Published on 4 May 2015
Conrad von Hötzendorf was one of the main figures pushing for war and escalating the July crisis in 1914 leading to World War 1. His failure as commander in chief of Austria-Hungary were staggering but still today some consider him a military genius. Who was this man who polarizes military scholars till today and played such a huge role in the downfall of the Habsburg empire? Find out in our biography.
May 5, 2015
Conrad von Hötzendorf I WHO DID WHAT IN WW1?
QotD: Monarchies and republics
When I say monarchy I am not talking about the wishy-washy monarchy we pretend to have in the UK. I am talking about real monarchies, monarchies red in tooth and claw, monarchies that can at minimum hire and fire ministers and start wars.
Now, I can almost hear the pedants shouting “But those are precisely the powers the Queen has” To which I say “Only in theory”. Should the Queen or any of her successors ever attempt to actually exercise those theoretical powers they would be out of office in a matter of nano-seconds. Britain is a republic.
When did it become one? I think we can be pretty precise with the dates: sometime between 1642 and 1694. 1642 is the date of the outbreak of the English Civil War, when Charles I tried to impose his idea of absolute monarchy. 1694 is the date William III accepted that his powers were extremely limited. Since then it has been Parliament that makes the laws and votes funding – without which making war becomes extremely difficult.
But think of what happened in that period: four civil wars, one military dictatorship and a foreign invasion.
You think that was bad? Try the French. Between 1789 and 1871 they saw four monarchies, three republics, three foreign invasions and a 20-year war with the rest of Europe.
And now look at what happened in the 20th century. Germany, Russia, Austria-Hungary, China, Turkey, Spain and Portugal all made the same transition from monarchy to republic. I need not dwell on the German or Russian experiences — they are well enough known but all the others follow a similar pattern. China saw a 20-year civil war followed by Mao’s communist regime; Spain, a monarchy, followed by a republic followed by a civil war followed by a dictatorship followed by a monarchy followed by a democratic republic. Even Portugal saw two revolutions, a dictatorship and a series of bloody colonial wars.
The point is that in every case the transition from monarchy to republic is bloody and protracted.
Patrick Crozier, “What caused the First World War? Part V: Monarchies and Republics”, Samizdata, 2015-04-29.
May 4, 2015
In praise of “unfettered” capitalism
L. Neil Smith isn’t happy with the Pope’s latest anti-capitalist comments:
Just for the record, when private capitalism came into being, it was a revolutionary economic, political, and social system that has since fed, clothed, and housed — not to mention educated and cured — more individual human beings than any other system in history. When it appeared on the world scene in the mid-1700s, a person’s average life expectancy at birth — in London, the most advanced and civilized city on the planet — was about 20 1/2 years. A hundred years later, life expectancy was three times that number, and it is now approaching four times.
If only for those reasons (and there are many others), capitalism has been the target of centuries of relentless, vicious attack by evil parasites who wish to be perceived as humanity’s benefactors without actually benefiting anybody at all, Today, virtually every member of what the great essayist H.L. Mencken called the “booboisie” believe (you can’t really say “think”) that capitalism and capitalists are evil.
Capitalism’s gravest “sin” in this connection is that it has made more widespread and greater individual freedom available than ever before (even though in his abysmal ignorance — or ideological delirium — the Pope accuses it of imposing ” a new tyranny” that is “causing people to die”. That, of course, is why there are seven billion people in the world today, as opposed to a few hundred cold and starving millions when his gang of terrorists was running things.).
That is a critically important key to why capitalism is hated and reviled, and to who hates and reviles it. Watch the various enemies of capitalism on TV; Obama, Reid, Pelosi, Waxman, Feinstein, Bush, Hatch, Cheney. None of them are genuine advocates of freedom. There are political vermin in the world — all over the world, in fact, generally in positions of leadership — who hate, loathe and despise individual freedom, and will do absolutely anything to eradicate it. They achieve their leadership positions because no decent human being really wants anything to do with telling other human beings what to do.
The headline reads “Pope Francis rebukes unfettered capitalism”. When he says “unfettered” you can bet he means it literally; this is the heir of a gang of thugs who used to “change” people’s theological opinions with the rack, the whip, and red-hot pincers. You can also bet they’d be doing it today if they believed they could get away with it.
Petulantly, the man complains that the worship of wealth has become a religion in itself. There is lots I could say about that. I’ll limit myself to the observation that the wealth is really there; it manifests itself. In that respect, it’s hell of a lot better than the Imaginary Playmate he claims to speak for and wants us all to worship.
David Warren on the “Three Stooges of the Apocalypse”
David Warren recently read Margaret MacMillan’s Paris, 1919 and discusses the three leaders who had the most influence over the peace process:
Recently, breezing through Margaret MacMillan’s blockbuster, Paris 1919 (2003) — the kind of book I am apt to pick up from the Salvation Army thrift shop — I considered her mildly revisionist account of the Peace Conference that held the world rivetted through the first six months of that year. Woodrow Wilson, Lloyd George, and Georges Clémenceau are rightly absolved of responsibility for everything that happened in the next twenty years; for there were clowns after those clowns.
I think of them as the “Three Stooges of the Apocalypse.” They were themselves not causes but symptoms of a disease, which for a word we might call post-modernism. President Wilson did the most permanent damage. He was the Barack Obama of that historical moment, enjoying an immense charismatic popularity in Europe. A moral and intellectual simpleton, he had handy to his lips a short list of glib progressive nostrums that appealed to great masses of the war weary.
All three were men of terrific ego, and little substance: models for the new kind of politician that would emerge more fully from the War. Each was from his own peculiarly desiccated cultural background a man largely free of any religious conviction. Wilson had the Calvinist Puritan sensibility, to the degree that he was privately well-behaved; Lloyd George and especially Clémenceau were just old rogues and whoremongers, charming from a distance. Paradoxically, it might have helped had Wilson been more corrupt, and less “principled,” for his principles were exactly those on which post-modern liberalism was awkwardly erected: democracy, equality, bureaucracy, national self-determination, and all the rest of that rot.
To the point, the British and French dealt out pieces of the collapsed Ottoman Empire between themselves like patches on a Monopoly board, except for the Turkey of Ataturk’s fait accompli. Wilson watched with mild distaste while focusing his own efforts on rewarding every poisonous little balkanic European nationalism he could find under a rock. Other problems, like the new Soviet Russia, that could not be painlessly fixed, were progressively ignored. The Old World of aristocratic family orders, above nationalism, was unceremoniously trashed for the new one of seething demagogic republics, and all that would follow from that. It was a Brave New World that would be implicitly, and often explicitly, post-Christian.
May 2, 2015
“…every word she says is a lie, including ‘and’ and ‘the'”
An older article from Lesley McDowell at The Independent, discussing the relationship between Lillian Hellman and Dashiell Hammett:
When Mary McCarthy said of Lillian Hellman, “every word she says is a lie, including ‘and’ and ‘the'”, a certain attitude was fostered. Not only to the celebrated playwright’s experiences in war-torn Spain during the 1930s or before the House Un-American Activities Committee during the 1950s, but also to her personal life. Hellmann, this attitude said, was a myth-maker of the worst kind. She couldn’t be trusted to tell the truth, not even about those she loved. So what if she wrote in her memoirs that crime writer Dashiell Hammett, with whom she lived on-and-off for 30 years, was the most important person in her life? “Did anyone ever see them together?” queried Gore Vidal.
Writers make myths out of people’s lives, especially their own. And when writers become embroiled with other writers, the opportunity increases ten-fold. It was to Hammett, the pulp magazine writer turned detective novelist, that she always owed a debt, Hellman insisted. The completion of her first play, The Children’s Hour, in 1934, just four years after they met at a Hollywood party, was all thanks to “help from Hammett.” She “worked better if Hammett was in the room.” Yet Hellman’s words about this crucial relationship have been doubted too. Perhaps it didn’t help that she wrote in her 1969 memoir, An Unfinished Woman, “what a word is truth. Slippery, tricky, unreliable. I tried in these books to tell the truth…I see now, in re-reading, that I kept much from myself, not always, but sometimes.”
Lillian Hellman was married to a writer, Arthur Kober, when they wound up in Hollywood in 1930. Kober had a script-writing job and Hellman was a script-reader. She was 25, bored in her five-year marriage and had writing ambitions. When she met Hammett at a party, he was 36 and famous, the bestselling author of Red Harvest and The Maltese Falcon. Different accounts of their first meeting don’t help Hellman’s case for truth-telling, but there is a nastier undercurrent to those who doubted Hellman’s version of the subsequent relationship.
Hammett was extremely handsome and rich, thanks to his books. Hellman was never a pretty girl, and had a forthright manner that scared people. Some doubted Hammett’s interest in her: why should such a successful writer take up with an unattractive nobody?
May 1, 2015
The Sea Turns Red – Gallipoli Landings I THE GREAT WAR – Week 40
Published on 30 Apr 2015
Completely underestimating the Ottoman army at the Dardanelles, the British commanders decide to let the ANZACs take the Gallipoli peninsular as a gateway to the Bosporus and Constantinople. After the landing in ANZAC Cove and on Z Beach one thing comes clear though: Mustafa Kemal and his troops will fight for every inch of this piece of rock.
April 29, 2015
How did Propaganda Change After the First Months of World War 1? I OUT OF THE TRENCHES
Published on 27 Apr 2015
Indy takes place in the chair of wisdom again to answer your questions. This week we deal with the outer ends of the Western Front, changes in propaganda and the logistics in the Carpathians.
How do you get teens to understand the First World War? Digging trenches is a good start
Leslie Waghorn talks about the history teacher who literally brought trench warfare to life for her and her classmates:
Mr. Barker-James had planned everything to be as accurate as possible. The students would dig the trenches over a series of months. We would sleep outside and we would only be allowed to take clothing and comforts with us that would have been allowed by our “side” at the time. We would eat what they ate, we would sleep on their schedules.
For two months, after school and during our spare periods, we went to Mr. Barker-James’ farm and hand dug trenches. I remember my hands being blistered and by mid-October being miserable with the choice to either wear gloves and not have a good enough grip on the shovel to break through the frost, or do it bare-handed. One day I remember throwing a 17-year-old’s hissy fit, which Mr. Barker-James stopped by reminding me that a mere 80 years before, boys my age had to do this in France, all day, without the luxury of gloves and wool hats, and snacks.
Point to Mr. Barker-James.
When the weekend of the trench warfare scenario came, I remember there were a handful of seniors on the Allied and Axis (my assignment) sides and we were over-run by sophomores who were ready for a weekend of camping. We were offered our first breakfast of a slice of bread, water and a cheese slice. Many decided not to eat it and instead marched the 8 kilometers to his farm on an empty stomach. By the time we arrived, the mood had gone from excitement to exhaustion.
We set up camp, laid out wooden weapons, and started our first patrols. At lunch we were offered what soldiers from our side would have eaten: Hard tack and bully beef. I remember cutting the roof of my mouth on the hard tack and dry heaving as I tried to swallow the fatty bully beef. I couldn’t get it down. I was very hungry, but I knew that was the point.
The first battle we recreated was the Somme. I remember being relieved because it was supposed to be easy for our side, the Germans. The Canadians would walk down the hill, in the trench at the base we would mow them down. At first our side was having fun, enjoying as the refs called their friends out as dead. The ‘dead’ students would then revive and move up to the top of the hill and come down again in the next wave, only to be killed by us again.
I remember a girl stopping at one point and saying, “this sucks.” I asked her why, this was the easy part for us. “We’re just killing them and killing them and killing them. It doesn’t stop. We have to do this for 45 more minutes. Just killing people. It’s depressing.” “That’s the point.” I said. I saw the same light go off in her eyes as it did when Mr. Barker-James had pointed out that my sore hands were nothing to complain about. By giving us the opportunity to be outside of the classroom, and gain a first-hand reflective experience of the actual impact of war (however minor), Mr. Barker-James acted as an educational mediator – not a teacher, and yet, higher ranked than any teacher could be. His lessons instilled critical thinking, reflection, curiosity, and a drive for us to understand, which is considered some of the best sort of teaching around.
H/T to BoingBoing for the link.
QotD: Dining out, Soviet style
Nowadays, of course, there’s more to get away from than the cold, the monotonous food and the frustrations of life in a backward, bureaucratic, corrupt society. Obviously you can get falling-down drunk at home, but there are no bars that serve anything stronger than beer, except in Intourist hotels, reserved for foreigners and officials. If you want to be served vodka, or any other spirit, you have to go to a restaurant and order it with your meal, which in itself can take an hour or two. So sometimes you team up with a couple of fellows at work, form a troika. (A troika can be a three-horse carriage but it’s just three of anything, a threesome.) You get hold of a half litre of vodka and what’s probably harder to come by in a socialist country, three paper cups. Perhaps the grocer will let you stand in his shop, anyway you find some place where the wind isn’t blowing and you drink the vodka, quite fast I expect, and then you go home. And that’s your night out with the lads.
In its way I find the thought of that almost as depressing as anything to do with the Gulag or mental hospitals. Remember it when the juke box in the pub is too loud or they can’t do you a Harvey Wallbanger.
Kingsley Amis, Everyday Drinking: The Distilled Kingsley Amis, 2008.
April 28, 2015
QotD: Pursuit of truth
Truth, indeed, is something that is believed in completely only by persons who have never tried personally to pursue it to its fastnesses and grab it by the tail. It is the adoration of second-rate men — men who always receive it at second-hand. Pedagogues believe in immutable truths and spend their lives trying to determine them and propagate them; the intellectual progress of man consists largely of a concerted effort to block and destroy their enterprise. Nine times out of ten, in the arts as in life, there is actually no truth to be discovered; there is only error to be exposed. In whole departments of human inquiry it seems to me quite unlikely that the truth ever will be discovered. Nevertheless, the rubber-stamp thinking of the world always makes the assumption that the exposure of an error is identical with the discovery of the truth — that error and truth are simple opposites. They are nothing of the sort. What the world turns to, when it has been cured of one error, is usually simply another error, and maybe one worse than the first one. This is the whole history of the intellect in brief. The average man of to-day does not believe in precisely the same imbecilities that the Greek of the fourth century before Christ believed in, but the things that he does believe in are often quite as idiotic. Perhaps this statement is a bit too sweeping. There is, year by year, a gradual accumulation of what may be called, provisionally, truths — there is a slow accretion of ideas that somehow manage to meet all practicable human tests, and so survive. But even so, it is risky to call them absolute truths. All that one may safely say of them is that no one, as yet, has demonstrated that they are errors. Soon or late, if experience teaches us anything, they are likely to succumb too. The profoundest truths of the Middle Ages are now laughed at by schoolboys. The profoundest truths of democracy will be laughed at, a few centuries hence, even by school-teachers.
H.L. Mencken, “Footnote on Criticism”, Prejudices, Third Series, 1922.
April 27, 2015
Armenia and the Ottoman Empire
In The Walrus, Atom Egoyan discusses the fading memories of the Armenian genocide:
They are disappearing. When I arrived in Toronto in 1978 and first became involved with Armenian issues, there were many survivors still alive. Every year on April 24 — the day commemorating the Armenian genocide — we would head to Ottawa. There, survivors would present testimonials, and offer living proof of the systematic campaign of extermination carried out by Ottoman Turks a century ago.
These people would tell their haunting stories — stories that Canadians needed to hear. Unlike the Holocaust, the Armenian genocide has not been universally acknowledged. Turkey — the successor state to the Ottoman Empire — still refuses to admit the historical fact of the event. And with each passing year, there are fewer and fewer survivors left to disprove the deniers with eyewitness recollections.
In the immediate aftermath of World War I, there was hope for accountability. When the Young Turk government collapsed in 1918, many former senior party members fled to Germany, a wartime ally. But the incoming Turkish administration arrested hundreds of those officials who remained in the country — and their collaborators — on suspicion of having participated in the orchestration of the deportations and killings. The suspects were charged with a variety of offences, including murder, treason, and theft. In a series of trials that took place between 1919 and 1920, former Young Turk officials delivered startling confessions and revealed secret documents that outlined the tactics they employed in carrying out their genocidal program.
After the war, the victorious Allies originally had advocated tough punishments for the criminals, as well as an independent Armenian republic in northeastern Turkey. But Turkish nationalists, led by Mustafa Kemal, opposed this. Kemal, who in 1934 was granted the surname Atatürk (meaning “Father of the Turks”), believed the ongoing trials exemplified the desire of foreign powers to tear apart his country. He moved to shut them down and also sought to abrogate the 1920 Treaty of Sèvres, under which Turkey was to recognize Armenia as “a free and independent state.” He promised to help Western nations gain access to the region’s valuable oil fields in return for their support of his cause.
April 26, 2015
The Haka at Gallipoli
In the New Zealand Herald, Kurt Bayer recounts the story of New Zealand’s Maori contribution to the allied forces in World War 1:
The fierce Maori haka has put the fear of God into opposing international rugby teams for decades.
A century ago, however, when the bloodcurdling war cry rang out across the dusty, sloping battlefields of Gallipoli, it was not done in the name of sport: the Maori Contingent were coming to kill the Turkish defenders.
While the doomed World War I escapade needlessly cost tens of thousands of lives, Gallipoli helped forge the early identity of the Maori in fledgling New Zealand.
It secured their reputation as fierce fighters and loyal New Zealanders, and put them on an equal footing with their Pakeha brothers for the first time.
But when New Zealand joined Britain to declare war on Germany on August 5, 1914, the enthusiasm of many Maori to sign up was mixed.
Some opposed fighting for a Crown that had dispossessed them of land in the 19th century.
Other Maori were, like thousands of other young New Zealanders, keen to answer the call for King and Country, as well as the prospect of an adventure and to be “home by Christmas”.
However, Imperial policy initially opposed the idea of native peoples fighting in a war among Europeans.
Historian Matthew Wright wrote in Shattered Glory: The New Zealand Experience at Gallipoli and the Western Front that many Maori believed that contributing to the war effort might improve their position in what was then an effectively segregated society.
“The idea gained ground among iwi [tribes] and was pushed in Parliament during September by Maui Pomare, James Carroll, Apirana Ngata and Te Rangi Hiroa [Peter Buck]. [William] Massey’s Government had not envisaged a Maori contingent but bent to the pressure and – somewhat grudgingly – allowed a small force to be assembled.”
Military historian Dr Christopher Pugsley told the Herald that opposition to a Maori Contingent, as opposed to individual Maori serving in the ranks, came from the British Government and not New Zealand.
Update: Somehow managed to get the newspaper’s name wrong and forgot to hat-tip Roger Henry for the link.
Debunking the myths about the destruction of NYC’s Penn Station
I admit up front that I’m a fan of railway architecture, so I readily followed along with the narrative that the wanton destruction of Penn Station in New York City was merely the most recent vandalic excess of the urban rejuvenation movement. Jim Epstein suggests that I was wrong:
In all the hoopla surrounding the 50th anniversary of New York’s Landmarks Preservation Act — Mayor Robert F. Wagner signed the legislation exactly a half century ago today — you’ll see plenty of photos of the old Penn Station taken around the time of its 1910 opening. These images depict the grand, light-filled main hall modeled after the Baths of Caracalla and the spectacular iron-and-glass train shed in its pristine state. Another series of photos shows the station being taken apart in the 1960s. In this set of images, the station looks like an ancient Roman palace; it’s as if the cranes pulling it apart are destroying the very bedrock of Western civilization.
“Seven-year-olds gasp…[when] we show them the old Penn Station,” Tara Kelly, the executive director of Friends of the Upper East Side Historic Districts, told the New York Times at an event last week celebrating the law’s half-centennial.
Penn Station’s destruction in the mid-1960s was a call to arms for the landmarks movement, leading directly to the passage of the 1965 law. Preservationists trot out these photos capable of leaving second graders breathless to remind us of why we need a government-appointed commission to save our historic buildings from cold market logic.
But this narrative is as one-sided as those photos. Profit-driven developers left to their own devices value wonderful old buildings as much as the general public they serve, but the old Penn Station was a deeply flawed structure. It emphasized form over function, so it was never a particularly good train station. And New Yorkers didn’t care for it very much — when it was still around, at least. It’s easy to revere the dead.
April 25, 2015
Finnish divers binge on 200-year-old wine and beer
Perhaps “binge” isn’t quite the right word to use…
Finnish divers recently discovered several crates of champagne and beer from a sunken ship that had been at the bottom of the Baltic Sea for nearly two centuries. The experts carefully identified, researched, and analyzed the alcohol…then they drank it.
The divers discovered the wreck just south of Aaland, a Finland-controlled archipelago of some 6,500 small islands in the Baltic Sea. Inside the sunken schooner, they found 168 bottles of champagne and an undisclosed amount of bottles of beer. The ship itself likely dates back to the second quarter of the 19th century, making its cargo almost certainly the oldest alcoholic drinks in existence. By comparison, the oldest wines in private hands are only thought to date back to the very end of the 1800s.
This entire story is a good reminder of a basic scientific truth — when in doubt, start drinking the 200-year-old booze. The divers first discovered the champagne was drinkable when changing pressures caused the cork to pop off one of the bottles, and a diver decided to take a swig. He expected to taste seawater that had seeped into the bottle over the last 200 years — which raises very legitimate questions about just why he decided to take a sip in the first place — but was shocked to discover the wine still tasted fine.
H/T to Never Yet Melted, for linking to a story from 2010.
They called it “hardtack” for a good reason
An army may march on its stomach, as Napoleon is reputed to have said, but what filled that collective stomach might well turn our modern ones:
The origin of Hardtack’s name itself is a source of some disagreement. Many argue that it stems from the texture of the item combined with British sailor slang for food, or “tack.” Others say the term originated during the American Civil War. Some maintain that the name derives from the biscuit being “hard as tacks” – somewhat uninspired.
In a time before refrigeration, pasteurization, canning, or preservation through chemical additives there were only so many ways a food could be kept without spoilage. Salting and dehydrating foods was a relatively easy way to make them last. Baking cereal grains into a dense biscuit made for easy transport and a reduced risk of spoilage (although, as we will learn, vermin were a different story). Most importantly (especially for operational planning), it was cheap. A form of hardtack was given as rations to Roman armies under the name bucellatum and during the 16th Century, British sailors could expect a daily ration of 1 gallon of beer and 1 lb. of hardtack.
While hardtack was issued right up until World War I, the most recent and descriptive accounts of the food come from the American Civil War. Soldiers often referred to the biscuits as “worm castles” because all too often they would become home to maggots and weevils. One soldier recalled the sorry state of hardtack that he and his comrades were to consume:
A brigade officer of the day called out sharply to some of our men as he passed along the line: “Throw that hard tack out of the trenches. Don’t you know, men, you’ve been told not to throw your rations in the trenches” Prompt to obey, the men threw out the hard tack, saying as they did, “We’ve thrown it out several times, sir, but it will crawl back.”
When the hardtack wasn’t infested with insects, soldiers needed to soften the biscuits for consumption in a variety of ways, including whacking them with the butt of their rifles, soaking them in coffee, or softening them in water to then be fried in pork fat. Delicious.

In all the hoopla surrounding the 50th anniversary of New York’s Landmarks Preservation Act — Mayor Robert F. Wagner signed the legislation exactly a half century ago today — you’ll see plenty of photos of the old Penn Station taken around the time of its 1910 opening. These images depict the grand, light-filled main hall modeled after the Baths of Caracalla and the spectacular iron-and-glass train shed in its pristine state. Another series of photos shows the station being taken apart in the 1960s. In this set of images, the station looks like an ancient Roman palace; it’s as if the cranes pulling it apart are destroying the very bedrock of Western civilization.
Penn Station’s destruction in the mid-1960s was a call to arms for the landmarks movement, leading directly to the passage of the 1965 law. Preservationists trot out these photos capable of leaving second graders breathless to remind us of why we need a government-appointed commission to save our historic buildings from cold market logic.

