World War Two
Published 14 Mar 2020An Italian offensive into Greece is prepared, just as the Germans are preparing to also attack Greece via Bulgaria. Meanwhile, a daring and spectacular dash is made by the Nigerian army.
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Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Produced and Directed by: Spartacus Olsson and Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
– Daniel Weiss
– History Colorizer M.B – https://www.facebook.com/mohamedbayou…Sources:
– Bundesarchiv
– boat sound by bockelsound from freesound.orgArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
March 15, 2020
Nigerians Chasing Italians Like Cheetahs Hunt a Bull – WW2 – 081 – March 14, 1941
Irish War of Independence – Black and Tans vs. IRA Guerrillas I THE GREAT WAR 1920
The Great War
Published 14 Mar 2020Sign up for Curiosity Stream and Nebula: https://curiositystream.com/thegreatwar
The movement for more Irish self determination had turned into a full out revolutionary movement by 1919. The British Empire was losing control over Ireland and by early 1920 was in a full out guerrilla war against the Irish Republican Army (IRA). To regain control more police forces were recruited with wide ranging authorities – and a lack of actual police training. With their mismatched equipment made from war supplies, they soon got the nickname “Black and Tans”.
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Merchandise: https://shop.spreadshirt.de/thegreatwar/» SOURCES
Bowen, Tom, “The Irish Underground and the War of Independence 1919-21” Journal of Contemporary History Vol. 8, No. 2 (Apr., 1973), pp. 3-23
Hopkinson, Michael, The Irish War of Independence, (Montreal & Kingston : McGill-Queen’s University Press, 2002)
Leeson, David, The Black and Tans: British Police and Auxiliaries in the Irish War of Independence, 1920-1921, (Oxford : Oxford University Press, 2011)
Lowe, W.J., “Who Were the Black-and-Tans”, History Ireland (Autumn 2004)
Townshend, Charles, The Republic: The Fight for Irish Independence 1918-1923, (London : Penguin Books, 2013)
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Presented by: Jesse Alexander
Written by: Mark Newton, Jesse Alexander
Director: Toni Steller & Florian Wittig
Director of Photography: Toni Steller
Sound: Toni Steller
Editing: Jose Gamez, Toni Steller
Mixing, Mastering & Sound Design: http://above-zero.com
Maps: Daniel Kogosov (https://www.patreon.com/Zalezsky)
Research by: Mark Newton
Fact checking: Florian WittigChannel Design: Alexander Clark
Original Logo: David van StepholdA Mediakraft Networks Original Channel
Contains licensed material by getty images
All rights reserved – Real Time History GmbH 2020
M1918 BAR: America’s Walking Fire Assault Rifle
Forgotten Weapons
Published 14 Oct 2017Sold for $34,500 (transferrable).
John Browning developed the Browning Automatic Rifle for use by American troops in World War One, taking inspiration from the other light automatic weapons in service including the Chauchat, Lewis, and MG08/15. Rather than being used as a light machine gun as we would understand it today, the BAR was an “automatic rifle”, intended to be used in much the same way as the Germans would use the Sturmgewehr in WWII. It would be fired in semiautomatic mode from the shoulder or hip while advancing on the enemy, using steady fire to keep them pinned down. Once troops broke into close contact, the gun could be switched to fully automatic to provide overwhelming firepower for the final assault on a position. While the walking fire from the hip was not particularly realistic in practice, the fully automatic firepower was a huge boon to the infantry. While it filled the game role as the Chauchat, the BAR was a much more refined weapon and much easier to use effectively.
The BAR was showed to the US Ordnance Department in 1917, and the first order for them was placed with Colt in July of 1917. In short order further contracts would be placed with Winchester and Marlin-Rockwell, although it would take many months to fabricate the production tooling and perfect the design for mass production. A few hand-fitted guns were ready in February 1918 for a public demonstration, but significant quantities were not being built until July of 1918.
These guns would be shipped to France for use by the AEF, but not actually put into combat service until the Meuse-Argonne offensive in late September of 1918, due to General Pershing’s desire to keep them secret from the Germans until a large number could be used at once. As a result, the guns saw only very limited use before the war ended on November 11th. In total 102,173 BARs would be built, about half of them being finished into 1919, after the armistice. They would go on to be changed and updated for use in World War Two, but that is a discussion for another day. This particular gun is an excellent example of an M1918 BAR in correct World War One configuration, which is a rare find today.
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March 13, 2020
Fallschirmjäger – Germany’s Finest – WW2 Special Episode
World War Two
Published 12 Mar 2020The Fallschirmjäger were Germany’s own paratrooper branch, designed to deal a swift and fatal blow behind the enemy’s lines. They were deployed with great success in Scandinavia and the Benelux, but they come too close to the sun when they attempt to invade Crete.
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Source list: http://bit.ly/WW2sourcesHosted by: Indy Neidell
Written by: Joram Appel and Izzy Wilson
Produced and Directed by: Spartacus Olsson and Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Joram Appel and Izzy Wilson
Edited by: Mikołaj Cackowski
Map animations: Eastory (https://www.youtube.com/c/eastory)
Sound design by: Marek KaminskiColorizations by:
Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
Ruffneck88 – https://commons.wikimedia.org/wiki/Fi…Sources:
IWM E 3066ESoundtracks from the Epidemic Sound:
Rannar Sillard – “March Of The Brave 4”
Reynard Seidel – “Deflection”
Rannar Sillard – “Easy Target”
Gunnar Johnsen – “Not Safe Yet”
Johannes Bornlof – “Last Man Standing 3”
Fabien Tell – “Last Point of Safe Return”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
1 day ago
This is the first of many proper specials that we want to do to add on the weekly World War Two episodes, the War Against Humanity series, the Biographies, our Out of the Foxholes Q&A series and our upcoming On the Homefront sub-series. In these specials, we’ll cover any additional topics in depth — think about hardware, tactics, special forces, bills or decryption systems. We’re interested to hear your suggestions! What do you want to see covered in an upcoming special epsiode?
“The Price of a Mile” – The Battle of Passchendaele – Sabaton History 058 [Official]
Sabaton History
Published 12 Mar 2020So tell me what’s the price of a mile? The Battle of Passchendaele in 1917 is often remembered as a dismal and dreadful campaign. Fighting over endless mud, waterlogged shell-holes and unrecognizable, bombed out ground, the battle became a slog where everybody was just miserable. Hundreds of thousands of men became casualties for the advance of a handful of miles.
The Art of War online: https://sites.ualberta.ca/~enoch/Read… [PDF]
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to “Price of a Mile” on the album The Art of War:
CD: http://bit.ly/TheArtOfWarStore
Spotify: http://bit.ly/TheArtOfWarSpotify
Apple Music: http://bit.ly/TheArtOfWarAppleMusic
iTunes: http://bit.ly/TheArtOfWariTunes
Amazon: http://bit.ly/TheArtOfWarAmz
Google Play: http://bit.ly/TheArtOfWarGooglePlayCheck out the trailer for Sabaton’s new album The Great War right here: https://www.youtube.com/watch?v=HCZP1…
Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Karolina Kosmowska
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastoryArchive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.Sources:
– Imperial War Museum: Q 20705;Q 45462;Q 5989;6Q 2890;Q 3117 Q 3008;Q 2712;Q 23779;Q 7806;Q 5937;Q 5726;Q 2902;Q 2713;Q 57299;Q 57247;Q 45390;Q 51569;Q 1426;Q 540;Q 17868;Q 50237;Q 47725;Q 45382;Q 2639;Q 29088;Q 42251;Q 5714;Q 2868;Q 5938;Q_005935;Q 2625;Q 5723;Q 2627;Q 29090;Q 52862;Q 88098;Q 88017;Q 2706;Q 5936;Q 5904;Q 5940;Q 5941;Q 5902;Q 47741;Q 3001;Q 5947;Q 6458;Q 3252;Q 29088;Q 5767;Q 45461;Q 42251;Q 2682;Q 20705;Q 6346;Q 6223;Q 11688;Q 2708.;Q 47719;Q 3103;Q 2679;;Q 2640;Q 2858;Q 2735;Q 2707;Q 2757;Q 5901;Q 3006.;Q 5904;Q 5928;Q 3104;Q5903;Q 29089;Q 5865;Q 11668;Q 3002;Q 2978;Q 3121;Q5706;Q 47741;Q 2755;Q 55558;Q 3012;Q 5874;Q 5888;Q 7806;Q 6327;Q 54408;Q 2866;Q 56567;Q 6047;Q 6049;Q 3252; 3140;Q 2868;Q 61034;Q 42250;Q 3025;Q 7814.;Q 2893;Q 2737;E00777;Q 3029;Q 2763;Q 5773;Q 2756;Q 47741;Q 45369;Q 2707;Q 6327;Q 5902.;Q 3006;Q 5871;Q 5733; CO 1757;CO 2241;CO 1757;CO 2252;CO 2241;CO 1757;CO 2246;CO 2252;CO 1763;CO 2241; E(AUS) 941;(E(AUS) 719);E(AUS) 1233.;(E(AUS) 719),
– Art IWM: ART 1921; ART 1150,
– The Australian War Memorial: E00693; E04678; E01912; E00874; E00807; E00874; E01229; A02653; E00927
– National Army Museum: 1952-01-33-55-391; 1985-04-48-412; 2001-02-256-96;1997-12-75-81; 2010-01-56-40; 1994-12-31-1; 1978-11-157-24-36;
1965-10-209-27; 1972-08-67-1-40; 1917-07-31,
– Canadian War Museum: CWM 19930013-511;CWM 19890222-001;CWM 19930013-464;CWM 19930013-511;CWM 19710261-0093.;
165-BO-1503,
– Library and Archives Canada: 040139An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
QotD: Rommel’s generalship
Yes, the reader might respond, but surely we are on firmer ground with regard to [Rommel’s] military skill! After all, no less a figure than British Prime Minister Winston Churchill called him “a great general” on the floor of the House of Commons. Even here, it is possible to make a counterargument. Rommel’s daring exploits at the head of the Afrika Korps (later enlarged and renamed Panzerarmee Afrika) were exciting, to be sure, but many officers in his own army reckoned them as an ultimately valueless sideshow. His disinterest in the dreary science of logistics, his “bias for action,” his tendency to fly off wherever the fighting was hottest are qualities that may make for an exciting movie, but they are problematic in an army commander under modern conditions, and they all contributed materially to the disaster that ultimately befell him and his army in the desert.
[…]
When Rommel arrived in Africa, he brought with him a fully realized art of war. He’d won a Pour le Mérite (the famed “Blue Max“) for a series of nail-biting mountain exploits in the 1917 Caporetto campaign; he had been a very popular tactical instructor at the Dresden Infantry School between the wars; he had commanded one of the army’s precious Panzer divisions (the 7th) during the 1940 campaign in the West. In France, Rommel had behaved more like an 18th century hussar cut loose on a raiding mission than a divisional commander. He led from the front, braved enemy fire on numerous occasions, and turned off his radio from time to time rather than risk receiving orders to rein himself in. He drove forward so rapidly that the 7th Panzer became known as the “ghost division” for its tendency to drop off the situation maps and reappear where least expected. There were many in the German high command, including the chief of the General Staff Franz Halder, who didn’t much appreciate Rommel running amok, but as one analyst put it, “it was impossible to court martial such a successful general, so Rommel instead got the Ritterkreuz” [the Knight’s Cross of the Iron Cross].
Robert Citino, “Drive to Nowhere: The Myth of the Afrika Korps, 1941-43″, The National WWII Museum, 2012. (Originally published in MHQ, Summer 2012).
March 12, 2020
Canadian Ross MkIII Sniper Rifle with Warney & Swasey Scope
Forgotten Weapons
Published 11 Mar 2020http://www.patreon.com/ForgottenWeapons
https://www.floatplane.com/channel/Fo…
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The Canadian infantry that went to Europe in the early years of World War One were equipped primarily with the Ross MkIII rifle. The Ross would become quite the scandal, and was replaced in service with the SMLE in 1916 — but as a sniper rifle the Ross excelled. Its problems in service were largely based on poor quality ammunition, and this was not an issue for the sniper corps. In addition, Great Britain was having enough trouble equipping its own snipers to have any extra scoped rifles to hand over to the dominions.
And so, the Canadians modified 500 Ross rifles into a sniper configuration using American-sourced Warner & Swasey M1913 “Musket Sight” scopes. These were 5x magnification prismatic scopes, also used by American forces on the M1903 sniper rifle and the M1909 Benet-Mercie machine guns. The scope was not very good, suffering from fogging and other issues, but it was available. The Canadian rifles were made in two batches of 250 each, one in 1915 and one in 1917. This was actually more rifles than needed, and many of them (including the two in this video) remained in Canada for training (and were used at least until 1942).
Canadian Warner & Swasey scopes can be identified by three elements. They have elevation dials marked out to 2400 yards, serial numbers between 1 and 500, and no data plate on top. Canadian scope cases are marked with the serial numbers of the scope and the rifle they were issued with.
Contact:
Forgotten Weapons
6281 N. Oracle #36270
Tucson, AZ 85740
M134 Minigun: The Modern Gatling Gun
Forgotten Weapons
Published 22 Dec 2016Minigun in slow motion: https://www.youtube.com/watch?v=XeyVr…
The General Electric M134 “Minigun” is essentially an electrically-powered Gatling gun — the conceptual operation of the gun is identical to Dr. Gatling’s original creation. What has changed, however, is the chambering (it’s in 7.62 NATO), the power source (an electric motor), and the feed mechanism (belt-feed using M60 links instead of the Gatling’s Accles, Broadwell, or Bruce feeds). The weapon was a scaled down version of a 20mm rotary powered cannon devised for aircraft armament after WW2, hence the “mini” name. It was used primarily as helicopter armament, although it has found its way only ground vehicles as well. Firing between 3000 and 6000 rounds per minute, the Minigun is ideal for aerial engagements where the gunner only has a brief moment on target and needs to fire as much as possible during that moment.
It is a truly awe-inspiring weapon, and quite an experience to fire! In addition to destroying a truck with it, we will look at disassembly and functioning of the minigun — the delinking mechanism is really the most complex part of the weapon, and a very interesting device.
Thanks to Modern Arms of Tempe, AZ for providing the Minigun for this video! They offer the gun for rental, if you are interested in trying it out yourself.
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March 11, 2020
Carton de Wiart – A Man For All Seasons – WW2 Biography Special
World War Two
Published 10 Mar 2020Carton de Wiart was a remarkable figure in World War One, but his story continues in World War Two, where he rolls from one adventure into the next.
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Source list: http://bit.ly/WW2sourcesHosted by: Indy Neidell
Written by: Francis van Berkel
Produced and Directed by: Spartacus Olsson and Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Keith Kevelson
Edited by: Mikołaj CackowskiColorizations by:
Julius Jääskeläinen – https://www.facebook.com/JJcolorization/Sources:
IWM Q 101768, Q 82958, Q 15472, Q 53680, Q 92257, Q 4511, Q 11429, Q 92207, Q 92214, N 228, N 110, N 68, H 7393, HU 128168, E(MOS) 1315, SE 3547, A 31225, A 20588, Q 92218
Skull by Mahmure Alp from the Noun Project
foot bone by Maxicons from the Noun Project
Ear by Vectors Market from the Noun Project
Hip Bones by ProSymbols from the Noun Project
Collection of Auckland Museum Tamaki Paenga Hira, 2001.25.480 Brent Mackrell Collection
Narodowe Archiwum Cyfrowe
Picture of Combe, Carton de Wiart, Todhunter and Gambier-Parry in Vincigliata Castle Prison, courtesy Michael TodhunterSoundtracks from the Epidemic Sound:
Hakan Eriksson – “Epic Adventure Theme 3”
Jo Wandrini – “Dawn of Civilization”
Rannar Sillard – “March of the Brave 4”
Johannes Bornlof – “Death And Glory 3”
Farrell Wooten – “Blunt Object”
Philip Ayers – “Trapped in a Maze”
Phoenix Tail – “At the Front”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
40 minutes ago (edited)
This episode was made thanks to our research volunteer Keith Kevelson. It is also the first of its kind, being the first proper Biography Special of our World War Two series. We will do one of these every other week, so be prepared to get to know the main protagonists of the Second World War up close and personal. Please support us on Patreon so we can continue making these. Sign up at www.patreon.com/timeghosthistory or https://timeghost.tv.Cheers,
Joram
A Bridge Too Far | Military History Book Review
TIK
Published 22 Feb 2016The classic history book looking at the battle of Arnhem and Operation Market Garden. Cornelius Ryan’s A Bridge Too Far.
Have you seen my popular Operation Market Garden Documentary?
https://youtu.be/vTUC79o4KmcAlso, if you haven’t done already, follow me on Twitter!
https://twitter.com/TIKhistory
March 10, 2020
Budapest 44: The Siege of Buda (December 44 – February 45)
Historigraph
Published 7 Mar 2020Buy Siege of Budapest Poster here: https://teespring.com/en-GB/siege-of-…
Support the channel on Patreon: https://www.patreon.com/historigraph
Follow me on Twitch: https://www.twitch.tv/historigraph#SiegeOfBudapest #SiegeOfBuda #Historigraph
►Twitter: https://twitter.com/historigraph
►Instagram: https://www.instagram.com/historigraph
►Patreon: https://www.patreon.com/historigraphThe Siege of Budapest and the battles that led to it have had precious little written about them (in English!), so the bulk of this video comes from one book:
Krisztián Ungváry, Battle for Budapest: 100 Days in World War 2
This is by far the most detailed account of the battle that I could find.
Music:
“Crypto”, Incompetech https://incompetech.com
“Rynos Theme”, Incompetech
“Stormfront”, Incompetech
March 9, 2020
British Submachine Gun Overview: Lanchester, Sten, Sterling, and More!
Forgotten Weapons
Published 12 Mar 2017Armament Research Services (ARES) is a specialist technical intelligence consultancy, offering expertise and analysis to a range of government and non-government entities in the arms and munitions field. For detailed photos of the guns in this video, don’t miss the ARES companion blog post:
http://armamentresearch.com/british-sub-machine-gun-development-an-overview/
Great Britain was one of the few countries that went into World War Two with virtually no submachine gun development. Not every country had an issued SMG by 1939, but virtually everyone had at least been working on experimental concepts — except the British. It was only with the outbreak of hostilities that the need for such a weapon suddenly became apparent and its acquisition became a military priority.
This was solved by acquiring and copying the German MP28/II, which was quickly followed by a simplification program that would lead to the MkI, MkI*, and ultimately MkII and MkIII Sten guns. The Stens were truly exceptional studies in simplification, getting down to a mere 5.5 man-hours of production time. Only after the threat of immediate German land invasion had subsided was the Sten allowed to become a little bit user-friendly, in the MkV guise.
At the end of WW2, the British were finally able to scrap the Sten (known to be a compromise gun all along) and replace it with something with more finesse. Tests were run on the MCEM series, on BSA guns, on interesting prototypes like the double-stack-magazine Vesely V42 — but it was George Patchett’s much improved Sten which would be chosen and come to be known as the Sterling SMG (named after its manufacturer).
A couple of corrections to the video:
— The MP28 was designed by Schmeisser, not Bergmann.
— The MCEM-2 was designed by Polish engineer Lt. Jerzy Podsendkowski. The -2 version of the MCEM was completed during WW2; it was the -4 and -6 versions that were post-war.
— George Lanchester was chief engineer at Sterling and ran the Lanchester project, but was not actually the lead designer himself.
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QotD: The wrong lessons learned from World War II
Americans learned several misleading lessons from World War II. The first and greatest error was overestimating the effectiveness of military force. World War II — the last conflict in which the world’s great powers went toe-to-toe against each other, with no holds barred — created a new understanding of how wars are fought and won. But wars since then have not fit this paradigm, and many of our subsequent military mistakes came as a result of misapplying World War II’s lessons.
Lyndon Johnson led the country into a massive military commitment in South Vietnam in part because of misplaced faith in what the United States could accomplish by force of arms. The Johnson administration convinced itself that fighting modern wars was a branch of management science, akin to running a large corporation like General Motors, and that America’s military was a versatile instrument that could be dialed up or down to deliver precisely calibrated levels of violence, tailored to meet any foreign policy challenge. World War II also led many Americans to conclude that liberal democracy could be imposed on foreign peoples through the application of what George W. Bush’s administration would later call “shock and awe.”
It turns out that, even in the age of precision weapons, military power is a blunt instrument, ill-suited to nation-building, except in rare circumstances and at great cost. Germany and Japan — our preferred examples — are highly idiosyncratic. Liberal democracy flourished in each only after the deaths of millions of citizens and the reduction of their societies to rubble. Americans haven’t shown much stomach for projects of this scope after 1945.
E. M. Oblomov, “The Greatest Generation and the Greatest Illusion: Success in World War II led Americans to put too much faith in government—and we still do.”, City Journal, 2017-12-28.
March 8, 2020
Bulgaria Joins the Fascist Alliance – WW2 – 080 – March 7, 1941
World War Two
Published 7 March 2020German troops pour into Bulgaria as they join the Axis alliance, while British troops enter Greece in anticipation of a German attack. Meanwhile, the British celebrate victories in East-Africa and on the Atlantic.
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Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Produced and Directed by: Spartacus Olsson and Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
– Royal Bulgaria In Colour
– Daniel Weiss
– Dememorabilia – https://www.instagram.com/dememorabilia/
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
– Norman Stewart – https://oldtimesincolor.blogspot.com/Sources:
– Bundesarchiv
– Narodowe Archiwum Cyfrowe
– IWM: TR 1762, CM 187, MH 27178, E 2370, E 2380, K 284, E 2376, E 1384, E 2383, E 3245, E 2001, E 2393
– Moscow icon by Graphic Tigers, film icon by Fernando Vasconcelos, oil barrel icon by Musmellow, from the Noun Project
– Slide projector sound by hpebley3 from Freesound.orgArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
Britain’s Post-WWII Naval Decline
Sal Viscuso
Published 1 Dec 2013Max Hastings describes the declining British post-WWII role in global affairs.
















