Quotulatiousness

April 30, 2020

1946: Kill and Only Kill – Death to Colonialism | The Indonesian War of Independence Part 2

Filed under: Asia, History, Military — Tags: , , , , , , , — Nicholas @ 06:00

TimeGhost History
Published 29 Apr 2020

The Indonesian War of Independence is heavily fuelled by the gangs of youngsters who go by the name of Pemuda. They engage in clandestine guerrilla fighting as their revolution takes a violent turn.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory

Hosted by: Indy Neidell
Written by: Isabel Wilson and Joram Appel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Isabel Wilson and Joram Appel
Edited by: Karolina Dołęga
Sound design: Marek Kamiński

Colorizations:
Dememorabilia – https://www.instagram.com/dememorabilia/
Jaris Almazani (Artistic Man) – https://instagram.com/artistic.man?ig…
Carlos Ortega Pereira (BlauColorizations) – https://www.instagram.com/blaucoloriz…

Research Sources: https://bit.ly/IndoSources

Sources:
Tropenmuseum part of the National Museum of World Cultures
Nationaal Archief
Imperial Wars Museum: SE7034; SE5663

Music:
“Deviation In Time” – Johannes Bornlof
“Disciples of Sun Tzu” – Christian Andersen
“Epic Adventure Theme 4” – Håkan Eriksson
“Guilty Shadows 4” – Andreas Jamsheree
“Last Point of Safe Return” – Fabien Tell
“Magnificent March 3” – Johannes Bornlöf
“March Of The Brave 10” – Rannar Sillard
“The End Of The World 2” – Håkan Eriksson
“The Inspector 4” – Johannes Bornlöf
“The Unexplored” – Philip Ayers.
“Try and Catch Us Now” – David Celeste

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

From the comments:

TimeGhost History
1 day ago (edited)
For the research of this episode about Indonesian revolutionary culture in 1946, I mostly turned to the diaries and writings of those who were there. Reading the untouched experiences was so absorbing and allowed for writing a bottom-up narrative. Something that didn’t make it into the video was the work of Chairil Anwar, a poet who died young a few years after the War of Independence. Dwelling about the life and death of the individual during the revolution, his poetry defied Indonesia’s antagonists. In his poem “Notes for 1946”, he writes of how it felt to be among the young generation of Indonesia: “We – running dogs, hunting hounds – we get to see only a moment of this drama we play in.” I’d definitely recommend reading his work if you’re interested!
Cheers, Izzy.

Palestine, 1948 – the origins of the still-ongoing refugee issue

In Quillette, Benjamin Kerstein reviews a new book by Adi Schwartz and Einat Wilf, which covers the origins of the Palestinian refugee problem that still hinders any kind of lasting peace between Israel and neighbouring Arab countries:

Arab attacks in May and June 1948.
United States Military Academy Atlas, Link.

Wilf and Schwartz’s comprehensive history of the refugee issue begins with the UN’s adoption in November 1947 of a plan to partition British Mandatory Palestine into an Arab state and a slightly smaller Jewish state. Violence erupted shortly after, and once the British left the territory, hostilities escalated into a full-scale war, during which fighting between the Zionist movement’s Haganah defense force and various Palestinian Arab militias was followed by an invasion by the surrounding Arab countries. Israel prevailed with truncated borders, but the Arab world remained steadfastly committed to the new state’s elimination. Refugees are a byproduct of every military conflict, but the exodus of the Palestinian Arabs would have uniquely consequential ramifications that continue to haunt the conflict and thwart its resolution to this day.

It is now fashionable for historians sympathetic to the Palestinian narrative to downplay the threat that the Jewish community in Mandatory Palestine — the Yishuv — faced in the 1948 conflict. Wilf and Schwartz show conclusively that such attempts, be they sincere or dishonest, are simply untrue. The secretary-general of the Arab League, they note, openly stated that the war was intended to be genocidal, saying, “This will be a war of extermination and momentous massacre, which will be spoken of like the Mongolian massacre and the Crusades.” Meanwhile, the Palestinian Arabs’ most influential leader, the Nazi collaborator Mufti Hajj Amin al-Husseini, said the Arabs would “continue to fight until the Zionists are eliminated, and the whole of Palestine is a purely Arab state.”

Correctly believing that their individual and collective existence were threatened, the Zionist militias, which eventually coalesced into the nascent Israel Defense Forces, sometimes destroyed villages and expelled their inhabitants, and there was a mass flight of Arabs from cities like Haifa and Jaffa. By the end of the war, what emerged was a Jewish state with a comfortable Jewish majority along with a substantial though not overwhelming Arab minority. The refugees, for the most part, were settled in camps in the surrounding Arab nations of Syria, Lebanon, and Jordan, as well as in the West Bank and Gaza, which were occupied by Jordan and Egypt, respectively. Jordan alone granted the refugees citizenship and absorbed them into the general population. Elsewhere, however, refugees remained stateless, left to the tender mercies of the international community.

From the beginning, pressure was brought to bear on Israel to allow the refugees to return, and from the beginning Israel steadfastly refused to do so, believing that it would destroy Israel’s Jewish character and precipitate another, perhaps even more brutal war. Wilf and Schwartz reveal that this was in fact precisely the Arabs’ intention. The Arab media spoke openly of establishing a “fifth column” within Israel by repatriating the refugees, and the authors record Palestinian historian Rashid Khalidi’s view that the Arab mood at the time made it clear that the right of return “was clearly premised” on “the dissolution of Israel.” In addition, the Palestinian leadership was initially unenthusiastic about the return of refugees, which they believed would imply a recognition of Israel’s existence to which they remained implacably opposed. For a society deeply rooted in concepts of honor, dignity, and humiliation, such an acknowledgement of defeat was simply unthinkable.

Contrary to the claims of Israel’s opponents, Wilf and Schwartz persuasively argue that the new state was under no moral or legal obligation to allow the refugees to return. During the late 1940s and early 1950s, the concept of population exchange between belligerent national groups in conflict over territory was considered lamentable but inevitable. Consequently, the laws pertaining to refugees often forbade the opposite: States could not force refugees to return to places when to do so might cause further conflict or instability. Emphasis was therefore on resettlement in host countries, usually with a corresponding ethnic or religious majority. This held true for the mass expulsions of ethnic Germans from Poland after World War II, and the almost contemporaneous exodus of both Muslims and Hindus to Pakistan and India, respectively. Importantly, it also applied to the hundreds of thousands of Jewish refugees expelled from Arab and Muslim countries following the 1948 war, who were resettled in the new State of Israel.

Once the Arab and Palestinian position on return shifted from a fear of recognizing Israel to the idea of building a fifth column within the state to wage an indefinite war against Zionism, Wilf and Schwartz write, “The state of Israel … was being asked by the Arabs to perform an extraordinary act: it was called on to admit to its sovereign territory hundreds of thousands of Arabs, against international norms of the time, without a peace treaty, and while the Palestinians and the Arab world continued to threaten it with another war — even calling the refugees a pioneer force toward this end.”

Although anti-Zionists today insist that Israel’s refusal to accept a return of the refugees was a uniquely heinous violation of human rights and international law, it was entirely consistent with the moral and legal norms of the time.

Browning M1917: America’s World War One Heavy Machine Gun

Filed under: History, Military, USA, Weapons, WW1 — Tags: , , , — Nicholas @ 02:00

Forgotten Weapons
Published 14 Mar 2018

When the United States entered World War One, its military has a relatively tiny handful of machine guns, and they were divided between four different types, as the military budget was small and machine guns were not given much priority. However, since the failure of his gas-operated 1895 machine gun design to become a popular military item, John Browning had been working on a recoil-operated machine gun to replace it. This work became serious in 1910, and by 1915 Browning had met with Colt and agreed to give them exclusive license to his new design — and they began to work with him to refine and perfect it.

When the United States realized that it would be fighting in Europe and would need machine guns in 1917, it held an open trial for designs which Colt and Browning entered. The Browning gun was the undisputed star of the show, firing 40,000 rounds with only one parts breakage and no malfunctions that were not the fault of ammunition or belts. The gun was almost immediately adopted and pushed into production. Ultimately, Colt would allow the manufacture of its guns by Remington and New England Westinghouse, and Browning himself would accept a lump-sum royalty payment from the government for its use, which was about 3.5 million dollars less than he was contractually entitled to — out of patriotism and a desire not to profit too much from the war.

Browning 1917 machine guns would see only brief combat use in World War One, first tasting action in September of 1918. They would remain a staple of US military armament through World War Two, however, improved after the Armistice to the M1917A1 pattern. The gun we are looking at today is an original WW1 M1917, mounted on an equally rare M1917 original tripod.

http://www.patreon.com/ForgottenWeapons

Cool Forgotten Weapons merch! http://shop.bbtv.com/collections/forg…

If you enjoy Forgotten Weapons, check out its sister channel, InRangeTV! http://www.youtube.com/InRangeTVShow

April 29, 2020

Haile Selassie – The New Messiah – WW2 Biography Special

Filed under: Africa, History, Italy, Military, Religion, WW2 — Tags: , , , , , , — Nicholas @ 06:00

World War Two
Published 28 Apr 2020

Haile Selassie was the Emperor of the Ethiopian Empire. He led the country against the Italians in the Second Italo-Ethiopian War after which he is exiled to Britain.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Hosted by: Indy Neidell
Written by: Isabel Wilson
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Isabel Wilson
Edited by: Karolina Dołęga
Sound design: Marek Kamiński

Colorizations by:
Dememorabilia – https://www.instagram.com/dememorabilia/
Adrien Fillon – https://www.instagram.com/adrien.colo…
Klimbim – https://klimbim2014.wordpress.com/

Sources:
National Museum of the U.S. Navy

Music:
“Other Sides of Glory” – Fabien Tell
“The Unexplored” – Philip Ayers
“March Of The Brave 10” – Rannar Sillard
“Deviation In Time” – Johannes Bornlof
“Epic Adventure Theme 3” – Håkan Eriksson
“Heroes On Horses” – Gunnar Johnsén
“Deviation In Time” – Johannes Bornlof

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

Curator’s Tour of The Tank Museum | Blitzkrieg | WW2: Part 1

Filed under: Britain, Europe, France, Germany, History, Military, Weapons, WW2 — Tags: , , , , — Nicholas @ 04:00

The Tank Museum
Published 25 Apr 2020

Join Curator David Willey as he takes you on a tour of The Tank Museum’s Tank Story Hall, which houses over 30 key vehicles from Little Willie to Challenger 2. In this section he looks at early Second World War vehicles and gives you a potted history of the Blitzkrieg.

Support the work of The Tank Museum on Patreon: ► https://www.patreon.com/tankmuseum
Visit The Tank Museum SHOP & become a Friend: ► https://tankmuseumshop.org/

Twitter: ► https://twitter.com/TankMuseum
Instagram: ► https://www.instagram.com/tankmuseum/
Tiger Tank Blog: ► http://blog.tiger-tank.com/
Tank 100 First World War Centenary Blog: ► http://tank100.com/
#tankmuseum #tanks #MuseumFromHome

April 28, 2020

Tank Chats #68 T-34 | The Tank Museum

Filed under: History, Military, Russia, Weapons, WW2 — Tags: , , , , , — Nicholas @ 02:00

The Tank Museum
Published 9 Mar 2019

The T-34 is an iconic Soviet Second World War tank. It was the most produced tank of WW2 and remains a symbol of Russian sacrifice in the Great Patriotic War.

David Willey talks about both the T-34/76 and T-34/85 variants, used in World War Two.

Many thanks to RecoMonkey for providing many of the modern images of the T-34 https://www.recomonkey.com/

Support the work of The Tank Museum on Patreon: ► https://www.patreon.com/tankmuseum

Visit The Tank Museum SHOP: ► https://tankmuseumshop.org/
Twitter: ► https://twitter.com/TankMuseum
Tiger Tank Blog: ► http://blog.tiger-tank.com/
Tank 100 First World War Centenary Blog: ► http://tank100.com/ #tankmuseum #tanks #tankchats

April 27, 2020

Spoils of War for Britain and France – Redrawing the Map of the Middle East I THE GREAT WAR 1920

The Great War
Published 25 Apr 2020

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100 years ago at the conference of San Remo, one thing became clear: Great Britain and France wanted control over the Middle East. Justified by the fighting in the previous years and painted as “liberators” of the Middle Eastern minorities, the new map of the Middle East emerged – under the cover of the League of Nations Mandate system.

» SUPPORT THE CHANNEL
Patreon: https://www.patreon.com/thegreatwar
Merchandise: https://shop.spreadshirt.de/thegreatwar/

» SOURCES
Karsh, Efraim & Karsh, Inari, Empires of the Sand: The Struggle for Mastery in the Middle East 1789-1923, (Cambridge, MA : Harvard University Press, 1999)

“Dans Le Levant” Le Temps, August 31, 1919 issue, https://gallica.bnf.fr/ark:/12148/bpt…

Lloyd George, David, Memoirs of the Peace Conference, (New Haven : Yale University Press, 1939) vol. 2

“Mounted Rifles Units” New Zealand History, https://nzhistory.govt.nz/war/aucklan…

Paris, Timothy J. Britain, The Hashemites and Arab Rule 1920-1925, (London : Frank Cass, 2003)

Provence, Michael, The Last Ottoman Generation and the Making of the Modern Middle East, (Cambridge : Cambridge University Press, 2017)

O’Neill, Robert, Official History of Australia in the War of 1914–1918, Volume VII – The Australian Imperial Force in Sinai and Palestine, 1914–1918, (Australian War Memorial, 1941)

“King-Crane Commission Digital Collection” Oberlin College Library. http://dcollections.oberlin.edu/cdm/s…

» SOCIAL MEDIA
Instagram: https://instagram.com/the_great_war
Twitter: https://twitter.com/WW1_Series
Reddit: https://reddit.com/r/TheGreatWarChannel

»CREDITS
Presented by: Jesse Alexander
Written by: Jesse Alexander
Director: Toni Steller & Florian Wittig
Director of Photography: Toni Steller
Sound: Toni Steller
Editing: Toni Steller
Mixing, Mastering & Sound Design: http://above-zero.com
Maps: Daniel Kogosov (https://www.patreon.com/Zalezsky)
Research by: Jesse Alexander
Fact checking: Florian Wittig

Channel Design: Alexander Clark
Original Logo: David van Stephold

A Mediakraft Networks Original Channel

Contains licensed material by getty images
All rights reserved – Real Time History GmbH 2020

April 26, 2020

Another Last Stand at Thermopylae – The Battle of Greece – WW2 – 087 – April 25, 1941

Filed under: Africa, Britain, Europe, Germany, Greece, History, Italy, Military, WW2 — Tags: , , , , , , — Nicholas @ 06:00

World War Two
Published 25 Apr 2020

The Battle of Greece continues as forces clash once more at the historic site of Thermopylae.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
– Norman Stewart – https://oldtimesincolor.blogspot.com/
– Jaris Almazani (Artistic Man), https://instagram.com/artistic.man?ig…
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
– Dememorabilia – https://www.instagram.com/dememorabilia

Sources:
– Bundesarchiv, CC-BY-SA 3.0, Bild 101I-163-0318-09/Bauer, Bild 101I-163-0319-03A/Bauer
– Edo leitner from Wikimedia
– Imperial War Museum: E 3830, TR 1762, IWM ART LD 3355, E 676, E 3182, E 3187, E 3178, E 3183, E 2363
– Roll by rivercon from the Noun Project
– Grains by Gan Khoon Lay from the Noun Project

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

From the comments:

World War Two
2 days ago (edited)
The war keeps on growing, and were doing our best to keep up with it. As you notice the episodes are often longer these days, but there are still many details we just can’t cover in the weekly episodes for time reasons. That’s why we do our specials and also why we have our Instagram and Facebook feed with headlines of the war day by day. For instance, while we cover the Allied retreat at Thermopylae, Indy just didn’t have space to go into the details about how Australian and New Zealand forces hold back the Wehrmacht while the others retreat. That will instead be the topic of our post on Instagram / Facebook on April 24 here: https://www.instagram.com/world_war_two_realtime/ and on the TimeGhost facebook page. We also dedicated the thumb to that event by featuring a soldier of the 28th (Māori) Battalion of the NZ forces, photographed in North Africa somewhat later in 1941 while doing the Haka. His unit was part of the rear guard at Thermopylae.

And on that note we would like to acknowledge that we would never be able to do this massive endeavor without the TimeGhost Army and their financial contribution. Valantis who supported this episode by dedicating it to the Cypriots fighting for the Allies in the war is not only a member of the TG Army, he’s also a valuable contributor in our comment sections and volunteers his time to help us sift through and read every comment posted under any of our videos. So, in this place we would like to once again thank Valantis and the entire TimeGhost Army for keeping us in kit, supplies, and manpower to continue the good fight for remembrance and education, especially in these trying times. You can join our forces here https://www.patreon.com/TimeGhostHistory or here https://timeghost.tv

Spartacus on behalf of the entire TimeGhost team.

“Soldier of Three Armies” Pt. 1 – Winter War – Sabaton History 064 [Official]

Filed under: Europe, Germany, History, Media, Military, Russia, WW2 — Tags: , , , , — Nicholas @ 04:00

Sabaton History
Published 25 Apr 2020

Started out as a reserve, soon promoted well deserved, and the legend has begun. Lauri Allan Törni, the soldier of three armies. Born and raised in Viipuri in Finnish Karelia, Lauri Törni grew up into a world of tensions, of class-consciousness and conflicting ideologies. Boxed in between the Soviet Union and Germany, Finland was preparing for war of survival. The Winter War would be the first place for Lauri Törni to see battle and begin his legacy as a born soldier.

Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory

Listen to “Soldier of Three Armies” on the album Heroes:
CD: http://bit.ly/HeroesStore
Spotify: http://bit.ly/HeroesSpotify
Apple Music: http://bit.ly/HeroesAppleMusic
iTunes: http://bit.ly/HeroesiTunes
Amazon: http://bit.ly/HeroesAmz
Google Play: http://bit.ly/HeroesGoogleP

Check out the trailer for Sabaton’s new album The Great War right here: https://www.youtube.com/watch?v=HCZP1…

Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShop

Hosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastory

Archive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.

Sources:
– Lauri Törni Perinnekilta
– Helsinki City Museum
– Finnish Heritage Agency
– sa-kuva.fi

An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.

© Raging Beaver Publishing AB, 2019 – all rights reserved.

From the comments:

Sabaton History
2 days ago
Hello everyone! We hope you all stay safe and healthy! Due to the current situation, the interview part had to be recorded via webcam and the quality is sadly not the best. We apologize for that. Still we try to keep to our weekly schedule and bring you exciting new episodes of Sabaton History!

Where have all the airships gone? | James May’s Q&A (Ep 8) | Head Squeeze

Filed under: Britain, Germany, History, Military, Technology, WW1 — Tags: , — Nicholas @ 02:00

BBC Earth Lab
Published 21 Feb 2013

James May talks us through the rise and fall of airships.

James May’s Q&A:
With his own unique spin, James May asks and answers the oddball questions we’ve all wondered about from “What Exactly Is One Second?” to “Is Invisibility Possible?”

April 24, 2020

Field Rations, Foreign Legion, and French Anti-Semitism – WW2 – OOTF 010

Filed under: Europe, France, Germany, History, Italy, Military, WW2 — Tags: , , , , — Nicholas @ 04:00

World War Two
Published 23 Apr 2020

What did soldiers eat on the frontlines? What happened to the French Foreign Legion? And how is the legacy of Alfred Dreyfus handled in the anti-semitic Vichy France? Find out in this exciting episode of Out of the Foxholes!

Submit your own question for Out of the Foxholes: https://community.timeghost.tv/c/Out-…

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Hosted by: Indy Neidell
Written by: Rune Væver Hartvig
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Rune Væver Hartvig
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
Norman Stewart – https://oldtimesincolor.blogspot.com/

Sources:
Bundesarchiv
German soldiers eating (courtesy Josef Gierse)
Narodowe Archiwum Cyfrowe
IWM E 3799
From the Noun Project: Spam by Jay Adams, Biscuits by Xela Ub, can by Anniken & Andreas, Bread by Vallone Design, Jam by Vichanon Chaimsuk, honey by Marta Ambrosetti, Coffee by Larea, stew by Smalllike, Soup by Ben Davis

Soundtracks from the Epidemic Sound:
Trabant 33 – “When in Bavaria”
Rannar Sillard – “March Of The Brave 4”
Johannes Bornlof – “Deviation In Time”

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

Mauser-Norris Prototype: Origins of the Mauser Legacy

Filed under: Business, Europe, France, Germany, History, Military, Weapons — Tags: , , , , — Nicholas @ 02:00

Forgotten Weapons
Published 10 Jan 2020

http://www.patreon.com/ForgottenWeapons

https://www.floatplane.com/channel/Fo…

Cool Forgotten Weapons merch! http://shop.bbtv.com/collections/forg…

Today we are looking at one of the rarest and earliest rifles built by Paul and Wilhelm Mauser, a design which would set in motion all the events that led to the Mauser company becoming one of the great world leaders in small arms. The Mauser brothers were born in Oberndorf am Necker in the Kingdom of Württemberg, sons of a gunsmith. They would take up their father’s trade and were creative and intelligent boys, but opportunities were limited in the small, rural town of Oberndorf. In 1865 they presented a rifle to the Austrian Army in Vienna for trials, where it was rejected. However, it was noticed by an American sales rep for the Remington Company, a man named Samuel Norris. Norris saw the potential in the Mauser brothers’ design to convert needlefire rifles to metallic cartridges, and he signed a deal with the brothers to further develop the system.

The Mausers moved to Liege Belgium to do their work, and within just a few years they were making rifles for Norris. This example is based on a Chassepot, as Norris hoped to sell the conversion system to the French Army. That deal was rejected, however (the French were happy sticking with paper cartridges as of 1868), and Norris’ plans began to unravel when the Remington company discovered that he was making dealings in his own name instead of for them. The Mauser brothers ended up walking away from the deal with ownership of the patents they had filed with Norris, and when they submitted the design to the Prussians a process began which would result in the Mauser Model 1871 being adopted. From there, their talents would lead to the whole line of Mauser repeating rifles culminating in the Model 1898, arguably the pinnacle of the bolt action military rifle.

Thanks to the Liege Arms Museum for access to film this for you! If you are in Belgium, definitely plan to stop into the museum, part of the Grand Curtius. They have a very good selection of interesting and unusual arms on display. Further thanks to the Paul Mauser Archive for helping to arrange this filming!

https://www.grandcurtius.be

http://www.paul-mauser-archive.com

Contact:
Forgotten Weapons
6281 N. Oracle #36270
Tucson, AZ 85740

April 23, 2020

1945: Japan Joins the Allies | The Indonesian War of Independence Part 1

Filed under: Asia, Britain, Europe, History, Japan, Military, WW2 — Tags: , , , , , — Nicholas @ 04:00

TimeGhost History
Published 22 Apr 2020

In Indonesia, following the end of the Second World War catalyses the end of brutal Japanese rule. Their exit prompts the Dutch to begin restoring their prewar colonial status over the archipelago. But nationalist spirits are brewing, their opportunity to proclaim Indonesian independence is transpiring.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory

Watch the Prologue to the Indonesian War of Independence series right here: https://youtu.be/IkKJSRaeOik

Hosted by: Indy Neidell
Written by: Isabel Wilson and Joram Appel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Isabel Wilson and Joram Appel
Edited by: Karolina Dołęga
Sound design: Marek Kaminski

Colorizations:
Dememorabilia – https://www.instagram.com/dememorabilia/
Jaris Almazani (Artistic Man) – https://instagram.com/artistic.man?ig…

Sources:
Archive by Screenocean/Reuters https://www.screenocean.com.
Tropenmuseum, part of the National Museum of World Cultures
Imperial War Museum Arts: Ronald Searle, SE5895 , SE-5865, SE5663, SE5724
Rijksmuseum

Music:
“Deviation In Time” – Johannes Bornlof
“Last Point of Safe Return” – Fabien Tell
“Deflection” – Reynard Seidel
“Disciples of Sun Tzu” – Christian Andersen
“Split Decision” – Rannar Sillard
“Other Sides of Glory” – Fabien Tell
“Last Man Standing 3” – Johannes Bornlöf
“Magnificent March 3” – Johannes Bornlöf
“Deviation In Time” – Johannes Bornlof

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

From the comments:

TimeGhost History
1 day ago (edited)
For the last decades, writing colonial histories on events such as the Indonesian War of Independence has been a difficult task. Due to the incriminating nature of the events, records were either never made or have been regularly “lost” since. Political interest in the events was minimal in both The Netherlands and Indonesia, but times are changing. In recent years, a lot more research power has been allocated to this topic by Dutch and Indonesian Universities and Research collectives. Finding colonial truths is a huge focus of academia right now and their work has allowed us to get real with colonialism in this series. We’re sure that even more sources and stories will surface in the coming years, allowing for more books and documentary such as ours to be made. We’re interested to hear what you think about this episode! Make sure to let us know in the comments!

Cheers,
Izzy

Quintinshill, the Worst Railway Disaster in British History

Filed under: Britain, History, Military, Railways, WW1 — Tags: , , , — Nicholas @ 02:00

The History Guy: History Deserves to Be Remembered
Published 15 Sep 2018

Railroads played a critical role for the United Kingdom in the Great War. But the increased burden on the nation’s railways had its cost. In the early morning hours of May 22, 1915, a crowded schedule resulted in the 1915 Quintinshill Rail Disaster, the worst railway disaster in British history. Its victims, mostly men of the 1/7 Royal Scots regiment, deserve to be remembered.

The History Guy uses media that are in the public domain. As photographs of actual events are sometimes not available, photographs of similar objects and events are used for illustration.

The episode includes historical photos involving the Great War and a 1915 railway disaster. Those photos are provided in context of the historical events. No graphic violence is shown.

Patreon: https://www.patreon.com/TheHistoryGuy

The History Guy: History Deserves to Be Remembered is the place to find short snippets of forgotten history from five to fifteen minutes long. If you like history too, this is the channel for you.

Awesome The History Guy merchandise is available at:
https://teespring.com/stores/the-hist…

The episode is intended for educational purposes. All events are portrayed in historical context.

#quintinshill #wwi #thehistoryguy

April 22, 2020

Tanks of the Early North Africa Campaigns, by The Chieftain – WW2 Special

Filed under: Africa, Britain, Germany, History, Italy, Military, Weapons, WW2 — Tags: , , — Nicholas @ 06:00

World War Two
Published 21 Apr 2020

The Chieftain takes us to North Africa, where he talks us through the tanks that were used during the first months of the Battles in North Africa between the Italians and Germans on the one side and British and Commonwealth forces on the other.

Check out The Chieftains channel: https://www.youtube.com/channel/UCp4j…

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Written and Hosted by: The Chieftain
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: The Chieftain
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
Carlos Ortega Pereira,
BlauColorizations, https://www.instagram.com/blaucoloriz…
Adrien Fillon – https://www.instagram.com/adrien.colo…

Sources:
Bundesarchiv
IWM KID 502, H 20697, E 443, H 1148, E380, KID346, E 1002, E 5366, E676, F 4594, E 1416, E 6605, E 15182, O 747, E 5559, E 142, F 2919, E 5036, F 2441, E 1772, E 9562, NA 2304, E 7304, E 2138
Noun Project: company soldiers by Andrei Yushchenko, Radio by Pravin Unagar, gearbox by Baboons, Shield by Nikita Kozin, Weight by Vadim Solomakhin, Game by Ecem Afacan, Target by RITASYA

Soundtracks from the Epidemic Sound:
Reynard Seidel – “Deflection”
Johannes Bornlof – “Deviation In Time”
Johan Hynynen – “Dark Beginning”
Max Anson – “Ancient Saga”
Rannar Sillard – “Split Decision”
Fabien Tell – “Last Point of Safe Return”
Johannes Bornlof – “The Inspector 4”
Rannar Sillard – “Easy Target”
Philip Ayers – “Trapped in a Maze”
Phoenix Tails – “At the Front”

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

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