World War Two
Published 2 Apr 2020Did the British government know of the German plans for Operation Barbarossa? What happened to Jewish communities in Ethiopia? And to Prisoners of War in occupied countries?
Submit your own question for OOTF: https://community.timeghost.tv/c/Out-…
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Produced and Directed by: Spartacus Olsson and Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Mikołaj Cackowski
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Adrien Fillon – https://www.instagram.com/adrien.colo…Sources:
IWM MH 26392, BU 5939, HU 58537
Religion by Berkah Icon from the Noun Project
Letter by Mochammad Kafi from the Noun Project
quiet by priyanka from the Noun Project
Doctor by Wilson Joseph from the Noun Project
jail by Luis Prado from the Noun ProjectSoundtracks from the Epidemic Sound:
Johannes Bornlof – “The Inspector 4”
Johannes Bornlof – “Deviation In Time”
Andreas Jamsheree – “Guilty Shadows 4”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
April 3, 2020
April 1, 2020
The end of US neutrality? The Lend-Lease Act – WW2 Special Episode
World War Two
Published 31 Mar 2020The United States of America aims to remain neutral during World War Two. But they see it in their best interest to aid the British in their fight against Nazism. The Lend-Lease Act is designed to do exactly that.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Indy Neidell
Written by: Joram Appel
Produced and Directed by: Spartacus Olsson and Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Scott Grimwood and Joram Appel
Edited by: Mikołaj Cackowski
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Norman Stewart – https://oldtimesincolor.blogspot.com/
Adrien Fillon – https://www.instagram.com/adrien.colo…
Dememorabilia – https://www.instagram.com/dememorabilia/Sources:
Plane by Graphic Enginer from the Noun Project
people by ProSymbols from the Noun Project
Allierte soldater under kampene om Narvik, courtesy Arkiv i Nordland https://flic.kr/p/a829tgSoundtracks from the Epidemic Sound:
Johannes Bornlof – “Deviation in Time”
Rannar Sillard – “March Of The Brave 4”
Phoenix Tail – “At the Front”
Hakan Eriksson – “Epic Adventure Theme 3”
Johannes Bornlof – “The Inspector 4”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
1 hour ago (edited)
On 11 March, 1941, American President Roosevelt signed the Lend-Lease Act, as Indy has covered in the weekly episode on that week. We wanted to revisit that bill in a special episode since it is arguably one of the most consequential American actions of the war before December 1941. Now, the effects of the bill are not visible immediately, but later in the war we will definitely revisit some of the materiel that entered British service under Lend-Lease. We hope you all remain safe and healthy!
Cheers, Joram
March 30, 2020
FP-45 Liberator Pistol
Forgotten Weapons
Published 10 Nov 2015http://www.Patreon.com/ForgottenWeapons
Hammer price: $2250
The Liberator is one of those interesting artifacts of WWII; an extremely simple single-shot .45 caliber pistol made by the boxcar-load (a million, specifically) with the intention of being dropped en masse across Europe to promote civilian sabotage against German occupation forces. They were manufactured by the Guide Lamp division of GM in record time – just 10-11 weeks for a literal million-gun production run. However, as they were being manufactured, shipped, and put into storage the motivation behind the project largely evaporated. British SOE ultimately decided not to distribute any in France, and only distributed a small number to partisans in Greece.
In the US, the Army stockpile of Liberators was transferred to the OSS, and a fair number were actually distributed in India, China, and the Philippine Islands – although they did not ultimately have any measurable impact on the war effort.
March 29, 2020
Yugoslavia Joins the Axis Powers. and then they don’t – WW2 – 083 – March 28, 1941
World War Two
Published 28 Mar 2020Yugoslavia joins the Axis powers, which then triggers a pro-Allied coup, angering Hitler. Meanwhile, the Italians fail to outsmart the British as the Japanese hope to capitalise on their superior army.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
Between 2 Wars: https://www.youtube.com/playlist?list=PLrG5J-K5AYAU1R-HeWSfY2D1jy_sEssNG
Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Produced and Directed by: Spartacus Olsson and Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
– Daniel Weiss
– Owen Robinson – https://www.instagram.com/owen.colori…
– Dememorabilia – https://www.instagram.com/dememorabilia/Sources:
– Bundesarchiv
– Wellcome Images
– Narodowe Archiwum Cyfrowe
– Војни архив
– Istorijski arhiv u Pančevu
– IWM: H 10922, A 10274
– Littorio class Battleship drawing by David Orlović from Wikimedia
– Italian heavy cruiser Pola drawing by K.E.Sergeev
– Prison icon by FORMGUT. from the Noun ProjectArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
2 days ago (edited)
NOTE BY INDY: I researched and wrote this episode in January. Since then I have done deep research on the fighting for Greece and Crete, as well as the Barbarossa planning. I can now say unequivocally that I do NOT believe the actions in Yugoslavia had anything to do with Hitler changing the start of Barbarossa.I hope everyone is doing well and staying safe in these tumultuous times. Indy was meant to fly back to Stockholm after a very full week of shooting, but his flight was changed to an earlier time (which they didn’t tell him), so now he’s “stuck” in the studio in Bavaria. He hopes to be able to fly back soon, but until then we’re writing and shooting a few more episodes for you. We hope we’re able to bring you all some distraction, relief or perspective. Stay safe!
Cheers, Joram
QotD: Cargo cults, ancient and modern
A cargo cult is a belief system among members of a relatively undeveloped society in which adherents practice superstitious rituals hoping to bring modern goods supplied by a more technologically advanced society. These cults … were first described in Melanesia in the wake of contact with more technologically advanced Western cultures. The name derives from the belief which began among Melanesians in the late 19th and early 20th centuries that various ritualistic acts such as the building of an airplane runway will result in the appearance of material wealth, particularly highly desirable Western goods (i.e., “cargo”), via Western airplanes.
To say that Pacific island societies were “relatively undeveloped” is a euphemism; they were primitive backward people who, when first encountered by European explorers, lived in a Neolithic stage of development far behind that of Mesopotamia in 1,500 B.C. That natives of Melanesia were at least 3,000 years behind Western civilization is simply a fact, but facts are now racism. Nevertheless, the point about cargo cult thinking is that these primitive islanders were unable to comprehend the advanced social and economic systems that produced, e.g., steam-powered ships, airplanes and the manufactured goods that the white man’s mechanical contrivances delivered. Utterly ignorant of how and why “cargo” had been produced and transported to their remote islands, the natives were understandably mystified when the arrival of “cargo” was interrupted. So they resorted to imitative rituals by which they believed the return of “cargo” might magically be reinstated.
The 21st-century American might laugh at these primitive superstitions, except that similarly ignorant “monkey see, monkey do” behaviors can be observed in our own society every day. My favorite example is the teenage boy who observes that girls are interested in athletes. The star basketball player in high school is popular with the girls, and so lower-status teenage boys — including the ones with zero athletic aptitude — will often emulate the athletic boys in terms of their attitudes, manners and clothing. This is why you see so many dorky suburban white boys wearing Nikes, NFL jerseys, etc., slouching around and speaking in a rap-influenced slang: “Wazzup, bruh?” These behavioral styles are an attempted imitation of popular black athletes. The clumsy adolescent white boy lacks the essential substance of the black athlete’s appeal, yet superstitiously believes (in cargo-cult manner) that he can obtain popularity by performing a superficial imitation.
Robert Stacy McCain, “The Cargo Cult Mentality”, The Other McCain, 2019-12-20.
March 28, 2020
Poland Will Not Bow to Nazis & Stalinists – WW2 – War Against Humanity 010
World War Two
Published 27 Mar 2020Poland faces two brutal occupiers led by Hitler and Stalin, hellbent on wiping Poland off the map. But the Poles have been preparing to stand up and resist since before the war — and now they do.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Spartacus Olsson
Written by: Francis van Berkel and Spartacus Olsson
Produced and Directed by: Spartacus Olsson and Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Francis van Berkel
Edited by: Mikołaj Cackowski
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Norman Stewart – https://oldtimesincolor.blogspot.com/
Dememorabilia – https://www.instagram.com/dememorabilia/
Owen Robinson – https://www.instagram.com/owen.colori…Sources:
IWM IWM HU 128078, HU 17589, ((MOI) FLM 1117)
Narodowe Archiwum Cyfrowe
Muzeum Historii Polski
USHMM
Letter by Bonegolem from the Noun Project
Letter by Mochammad Kafi from the Noun Project
oil barrel by BomSymbols from the Noun Project
sugar by Maria Zamchy from the Noun Project
Poison by Ben Davis from the Noun Project
Food by Made from the Noun Project
broken hammer by Graphic Enginer from the Noun Project
photo©ErlingMandelmann.ch http://www.erlingmandelmann.ch/portra…Soundtrack from the Epidemic Sound:
Johannes Bornlof – “Deviation In Time”
Johannes Bornlof – “Death And Glory 3”
Reynard Deidel – “Deflection”
Gunnar Johnsen – “Not Safe Yet”
Fabien Tell – “Last Point of Safe Return”
Johannes Bornlof – “The Inspector 4”
Peter Sandberg – “Document This 1”
Fabien Tell – “Other Sides of Glory”
Farell Wooten – “Blunt Object”
Jo Wandrini – “Dawn of Civilization”
Phoenix Tail – “At the Front”
Andreas Jamsheree – “Guilty Shadows 4”
Philip Ayers – “Under the Dome”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
17 minutes ago (edited)
We’re back in Poland to look at the resistance movement. Now, this is still a very controversial topic in 2020. So let us be crystal clear: the whole idea of blaming Poland, or holding Poles responsible for the Word censored by YouTube is absolutely ridiculous. But it is also not correct to claim that not a single Pole did anything to the word censored by YouTube during WW2, that is simply not correct. However, in difference to the rest of occupied Europe there was no organized collaboration, no systematic cooperation with the word censored by YouTube to round up, incarcerate, and murder the word censored by YouTube population. Acts of anti-word censored by YouTube were individual, isolated, and opportunistic in nature. The general rule in Poland was resistance and non-collaboration. We will cover the situation of the word censored by YouTube in Poland in 1940 and 1941 in our next War Against Humanity episode.An then there are the Soviets … we will not bow to revisionism and propaganda and whitewash history. The way we portray the situation in Soviet occupied Poland in this episode and others is factually correct. Any attempts to obfuscate the Soviet part in the destruction of Poland, the incarceration of Poles, and the mass murders by the NKVD will not be tolerated here. That also goes for arguments to justify, or trivialize these crimes in any way — just like we won’t tolerate word censored by YouTube apologist rhetoric, we will not tolerate Stalinist apologist rhetoric, We will also not debate this, so save yourself the effort and just don’t even start. We have made several videos about the interwar era in Poland in our Between Two wars episode where we also talk about all the things that are usually dragged out to somehow make an argument that the war of aggression and dismantling of Poland by the Red Army and NKVD was the right thing to do have been addressed in those videos. They are here: https://www.youtube.com/playlist?list=PLrG5J-K5AYAWDpPU1GbLYBKAPXfqkOipm
March 27, 2020
“Aces In Exile” Pt.2 – Non-British RAF Pilots – Sabaton History 060 [Official]
Sabaton History
Published 26 Mar 2020“Aces in Exile” return! Interesting times make for interesting men. In this second part we talk about some individual stories of Czechoslovakian, Polish and Canadian pilots that all fought under the banner of the British Royal Air Force during the Second World War. How they escaped German occupation, how they traveled through war torn Europe, and how they eventually found themselves fighting in a different uniform for a different country.
We would like to thank the World of Tanks team for their contribution and help with the video filming. If you’re not yet a World of Tanks player, join the game and get your hands on cool in-game stuff for free via the link: https://redir.wargaming.net/w7fwclmx/…
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistoryListen to “Aces in Exile” on the album Coat of Arms:
CD: http://bit.ly/CoatOfArmsStore
Spotify: http://bit.ly/CoatOfArmsSpotify
Apple Music: http://bit.ly/CoatOfArmsAppleMusic
iTunes: http://bit.ly/CoatOfArmsiTunes
Amazon: http://bit.ly/CoatOfArmsAmzn
Google Play: http://bit.ly/CoatOfArmsGooglePlayCheck out the trailer for Sabaton’s new album The Great War right here: https://www.youtube.com/watch?v=HCZP1…
Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastoryArchive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.Sources:
– Narodowe Archiwum Cyfrowe
– IWM: CH 1566
– Morane-Saulnier icon by Truszko from Wikimedia
– D.520 icon by PpPachy from Wikimedia
– Hurricane icon by Martin Čížek from WikimediaAn OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
March 25, 2020
Hans Oster – A German Against Nazism – WW2 Biography Special
World War Two
Published 24 Mar 2020Hans Oster opposed the Nazis and tried to oppose them from early on. As a member of the Abwehr, he tried to do whatever he could. During the war, his efforts increased with a dramatic outcome.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Spartacus Olsson
Written by: Isabel Wilson, Joram Appel and Spartacus Olsson
Produced and Directed by: Spartacus Olsson and Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Arnaldo Teodorani and Isabel Wilson
Edited by: Iryna Dulka
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Dememorabilia – https://www.instagram.com/dememorabilia/Sources:
Picture of Dresden, courtesy Wikimedia Commons https://commons.wikimedia.org/wiki/Fi…
Collection of Auckland War Memorial Museum Tamaki Paenga Hira, N2658
Narodowe Archiwum Cyfrowe
Picture of Gijsbertus Jacobus Sas, courtesy ANP Historisch Archief https://www.anp-archief.nl/page/21998…
Picture of Hans Bernd Gisevius, courtesy Gedenkstätte Deutscher Widerstand https://www.gdw-berlin.de/en/recess/b…
id by Flatart from the Noun Project
people by ProSymbols from the Noun Project
documents by Srinivas Agra from the Noun ProjectSoundtracks from the Epidemic Sound:
Johannes Bornlof – “Deviation in Time”
Andreas Jamsheree – “Guilty Shadows 4”
Fabien Tell – “Last Point of Safe Return”
Reynard Seidel – “Deflection”
Jo Wandrini – “Puzzle of Complexity”
Gunnar Johnsen – “Not Safe Yet”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
March 23, 2020
Naval strategy versus naval tactics in the Battle of the Atlantic
Ted Campbell outlines how the Battle of the Atlantic was fought between the Kriegsmarine and the Royal Navy (and the Royal Canadian Navy and, eventually, the United States Navy) in World War 2:
… there is a rather thick, and quite blurry line between naval strategy and naval tactics. One Army.ca member used the Battle of the Atlantic to distinguish between two doctrines:
- Sea control ~ which was practised by the 2nd World War allies ~ mostly British Admirals Percy Noble and Max Horton in Britain and Canadian Rear Admiral Leonard Murray in St John’s and Halifax; and
- Sea denial ~ which was practised by German Admiral Karl Dönitz.
The difference between the two tactical doctrines was very clear. The strategic aims were equally clear:
- Admiral Dönitz wanted to knock Britain out of the war ~ something that he (and Churchill) understood could be done by starving Britain into submission by preventing food, fuel and ammunition from reaching Britain from North America. (We can be eternally grateful that Adolph Hitler did not share Dönitz’ strategic vision and listened, instead, to lesser men and his own, inept, instincts); and
- Prime Minister Churchill, who really did say that “the only thing that ever really frightened me during the war was the U-boat peril“, who wanted to keep Britain fighting, at the very least resisting, until the Americans could, finally, be persuaded to come to the rescue.
Prime Minister Winston Churchill greets Canadian PM William Lyon Mackenzie King, 1941.
Photo from Library and Archives Canada (reference number C-047565) via Wikimedia Commons.Canada’s Prime Minister Mackenzie King did have a grand strategy of his own. It was to do as much as possible while operating with the lowest possible risk of casualties ~ the conscription crisis of 1917 was, always, uppermost in his mind and he was, therefore, terrified of casualties. He mightily approved of the Navy doing a HUGE share in the Battle of the Atlantic ~ especially by building ships in Canadian yards and escorting convoys which he hoped would be a low-risk affair.
Churchill’s grand strategy was based on Britain surviving … there was, I believe, a “worst case” scenario in which the British Isles were occupied and the King and his government went to Canada or even India. But that has always seemed to me to be a sort of fantasy. The United Kingdom, without the British Isles, made no sense.
(While I believe that Rudolph Hess was, as they say, a few fries short of a happy meal, I think that he and several people in Germany believed that it might be possible to negotiate a peace with Britain which many felt was a necessary precursor to a successful campaign against Russia. The Battle of Britain (die Luftschlacht um England, September 1940 to June 1941) was, clearly, not going in Germany’s favour. Late in 1940, the Nazi high command had been forced to send a German Army formation to Libya to prevent a complete rout of the Italians. Malta still held out, meaning that Britain had air cover throughout the Mediterranean. In short, Britain was not going to go down unless it could be starved into submission ~ and in the spring of 1941, the Battle of the Atlantic was going in Germany’s favour. There was, in other words, some reason for Germans to believe that an armistice might be possible ~ freeing up all of Germany’s power to be used against the USSR.)
(But things were changing for the Allies, too. At just about the same time as Hess was flying to Scotland, then Commodore Leonard Murray of the Royal Canadian Navy, who had been in England on other duties, had met with and persuaded Admiral Sir Percy Noble, who liked Murray and had been his commander in earlier years, that a new convoy escort force should be established in Newfoundland and that it should be a largely Canadian force (with British, Dutch, Norwegian and Polish ships under command, too) and that it should be commanded by a Canadian officer. Admiral Noble insisted, to Canada, that Murray, who he liked, personally, and who had written, extensively, on convoy operations in the 1920s and ’30s, must be that commander. The establishment of the Newfoundland Escort Force, which would be more appropriately renamed the Mid Ocean Escort Force in 1942, was a key decision at the much-debated operational level of war which put an expert tactician (Murray) in command of a major force and allowed him (and Noble) to move closer to achieving Churchill’s strategic aim. The Battle of the Atlantic was not won in 1941, but it seemed to Churchill, Noble and Murray that they were a lot less likely to lose it, even without the Americans.)
Diagram of the early Flower-class corvettes, via Lt. Mike Dunbar (https://visualfix.wordpress.com/2017/04/12/dreadful-wale-4/)
Anyway, the boundaries of strategy vs. the operational art vs. tactics were as thick and blurry in 1941 as they are today. The decision, taken in 1939, for example, to build little corvettes in the many British and Canadian yards that could not build a real warship was, in retrospect, a key strategic choice, but it was, at the time, totally materialist: just a commonsense, engineer solution to an operational problem ~ lack of ships. Ditto for the eventual decision, which had to be made by Churchill, himself, to reassign some of the big, long-range, Lancaster heavy bombers to Coastal Command. It was, once again, with the benefit of hindsight, a key strategic move, but at the time it would likely have seemed, to Capt(N) Hugues Canuel, the author of that Canadian Naval Review essay, to be materialistic, more concerned with how to use the resources available than with deciding what is needed.
I agree with Capt(N) Canuel that, by and large, Canadians have left strategic and even operational level thinking to first, the British and more recently the American admirals ~ Rear Admiral Murray being known, in the 1930s and early 1940s as a notable exception.
Budapest 44: The Storming of Pest (December – January 1945)
Historigraph
Published 21 Dec 2019Claim your 81% off three years of NordVPN, four extra months for free and NordPass Password Manager right here: https://nordvpn.com/historigraph
—
Buy Historigraph Posters here! https://teespring.com/en-GB/surrender…
Support the channel on Patreon: https://www.patreon.com/historigraph#SiegeOfBudapest #StormingOfPest #Historigraph #NordVPN
►Twitter: https://twitter.com/historigraph
►Instagram: https://www.instagram.com/historigraph
►Patreon: https://www.patreon.com/historigraph
►Discord: https://discord.gg/vAFTK2DMusic:
“Crypto”, Incompetech https://incompetech.com
“Rynos Theme”, Incompetech
March 22, 2020
Culling the Nazi Wolfpacks – Submarines, Spies, China, and Africa – WW2 – 082 – March 21 1941
World War Two
Published 21 Mar 2020While two more Kriegsmarine U-boat aces go down, the moving parts of the war are getting more complex leaving the intelligence services scrambling to separate fact from fiction — they don’t always get it right.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Produced and Directed by: Spartacus Olsson and Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
– Olga Shirnina a.k.a. Klimbim – https://klimbim2014.wordpress.com/
– Dememorabilia – https://www.instagram.com/dememorabilia/
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/Sources:
– BundesarchivArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
2 days ago
Indy is at the studio in Bavaria at the moment, shooting new episodes up to May 2020. We don’t know what impact the virus has on our production beyond that, but for now we seem to be fine. That is, thanks to your support! Most of our other (personal) sources of income has fallen away now – we are not able to pay everyone a fair wage just yet. In fact, most of the budget goes into licensing, equipment, editors, researchers and travel. If you can, please consider to support us on www.patreon.com/timeghosthistory or https://timeghost.tv so we can continue to make these series! Thank you all for your support and appreciation! Take care and be safe!
Cheers, Joram
March 21, 2020
The M9A1 Bazooka: Now With Optics and Quick Takedown
Forgotten Weapons
Published 18 Aug 2018Sold for $7,475
http://www.patreon.com/ForgottenWeapons
Cool Forgotten Weapons merch! http://shop.bbtv.com/collections/forg…
The Bazooka — or rather the Launcher, Rocket, 2.36″, M1 — was introduced by the United States in 1942, the result of a fast development by two Army officers, Captain Leslie Skinner and Lt. Edward Uhl. The US had no infantry antitank weapon at that point, and it had become quite clear that such a thing was needed. The Bazooka offered a theoretical effective range of 300 yards, throwing a 1 pound hollow-charge projectile capable of penetrating 4 inches of armor plate. The 2.36 inch bore measurement, incidentally, was chosen as the inch equivalent of 60mm, to match the common mortar size.
In October of 1943, an improved M9 version was introduced, using a magnet firing system instead of the unreliable batteries of the original. A followup M9A1 variant was adopted in June of 1944, which broke down into two parts for easier transportation, and the T90 optical sight was added in September of 1944. These were effective weapons against armor early in the war, but the heavier tanks introduced late in the war were too heavily armored for the Bazooka to be very effective — although it remained a valuable tool for attacking pillboxes and other fortified positions. It would continue to see extensive service in the Korean War, although its limited armor penetration was particularly acute in that conflict.
Note that the inert M6 rocket in the video is not being sold with the Bazooka.
If you enjoy Forgotten Weapons, check out its sister channel, InRangeTV! http://www.youtube.com/InRangeTVShow
March 20, 2020
Will Stalin invade India? And what about the West Indies? – WW2 – Out of the Foxholes 008
World War Two
Published 19 Mar 2020In today’s episode of Out of the Foxholes, we answer exciting questions concerning Dutch and French colonies in America, British defence strategies in India and French soldiers stuck in Britain post-armistice.
Ask your own question for Out of the Foxholes here: https://community.timeghost.tv/c/Out-…
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Indy Neidell
Written by: Rune Væver Hartvig
Produced and Directed by: Spartacus Olsson and Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Rune Væver Hartvig
Edited by: Mikołaj Cackowski
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Norman Stewart – https://oldtimesincolor.blogspot.com/
Dememorabilia – https://www.instagram.com/dememorabilia/Sources:
IWM H 3508, D 1725
gold by Phạm Thanh Lộc from the Noun Project
Rum by Andrejs Kirma from the Noun Project
sugar by Maria Zamchy from the Noun ProjectSoundtracks from the Epidemic Sound:
Hakan Eriksson – “Adventure Theme 3”
Johannes Bornlof – “The Inspector 4”
Reynard Seidel – “Deflection”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
“Aces In Exile” Pt.1 – Non-British RAF Pilots – Sabaton History 059 [Official]
Sabaton History
Published 19 Mar 2020“Aces In Exile” prevail! Did you know that the war in the skies above Britain was not just fought by men from the British Isles alone? It was also fought by men who were forced to flee their home-countries from Nazi occupation and journey through war-torn Europe to continue the resistance. As France fell, pilots from Poland, Czechoslovakia and Canada found themselves once more in the seat of foreign fighter-planes, to fend off the German war-machine in the Battle of Britain.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to “Aces in Exile” on the album Coat of Arms here:
CD: http://bit.ly/CoatOfArmsStore
Spotify: http://bit.ly/CoatOfArmsSpotify
Apple Music: http://bit.ly/CoatOfArmsAppleMusic
iTunes: http://bit.ly/CoatOfArmsiTunes
Amazon: http://bit.ly/CoatOfArmsAmzn
Google Play: http://bit.ly/CoatOfArmsGooglePlayCheck out the trailer for Sabaton’s new album The Great War right here: https://www.youtube.com/watch?v=HCZP1…
Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastoryArchive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.Sources:
– IWM: CH1733, Q 69697, CH1501, CH 1438, CH 1291, CH 1294, CH 12321, CH 1286, CH 1540, CH 587, CH 1538, CH 1535, CH 1137, CH 2440, HU 106457, D 1731, CH 4790
– Photo of the Battle of Britain Monument by Eluveitie from Wikimedia
– Instytut Pamięci NarodowejAn OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
Tank Chats #65 T-26 | The Tank Museum
The Tank Museum
Published 28 Jan 2019This particular T-26 tank, at The Tank Museum, was a T-26A and, after capture by the Finns, modified to T-26B configuration. It was used by Soviet forces in the war against Finland in the winter of 1940/41. It was captured and used by the Finnish Army, in whose markings it is seen.
Find out more about the Winter War from the WW2 Channel and David Willey. https://youtu.be/Etfhio8vrXE
Support the work of The Tank Museum on Patreon: ► https://www.patreon.com/tankmuseum
Visit The Tank Museum SHOP: ► https://tankmuseumshop.org/
Twitter: ► https://twitter.com/TankMuseum
Tiger Tank Blog: ► http://blog.tiger-tank.com/
Tank 100 First World War Centenary Blog: ► http://tank100.com/ #tankmuseum #tanks #tankchats



















