Quotulatiousness

December 12, 2021

“Say what you will about Rand, nobody ever described her as a light read”

Filed under: Books, Economics, Liberty — Tags: , , , , — Nicholas @ 03:00

In Quillette, David Cohen notes that we’re coming up on the 40th anniversary of Ayn Rand’s death, which will almost certainly help expose her work to a renewed audience of disaffected teens and freshman university students:

More than a half-century ago the great — and, alas, irreplaceable — American scholar Allan Bloom became aware of the spell she could cast. He first started noticing it around the time he became aware of a decline in serious reading among his students. As the University of Chicago professor later recounted in The Closing of the American Mind, it became particularly evident whenever he asked his large introductory classes which authors and books really mattered to them. Most of the undergrads fell silent, he wrote, or else were puzzled by the question. There was generally no text to which they looked “for counsel, inspiration or joy,” he remarked. But one exception kept popping up.

There always seemed to be, he marvelled, a student who mentioned Atlas Shrugged, a work “although hardly literature, which, with its sub-Nietzschean assertiveness, excites somewhat eccentric youngsters to a new way of life.” And rather more of them than did Allan Bloom or, indeed, pretty much anyone else in the United States who has ever tried to hawk philosophy to the masses. Rand’s book sales overall stand at around 30 million, with hundreds of thousands more each year, and probably rather more this coming year.

Not only is she sought-after for her two best-known novels — the other being The Fountainhead — but also for her nonfiction. Her slim volumes of collected essays and old newspaper columns and other outtakes comprise an apparently fathomless vault from which the Ayn Rand Institute routinely cobbles together regular offerings for the lucky kids. One survey by the Library of Congress listed Atlas Shrugged as second only to the Bible in terms of campus popularity; an incredible accomplishment. All the more so in an era of Twitter, Facebook, and all the other intimations of the shortened attention-span. Say what you will about Rand, nobody ever described her as a light read.

A random internet search throws up an impressive litany of fans from the entertainment world, including Oliver Stone, Rob Lowe, Jim Carrey, and Sandra Bullock. Even the late professional wrestler James Hellwig, better known as The Ultimate Warrior, bellowed her praises, which might add some context to those rollickingly individualistic pre-fight interviews he used to do back in the WWE glory days. Oh, and let’s not forget Brad Pitt and Vince Vaughn. Which is particularly interesting, I think, since Jennifer Aniston (also a Rand fan) replaced the first with the second after Pitt ran off with Angelina Jolie, who’s also on record enthusing about Rand’s “very interesting” take on the good life.

In politics and economics, Rand had her youthful followers, too, and here again one sees the youth-appeal angle. Probably her best-known disciple is the former Federal Reserve chairman Alan Greenspan, who is rather ancient now. But back when dinosaurs still roamed the Earth, Greenspan declared that the high empress of the libertarian Right “taught me that capitalism is not only practical and efficient but also moral.” Like the young and philosophically restless undergrads in Allan Bloom’s classes, the British health secretary Sajid Javid also discovered her early on, and apparently still reads the courtroom scene in The Fountainhead every year. Or rather, as the cool libertarian kids in the black jeans might prefer to put it, it still reads him.

December 10, 2021

Shovel-ready infrastructure we’re already busy working on … the superhighway to serfdom

Jacob T. Levy considers the warning about authoritarian solutions to societal problems given by Friedrich A. Hayek in The Road to Serfdom and shows just how little we heeded his concerns:

It is well-known that the classical liberal economist F.A. Hayek dedicated The Road to Serfdom to “socialists of all parties”, and wrote the book “as a warning to the socialist intelligentsia of England.” I suspect we now understate the importance of these facts. After decades of the Cold War and self-conscious conservative-libertarian “fusionism” in both the U.S. and Britain, what sticks in our memory of The Road to Serfdom is its defense of liberal open markets against economic planning and regulation of the sort advocated on the left. That is of course how it was wielded in the post-2008 surge in interest in it, in the wake of the financial crisis and the subsequent bailouts and stimulus packages: as a weapon of the right.

But if Hayek’s argument characterized socialist planning and regulation as a slippery slope, the slope did not only slope down toward the left. Fascist Italy and Germany figure even more prominently than the USSR in the book’s image of the despotism being risked:

    It is necessary now to state the unpalatable truth that it is Germany whose fate we are now in some danger of repeating … students of the current of ideas can hardly fail to see that there is more than a superficial similarity between the trend of thought in Germany during and after [World War I] and the present current of ideas in the democracies … And at least nine out of every ten of the lessons which our most vociferous reformers are so anxious we should learn from this war are precisely lessons which the Germans did learn from the last war and which have done so much to produce the Nazi system … [A]t an interval of fifteen to twenty-five years we seem to follow the example of Germany.

In the face of resurgent right-wing populist and nationalist authoritarianism in the world, it is worth reconsidering the legacy of The Road to Serfdom and of Hayek’s work to bolster liberalism.

Hayek warned of centralizing and authoritarian urges of both the left and the right, but it’s in the “permanent” government — the civil servants who remain in office regardless of electoral outcomes — that much of the danger to individual liberty lies:

Throughout Hayek is concerned for constitutional parliamentary government and the rule of law, and their protection against arbitrary government. The idea that freedom requires clear and general rules of conduct anonymously applicable to all — that government run by ad hoc edict is oppressive — was to be the major theme of his subsequent works in political theory, The Constitution of Liberty and Law, Legislation, and Liberty; but it is central to the argument of Road to Serfdom as well.

In the preface to the 1956 edition, Hayek described the postwar Labour government as having created a bureaucratic “despotism exercised by a thoroughly conscientious and honest bureaucracy for what they sincerely believe is the good of the country. But it is nevertheless an arbitrary government, in practice free from parliamentary control; and its machinery would be as effective for any other than the beneficent purposes for which it is now used.”

Here one hears a predecessor of the widespread classical liberal “we told you so” after the election, blaming the Obama administration for increasing the presidential power that the Trump administration would now inherit. But it is worth emphasizing that Hayek still called the purposes pursued by the left-wing bureaucratic state “beneficent”.

The tone Hayek adopts here is not the schadenfreude of contemporary whataboutism. Now that “hot socialism is probably a thing of the past” (hardly what one would expect Hayek to say were he the determinist caricature sometimes embraced by fans as well as critics), the welfare state calls for “careful sorting out” in the pursuit of its “practical and laudable” aims. He calls for the welfare state and social insurance to be implemented through general rules and fiscal policy rather than administrative coercion, nationalization, and direct economic planning, because the latter instruments “are not compatible with the preservation of a free society.”

H/T to Tamara Keel for the link.

December 6, 2021

QotD: Modern “Canadian culture” is a vast vanity press operation funded with lots of government money

Filed under: Books, Cancon, Government, Media, Quotations — Tags: , , , , , — Nicholas @ 01:00

From a distance, it is beginning to look as if Canada does not have a specific culture. No one is buying books, no one is watching television, no one is watching or listening to the CBC. People trail through galleries sometimes, and at the top of the investment tree, people buy art. But not because they love it, they buy it because it lends them status.

CanCon is a heavy lift at the best of times, being close neighbors to that hulking great monster south of us which is the most creative culture on earth. That is why we spend billions every year to prop up our creators, our artists, who we love.

Except we don’t.

Film salaries are funded up to 50%, books, 30%, news media 60%, and yet … no one is watching, reading, or listening. It is like a giant vanity project which various foreign appointees can brandish in foreign capitals.

Last month I traced the sales of this year’s Canadian literary award winners and I suppose “best-sellers”. Their sales on Amazon, hardcover, soft cover and digital ranged from 4 books to 33 books per month, incomes hovering in the three figures. (Amazon accounts for roughly 70% of sales.) This during summer reading months where Canadians are at their lake shacks from coast to coast reading one would hope about themselves, the world they live in, and well … just curiosity.

Equally looking at the viewer and listener stats for the CBC, our national behemoth, which eats up $1.5 billion annually, and which amounts to 50% of the media dollars spent, is equally disheartening. The state spends another $600 million supporting once-successful media because “internet”.

CBC television is watched by 3.9% of Canadians and only .8% watch CBC News. Again, half of all media dollars, half. Half is spent engaging less than 4% of Canadians.

CBC radio is considered reasonably good, and is listened to despite the almost vindictive calling out of anyone who disagrees with their hard socialist stance. Despite every conceivable advantage, advertising on the CBC dropped 20% during the pandemic.

In fact, they are so disliked that CBC is hiring “close protection security” for the next two years. They are so disliked, they have turned off commenting on their various programs. They are so disliked that there is a brand of coffee called “Defund the CBC”. This isn’t passive ignoring, this is active dislike to the point of needing bodyguards.

Why?

Because our media show us Canadians as racist, stupid, sexist, stupid, stupid and more stupid. And while they are at it, shallow and violent.

That is the real reason, and the only reason CanCon is dying. They hate us.

Elizabeth Nickson, “Canadian Culture on the Ropes”, Elizabeth Nickson, 2021-09-01.

December 5, 2021

Will publishers move back to actually printing their own books?

Filed under: Books, Business, Economics — Tags: , , — Nicholas @ 03:00

In the latest SHuSH newsletter, Kenneth Whyte explains some of the issues publishers face in getting their books printed, as most publishers outsourced the actual physical work of printing and binding many years back:

Offset printing.
Image from Wikimedia Commons.

I had a serious conversation with another publisher this week about the need for publishers to start printing their own books.

Those familiar with publishing history will know that from the fifteenth to the nineteenth century, most publishers printed their own books. Ownership of a press, as much as anything, was what made a publisher a publisher. In the course of the twentieth century, it was decided that publishing books and printing books were different businesses. Virtually all publishers outsourced their printing to high-volume printing specialists who were constantly upgrading their equipment, and who, theoretically, at least, were better, faster, and cheaper than in-house printing operations.

[…]

Apart from that handful of artisans, today’s book publisher can no more operate a printing press than a backhoe. He or she outsources printing to specialists on a project-by-project basis.

The options for large-scale quality printing are increasingly scarce, thanks to a lot of consolidation in the printing business. Smaller shops (like the artisans) only do paperbacks; hardcovers require a lot of expensive binding equipment. If a publisher wants a big run of a hardcover title, the most likely printers are the industry giants: R.R. Donnelley (above) or CJK Group in the US; Friesens and Marquis in Canada. These companies all use huge offset web presses that are big as gymnasiums and only economically efficient at higher quantities (i.e., in the thousands). The technology involves metal plates and rubber mats and massive rolls of paper (if you’re interested, read more here) and the quality is first rate.

I should have said that the only options for a big run of hardcovers in Canada are Friesens in Altona, Manitoba and Marquis in Montmagny, Quebec. There are no hardcover printing options in Ontario, where so many publishers are concentrated (although Marquis does have a plant in Toronto).

[…]

The reason publishers are now talking about doing their own printing is that it is increasingly difficult to get time on any kind of press. Friesens, when Sutherland House started a few years ago, could usually do a job for us in eight weeks. There were seasons — the dead of winter, the height of summer — when they could deliver even faster and we’d get a discount because their presses weren’t especially busy. COVID-19 changed all that.

People have been buying more books during the pandemic, and publishers have been printing more. Friesens is now fully booked six to eight months out; its fall 2022 schedule is already crowded. The US printers we use as alternatives to Friesens are similarly backed up.

It’s making the decision to print in hardcover hazardous. It used to be that if you printed a few thousand copies of a new book in hardcover and it was in danger of selling out, you could get back on press in six to eight weeks, maybe less, and continue to fill orders. Now, if that original press run is selling fast, you might have to wait six to eight months to print a second edition. You’ll be out-of-print for most of that time, and all momentum will be lost. Some publishers are thus moving immediately to digital paperback formats (none of the digital printers have hardcover binderies) for their second editions, even if it’s only weeks into a book’s life. There is more availability at digital printers, so resorting to the digital paperback format allows you to keep your momentum.

December 4, 2021

QotD: Still making dystopia

Filed under: Architecture, Books, Education, History, Quotations — Tags: , , , , , — Nicholas @ 01:00

It is now three years since James Stevens Curl’s Making Dystopia was first published. Professor Curl’s book revised the history of architecture in the 20th century, exposing the standard curriculum taught to students as a poorly-conceived fabrication. The truth, backed by the mountains of evidence he cited, was frightening.

Curl’s critique of the theory and practice of modernism demolished the economical-ethical-political arguments put forward for decades that justified forcing people to live in inhuman environments. It was all a power-play, to drive humane architecture and its practitioners into the ground so that a new group of not very competent architects and academics could take over.

Alas, after three years, the situation is much the same as it was before 2018. Whoever practised humane architecture continues to do so today. Practitioners who have always applied Curl’s philosophy include Classical and Traditional architects, and followers of Christopher Alexander (who do not necessarily use a Classical style, but reject the modernist design straightjacket so as to create a more living structure). Those who produced image-based inhumane architecture have not changed tack or been influenced in any perceivable way.

Curl’s book covers human-scale developments that were allowed at the margins of the profession during several decades, as long as they didn’t threaten the core where the spotlight shines. Practitioners the world over, most often working in isolation, produce excellent and humane buildings. That work is hardly ever seen in the media, certainly never in the architecture journals. I’m sure that those architects now feel vindicated. It is possible that Curl’s book provides a rallying point for those who desire a new, humane architecture.

Nikos A. Salingaros, “Still making dystopia”, The Critic, 2021-08-30.

December 1, 2021

“To challenge individualism, we must suspend individual perceptions by exploring our collective racial identity, which is good because by disrupting individual identities, we challenge individualism”

Filed under: Books — Tags: , , — Nicholas @ 05:00

Matt Taibbi reviews Robin DiAngelo’s Nice Racism: How Progressive White People Perpetuate Racial Harm.

Nice Racism, the booklike product just released by the “Vanilla Ice of Antiracism“, Robin DiAngelo, begins with an anecdote from the author’s past. She’s in college, gone out to a dinner party with her partner, where she discovers the other couple is, gasp, black. “I was excited and felt an immediate need to let them know I was not racist,” she explains, adding: “I proceeded to spend the evening telling them how racist my family was. I shared every racist joke, story, and comment I could remember my family ever making …”

Predictably, her behavior makes the couple uncomfortable, but, “I obliviously plowed ahead, ignoring their signals. I was having a great time regaling them with these anecdotes — the proverbial life of the party!” She goes on:

    My progressive credentials were impeccable: I was a minority myself — a woman in a committed relationship with another woman … I knew how to talk about patriarchy and heterosexism. I was a cool white progressive, not an ignorant racist. Of course, what I was actually demonstrating was how completely oblivious I was.

No kidding. Instead of trying to amp down her racial anxiety out of basic decency, this author fed hers steroids and protein shakes, growing it to brontosaurus size before dressing it in neon diapers and parading it across America for years in a juggernaut of cringe that’s already secured a place as one of the great carnival grifts of all time. Nice Racism, the rare book that’s unreadable and morally disgusting but somehow also important, is the latest stop on the tour.

DiAngelo is a unique writer, being dishonest, dangerous, and moronic in magnificent quantities, probably in that order. If you’re trying, which she clearly isn’t, a good trade rule is, “If you’ve already written a book once, don’t write it again.” Nice Racism is the same book as the 2018 bestseller White Fragility, and by “the same” I don’t mean generally, but word-for-word, line-by-line, chapter-by-chapter the same, a thunderous, admirably brazen exercise in self-plagiarism. Can you guess which of these passages is from Nice Racism, and which from White Fragility?

a) Individualism… allows white people to exempt ourselves personally from race-based advantage.

b) To challenge the ideologies of racism such as individualism and color blindness, we as white people must suspend our perception of ourselves as unique and/or outside race.

c) Exploring our collective racial identity interrupts a key privilege of dominance — the ability to see oneself only as an individual.

d) We need to discuss white people as a group — even if doing so jars us — in order to disrupt our unracialized identities … Talking about race and racism in general terms such as white people is constructive for whites because it interrupts individualism.

The first is from Nice Racism, the rest from White Fragility. The last three actually comprise a paragraph that moves in full circle: “To challenge individualism, we must suspend individual perceptions by exploring our collective racial identity, which is good because by disrupting individual identities, we challenge individualism.” A rhetorical palindrome! This isn’t writing, but vomiting up mounds of sentences that mean the same thing and mopping them on the page. Because this author only has two or three ideas — I was going to make a list but I think it stops after “denying racism is evidence of racism” — the effect is disorienting across one book, let alone two.

H/T to K.T. at Ace of Spades H.Q. for the link.

November 28, 2021

QotD: Hidden political pay-offs as “book advances”

Filed under: Books, Business, Media, Politics, Quotations, USA — Tags: , , — Nicholas @ 01:00

Anyway, as I’ve complained many times before, these “advances” given to leftwing figures are not advances at all.

True advances are, well, advances against expected future royalties. That’s why they’re called “advances”.

People expect that a J.K. Rowling book will produce at least $5 million in royalties, so you give her a $5 million advance on those royalties. You’re giving her a payment on her royalties in advance of actually seeing those sales.

But you do expect them.

You don’t pay her fresh royalties until the royalties she generates exceeds the initial advance on royalties you paid her.

When she makes $5 million and one hundred dollars, you send her a fresh check for one hundred dollars.

When these major media conglomerates, all left-leaning and most with business before the government, give millions to Hillary Clinton and Hunter Biden and Andrew Cuomo, there is no one at that company that expects the books will ever make that much in royalties.

They’re just payoffs. Or disguised political donations.

It’s not an “advance” if you cannot show a plausible stream of sales which will meet or exceed that “advance”.

Personally, I’d love to see some kind of law on this subject to force these large media corporations to prove that they have a genuine, rational belief that a Hunter Biden book will make $10 million in sales (which would justify a million dollar advance, assuming a royalty of 10%).

And I’d like to see their corporate officers sign certifications for the government that they’re not fudging the numbers. And that they understand that there might be prosecutions for perjury if they do lie about expected future royalties.

Much like people in the financial sector are constantly required to sign.

Why should media corporations be immune from such requirements?

And I’d love to see these disguised campaign donations treated and limited just like actual campaign donations.

Or, better yet: No “advances” for serving politicians, declared politicians who are running, or any politician ten years after his term of service ends. They can just take their royalty checks as royalties actually accrue.

If Hunter Biden really sells $10 million in books — LOL — then he’ll get that million dollars eventually in royalty payments. They’ll just come over the course of a year or two rather than all at once in an “advance” on future earnings.

If not — then not.

This isn’t stopping them from getting paid for books they sell — it’s to stop mega-media-corporations with business before the government, and a strong desire to pay off politicians they like, from giving “advances” to favored politicians that bear no relationship whatsoever to the actual expected royalties the books will generate.

Ace, “Ethics Agency Might Claw Back Cuomo’s $5 Million ‘Advance’ For His ‘Book'”, Ace of Spades H.Q., 2021-08-27.

November 27, 2021

How Andrew Cuomo got megabucks for his (ghostwritten) book on the pandemic

Filed under: Books, Business, Politics, USA — Tags: , , , , — Nicholas @ 05:00

In the latest issue of the SHuSH newsletter, Kenneth Whyte details how former New York state Governor Andrew Cuomo managed to get a $5.1 million advance from Random Penguin for a book that was mostly written by Cuomo staff members and an outside ghostwriter:

Penguin Random House contacted Cuomo’s agent about writing a book on March 19, 2020, about three weeks after the first COVID-19 case landed in New York. Cuomo was a TV darling in the early days of the pandemic. On July 1, his agent got back to Penguin Random House to say he’d written 70,000 words and he was ready to make a deal. How did a governor of America’s hardest-hit pandemic state produce a fat manuscript in three months flat? It appears he had his staff and a ghostwriter author the book for him, in violation of state ethics prohibitions against the use of any state resources or personnel to produce the book.

Meanwhile, Cuomo’s office was churning out doctored statistics to make his pandemic policies, particularly around nursing homes, look better than they deserved.

July 8, Cuomo’s book went to auction. Penguin Random House kicked things off with a $750,000 offer and wound up winning with a bid of $5.1-million. It was a triumph for Cuomo, and not his first in the publishing world: about seven years ago, he took HarperCollins for a $700,000 advance on what the New Republic called an “overlong … cliché-ridden, and hopelessly dull” memoir, All Things Possible. That one sold 4,000 copies in hardcover, a number that would warrant an advance of maybe $10,000.

Several weeks after the auction, Cuomo was asked by the media if he got a lot of money to write the book. “Well,” he replied. “Only if I sell a lot of copies.” Which is not how it works. Advances are non-returnable, and he’d banked $3.1 of the $5.1 before publication. The rest of Cuomo’s advance was spread out over two more years, presumably for tax purposes.

Weeks after the grandly titled American Crisis: Leadership Lessons from the COVID-19 Pandemic was released in October 2020, Cuomo was hit with the first of a long series of sexual harassment allegations. He was forced to resign in August 2021. By then, it had also emerged that Cuomo’s office had covered up roughly half of the fatalities among state nursing home residents during the pandemic.

American Crisis managed to sell at least ten times more copies than Cuomo’s previous book, which is progress, I suppose, but still a nightmare for his publisher. A sale of 50,000 copies might warrant a solid six-figure advance. But $5.1 million? Disastrous.

November 25, 2021

Are there any actual First Nations people on government commissions, or are they all Pretendians?

Filed under: Books, Cancon — Tags: , , , , , — Nicholas @ 03:00

There are few enough opportunities for First Nations people in Canada to be heard and for their efforts to matter on issues of concern to all First Nations people … so why do so many of those positions seem to be held by people who lie about their First Nations ancestry? (The original CBC story is from back in September, but I only found out about it today, with my usual great sense of timing.)

“Book burning” by pcorreia is licensed under CC BY 2.0

Suzy Kies, the co-chair of the Indigenous peoples’ commission of the Liberal Party, has resigned from the position after her claim to Indigenous ancestry was called into question.

Radio-Canada reported on Wednesday that it could not confirm Kies’s claims to Indigenous ancestry. Kies told Radio-Canada in an interview that her father is of European descent and her mother is of Indigenous descent.

“My mother’s family is from several communities,” she told Radio-Canada in an interview in French. “On my grandfather’s side, it’s the Maliseet, from St. Mary’s, New Brunswick, there are also the Laporte who are Innu. And my grandmother was Abenaki from Odanak.”

In Radio-Canada’s reporting, they consulted civil status records and the Abenaki Council of Odanak, who did not find Kies on the band list.

The story came following controversy over a book-burning project at a francophone Ontario school board in which Kies was involved. The event, which was carried out by the Conseil scolaire catholique Providence in 2019, has resurfaced during the election campaign and has attracted condemnation by federal leaders.

The event was meant to promote reconciliation by burning and disposing of books the school board deemed to contain outdated and inappropriate depictions of Indigenous people. The books included novels, comic books and encyclopedias, according to a documentary obtained by Radio-Canada. Nearly 5,000 books were disposed of, but only around 30 were burned.

H/T to halls of macadamia for the link.

Update: A disturbing number of white American college applicants are lying about their racial ancestry to (significantly) improve their chances of being accepted, so I guess Canadian Pretendians are just slightly ahead of the curve:

The survey of 1,250 white college applicants ages 16 and older found that the most popular racial claim was Native American. Out of the 34 percent of white college applicants who lied about their race, 77 percent were accepted.

“It’s the easiest lie to tell because you can’t get caught in it,” said Vijay Jojo Chokal-Ingam, an admissions consultant at SOSAdmissions.com and author of Almost Black: The True Story of How I Got Into Medical School By Pretending to Be Black.

“A lot of people, based on very flimsy reasons, claim to be either African-American, Hispanic or Native American because they know it’s going to improve their chances,” Chokal-Ingam said in an interview with The College Fix.

Though lying on college applications is frowned upon, universities typically do not push back on students about their race. Instead, they accept it regardless of what they look like, he said.

“It’s become a joke,” Chokal-Ingam said.

He cited Senator Elizabeth Warren, who famously “lied about her race to get a faculty position at Harvard.”

“If there was a degree to which people felt guilt about doing that, it died with Warren because the Boston Globe, the New York Times, the Washington Post — they all ran to her defense,” he said. “This prompted an ‘if she can do it, I can do it too’ ideology.”

“When President Trump called Senator Elizabeth Warren ‘Pocahontas’, [the media] called him a racist. They said it was a racist thing. On the contrary, I think that he was bringing to attention a very important issue in the field of racial-race relations,” Chokal-Ingam said. “He was making people aware of the fact that people routinely, on a massive scale, lie about their race.”

H/T to Glenn “Instapundit” Reynolds, who pointed out, “If white supremacy were actually a thing, this wouldn’t be happening”.

November 24, 2021

Rousseau versus “original sin” in modern-day culture

Filed under: Books, Media, Politics, USA — Tags: , , , , , — Nicholas @ 03:00

In UnHerd, Mary Harrington ponders the two irreconcilable camps struggling for cultural supremacy in western countries, as most recently highlighted by the Kyle Rittenhouse trial in Kenosha, Wisconsin:

Portrait of Jean-Jacques Rousseau (1712–1778) by
Maurice Quentin de La Tour, circa 1753.
Wikimedia Commons.

The Rittenhouse argument is just such a case. It’s powered by a profound disagreement about human nature: one that fuels many of the most intractable modern culture wars, from Mumsnet bunfights about babycare to arguments about classroom discipline and what the police force is for.

Are humans naturally good given the right circumstances? Or are we flawed and in need of threats and guidelines to keep us on the straight and narrow? The split is a legacy of radical ideas stretching back to the revolutionary 18th century.

Perhaps the most famous proponent of intrinsic human goodness is Rousseau, who claimed in Emile (1762) that children are born virtuous. As Rousseau sees it, we only need freedom, love and the right environment to spontaneously come to an understanding of what’s right.

When Emile was first published, it stood in stark challenge to the then-dominant view, emerging from the Christian tradition, that humans are tainted by “original sin”. From this vantage point, we’re naturally flawed, and must always struggle against our less virtuous instincts. Rousseau’s claim so appalled adherents of this then-dominant view that copies of his book were burned in the street.

Today, though, the boot is on the other foot. The high-status view among contemporary elites is unmistakeably Team Rousseau.

At the tiniest scale, it’s expressed in the school of parenting that believes it’s wrong or even cruel to teach children how to live. I’ve written before about the currently popular ideas of “attachment parenting” and “gentle parenting”, which emphasise self-discovery in a loving environment over routine, authority or punishment — and about how these views skew wealthy and liberal.

In education settings, the same idea appears as “child-centred pedagogy”, an approach that emphasises individual pathways and discovery over rote learning and teachers as authority figures. And at the biggest scale, it crops up as the claim that all the root causes of crime are external to humans: poverty, trauma, discrimination and so on. From this perspective, if we could only replace policing with tailored community services that eliminated these root causes, there would no longer be any crime.

Even outbreaks of mass public disorder are treated by Team Rousseau as an unfortunate-yet-understandable response to bad governance: when BLM protesters in Baltimore toppled a statue of Christopher Columbus last year, the Democrat politician Nancy Pelosi responded by shrugging it off as a natural expression of that community’s wishes. If the community doesn’t want the statue, she said, “the statue shouldn’t be there”. From this vantage point, public unrest is something akin to the weather: a naturally-occurring phenomenon in which leaders must strive to create the conditions for goodness, or else “people will do what they do”.

November 23, 2021

Tucker Carlson’s new book The Long Slide

Filed under: Books, Media, Politics, USA — Tags: , , , — Nicholas @ 03:00

Wilfred M. McClay reviews Carlson’s collected essays for First Things:

Tucker Carlson has become such a fixture in the world of cable-television news that it’s easy to forget he began his journalistic career as a writer. And a very good one at that, as this wide-ranging and immensely entertaining selection of essays from the past three decades serves to demonstrate. Carlson’s easygoing, witty, and compulsively readable prose has appeared everywhere from The Weekly Standard (where he was on staff during the nineties) to the New York Times, the Spectator, Forbes, New Republic, Talk, GQ, Esquire, and Politico, which in January 2016 published Carlson’s astonishing and prophetic article titled “Donald Trump is Shocking, Vulgar, and Right”. That essay has been preserved for posterity in these pages, along with twenty-two other pieces, plus a bombshell of an introduction written expressly for the occasion. More of that in a moment.

The first response of many of today’s readers, particularly those who don’t like the tenor of Carlson’s generally right-populist politics or the preppy swagger and bubbly humor of his TV persona, will be to dismiss The Long Slide as an effort to cash in on the author’s current notoriety by recycling old material to make a buck. That was my assumption when I first opened this collection. But the book has an underlying unity, and a serious message. It evokes a bygone age, an era of magazine and newspaper journalism that seems golden in retrospect, and is now so completely gone that one must strain to imagine that it ever existed at all. The simple fact is that almost none of these essays could be published today, certainly not in the same venues: They are full of language and imagery and a certain brisk cheerfulness toward their subject matter that could not possibly pass muster with the Twittering mob of humorless and ignorant moralists who dictate the editorial policies of today’s elite journalism.

Carlson’s writing style reflects the influence of the New Journalists such as Tom Wolfe and Hunter Thompson, who brought a jaunty, whiz-bang you-are-there narrative verve and high-spirited drama to the task of telling vividly detailed stories about unusual people and places, generally relating them in the first person. Carlson’s prose is not as spectacular as Wolfe’s or as thrillingly unhinged as Thompson’s. But it has its own virtues, being crystal clear, conversational, direct, and vigorous, never sending a lardy adjective to do the work of a well-chosen image, and never using gimmicky wild punctuation or stretched-out words to fortify a point. He’s a blue-blazer and button-down-collar guy, not a compulsive wearer of prim white suits or a wigged-out drug gourmand wearing a bucket hat and aviator glasses. But many of Carlson’s writings give the same sense of reporting as an unfolding adventure, a traveling road show revolving around the reactions and experiences of the author himself.

Carlson usually shows a certain fundamental affection for the people he writes about, even if he also ribs or mocks them in some ways. In particular, there is none of that ugly contempt for the “booboisie” and ordinary Americans that one finds, for example, in the pages of H.L. Mencken, and in a great deal of prestige journalism. Instead, he reserves his contempt for the well-heeled know-it-alls who genuinely deserve it. In that sense, the Carlson of these essays does not seem very different from the Carlson of today. He always has been a bit of a traitor to his class, and commendably so.

November 16, 2021

QotD: Writing SF and fantasy

Filed under: Books, Quotations — Tags: , , — Nicholas @ 01:00

Science fiction and fantasy are the only genres in which a series can be defined by the universe in which it is set, which, when you think about it, gives a vast lot of creative elbow-room, potentially.

Lois McMaster Bujold, interview at Blogcritics, 2005-05-24.

November 14, 2021

Literary corner – the life and work of the great American author, Bort Juggs

Filed under: Books, Humour, USA — Tags: , , , — Nicholas @ 03:00

I hang my head in shame for having to admit that until Saturday, I had never encountered the legendary Bort Juggs. Fortunately the latest edition of the SHuSH newsletter from Kenneth Whyte helped open my eyes:

Twitter has less and less to recommend it these days but still has its moments, especially in its literary corners. One of my favorite follows is @TheEsteemedFox who a couple of weeks ago posted this:

And then the fun started:

The thread continues, so go RTWT if you know what’s good for you.

November 13, 2021

The patron saint of “Gonzo” journalism was a pretty cruddy human being

Filed under: Books, History, Humour, Media, USA — Tags: , , , , , — Nicholas @ 05:00

As I mentioned in an earlier post on one of Hunter S. Thompson’s famous early books, I discovered the writer at a particularly susceptible age … teenagers of my generation were generally suckers for counter-culture heroes (being too young to be actual hippies because we were in primary school when the Summer of Love flew past, and therefore feeling we’d missed out on something Big and Important and Meaningful). As a gullible teen, I believed Fear and Loathing in Las Vegas was mostly factual with some obvious-even-to-me embroideries for dramatic or comedic effect. I could easily forgive the guessed-at 10% fiction, but Thompson eventually admitted that the majority of the story was bullshit. Entertaining bullshit, but bullshit.

Which, as it happens, turns out to have been Thompson’s life-long modus operandi, as Kevin Mims repeatedly highlights in his Quillette review of David S. Wills’ biography called High White Notes: The Rise and Fall of Gonzo Journalism:

In High White Notes, his riveting new biography of Hunter S. Thompson, journalist David S. Wills describes Thompson as America’s first rock star reporter and compares him to Mick Jagger. But by the time I finished the book, I’d decided that Thompson bore a closer resemblance to Donald Trump. The two men were born nine years apart, during white American masculinity’s golden age. Both were obsessed with politics without possessing anything that could be described as a coherent political philosophy. Both men longed for some mythical American paradise of the past. Both men screwed over multiple friends and business partners. Both men would have gone broke if not for the frequent intervention of helpful patrons. Both men were egomaniacs fond of self-mythologizing and loath to share a spotlight with anyone. Both men enjoyed making disparaging remarks about women, minorities, the disabled, and other disadvantaged people. Both men were frequently disloyal to their most loyal aiders and abetters. Thompson’s endless letter writing and self-pitying 3am telephone calls to friends and colleagues were the 20th century equivalent of Trump’s late-night Twitter tantrums. Both men generally exaggerated their successes and blamed their failures on others. Both men mistreated their wives. Both men nursed a constant (and not entirely irrational) sense of grievance against perceived enemies in the government and the media. Both men had a colossal sense of entitlement …

The list could go on and on. Trump actually fares better than Thompson by various measures. For instance, Trump has never had a drug or alcohol problem, as far as I know. Thompson was a drug and alcohol problem. The first US president in living memory without a White House pet seems to have no interest in animals. Thompson enjoyed tormenting them. Rumors have circulated since 2015 that a recording exists of Trump using a racial slur but since the evidence has never surfaced, it might be fairer to conclude (at least provisionally) that this is not one of his many character failings. Thompson’s published and (especially) unpublished writings are full of such language.

All of which may lead you to conclude that High White Notes is not a favorable account of Hunter S. Thompson’s life and work. To the contrary, David S. Wills is a Thompson devotee who considers his subject to have been a great writer and, at times, a great journalist. But Wills is an honest guide, so his endlessly entertaining biography manages to be both a fan’s celebration and unsparing in its criticism of Thompson and his work.

Though impressive, the book is not without faults. Wills relies too heavily on cliché (“This book will pull no punches”; “breathing down his neck for the final manuscript”; “women threw themselves at him” etc.), and has a tendency to find profundity in unnaturally strained readings of Thompson’s prose. For instance, Wills describes a scene from a 1970 profile Thompson wrote of French skier Jean-Claude Killy, in which three young boys approach Thompson and ask if he is Killy. Thompson tells them that he is, then holds up his pipe and says, “I’m just sitting here smoking marijuana. This is what makes me ski so fast.” This sounds to me like standard Thompson misbehavior, but Wills infers something more complex: “On the surface, it appears to be comedy for the sake of comedy but in fact it is a comment on the nature of celebrity and in particular Killy’s empty figurehead status.” And when Thompson describes Killy as resembling “a teenage bank clerk with a foolproof embezzlement scheme,” Wills remarks, “Thompson has succeeded mightily not just in conveying [Killy’s] appearance but in hinting at his personality. He has placed an image in the head of his reader that will stick there permanently. It was something F. Scott Fitzgerald achieved, albeit in more words, when he had Nick Carraway describe Jay Gatsby’s smile.” (The book, by the way, takes its title from Fitzgerald, who used the phrase to describe short passages of writing so beautiful that they stand out from the larger work of which they are a part.)

[…]

Thompson’s big break as a writer came in 1965 when he was hired to write an article about the Hell’s Angels motorcycle gang for the Nation. The piece was so popular that Thompson found himself besieged by publishers who wanted him to expand it into a full-length nonfiction book. The Thompsons moved into the Haight-Ashbury district of San Francisco and Thompson set about writing Hell’s Angels, the 1967 book that would make him famous. Even in that first book, written before he had fully formulated the concept of Gonzo journalism, Thompson was already tinkering with the truth and engaging in the kind of self-mythologizing that would become a hallmark of his work. And that didn’t sit well with the Hell’s Angels themselves. According to Sonny Barger, a founding member of the Angels, Thompson “would talk himself up that he was a tough guy, when he wasn’t. When anything happened, he would run and hide.” Barger’s assessment of the book was terse: “It was junk.”

Wills notes that Thompson “tended to write about himself in ways that built his legend … to prove his machismo on paper. The back cover [of Hell’s Angels] describes him as ‘America’s most brazen and ballsy journalist’ and in the book he tells the story of first meeting the Angels and trying to impress them by shooting out the windows of his own San Francisco home. Such moments of bravado tend to enter the story very briefly and seem to serve little purpose beyond this self-mythologizing.”

But it was exactly this kind of self-mythologizing — the bragging about his drug use and general misbehavior — that editors of American magazines found so exciting about Thompson’s work, so it’s no wonder that he engaged in so much of it. It was his wild man persona that made Warren Hinckle of Scanlan’s Monthly want to unleash him among the socialites of Louisville. Still, Thompson didn’t fully emerge as a countercultural hero until he began to write for a small start-up publication in San Francisco called Rolling Stone.

QotD: Boris Johnson as Billy Bunter, the “Fat Owl of the Remove”

Filed under: Books, Britain, Humour, Politics, Quotations — Tags: , , — Nicholas @ 01:00

One can only suspect some insidious intent – or trolling, if one wishes to call it by its proper name – when the Scottish police force had to rename the operation designed to protect Boris Johnson in his current visit to the country. It now rejoices in the unexceptional title of “Operation Aeration”, but until it attracted adverse publicity, its original name was “Operation Bunter”.

Although a spokesman for the Scottish police said, with tongue so far in cheek that it was astonishing they could speak, “Operational names are auto-generated by computer and can be changed if they are deemed to be inappropriate”, the comparison between the Prime Minister and Frank Richards’ legendary creation Billy Bunter, the “Fat Owl of the Remove” is a far from flattering one.

In Richards’ stories, Bunter is a gluttonous, lazy, dishonest and academically negligible student at Greyfriars School in Kent, forever attempting to obtain loans from his fellow schoolboys on the promise that a non-existent postal order is going to arrive from his wealthy relatives at “Bunter Court”. It is made clear that, for all his fantasies of wealth and success, Bunter’s home is in fact the considerably more modest “Bunter Villa”, which possesses merely one maid and one cook. Richards therefore invites his readers to condemn Bunter as an arriviste to the English public school system, amongst his many other sins. He is repulsive in appearance, significantly overweight, perpetually dirty and often given to thoughtless instances of racism and xenophobia. And his famous catchphrases – “I say, you fellows!” and, when he is being beaten, kicked or otherwise abused, “yarooh!” – are irritating, rather than witty or charming.

Needless to say, the books that featured him as their lead character were hugely successful for decades, but now, in our more censorious and self-aware image, have fallen into obscurity. None of them are currently in print, and the last time that any of the novels were reissued was in the early Nineties. When the news story about Operation Bunter broke, many papers had to explain exactly who the character was, and why the allusion was apposite. While the milder likes of Jennings and William continue to be much loved by parents and grandparents of a certain generation, Bunter and his fellow denizens of Greyfriars have found themselves condemned to a kind of literary Siberia, and show few signs of coming in from this particular cold. Is there any hope that some literary-minded minister will intervene and aid the Fat Owl’s rehabilitation? Or are the books simply too outrageous and un-PC for our contemporary tastes?

Alexander Larman, “Boris Bunter”, The Critic, 2021-08-09.

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