Quotulatiousness

November 2, 2011

Disagreeing with Pete Townshend

Filed under: Economics, Media — Tags: , , , , — Nicholas @ 09:03

Felix Cohen has an interesting article up at the Guardian‘s “Comment is free” section:

When I was originally sent some quotes from Pete Townshend’s John Peel lecture on Apple — which he refers to as a digital vampire — and music piracy, I was ready to fundamentally disagree with the thrust of his argument, but having taken the time to read it and parse it I’m surprised at how much sense there is. Regrettably, though, he also commits some fairly serious and unforgiveable misunderstandings of Apple and Amazon as companies, the internet and, perhaps least forgivable, the nature of creativity and the auteur as arbiter of what’s acceptable for public consumption.

[. . .]

Because I also believe that the commercial success you and your peers achieved was a brief, Burgess Shale-like period in popular culture, where the dearth of real social recommendation meant that people like John Peel, and now, sadly, Simon Cowell, imposed their tastes on swaths of youth. Peel (Cowell considerably less so) was an amazing, charismatic, much missed man who was able to tap into the zeitgeist and promote acts who wouldn’t have a chance without him. But he had his tastes and dislikes like anyone, and that’s the downfall of auteur theory; you don’t get to see outside of someone else’s perspective.

[. . .]

And, like the creatures in the Burgess Shale, we can look back and say: this brief flowering of bizarre and fantastical cultural expression was only made possible by its environment. This was what popular culture looked like when the only people who could make a real living were the top 0.0001%, while everyone else toiled in garages, college music rooms and village halls, trying everything in their power to break through. And, sadly, it ended up anodyne, populist and, well, The X Factor.

[. . .]

I’m not sorry that the period where you were able to be wined and dined by vast, terrifyingly wasteful record labels because you were paying for all of their A&R failures is over. To return to my prehistoric metaphor, the Cambrian period ended with a mass extinction event, but the period that followed allowed for the establishment of the species we see today. We should hope that creative popular culture follows a similar pattern, and that new artists and musicians will be able to be successful, widely heard, nurtured by crowd-supported services such as PledgeMusic rather than bloated A&R corporations; companies with a more human attitude to what they do and who they are doing it for.

October 17, 2011

Nostalgia for the monoculture that never was

Filed under: Media, USA — Tags: , , — Nicholas @ 08:58

Steven Hyden points out that waxing nostalgic for a mythical time when “we” had a monoculture is farcical:

Like Touré, I get nostalgic for the monoculture. It certainly seems like an alluring idea. The monoculture reinforces the belief that what we as critics spend so much time thinking about really is a central part of the way our society lives and breathes. Otherwise it might be hard to believe in the primacy of pop music when millions of people are out of work and our government is crippled by deep systemic dysfunction. But the best thing (or the worst thing, if you’re writing a think piece) about the monoculture is that it exists safely in the past, where it can live on in our imaginations as a mythical place where, as Touré recently wrote in Salon, “an album becomes so ubiquitous it seems to blast through the windows, to chase you down until it’s impossible to ignore it” — an all-powerful communal unity that comments on the shortcomings of the present.

[. . .]

I’ll remember going back to my junior high school that afternoon and talking about the video with all of my classmates. We knew instantly that “Smells Like Teen Spirit” signaled the dawn of a new era in pop music; it expressed our joys and fears, and pointed the way to a new future. We pledged to commit all the details of this moment (sorry, Moment) to memory, so that when our children asked us what it was like When The World Changed Forever, we would be able to pass down the tale.

Oh, wait a second: It didn’t happen that way at all.

Yes, I saw “Smells Like Teen Spirit” video over lunch, but nobody seemed to know who Nirvana was when I got back to school. It wasn’t like my friends could just punch up the video on their iPhones after I told them about it; the clip was in heavy rotation on MTV, but you still had to watch the channel for an hour or two (and at certain times of the day) to see it. Once my classmates did see it, a number of them purchased “Nevermind,” as I did. But many of them didn’t. Some preferred Pearl Jam. Some liked N.W.A.’s “Niggaz4life.” Some didn’t care about music at all; they’d rather play Tecmo Bowl. Then there were the millions and millions of Americans who bought Garth Brooks’ “Ropin’ the Wind,” the best-selling album of 1991. If anything, that was the album that we as a culture were united behind — it sold 14 million copies, though I never heard it once blasting through people’s windows.

October 9, 2011

ReasonTV: Remy’s Occupy Wall Street Protest Song

Filed under: Economics, Humour, USA — Tags: , , , — Nicholas @ 11:52

September 16, 2011

Last Night of the Proms

Filed under: Britain, History, Media — Tags: — Nicholas @ 11:10

Patrick West talks about the pro- and anti-Prom factions in British life:

When it comes to international politics, it is subconsciously understood that music can be used as a means of celebrating nationalist sentiment, or for trying to overcome it. While national anthems and folk music are employed to foment patriotism, songs such as the ‘Internationale’ and ‘The Red Flag’ represent an effort to transcend it. It’s a neat dichotomy — and it is also wrong, as last Saturday’s Last Night at the Proms demonstrated.

For those not in the know, the concert, held at London’s Royal Albert Hall, is the culmination of an annual eight-week festival of orchestral classical music, and the Last Night is its rapturous crescendo, traditionally featuring tunes that celebrate Britain/England — Edward Elgar’s ‘Pomp and Circumstance March No.1’ (which includes ‘Land of Hope and Glory’), Thomas Arne’s ‘Rule, Britannia!’, Hubert Parry’s ‘Jerusalem’ and the national anthem itself, ‘God Save The Queen’. The only place you will see Union flags on show in such vast numbers, and with such unashamed vainglory, will be on Belfast’s Shankhill Road or at a British National Party rally.

And there lies the problem for some on the liberal-left, who have traditionally sneered at this event. Many feel uneasy seeing the Union flag displayed so copiously in this musical, ersatz political rally, the ostensible message of which is that Britain is the best country in the world and all other countries are rubbish. Writing in the Guardian this week, Guy Dammann noted that the Last Night of the Proms provided ‘the opportunity to celebrate great little Britishness with no apparent irony’, as if to celebrate it with sincerity was a baffling and risible idea. The fact that the audience seems composed mostly of inebriated toffs compounds a sense of odium among the liberal-left.

September 13, 2011

New Kate Bush album to be released November 21

Filed under: Media — Tags: , — Nicholas @ 09:22

By way of a Twitter update from Stephen Fry, the news of a new Kate Bush album later this year:

We are extremely pleased to announce that Kate will be releasing a brand new album: “50 Words For Snow” on 21 November 2011

The album will be the second release from Kate’s own label Fish People and comprises all new material that was recorded during the same period that Kate worked on her album “Director’s Cut”.

[. . .]

“50 Words For Snow” will feature seven brand new tracks set against a background of falling snow. The total running time is 65 minutes and the track listing is:

SNOWFLAKE
LAKE TAHOE
MISTY
WILDMAN
SNOWED IN AT WHEELER STREET
50 WORDS FOR SNOW
AMONG ANGELS

September 8, 2011

Play it again, Gibson

Filed under: Bureaucracy, India, Law, USA, Woodworking — Tags: , , , , — Nicholas @ 08:59

Allahpundit posted the video clip above, saying:

If I’m understanding the applicable law correctly, Gibson is as much a victim of Indian protectionism as they are federal meddling. Watch the quickie John Roberts segment for the gist of it. The wood they use to make guitar keyboards is sufficiently rare/endangered that it can’t be exported legally from India unless it’s already been finished by Indian workers, and under U.S. law, if the export is illegal under Indian law, then it’s illegal here too. The governing statute, the Lacey Act, was passed in 1900, but only in 2008 was it expanded to include plants as well as animals, which is why Gibson’s now being hassled about the wood. All of which is jim dandy — except for the question of why Gibson seems to be getting so much federal attention vis-a-vis other firms. Roberts touches on that.

H/T to Jon, my former virtual landlord, who commented “I like the way he pulls the finished guitar fret out of his ass.”

Update: Speaking of Jon, he’s all over this issue with another link and extra commentary:

CHRIS DANIEL: Mr. Juszkiewicz, did an agent of the US government suggest to you that your problems would go away if you used Madagascar labor instead of American labor?

HENRY JUSZKIEWICZ: They actually wrote that in a pleading.

[. . .]

He’s even warned clients to be wary of traveling abroad with old guitars, because the law says owners can be asked to account for every wooden part of their guitars when re-entering the U.S. The law also covers the trade in vintage instruments.

As Jon points out, this is more than just an issue for the musical instrument makers and musicians:

It’s only a matter of time until this is applied to tools and furniture.

I wonder where [hand tool maker] Lie Nielsen’s politics lie — but he should be safe, using domestic cherry for his totes and knobs.

Lee Valley might have a problem exporting to the US, what with bubinga and rosewood components and being based in Ottawa, which is now a hotbed of hard-right conservative political thought. (A co-worker is wondering why I’m giggling to myself here).

September 7, 2011

A bit more on the Lacey Act

Filed under: Bureaucracy, Environment, India, Law, USA, Woodworking — Tags: , , — Nicholas @ 08:53

The Economist has a brief mention of the Gibson raid:

Agents barged in and shut down production. They were hunting for ebony and rosewood which the Fish and Wildlife Service (FWS) alleges was imported from India in violation of the Lacey Act, a 1900 law originally designed to protect fauna from poachers. This law has metastasised: it now requires Americans, in essence, to abide by every plant and wildlife regulation set by any country on Earth. Not having heard of an obscure foreign rule is no defence. Violators face fines or even jail. FWS claims the ebony sent from India was mislabelled, and that Indian law forbids the export of unfinished ebony and rosewood.

[. . .]

Guitarists now worry that every time they cross a state border with their instrument, they will have to carry sheaves of documents proving that every part of it was legally sourced. Edward Grace, the deputy chief of the FWS’s office of law enforcement, says this fear is misplaced: “As a matter of longstanding practice,” he says, “investigators focus not on unknowing end consumers but on knowing actors transacting in larger volumes of product.” But Americans have been jailed for such things as importing lobsters in plastic bags rather than cardboard boxes, in violation of a Honduran rule that Honduras no longer enforces. Small wonder pluckers are nervous.

Original report on the Gibson guitar raid here. Rules like the Lacey Act are tailor-made for petty bureaucrats to exercise immense amounts of judicially unsupervised power. It’s hard to believe that this kind of rule is being enforced evenhandedly, and rather easier to believe that it is being used selectively as a way of paying off scores, providing a “service” to certain firms at the expense of others, and creating lots of opportunities for bribes, “protection money”, and the like.

August 30, 2011

A different kind of flash mob: classical music at a Copenhagen train station

Filed under: Media, Railways, Randomness — Tags: , — Nicholas @ 07:37

H/T to Penn Jillette for the link.

August 27, 2011

US government moves swiftly to crush guitar industry

Filed under: Bureaucracy, Government, Law, USA — Tags: , , , — Nicholas @ 09:46

The US federal government, not satisfied with the state of the economy, is now targeting smaller industries for regulatory SWAT raids and asset confiscation:

The Justice Department raided the Memphis and Nashville offices of a guitar manufacturing company this week, seizing several pallets of wood, electronic files and guitars as part of a crackdown on illegally harvested hardwoods from protected forests, The Wall Street Journal reported.

But Henry Juszkiewicz, the chairman and chief executive of Gibson Guitar, defended his company’s manufacturing policies and accused the Justice Department of overreaching.

“The wood the government seized Wednesday is from a Forest Stewardship Council certified supplier,” he said in a statement to the newspaper, suggesting the Feds are using the aggressive enforcement of overly broad laws to snare the company.

The Justice Department refused to speak to the newspaper.

The raid prompted Iowahawk to connect the dots between this raid and the “Fast and Furious” operation:

Today’s uncovering of secret multi-agency program for shipping illegal Gibson guitars to Mexican drug cartels left red-faced officials of the U.S. Department of Justice scrambling for an explanation amid angry calls for a Congressional investigation.

“I have ordered all agency personnel to fully cooperate in any Congressional inquiries, including all reasonable document request, as soon as we can redact them with Sharpie pens and lighter fluid,” said U.S. Attorney General Eric Holder.

The secret program came to light early this morning in the border town of Nogales, Arizona, after what was described as a wild battle of the bands between members of the Sinaloa cartel and Los Zetas, two of Mexico’s most notorious violent drug gangs.

“Usually these guys are armed with Mexican Strats and Squires, Epiphones, small caliber stuff like that,” said Pedro Ochoa, 36, an eye witness to the sonic melee. “This time they were packing the heavy firepower.”

The steady barrage of power chords and piercing solo attacks attracted the attention of nearby U.S. Border Patrol agents, who arrived at the scene just as Los Zetas broke into Led Zeppelin’s ‘Immigrant Song.’ By the time the dust had cleared, U.S. Border Patrol Agent Oscar Jimenez was found in a catatonic state of headbanging. He was later flown to University of Arizona Hospitals, where his condition is listed as seriously rawked.

Jon, my former virtual landlord, sent me a link to the press release from Gibson and a link to this Wall Street Journal article with more information.

John Thomas, a law professor at Quinnipiac University and a blues and ragtime guitarist, says “there’s a lot of anxiety, and it’s well justified.” Once upon a time, he would have taken one of his vintage guitars on his travels. Now, “I don’t go out of the country with a wooden guitar.”

The tangled intersection of international laws is enforced through a thicket of paperwork. Recent revisions to 1900’s Lacey Act require that anyone crossing the U.S. border declare every bit of flora or fauna being brought into the country. One is under “strict liability” to fill out the paperwork — and without any mistakes.

It’s not enough to know that the body of your old guitar is made of spruce and maple: What’s the bridge made of? If it’s ebony, do you have the paperwork to show when and where that wood was harvested and when and where it was made into a bridge? Is the nut holding the strings at the guitar’s headstock bone, or could it be ivory? “Even if you have no knowledge — despite Herculean efforts to obtain it — that some piece of your guitar, no matter how small, was obtained illegally, you lose your guitar forever,” Prof. Thomas has written. “Oh, and you’ll be fined $250 for that false (or missing) information in your Lacey Act Import Declaration.”

August 23, 2011

A nice reminder that I haven’t listened to “Finlandia” recently

Filed under: Europe, History, Media — Tags: , — Nicholas @ 13:23

Which I quickly remedied while reading this article:

Wildly popular a century ago as an icon of Finnish nationalism in a late-Romantic vein, Jean Sibelius was largely dismissed by music aficionados after World War II as something of a conservative lightweight. So why is the Bard Music Festival this month featuring his work in a series of concerts titled “Sibelius and His World”?

Because his condemnation, much like his popularity, was based on reductive assumptions colored by politics. Sibelius’s aesthetic paradoxes mirror those of his biography, and his iconoclastic work deserves close, fresh, sustained, and open-minded attention. A modernist in traditional musical trappings, a globalist whose work spoke in a nationalist dialect, an innovator whose pleasing tonalities snuck his inventions into the popular ear, Sibelius is as underappreciated today as he was perhaps overlionized between the world wars.

[. . .]

Like many of his Finnish contemporaries, as a young man Sibelius embraced the idea and dream of Finland. The notion of the distinct Finnish nation was redefined along the lines of a mythic and literary heritage embodied in the epic The Kalevala. Ironically, the generational embrace of the Finnish language was somewhat awkward for him, because Swedish was his primary and dominant language. Nonetheless Sibelius, more than any other artist, managed to define and embody the spirit and aspirations of an emergent national movement. By 1914 he had become recognized worldwide as the standard-bearer of Finland. For the rest of his life (and to this day), Sibelius’s primary reputation has been as that nation’s granitelike icon.

Ah, “Finlandia”, followed by the “Karelia Suite” and the “Lemminkäinen Suite”. Lovely.

August 19, 2011

Almost, but not quite, entirely unlike a rap music video

Filed under: Britain, Humour, Media — Tags: , , — Nicholas @ 16:45

H/T to Maggie Koerth-Baker at BoingBoing (and I’m still a bit astonished I didn’t see it at Ghost of a Flea first . . .) [In-line update: of course he got there months ago. Silly of me to think otherwise.]

From the comments at BoingBoing, it’s apparently called “Chap-Hop“.

For some British rappers, nothing goes better with laying down rhymes than a gin and tonic and a Sunday afternoon stroll.

They have created chap-hop, fusing the American urban musical genre with the imagined lifestyle of the British upper classes. And this coastal town, with its candy-colored Victorian villas and seafront promenade, is the setting for the latest hip-hop feud.

In chap-hop videos, hip-hop tropes are subtly undermined: Barely clothed models are replaced with a ladylike redhead in a summer frock, cricket bats are substituted for uzis.

Professor Elemental, a self-styled “Steampunk Mad Professor” and leading chap-hop MC, is one of its top exponents. He is easy to spot in the Marwood Café here, even amid its décor of spectacle-wearing stuffed owls and dismembered mannequins. Clad in Victorian-explorer garb, complete with pith helmet, he is eager to talk about his planned trip across the Atlantic.

July 31, 2011

Is it time to update this to “16 (trillion) tons”?

Filed under: History, Media, USA — Tags: , — Nicholas @ 17:44

H/T to Gerard Vanderleun.

July 29, 2011

Kashmir performed by the London Philharmonic Orchestra

Filed under: Law, Media — Tags: , , — Nicholas @ 00:05

Originally posted by Ghost of a Flea. I listened, I liked, I wanted to buy . . . but neither iTunes nor hmvdigital.ca have it available for purchase.

June 22, 2011

QotD: Who’s more smug than Bono? The “Bono Pay Up” protesters

Filed under: Africa, Media, Quotations — Tags: , , , — Nicholas @ 12:00

[T]he Bono Pay Up lobby, far from challenging Bono’s gobsmackingly paternalistic attitude towards Africa, is encouraging him to put his money where his mouth is. Its message is effectively: Stop talking about saving Africa and go out and actually save it! The campaign group claims that it is because of individuals like Bono, who export bits of their business overseas in order to avoid paying high taxes at home, that Africa is a mess. Some of that tax could be used for the foreign aid budget, you see. Not only is this a spectacularly naïve view of the massive structural problems facing underdeveloped nations in the Third World — as if their woes could be magically fixed by Bono and others stumping up a bit more tax — but it also suggests, explicitly, that it is up to rich white men to save downtrodden Africa.

According to Bono Pay Up, if Bono paid his taxes in a more “ethical” fashion, he could help to alleviate “suffering in the developing world”. Unless the protesters succeed in shifting Bono’s personal habits, “the poor will always be with us”, they claim. In short, all it takes for the poor to be lifted up from their empty-stomached, teary-eyed existences is for a few good men — white ones, naturally — to behave more ethically and caringly. It’s the White Tax Man’s Burden. In focusing on Bono’s alleged hypocrisy, the protesters are actually trying to bridge the gap between the Bono persona (saviour of Africa) and the Bono reality (he pays his taxes in a weird way). That is, they want him to become what he claims to be — the Moral Viceroy of Africa — and to show the Dark Continent how to reach the light. A plague on both their houses. If there are any African bands playing at Glastonbury I hope they lay into the Bono Pay Up lobby, and then use its silly placards to wallop Bono.

Brendan O’Neill, “The ‘Bono Pay Up’ protesters have achieved the remarkable feat of being even more smug than Bono”, The Telegraph, 2011-06-22

June 18, 2011

Tawse celebrates their 10th anniversary

Filed under: Cancon, Media, Wine — Tags: , , , — Nicholas @ 00:28

It’s rather late notice, but if you’re an Al Stewart fan, you might want to visit Tawse Winery today for their 10th anniversary celebration:

Canadian music icon and friend Jim Cuddy returns to Tawse Winery along with “Year of the Cat” singer/songwriter Al Stewart, to help celebrate our 10th anniversary. This very special ‘al fresco’ concert promises to be the event of the summer, and one not to be missed!

Unfortunately, I’m at the other end of Lake Ontario today, visiting CFB Kingston.

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