian or Tolkienesque fantasy that cuts so deeply into the Western unconscious, finding a far more central vein than anything that Lovecraft or Edgar Rice Burroughs or Jack Kirby were able to mine. Nothing beats the experience of the Grail Quest, of becoming a heroic adventurer in a medieval world full of fantastic creatures, on a mission to slay the dragon and liberate the princess — or at least get some decent gold, treasure and experience points.

Until I left for college, fantasy paperbacks and comics were my world when I was alone, and role-playing games were my world when I was with friends. And how much more real, in a way, the inner palaces of my adolescent imagination felt to me than the gritty “reality” of so-called adult life, of endless war, losing friends to drugs, economic chaos, tumultuous relationships, chasing dollars.

Am I so wrong to want to go back to the Garden?

The Interior Castle

While our culture dismisses any use of the imagination as wasted time — something that distracts us from the “real” world of quantification and monetization — mystics and artists throughout history have told us that the imagination is the vehicle which brings us into contact with reality, not away from it.

William Blake is an exemplar of this approach — “The world of imagination is the world of eternity,” he wrote. “It is the divine bosom into which we shall all go after the death of the vegetated body. This world of imagination is infinite and eternal, whereas the world of generation is finite and temporal.”

In 1577, the Spanish Carmelite nun Teresa of Ávila wrote a prayer manual called The Interior Castle, which describes her path to union with God as a kind of epic single-player Dungeons and Dragons game. In it, she describes a vision she received of the soul as a castle-shaped crystal globe, containing seven mansions. These mansions — representing seven stages of deepening faith — were to be traversed through internal prayer. Throughout the book, she warns that this imaginary internal world will be consistently assaulted by reptilian specters, “toads, vipers and other venomous creatures,” representing the impurities of the soul to be vanquished by the spiritual pilgrim.

Sixty-five years earlier, St. Ignatius of Loyola designed his Spiritual Exercises as the training manual of the Jesuits, in which adherents were to deeply imagine themselves partaking in incidents from the life of Christ, creating inward virtual realities built up over years as a way of coming closer to God. Similar techniques exist in many world religions — in the stark inner visualizations of Tantric Buddhism, for instance. Such mystics speak not just of the vital importance of daydreaming and fantasy, but of the disciplined imagination as literally the door to divinity.

As we progress into the 21st century, this is a door that we are slowly losing the key to. The French Situationist author Annie Le Brun, in her 2008 book The Reality Overload: The Modern World’s Assault on the Imaginal Realm, suggests that information technology is causing blight and desertification in the world of the imagination just as surely as pollution and global warming are causing blight and desertification in the physical world. We are gaining the ability to communicate and hoard information, but losing the ability to imagine.

I literally cannot get my head around what it must be like to be a child or teenager now, raised in a completely digitized world — where fantasy and long reverie have given way to the instant gratification of electronic media. There can be no innocence or imagination or wonderment in the world of Reddit, Pornhub and 4Chan — just blank, numb, drooling fixation on a screen flickering with horrors in a dark and lonely room, the hell of isolation within one’s own id. I recently saw a blog post about a toilet training apparatus with an attachment for an iPad. No, no, no.

Just as electronic media is stripping us of our right to privacy, so is it stripping us of our right to an inner world. Everything is to be put on public display, even our most intimate moments and thoughts.

We need to go back. We need to re-discover the door to the inner worlds — a door that I believe encouraging young people to read printed books, and to play analog role-playing games like Dungeons and Dragons, can re-open.

Sony games the copyright laws

Filed under: Business, Law, Media — Tags: , , — Nicholas @ 00:02

At Techdirt, Mike Masnick explains why Sony released only a tiny number of pressed CDs of 1964 musical tracks:

Two years ago we wrote about the very odd release, by Sony, of just 100 copies of a set of previously unreleased Bob Dylan tracks. Why so few? Well, Sony sort of revealed the secret in the name of the title. See if you can spot it:

Bob Dylan - Copyright Extension

Yup. The release had absolutely nothing to do with actually getting the works out to fans, and absolutely everything to do with copyright. You see, back in 2011, despite having absolutely no economic rationale for doing so, the EU retroactively extended copyright on music from 50 years to 70 years. However, there was a tiny catch: there was a “use it or lose it” provision in the law, saying that the music had to have been “released” to qualify for that 20 year extension. Thus, Sony realized with Dylan that it had to “release” (and I use the term loosely) some of its old recordings that had never been officially released, or it would lose the copyright on them.

The other major labels have been doing the same. Last year, there was a series of releases of 1963 music, including more from Dylan, along with some previously unreleased Beatles tunes (at least those were somewhat more widely available). This year, we’re getting a new crop of barely released 1964 songs including (yet again) more from Dylan, along with some from the Beach Boys as well (and some expect more Beatles tunes as well).

December 14, 2014

The New Republic was probably doomed anyway…

Filed under: Media — Tags: , — Nicholas @ 10:20

Let’s just say that there’s not a lot of profit for a monthly magazine with single-issue newsstand sales as low as this:

From a business standpoint, The New Republic was undoubtedly facing an uphill battle for profitability, even before last week’s events. According to the Pew Research Center and the Alliance for Audited Media, single copy sales of the magazine (considered the most objective measure of a magazine’s print appeal) have steadily declined over the past year, dropping to around 1,900 per issue.

They note that, between the first and second halves of 2013, newsstand sales fell by 57%, and fell a further 20% in the first of half of 2014.

One thousand, nine hundred readers. Per month.

Let me just give you a bit of perspective here:

Quotulatiousness daily visits - 14 December 2014

At shortly after 10 a.m. on a quiet Sunday, I’ve already had more visitors to my obscure little personal blog today than there were copies of The New Republic sold in a recent month (not counting subscriptions).

That is not a viable business.

H/T to Kathy Shaidle, who also gets more daily traffic than TNR sells in a month.

Google to Spain: “Buh-bye!”

Filed under: Business, Europe, Media — Tags: , , , — Nicholas @ 00:04

Spanish legislation imposing a special tax on Google has resulted in Google erasing Spain from their Google News business plan altogether:

Back in October, we noted that Spain had passed a ridiculously bad Google News tax, in which it required any news aggregator to pay for snippets and actually went so far as to make it an “inalienable right” to be paid for snippets — meaning that no one could choose to let any aggregator post snippets for free. Publishers have to charge any aggregator. This is ridiculous and dangerous on many levels. As we noted, it would be deathly for digital commons projects or any sort of open access project, which thrive on making content reusable and encouraging the widespread sharing of such content.

Apparently, it’s also deathly for Google News in Spain. A few hours ago, Google announced that due to this law, it was shutting down Google News in Spain, and further that it would be removing all Spanish publications from the rest of Google News. In short, Google went for the nuclear option in the face of a ridiculously bad law:

    But sadly, as a result of a new Spanish law, we’ll shortly have to close Google News in Spain. Let me explain why. This new legislation requires every Spanish publication to charge services like Google News for showing even the smallest snippet from their publications, whether they want to or not. As Google News itself makes no money (we do not show any advertising on the site) this new approach is simply not sustainable. So it’s with real sadness that on 16 December (before the new law comes into effect in January) we’ll remove Spanish publishers from Google News, and close Google News in Spain.

Every time there have been attempts to get Google to cough up some money to publishers in this or that country, people (often in our comments) suggest that Google should just “turn off” Google News in those countries. Google has always resisted such calls. Even in the most extreme circumstances, it’s just done things like removing complaining publications from Google News, or posting the articles without snippets. In both cases, publishers quickly realized how useful Google News was in driving traffic and capitulated. In this case, though, it’s not up to the publishers. It’s entirely up to the law.

Jonah Goldberg on the Gruber hearings

Filed under: Government, Media, Politics, USA — Tags: , , — Nicholas @ 00:03

In this week’s Goldberg File, Jonah Goldberg talks about the show Jonathan Gruber put on in front of some Washington political types:

I learned from Twitter this morning that Gustave Flaubert, born this day in 1821, said, “The art of writing is the art of discovering what you believe.” So, as Jay-Z says every morning he enters a music studio and as Joe Biden says every time President Obama gives him a fresh 64-pack of crayons, “Let’s make some art, bitches.”

Let’s start with Jonathan Gruber. I have to say I was disappointed by the hearings. Oh, sure, it was good theater-as-human sacrifice of the sort Washington does so well (though I am glad they stopped short of rectal rehydration).

But this was one of those moments where they really could have put the system on trial. Gruber’s consistent answer was that he’s a shabby, shallow, little man who belittles others, including the American people, to make himself look good. “I tried to make myself seem smarter by demeaning others.”

In almost every exchange, Gruber fell back on language you’d expect from a stockbroker tied up in an S&M dungeon. I did it because I am a flea! A worm! I am no master of the universe, I am nothing! Punnnniissshhh meee!

All that was missing were some riding-crop and melted-candle-wax welts, and maybe a shorn scrotum. But, hey man, it’s a defense.

But it’s not a good one. You can blame your arrogance for calling the American voters stupid, but you can’t blame your arrogance for claiming that the bill was designed to hide taxes and deceive the public. If I stab someone 34 times, the jury might want to hear about my arrogance, but whether I’m arrogant or humble, it doesn’t change what I did — and apologizing for it doesn’t clarify where the body is buried.

Gruber’s strategy of emotional self-abasement was very clever because it distracted from the central arguments of fact.

[…]

As for Gruber, he said this week that he wasn’t an architect of Obamacare. And yet, for several years he let the New York Times, The New Republic, PBS, and countless other media outlets describe him as exactly that. That label was of great financial value to him. But it was probably of greater social, psychological, and professional value. And that is probably why he seems to have not once taken the time to ask them to stop calling him that. Gruber is of a class of people who take great satisfaction from the belief that they are not only smarter and better than normal Americans, but that their superiority entitles them to manipulate the public and system in whatever way they think necessary.

There’s another reason Gruber never corrected anybody when they described him as an architect of Obamacare: Because it’s true!

Which leads to another important point: Gruber’s a huge, monumental, Brobdingnagian liar.

To believe his testimony before Congress is to believe that on one occasion after another, he baldly lied over and over again to his peers, colleagues, students, and friends. Darrell Issa sort of gets at this here at the end of Gowdy’s interrogation when he asks Gruber, “Did anybody come up to you and tell you that what you were saying was inappropriate?”

That’s an interesting question and tells you a lot about the sovereign contempt the expert class has for the American people. But a better question would be, “Why didn’t anybody correct you on your factual claims? Or simply say ‘What you’re saying isn’t true’?” Gruber was on panels with other health-care experts. The audiences were full of people who were deeply informed about Obamacare and all its details. And yet no one said, “Hey, that’s not the way it happened.” Why? Because Gruber was telling the truth when he said they had to deceive the American people. And before you ask me what proof I have, I would like to direct you to the fact that Barack Obama deceived the American people over and over and over again when he said things like “You can keep your doctor” and “You can keep your insurance” etc. (and not one liberal journalist cheerleader for Obamacare ever felt compelled to push back on this obvious lie). Are we really so stunned that the same president might be willing to play accounting games with the CBO?

Sure maybe Gruber exaggerated his role or involvement. Maybe he embellished this or that. But you can’t exaggerate a lie; you can only exaggerate the truth. For years he told the truth to anyone who would listen, and now that it’s politically problematic he says it was all a lie.

So we’re forced to choose: Was he lying when talking to countless audiences full of peers, colleagues, and experts, or was he lying in front of Congress in order to save his team any further embarrassment and preserve a law he’s sincerely proud of (because he was an architect of it)? Personally, I think you’d have to be too stupid to beat Joe Biden at tic-tac-toe to think the “real” Gruber testified before Congress this week. But whichever side you come down on this question, one thing has been established: He’s a huge liar.

New BBC historical TV series as accurate as possible … except for the codpieces being “too small”

Filed under: Britain, History, Media — Tags: , — Nicholas @ 00:02

Apparently, the fear was that US TV audiences would be shocked by authentic sized boasting pieces:

They may have been the crowning glory for any right-thinking Tudor gentleman, but it appears the traditional codpiece may be a little too much for American television viewers.

The stars of Wolf Hall, the BBC’s new period drama based on the novels of Hilary Mantel, have disclosed they have been issued with “smaller”-than average codpieces, out of respect for viewers’ sensibilities.

Mark Rylance, who stars as Thomas Cromwell in the forthcoming BBC series, said programme-makers had decided on “very small codpieces” which had to be “tucked away”.

He suggested allowances had been made amid concerns about the taste of modern audiences, particularly in America, who “may not know exactly what’s going on down there”.

It is one of few concessions permitted by programme-makers, who have otherwise gone to remarkable lengths to ensure historical accuracy, including trips to Shakespeare’s Globe to learn sword-fighting, lessons in etiquette and bowing, and a comprehensive study on spoons.

Mantel has given her seal of approval to the production, issuing a statement of glowing praise for how it has been adapted on screen.

Saying she was pleased programme-makers had resisted the temptation to “patronise” the Tudors to make them “cute”, she said: “My expectations were high and have been exceeded.”

When asked about the costumes in a Q&A to launch the BBC show, alongside actors Damian Lewis and Claire Foy, Rylance said they “did take a while to put on” but praised the overall effect.

“I think the codpieces are too small,” he added. “I think it was a direction from our American producers PBS [the US public service broadcaster] – they like very small codpieces which always seemed to be tucked away.”

When asked to clarify, he said: “I wasn’t personally disappointed by the codpieces: I’m a little more used to them than other people from being at the Globe for ten years.

“But I can see for modern audiences, perhaps more in America, they may not know exactly what’s going on down there.”

H/T to David Stamper for the link(s).

December 13, 2014

Science shows the amazing power of … the high heel

Filed under: Media, Science — Tags: , , , — Nicholas @ 00:02

Many of you think that high-heeled shoes for women are sexist and explotiative. On first blush, I mostly agree with you … but we may all be wrong:

The allure of high-heeled shoes is no secret among women, who have used them to entice men from the streets of Ancient Rome to the New York City sidewalks of Carrie Bradshaw. Heels have also been a controversial symbol in the battleground of sexual politics.

Now a scientific study in France has measured their power.

Scientists from the Universite de Bretagne-Sud conducted experiments that showed that men behave very differently toward high-heeled women. The results, published online in the journal Archives of Sexual Behaviour, may please the purveyors of Christian Louboutin or Jimmy Choo shoes — yet frustrate those who think stilettos encourage sexism.

The study found if a woman drops a glove on the street while wearing heels, she’s almost 50 percent more likely to have a man fetch it for her than if she’s wearing flats.

Another finding: A woman wearing heels is twice as likely to persuade men to stop and answer survey questions on the street. And a high-heeled woman in a bar waits half the time to get picked up by a man, compared to when her heel is nearer to the ground.

“Women’s shoe heel size exerts a powerful effect on men’s behavior,” says the study’s author, Nicolas Gueguen, a behavioral science researcher. “Simply put, they make women more beautiful.”

December 12, 2014

The British pantomime tradition

Filed under: Britain, Media — Tags: , , — Nicholas @ 00:03

Tracy Morgan looks at a British holiday tradition that didn’t seem to travel to the rest of the empire:

An actor in drag endowed with enormous boobs stands alongside an actress in male britches. Every year they tell the same jokes, flirtatiously sing silly tunes, bring a good-over-evil narrative to life and comment on everything — except much about Christmas. Yet theatergoers consider it a great holiday tradition, because nothing says Christmas to Brits quite like cross-dressing slapstick, screaming children and sexual innuendo.

British pantomimes run from late November through mid-January, and the question is not are you going, but which panto are you seeing? “For many people, a trip to the theater to see the pantomime is as big a part of Christmas as roast turkey dinner,” says Simon Sladen, assistant curator of modern and contemporary performance at London’s Victoria and Albert Museum. ’Tis the season for the goodies to take the stage to cheers while baddies slink into view amid boos. A man plays the leading dame, and a woman often plays the starring male role, retelling classic fairy tales like Cinderella or Jack and the Beanstalk with a comedic twist. Chants from ticket holders include “Oh, yes it is” to “Oh, no it isn’t,” or the classic “It’s behind you!” to warn those on stage of imminent danger.

I’d always wondered where those phrases came from…

Unlike its silent namesake, these colorful productions — aka pantos — are a mishmash of very verbal theatrical genres, from Italian commedia dell’arte’s slapstick to the medieval mystery plays and the Everyman play’s morality. Pantomime, which originally meant “imitator of all,” is “reflective of the world around it,” says Sladen, referring to how it incorporates contemporary political and cultural jokes, modern music and fashion. Members of the audience are meant to see aspects of themselves in the characters and identify with their struggles and successes.

Britain in the 50s

Filed under: Britain, History, Media — Tags: — Nicholas @ 00:02

Published on 10 Aug 2013

Through the eyes of newsreel cameras and advertising of the time, we present an affectionate look at the way we were in the 1950’s: the way we dressed, the way we laughed (and cried) – even the way we holidayed. In 1950, Britain was working hard to recover from the Second World War. Yet, as the decade went on and the economic conditions improved – prompting PM MacMillan to tell people of Britain “You never had it so good” – a cascade of wonderful gadgets found their way into British homes, and families began holidaying on the beaches and promenades.

By the end of the decade booming Britain was in overdrive with 5.5 million cars on the road, the opening of the M1 and the arrival of the first Mini. The teenager had also come of age with new dance crazes and flamboyant fashions interspersed with bizzare hairstyles – anything to make them stand out in the crowd!

This programme also focuses on the events that shook the world during the decade; the death of George VI in 1952 heralding a new Queen, Elizabeth II, and her Coronation in 1953; the conquering of Everest: the first four minute mile; the last woman to be hanged in Britain; and the tragic Munich air disaster.

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