Quotulatiousness

September 26, 2019

“Canadian politicians answer questions with talking points so ludicrous, counterfactual or shameless that you wonder how they can look their loved ones in the eye”

Filed under: Cancon, Media, Politics — Tags: , , — Nicholas @ 03:00

The extra-long headline is from Chris Selley’s article discussing how the Prime Racist is handling questions about his documented instances of wearing blackface:

Justin Trudeau with dark makeup on his face, neck and hands at a 2001 “Arabian Nights”-themed party at the West Point Grey Academy, the private school where he taught.
Photo from the West Point Grey Academy yearbook, via Time

If anything rational can explain Trudeau’s odd performance at a Monday-morning press conference in Hamilton, Ont., perhaps it’s relief at those findings. Lucas Meyer, a radio reporter for Newstalk 1010 in Toronto, asked the PM a neat question about the video showing him capering around in blackface, apparently with something substantial shoved down the front of his trousers — namely, “what exactly was that costume?”

“I am continuing to be open with Canadians about the mistake I made,” Trudeau responded. “This is something that I take responsibility for. This is something that I should have known better, but didn’t. I will continue to work every day to fight racism, to fight discrimination, to fight intolerance in this country.”

Meyer tried again: “With all due respect, Prime Minister, that wasn’t even close to answering the question. What was that costume?”

“I have been open with Canadians, and I will continue to be open with Canadians,” Trudeau replied, eliciting various noises indicating astonishment from the assembled journalists. “I will continue to fight racism and intolerance every day.”

To be fair, it is by no means unusual to see Canadian politicians answer questions with talking points so ludicrous, counterfactual or shameless that you wonder how they can look their loved ones in the eye. […]

If an honest answer would have been problematic, “I don’t remember” or “it wasn’t a costume, I was just being a goof,” would have worked better. Just about anything would have been better than claiming to be consistently frank and open with Canadians while failing to answer what could be the simplest question he’ll get asked on the whole campaign.

On Tuesday in Burnaby, B.C., Trudeau was asked how he can say he’s being frank and open with Canadians when all he’ll say about the topic at hand is that he’s being frank and open with Canadians.

September 23, 2019

The “Global Climate Strike”

Filed under: Cancon, Environment, Media, Politics — Tags: , , , , , , , — Nicholas @ 03:00

The big “let’s all play hooky from school” event’s Toronto organizers have been getting positive coverage from some of the local media, because of course they have. Here’s Tanya Mok for BlogTO, listing the totally reasonable and not in any way unrealistic “demands” of the movement:

FridaysForFuture Demonstration, 25 January 2018 in Berlin.
Photo by C. Suthorn via Wikimedia Commons.

The coalition has made a list of seven demands, which “reflect the rallying cries of the intersectional movements” they belong to. Some of those demands include:

  • Indigenous rights and sovereignty.
  • The protection of forests, land, and water sources.
  • A shift to publicly-owned renewable energy, and reducing national carbon emission by 65% by 203, reaching zero emissions by 2040.
  • A $15 minimum wage for all, and higher taxation on the rich.
  • Universal public services like health care and dental care, free university and college, housing as a human right, and free public transit.
  • Justice for migrants and refugees, allowing status for all. That includes putting an end to deportations and allowing for the full access to public services.

There will be a concert at Queen’s Park after the rally, as well as a follow-up benefit concert at the Tranzac Club in the evening. A giant street mural project run by Greenpeace will also be taking place prior to the rally, around 10 a.m., at the southern point of Queen’s Park.

September 21, 2019

Justin Trudeau will magnanimously forgive Canadians for their systemic racism

Filed under: Cancon, Media, Politics — Tags: , , , , — Nicholas @ 03:00

It’s mighty generous of him, after all, it was our racist country’s culture that forced him to wear “skin-darkening make-up” in a totally innocent moment of amusement (or was it three totally innocent moments of amusement?). Andrew Coyne says Justin is no racist … but he is a sanctimonious fraud:

Justin Trudeau with dark makeup on his face, neck and hands at a 2001 “Arabian Nights”-themed party at the West Point Grey Academy, the private school where he taught.
Photo from the West Point Grey Academy yearbook, via Time

If you thought this affair meant an end to the Trudeau brand of conspicuous moral preening — if you thought the rank hypocrisy of lecturing his opponents for their sins against tolerance, even as he was concealing much worse in his past, would deter or even shame him — think again. He seems merely to have exchanged one hypocrisy for another, asking meekly for the forgiveness he has been so unwilling to extend to others.

Which is really what all this is about. It isn’t the insensitivity, or the self-absorption, or the hypocrisy, that will leave the most lasting impression: it’s the calculation, the fakery, the synthetic emotion, the sly manipulation. The prime minister has proved adept at deploying the jargon and cliches of the identitarian left (“microaggressions,” “intersectionalities,” and “ally” all featured highly in the Winnipeg press conference) in moments of maximum political danger: recall his earlier non-denial of having groped a young female reporter, this time as a 28-year-old: “men and women often experience situations differently.”

Is he a racist? No. He is a fraud. The racial masks he wore to conceal his identity 20 years ago are but one in a series: from blackface to feministface to sunnywaysface. If it were just a matter of comparing his youthful errors to his record on racial issues, his partisans might have a point. Certainly the Conservatives, with their record of having exploited fears of Muslims, or asylum-seekers, or God help us, the Global Migration Compact, are in no position to point fingers.

But the character and credibility of a leader is a much broader matter than one issue. It informs every part of his record, the whole of his platform. The leader we saw dissembling so skillfully this week in Winnipeg is the same one who lied to the public, repeatedly, about the SNC-Lavalin affair; who made solemn and explicit promises on electoral reform and balanced budgets he had no intention of keeping; who ran roughshod over Parliament in exactly the same ways he had most decried in his predecessor.

Oh, and: he is the same leader who boasted after the fact of having personally selected a “scrappy tough-guy senator from an Indigenous community” as his opponent for the charity boxing match that would launch his career because he would make “a good foil.” Even on race, that the current occupant of the Prime Minister’s Office is a sanctimonious fraud it is surely at least as significant as that his government sponsors anti-racism seminars.

September 20, 2019

“Cliffs of Gallipoli” Part 2 – The Great War – Sabaton History 033 [Official]

Filed under: Britain, History, Media, Middle East, Military, WW1 — Tags: , , , — Nicholas @ 04:00

Sabaton History
Published on 19 September 2019

The second part of our coverage of the Sabaton song “Cliffs of Gallipoli” is about the brutal fighting that took place once the landings had come to a standstill. A stalemate similar to the Western Front caused thousands of Ottoman and Allied soldiers to have to endure endless charges, barrages, sniper fire in addition to the hot summer climate of South-Eastern Europe.

Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory

Watch Part 1 of Cliffs of Gallipoli here: https://youtu.be/oDac6Oswyns

Listen to The Art of War (where “Cliffs of Gallipoli” is featured):
CD: http://bit.ly/TheArtOfWarStore
Spotify: http://bit.ly/TheArtOfWarSpotify
Apple Music: http://bit.ly/TheArtOfWarAppleMusic
iTunes: http://bit.ly/TheArtOfWariTunes
Amazon: http://bit.ly/TheArtOfWarAmz
Google Play: http://bit.ly/TheArtOfWarGooglePlay

Watch the Official Lyric Video of Cliffs of Gallipoli here: https://www.youtube.com/watch?v=oOCe2…

Hosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Maps by: Eastory
Edited by: Iryna Dulka
Sound Editing by: Marek Kaminski

Eastory YouTube Channel: https://www.youtube.com/channel/UCEly…
Archive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.

Sourses:
– IWM: Q 13450, 2509-07, Q 13324, Q 13249, Q 13219, HU 57426, Q 13585, Q 13676, Q 13667, Q 13637, Q 13714, Q 13663, Q 13680, Q 13709, Q 13335, Q 13285, Q 13447, Q 56637, HU 105641, Q 13622, Q 13633, Q 13647, Q 13689, Q 13677, Q14394, Q 13625
– Australian War Memorial
– A soldier of the Indian Labour Corps courtesy of National Army Museum of New Zealand

An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.

© Raging Beaver Publishing AB, 2019 – all rights reserved.

September 17, 2019

“How did staging dinner-theatre raids to seize eleven grand’s worth of knock-off NFL merchandise become an ICE priority?”

Filed under: Football, Law, Media, USA — Tags: , , , , , , — Nicholas @ 05:00

Mark Steyn on a recent you’ve-got-to-be-kidding-me raid by ICE:

Because AOC and the open-borders left want to abolish ICE (US Immigration and Customs Enforcement), the right is obliged to defend it. This is a pity, because ICE is a deeply weird agency with, to put it mildly, increasingly curious and eccentric priorities.

Last week, for example, under crack agent Tatum King, ICE’s Homeland Security Investigations unit staged (that seems the appropriate word) a raid in Oakland of the Oakland Raiders game:

    ICE targeted vendors of unauthorized T-shirts, hats, caps and bandannas. The agency said the raid was done in partnership with NFL brand security representatives and state and local law enforcement. The Oakland Police Department said it was not involved.

    Officials said they seized about $11,000 worth of illegal swag — undoubtedly, most of it silver and black — during the ‘Monday Night Football’ game and its pre- and postgame tailgate parties.

    Tatum King, special agent in charge of the San Francisco Homeland Security Investigations unit, said about 400 pieces of merchandise were seized but no one was arrested. NFL brand officials issued warning letters and may be pursuing civil action, he said.

As they should — and in small claims court, if eleven grand is the best a no-expense-spared federal-state-local raid with everyone in the full Robocop can come up with.

But what business is it of ICE’s “Homeland Security Investigations” division? This arrest-less “raid” and its attendant publicity ballyhoo undoubtedly cost US taxpayers more than the barely five figures’ worth of Oakland Raiders swag they’re now passing round the office.

Like ICE, HSI was created post-9/11 — to enforce four hundred laws “combating terrorism and enhancing national security”. How did staging dinner-theatre raids to seize eleven grand’s worth of knock-off NFL merchandise become an ICE priority? Which it undoubtedly is:

    King said the agency is committed to ensuring the public purchases ‘legitimate products’ instead of cheaper knockoffs often sold outside stadiums like the Coliseum.

[…]

Tatum King appears to be the usual showboating tosspot in this regard. The picture above shows him after a previous raid netted him some Golden State Warriors merchandise. Agent King can’t keep actual MS-13 warriors out of the Golden State, but he can crack down on underpriced baseball caps and sweatshirts.

The President has declared, repeatedly, that there is an emergency at the southern border. I agree with that. He has also said that, therefore, he needs more resources. That’s harder to agree with when a rogue bureaucracy refuses to act as if there’s an emergency and deploy its existing resources accordingly.

In fact, I’m not sure the left’s alleged war on ICE isn’t just their usual sly deflection, intended to provide a bit of useful cover for a subversive immigration bureaucracy to carry on doing as it’s done for a generation now and refuse to enforce existing immigration law — at least for anything that matters.

September 16, 2019

Election 2019 – “Going negative this early strongly suggests that the Lib’s internal polling is suggesting a fair bit of weakness”

Filed under: Cancon, Media, Politics — Tags: , , , , — Nicholas @ 05:00

Jay Currie’s take on the first week of the Canadian federal election campaign:

Dock Currie (not related) apparently posted something to the internet several years ago which was offensive. So he felt he had to resign as an NDP candidate. [Anyone who sees Dock on Twitter has to wonder if he has ever posted something which is not offensive, but there is is.] Several conservatives have, at various times been in the same crowd of several hundred or thousand people as Canada’s answer to Tokyo Rose, Faith Goldy. The shock, the horror.

I realize that a race between Trudeau, Scheer, Singh and May is not very inspiring. (It would have been so much more interesting had the Conservatives actually run a conservative like Max Bernier rather than whatever the hell Scheer is, but them’s the breaks.) But piling on to candidates for ancient statements or mau-mauing them for distant association with a cartoon fascist simply sets the bar even lower.

Having accomplished nothing of substance in their years in government – they even screwed up the pot file which took real ingenuity – the Libs are reduced to going negative from the outset. Their war room knows that Canadians are unimpressed with “climate change needs higher taxes” as a campaign theme. They also know that Trudeau’s legal and ethics problems offset what charisma he has as a campaigner.

So now it is time for “Project Fear”. Scheer = Harper = Trump. Scheer is going to take away abortion rights, Scheer is not an ally of the gay community because he does not jet all over the country to march in pride parades. The Conservatives hate immigrants, and so on.

Going negative this early strongly suggests that the Lib’s internal polling is suggesting a fair bit of weakness. Conventionally, a party will save the negative stuff for the last couple of weeks of the campaign when it is the most damaging and the hardest to refute. I suspect the Libs have realized that with their own leader either under RCMP investigation or credibly accused of impeding that investigation, they need to distract and terrify the under 30’s, newer immigrants and the ladies if they are going to win.

September 15, 2019

Why the national polls are, at best, only a rough guide to voters’ intentions

Filed under: Cancon, Media, Politics — Tags: , , , , , — Nicholas @ 03:00

Canadian elections have their own quirks — historical, geographical, linguistic — that cannot be accurately captured in national opinion polls:

Conservative support is heavily concentrated in Alberta and Saskatchewan. Tens of thousands of its votes are therefore likely to be wasted racking up massive majorities in a relatively small number of seats.

The Liberal vote, by contrast, is more efficiently distributed, notably in Quebec, with its tight three- and four-way races, where a winning candidate might slip through with 30 per cent of the vote or less. So even though the Liberals are projected to win fewer votes than the Conservatives, they are also projected to win a solid plurality of the seats — perhaps even a majority.

Then again, the polls are misleading in another way. A poll can project, with some uncertainty, the level of support for the various parties among the voting-age population. It is a more difficult matter to predict what proportion of each party’s supporters will actually turn out to vote. The Liberals benefited in 2015 from a surge in turnout, especially among younger voters, on the strength of Justin Trudeau’s sunny idealism. No such enthusiasm, or idealism, is detectable this time around.

It all makes for a close, unpredictable race. The Liberal challenge is the usual one: to round up the vote on the left without giving too much ground on the centre, appealing to those tempted to vote NDP or Green not to split the progressive vote lest the Tories get in.

The Conservatives, for their part, will also be fighting a two-front war, with the emergence of the People’s Party to their right imposing some constraint on their ability to reach across the centre. To date the PPC has not posed much of a threat — its support has stalled at around 3.0 per cent — but it is not impossible that it could break out of that range now that voters are paying more attention.

Of course, Maxime Bernier being actively excluded from the debates, and the pollsters often not including a choice for the PPC will also limit the PPC’s visibility to ordinary Canadian voters. Oddly, this may benefit the Milk Dud and his “Conservatives”, as the media tries to ignore Bernier’s party but gives disproportional coverage to the Green and NDP campaigns, which potentially weakens support for Trudeau and the Liberals.

Update, 16 September: I guess the media finally noticed that excluding Maxime Bernier from the debates was a sub-optimal idea for their preferred winner (Justin Dressup).

September 13, 2019

“Cliffs of Gallipoli” Part 1 – The Great War – Sabaton History 032 [Official]

Filed under: Britain, History, Media, Middle East, Military, WW1 — Tags: , , , — Nicholas @ 06:00

Sabaton History
Published on 12 Sep 2019

While the British were already dying by the thousands in the trenches in Western Europe, their high command decided to try to break the stalemate with an attack on the Ottoman Empire in the Dardanelles. This is the first episode on the Sabaton song “Cliffs of Gallipoli” about the Allied landings on the shores off Gallipoli.

Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory

Listen to The Art of War (where “Cliffs of Gallipoli” is featured):
CD: http://bit.ly/TheArtOfWarStore
Spotify: http://bit.ly/TheArtOfWarSpotify
Apple Music: http://bit.ly/TheArtOfWarAppleMusic
iTunes: http://bit.ly/TheArtOfWariTunes
Amazon: http://bit.ly/TheArtOfWarAmz
Google Play: http://bit.ly/TheArtOfWarGooglePlay

Watch the Official Lyric Video of “Cliffs of Gallipoli” here: https://www.youtube.com/watch?v=oOCe2…

Hosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Maps by: Eastory
Edited by: Iryna Dulka
Sound Editing by: Marek Kaminski

Eastory YouTube Channel: https://www.youtube.com/channel/UCEly…
Archive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.

Sources:
– IWM: Q 57165, Q 1309, Q 515124, Q 13550, Q 13411, Q 53319, Q 13297, Art. IWM ART 4279, Q 112876, IWM ART 2452
– Photos of Ottoman Cavalry courtesy of the National Library of Israel
– Archives New Zealand
– New Zealand troops landing at Gallipoli taken by Joseph McBride

An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.

© Raging Beaver Publishing AB, 2019 – all rights reserved.

From the comments:

Sabaton History
2 days ago (edited)
Thats right, “Cliffs of Gallipoli” will be featured in not one but two Sabaton History episodes! The next episode will dive into a different but equally perspective of the battle.

Joakim already mentions it in the call to action of this episode, but we’re making Sabaton History Special Editions of all the older Sabaton albums, just like we did with The Great War. Those who support us at a certain level on Patreon before the end of November will be rewarded with the Sabaton History Edition of the Sabaton album Heroes. Check out our Patreon page to find out more! -> https://www.patreon.com/sabatonhistory

Cheers!

QotD: Orwell’s campaign against the jackboot

Filed under: Britain, Education, History, Media, Quotations — Tags: , , , — Nicholas @ 01:00

Orwell’s press card portrait, 1943

In spite of my campaign against the jackboot — in which I am not operating single-handed — I notice that jackboots are as common as ever in the columns of the newspapers. Even in the leading articles in the Evening Standard, I have come upon several of them lately. But I am still without any clear information as to what a jackboot is. It is a kind of boot that you put on when you want to behave tyrannically: that is as much as anyone seems to know.

Others besides myself have noted that war, when it gets into the leading articles, is apt to be waged with remarkably old-fashioned weapons. Planes and tanks do make occasional appearances, but as soon as an heroic attitude has to be struck, the only armaments mentioned are the sword (“We shall not sheathe the sword until”, etc., etc.), the spear, the shield, the buckler, the trident, the chariot and the clarion. All of these are hopelessly out of date (the chariot, for instance, has not been in effective use since about A.D. 50), and even the purpose of some of them has been forgotten. What is a buckler, for instance? One school of thought holds that it is a small round shield, but another school believes it to be a kind of belt. A clarion, I believe, is a trumpet, but most people imagine that a “clarion call” merely means a loud noise. One of the early Mass Observation reports, dealing with the coronation of George VI, pointed out that what are called “national occasions” always seem to cause a lapse into archaic language. The “ship of state”, for instance, when it makes one of its official appearances, has a prow and a helm instead of having a bow and a wheel, like modern ships. So far as it is applied to war, the motive for using this kind of language is probably a desire for euphemism. “We will not sheathe the sword” sounds a lot more gentlemanly than “We will keep on dropping block-busters”, though in effect it means the same.

One argument for Basic English is that by existing side by side with Standard English it can act as a sort of corrective to the oratory of statesmen and publicists. High-sounding phrases, when translated into Basic, are often deflated in a surprising way. For example, I presented to a Basic expert the sentence, “He little knew the fate that lay in store for him” — to be told that in Basic this would become “He was far from certain what was going to happen”. It sounds decidedly less impressive, but it means the same. In Basic, I am told, you cannot make a meaningless statement without its being apparent that it is meaningless — which is quite enough to explain why so many schoolmasters, editors, politicians and literary critics object to it.

George Orwell, “As I Please” Tribune, 1944-08-04.

September 12, 2019

Maclean’s invades The Onion‘s pitch

Filed under: Cancon, History, Media — Tags: , , — Nicholas @ 03:00

Barbara Kay on a recent Maclean’s article that may indicate a change of editorial direction for the venerable Canadian magazine:

I never thought of Maclean’s as a satirical magazine, but perhaps they are testing the waters on a rebranding. I cannot otherwise account for the bizarre article just published under their aegis by Scott Gilmore, “Thank God I could Enjoy the Age of Mediocre White Men While It Lasted.” This self-flagellatory apologia for being a successful white male reads like a parody of our cultural moment.

I laughed when I read it, and checked the URL to make sure I hadn’t stumbled on a piece from The Onion by mistake, but no, it was indeed a Maclean’s piece. Sadly, I am all too aware that in these fanatically anti-white male times, a lot of identity-politics activists — including white men who pee sitting down to prove their wokeness — will not only take it seriously, they will applaud him.

Gilmore’s thesis is this in a nutshell: simply being white and male gives you such an advantage in life that for all of human history, other people, so dazzled by male whiteness that they are rendered oblivious both to white-male mediocrity and their own inherent superiority, willingly hand things over to you, things like their bodies, their possessions and their national sovereignty, and of course all the good careers. Your skin colour and sex are your ticket to ride. That state of affairs is now ending, Gilmore says, and this piece is effectively Gilmore’s thank-you note to history for allowing him to have benefited from this remarkable deal, and as well an expression of gratitude that white males are now headed to the dustbin of history, where they belong.

The first problem with the article is that Gilmore never defines “mediocre.” One dictionary definition is “of only moderate quality; not very good.” Let’s go with that. Let’s assume he means white men are dumber, lazier and of lesser character than all women and all non-white men. And yet, “being a white male has been the bee’s knees for about 2,000 years. We have been giving all the orders, taking all the credit, and pocketing all the money since Caesar told Cleopatra to pipe down. We wrote the history books and we built the empires (well, other people did the actual building, but we oversaw a lot of it from our sedan chairs). We drafted all the laws, and made sure to always stack the cards in our favour. And, for a truly impressive long time, we were able to keep all the fun to ourselves.”

September 11, 2019

Margaret Atwood’s The Testaments

Filed under: Books, Cancon, Media, Politics, USA — Tags: , , , — Nicholas @ 03:00

Colby Cosh discusses the genesis of Atwood’s best-known work from 1984, The Handmaid’s Tale and the new sequel published this week, The Testaments:

In a CBS interview broadcast on Sunday, Atwood insisted again, as she always has, that her book wasn’t a prediction. People who read her book in a spirit of active dread, the kind of people who dress up as Handmaids and march on legislatures, will say that, well, dystopias are created specifically so that they won’t come true. What Atwood is trying to say goes deeper than that, and contradicts it. She won’t even insist that the book was intended as a warning. “I’m not a prophet,” she pleads, while everyone around her tells her what a terrific prophet she is.

What she means, but cannot say because it would sound arrogant, is: “I’m not a prophet, dammit, I’m an artist.” If tyrannies were easy to predict and prevent by spritzing around a bit of literary bug spray, they couldn’t come about in the first place. Atwood knows better than this; she knows that tragedies of this scale never take the form that an author might anticipate. Moreover, people who read The Handmaid’s Tale as a mere tract are deaf to its satirical elements — particularly those of the epilogue, in which the story is revealed to have been unearthed by scholars in a still-more-distant future.

These people are also failing to see that The Handmaid’s Tale is a book — researched, not merely imagined — about the past of humankind. The whole book is predicated on the observation (also made implicitly in Orwell’s Nineteen Eighty-Four) that totalitarian regimes are never libertine; they all police sexuality at least as strenuously as they do trade and creative activity, and always come with puritanical, sexually homogenizing features. The novel was heavily influenced by Ceausescu’s Romania and its pro-natalist Decree 770, which abolished contraception and imposed mass gynecological inspection on women of fertile age. Europeans and students (or veterans) of the Cold War will notice this, but how many of the young folk who dress up as Handmaids at protests have any idea? (Are some of them also cosplaying on Twitter as postmodern retro-communists?)

I am curious to see what the critics make of the sequel, because the act of writing one seems a bit cynical, and yet perhaps Atwood has found some clever way of making it work. Offred’s narrative in The Handmaid’s Tale is, as I say, unearthed in a later future; it is important to the functioning of the book that we come to see her as a figure from the past, a human voice whose plea from an obscure period has been flung forward into the hands of half-comprehending and unsympathetic scholarly boobs.

September 8, 2019

Cynicism is the correct way to view the two largest federal parties in Canada

Filed under: Cancon, Media, Politics — Tags: , , , , — Nicholas @ 03:00

Andrew Coyne on the contrast between the Liberal Party, led by Prime Minister Dressup, and the Conservative* Party, “led” by the empty suit I like to call “The Milk Dud”:

As we await the start of the election campaign that began several months ago, some cynics would have you believe the whole thing is little more than a hollow ritual, an empty contest in mass manipulation between rival gangs of careerists and power-seekers who, for all their partisan breast-beating, do not differ in any meaningful way.

Don’t be fooled. Seldom have the choices between so stark, or the stakes so high.

The two main parties, after all, could not be more different. The one, it is well known, is little more than a personality cult centred on the leader, while the other is a personality cult, minus the personality. The first is notably bereft of any governing philosophy or principles but will say and do whatever it takes to win, while the second will say and do whatever it takes to lose.

Of course, both parties have from time to time had their share of scandals, a Wright-Duffy here, an SNC-Lavalin there, but with a critical difference. For whereas the Liberals abuse power because they can — because being so often in government and so accustomed to its pleasures, no one expects them to do any differently — the Conservatives do so because they must: because being so rarely in government, they are at every disadvantage, between an uncooperative bureaucracy and a hostile media, and need recourse to every expedient just to even the scales. Or because the Liberals did it first. Or just because.

* Note that no actual conservatives are members of this party, the name is just a convenient label, not an accurate descriptor.

September 7, 2019

“A Lifetime of War” – Thirty Years War – Sabaton History 031 [Official]

Filed under: Europe, Germany, History, Media, Military, Religion — Tags: , , , , , — Nicholas @ 06:00

Sabaton History
Published on 5 Sep 2019

The Sabaton song “A Lifetime of War” is about the Thirty Years War, which influenced many lives of Northern European soldiers, mercenaries, farmers and city-dwellers.

Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory

Listen to Carolus Rex (“Lifetime of War” is featured):
CD: http://bit.ly/CarolusRexStore
Spotify: http://bit.ly/CarolusRexSpotify
Apple Music: http://bit.ly/CarolusRexAppleMusic
iTunes: http://bit.ly/CarolusRexiTunes
Amazon: http://bit.ly/CarolusRexAmz
Google Play: http://bit.ly/CarolusRexGooglePlay

Watch the official music video for Lifetime of War right here: https://www.youtube.com/watch?v=zvdbD…

Hosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Maps by: Eastory
Edited by: Iryna Dulka
Sound Editing by: Iryna Dulka and Marek Kaminski

Eastory YouTube Channel: https://www.youtube.com/channel/UCEly…
Archive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.

Sources:
– Folger Shakespeare Library
– Map of Hanseatic League: H.F. Helmolt, History of the World, Volume VII, Dodd Mead 1902
– Fondo Antiguo de la Biblioteca de la Universidad de Sevilla

An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.

© Raging Beaver Publishing AB, 2019 – all rights reserved.

September 6, 2019

“This is the worst [weather event] in history!”

Filed under: Environment, Media, USA — Tags: , , , — Nicholas @ 03:00

At some point in the last decade or so, media organizations decided to make the weather report into an extension of the news, to (as I’m sure they’d have explained) provide a richer media experience for their audiences. This has degenerated into some pretty ridiculous weather-event related claims, as it seems every month for the last several years has been “the hottest evah!” if you got your news from the TV. Claiming something is the best/worst in history sounds very impressive, until you realize just how short a time we’re considering when we talk about the weather:

“This is the worst [weather event] in history!” You see it in all the headlines: “Hottest day in history!” “Worst hurricane in history!” “Coldest winter in history!” These headlines make me crazy and it’s not just because they’re being used to shill anthropogenic climate change fears nor is it because a lot of them are false. (For example, since 1924, there have been thirty-five Category Five hurricanes in our part of the Atlantic, most in September. Dorian was just the latest, not the most exceptional.)

No, what really irks me is that phrase “in history” or its companion phrase “ever” (“Worst heat wave ever!”) What the dopes in the media miss, or perhaps willfully ignore, is the fact that we have barely any weather history. Instead, we’ve only been measuring weather data since the second half of the 19th century. I learned this when I read Simon Winchester’s delightful Krakatoa: The Day the World Exploded: August 27, 1883. In it, he notes that the volcano’s explosion was the loudest sound ever recorded — and that it was recorded only because the Victorians had an obsession with record keeping.

Before the Victorians came along, there were always people who kept records, but once the Victorians came along it became a “thing.” For the first time in human history, people had (a) instruments that could measure things with a fair degree of accuracy and that were affordable, and (b) the literacy and leisure time to note and record these things.

Thus, in the late 19th century, owning a reliable thermometer, checking the weather daily, and taking the time to write it down was something entirely new. Before that, there were no reliable thermometers and only the richest could afford such unreliable tools as existed for measuring temperatures. The fact that people were no longer living at subsistence level and were literate enabled them to find the time and have the skills to record data.

That’s why we know how loud Krakatoa was: All over the world, as the sound waves reverberated around the earth, over and over, busy Victorians were looking at their reliable time-pieces (the first affordable, mass-produced watches were driven by railway needs and came onto the market in the late 19th century) and noting down the time at which they heard that strange loud noise.

All of which means that our reliable weather data isn’t about “history” or “ever,” but is, instead, about 150 years old, at most. Everything else is guess work, based upon random reminiscences and best guesses using things such as Arctic core samples or tree rings.

QotD: The horrors of war

Filed under: History, Media, Military, Quotations, USA, WW2 — Tags: , , , — Nicholas @ 01:00

There’s no point in pretending that war isn’t horrible — flag-draped coffins are, in fact, a rather pristine symbol of those horrors. There’s a good reason societies honor their warriors.

An aside: I’ve long thought that prettifying World War II for domestic consumption contributed to both the media shock of Vietnam and the generation gap. WWII and Korea vets, who knew war first-hand, didn’t understand just how shocked their doted-on boomer kids were. “The Good War” wasn’t any more pleasant when you were experiencing it.

Virginia Postrel, “Horrors of War”, Dynamist.com, 2004-04-27.

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