Overly Sarcastic Productions
Published on 21 Jun 2019Go to http://www.audible.com/overlysarcastic or text
OVERLYSARCASTICto 500500 to get a free audiobook, 2 free Audible Originals, and 30-day free trial.Rome, in one form or another, has been around for a *while*. Kinda seemed like it was going to last forever, like it was basically immortal. Well bad news for everyone involved: Rome goes bye-bye just like all the other empires in world history. So let’s talk about when, how, and why Rome fell!
SEASONS OF ROME T-Shirt: https://www.threadless.com/discover/s…
SOURCES & FURTHER READING:
Gibbon’s Decline and Fall: https://amzn.to/2FwBRvO
Mary Beard’s SPQR: https://amzn.to/2Wwu2x3
The History of Rome Podcast: https://apple.co/2U7Q4tq
Lectures from TheGreatCourses: “The Decline and Fall of the Roman Empire?” (Gregory Aldrete), “Late Antiquity — Crisis and Response” & “Barbarians & Emperors” (Thomas Noble)
If I see anyone complaining that I didn’t sufficiently cite this video I’m going to sack your ancient capital and pillage your temples.PATREON: https://www.Patreon.com/OSP
OUR WEBSITE: https://www.OverlySarcasticProductions.com
Find us on Twitter https://www.Twitter.com/OSPYouTube
Find us on Reddit https://www.Reddit.com/r/OSP/
June 22, 2019
History Summarized: The Fall of Rome
Gyrojet Rocket Pistol
Forgotten Weapons
Published on 8 Sep 2014http://www.forgottenweapons.com
The Gyrojet was the closest thing to a commercially successful rocket pistol, although not many were sold before the company went out of business. This is the 13mm pistol version (the most common type of Gyrojet), and fires a 180 grain rocket projectile. It was for sale – with 15 rounds of live ammunition – at the Rock Island Premier Auction in September. Hammer price on it was $5500.
Theme music by Dylan Benson – http://dbproductioncompany.webs.com
QotD: Militant Islam and the arts
What I’ve learned since 9/11 is that the small pleasures — music, theatre, film — have to be earned. In the Muslim world, there is no music. In Libya they destroyed all the musical instruments — music was considered an abomination. When the demography changes, there will be no concert halls. Artists who take a multicultural view should be aware of this. Count the number of covered women in London’s West End. In Birmingham, where I went to high school, you have a provincial symphony orchestra in a Muslim city — I’m not sure it will survive. All art, all popular culture, is endangered by Islam, because there’s no room for it. It’s considered libertinism. And I’m not even talking about Miley Cyrus twerking at the music awards. What turned Sayyid Qutb against the morality of the West is that he attended a church dance in Greeley, Colorado, which was a dry town in 1948, and he heard the song “Baby, It’s Cold Outside”. He thought it was evil. And now things are getting a lot worse. Ugly things are happening.
Mark Steyn, interviewed by John Bloom, “Mark Steyn, Cole Porter and Free Speech”, Quadrant, 2017-05-11.
June 21, 2019
“Rise of Evil” – Adolf Hitler and the Nazi Party – Sabaton History 020 [Official]
Sabaton History
Published on 20 Jun 2019After the Great War, many different movements and parties tried to replace the by many despised Weimar Republic. One of them was the NSDAP, the National Socialist German Workers Party. Headed by Adolf Hitler, the NSDAP transformed Germany into a country that would once again bring war and destruction to Europe. The Sabaton Song “Rise of Evil” (on the Attero Dominatus album) is about Hitlers rise to power, and in this video we dive into the historical context behind the song.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Check out the trailer for Sabaton’s new album The Great War right here: https://www.youtube.com/watch?v=HCZP1…
Watch more videos on the Sabaton YouTube channel: https://www.youtube.com/user/Sabaton?…
Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Maps by: Eastory
Edited by: Iryna Dulka
Sound Editing by: Marek KaminskiEastory YouTube Channel: https://www.youtube.com/channel/UCEly…
Archive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.Sources:
– Graphic: Liambaker98
– Jüdisches Museum Berlin
– United States Holocaust Memorial Museum
– Colorization of Goebbels: Marina AmaralAn OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
From the comments:
Sabaton History
1 day ago (edited)
In hindsight, we can clearly see the path to power and war that Germany and many of its people chose to walk in the 1930s. In practice, history is never as deterministic as it later seems. Nothing what happened was “meant” to happen. With that in mind, let us walk you through the process of the Nazi rise to power. From a revolutionary movement in the ’20s to a political party in a democratic system.We encourage debate and discussion about this in the comment section. However, we don’t allow for any extreme, racist, anti-semitic, revisionist or apologist theories down here. These comments will be moderated by historians and, while keeping your freedom of speech in mind, we will enforce our rules with a ban if necessary. Please keep it civil.
Thats it for today!
Cheers!
Making America Great Again | Between 2 Wars | 1927 Part 1 of 2
TimeGhost History
Published on 20 Jun 2019In 1927 the US is finally back to its pre-WWI economic greatness, at least measured by the stock market. But all is not well with the finances in the land of the free and home of the brave.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Hosted by: Indy Neidell
Written by: Francis van Berkel and Spartacus Olsson
Research by: Francis van Berkel
Directed and Produced by: Spartacus Olsson and Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Post Production Director: Wieke Kapteijns
Edited by: Wieke KapteijnsArchive by Reuters/Screenocean http://www.screenocean.com
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH
From the comments:
TimeGhost History
1 day ago (edited)
So… before you all go and get your panties in a bunch about the title. 1. This video is literally abut the effort to make America great again in the 1920s. 2. Although Donald Trump appropriated that expression in 2016, it has been used by two Presidents before him; Ronald Reagan and Bill Clinton. 3. It has even been used in other political contexts both liberal and conservative as early as in the 1940s. So, as a historical reference to US history, not a political value comment, it is highly relevant to this episode. On that note, our heartfelt thanks to our TimeGhost Army that keeps the wheels attached to the TimeGhost vehicle and keeps us rolling forward into the past. If you’re not already a member, you can join here: https://www.patreon.com/TimeGhostHistory or here: https://timeghost.tv
Jeremy Clarkson’s Motorworld UK Special
Matthew Lowry
Published on 19 Nov 2016This is the last episode of Motorworld (BBC WORLDWIDE), the extremely rare UK Special. All copyrights go to their respective owners.
June 20, 2019
Making a Viking Shield
Rex Krueger
Premiered 4 hours agoMore Video and Exclusive Content: http://www.patreon.com/rexkrueger
(more…)
James Holland on the operational side of World War 2
I saved this link at the time, then life intervened and I only just re-found it now … but it’s not a time-sensitive article and the arguments he makes are still worth considering:
Studying such things in detail meant I was now looking at the operational level of war. Any conflict — or business for that matter — is understood to be conducted on three levels. The first is the strategic — that is, the overall aims and ambitions. The second is the tactical: the coal face, the actual fighting, the pilot in his Spitfire or man in his tank. And the third is the operational — the nuts and bolts, the logistics, economics and the supply of war.
Almost every narrative history of the war ever published almost entirely concentrates on the strategic and tactical levels, but gives scant regard to the operational, and the result is a skewed version of events, in which German machine guns reign supreme and Tiger tanks always come out on top.
Studying the operational level as well, however, provides a revelatory perspective. Suddenly it’s not just about tactical flair, but about so much more. Britain, for example, decided to fight a highly mechanical and technological war. “Steel not flesh” was the mantra and that’s why the British had a small army, yet still ensured it was 100-percent mechanized. They also developed a vast air force and built a staggering 132,500 aircraft during the war — and that’s 50,000 more than the Germans. Until the start of 1944, the priority for manpower in Britain was not the army or navy or even air force, but the Ministry of Aircraft Production. Well-fed men and women were kept in the factories.
Germany, on the other hand, was very under-mechanized but had a vast army, which meant it was dependent on horse-power and foot-slogging infantrymen. As a result of so many German men at the front, their factories were manned by slaves and POWs, who were underfed and treated abominably, and whose production capacity was affected as a result.
And if the ability to supply war was key, then in the war in the West, it was the Battle of the Atlantic that was the decisive theater. Yet Germany built a surface fleet before the war, which could never hope to rival Britain or France and in doing so neglected the U-boat arm. Despite sinking substantial amounts of British supplies in 1940, it was still nothing like enough to even remotely force Britain to her knees. In truth, there were never enough U-boats to more than dent the flow of shipping to Britain. In fact, out of 18,772 sailings in 1940, they sank just 127 ships, that is, 0.7 percent, and 1.4 percent in the entire war.
Tank Chats #49 A7V | The Tank Museum
The Tank Museum
Published on 20 Mar 201821 March 1918, was the action debut of the German A7V tank during the First World War.
One hundred years later, historian David Fletcher talks through the vehicle and its history. The Tank Museum’s A7V is a replica, which can be seen running at Museum events, like TANKFEST.
Support the work of The Tank Museum on Patreon: ► https://www.patreon.com/tankmuseum
Or donate http://tankmuseum.org/support-us/donateVisit The Tank Museum SHOP: ►https://tankmuseumshop.org/
Twitter: ► https://twitter.com/TankMuseum
Tiger Tank Blog: ► http://blog.tiger-tank.com/
Tank 100 First World War Centenary Blog: ► http://tank100.com/ #tankmuseum #tanks
June 19, 2019
37mm Antitank Gun on a Dodge Weapons Carrier – M6
Forgotten Weapons
Published on 1 Jun 2014http://www.forgottenweapons.com
Theme music by Dylan Benson – http://dbproductioncompany.webs.com
The M6 Gun Motor Carriage was the first American tank destroyer of WWII – a 37mm antitank gun (basically identical to the M3 gun) mounted on the back of a Dodge 3/4 ton weapons carrier. A large armor shield protected the gun crew from small arms fire, but the vehicle was otherwise highly exposed. The truck was powered by a flathead 6-cylinder engine producing 99 horsepower, and had a top speed of 55 mph. The gun was effective and modern in the late 1930s when its design process began, but was underpowered and insufficient by the time the M6 first saw action in 1942/3 in Tunisia.
Not many complete M6 carriages remain in existence today, as they were replaced quickly after their poor showing in North Africa. Most had the guns removed and were converted back into utility trucks, while some were used by the Free French forces and some saw use in the Pacific theater (where the underpowered gun was less of a concern).
June 18, 2019
Ōkuninushi’s Tale – Japanese Myth – Extra Mythology
Extra Credits
Published on 17 Jun 2019Download the World of Tanks game for free https://tanks.ly/2WjU75T and use the invite code
EXTRATANKS1to claim your starter packJoin the Patreon community! http://bit.ly/EMPatreon
Last we saw Ōkuninushi, he showed kindness to a hare in distress, and the hare of Inaba had foretold that he would be the one that the princess of Yakami would desire. And this was true, because when his 80 brothers showed up at court and declared their intentions, the princess insisted she would only marry him — so thus, his brothers began trying to kill him off…
Blitzkrieg on Speed – Nazis on Crystal Meth Part 2 – WW2 SPECIAL
World War Two
Published on 17 Jun 2019While many armies use performance enhancing drugs during WW2, the Wehrmacht takes it to extremes in 1940, with more than debatable consequences.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvJoin our Discord Server: https://discord.gg/D6D2aYN.
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Indy Neidell
Written by: Astrid Deinhard, Joram Appel and Spartacus Olsson
Produced and Directed by: Spartacus Olsson and Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Post Production Director: Wieke Kapteijns
Research by: Joram Appel and Astrid Deinhard
Edited by: Spartacus Olsson
Sound Engineering: Joakim BrodénColorisations by Spartacus Olsson
Archive by Reuters/Screenocean http://www.screenocean.com
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
1 hour ago
Read before you comment; “it wasn’t just the Germans” This video treats the use of methamphetamine by the German Wehrmacht and its cultural background. The purpose of this video is not to attribute any atrocities that the Nazis perpetrated to that they were simply on drugs – we know that this was not a contributing factor to what they did, although it perhaps influenced how they did it. It is also not the purpose of this video to single out Germany as the only belligerent to use drugs in WW2. As we point out in the video, many belligerents (to not say all) used drugs, especially amphetamines during WW2. In fact amphetamines are still in official, monitored used by for instance the US Army in some situations to this day. However, the Wehrmacht and a few of the Axis allies used methamphetamine which is different than amphetamine as the effects of meth is unpredictable and comes on faster and harder. These unpredictable effects include hallucinations and delusions, which amphetamines do not induce, or at least to a lesser and more predictable degree. Methamphetamine metabolizes into amphetamine in the body, but in that process it creates a number of side effects that contribute to its unstable effects. Of course this was poorly understood in 1940 and meth was also available commercially over the counter in many places like the US and Australia, mostly as a dieting pill and (somewhat ironically) an anti-depressant. While amphetamines like Benzedrine are still administered by doctors for certain conditions, methamphetamine is now known to be a very dangerous, potentially lethal, drug that only has recreational use, and in 2019 it is therefore illegal almost everywhere in the world. Last but not least, the Wehrmacht was singular in how liberal they were in distributing drugs to the troops, at least to begin with. It is important to also point out that beside the official use of drugs, many soldiers throughout the ages have resorted to intoxicating themselves to deal with the unfathomable horrors of war, and in this respect WW2 was no different. We will cover drug use by other belligerents and in general during the war in future videos.
QotD: The birth of Jesus and the open concept house
Jesus was not born in a stable. That’s not to say the birth wasn’t attended by farm animals — the Gospel of Luke tells us twice the baby’s first bed was a feeding trough — but rather that the animals lived in the house.
Peasant homes in first century Bethlehem were designed with what we would today call an “open concept.” They typically had one large room with the nicer living space in an open loft or on the roof, while the main floor area was where the family’s animals would be brought for safekeeping at night. The guestroom that was unavailable to Jesus, Mary, and Joseph was that loft or roof space, and the big room where they stayed instead served as the kitchen, living room, dining room, and farmyard all at once. The defining feature of Jesus’ birthplace was not isolation, as we often tend to think, but an utter lack of privacy: Mary delivered in a crowded farmhouse with few, if any, interior walls.
And that was perfectly normal, if not exactly desirable, for our modern fixation on the open floor plan is a historical anomaly. It flies in the face of literally millennia of consensus that more rooms is better, and it is a dreadful mistake. The last 70 years of open concept construction and remodeling has left us with dysfunctional houses, homes that are less conducive to hospitality, less energy efficient, and more given to mess.
Bonnie Kristian, “Open concept homes are for peasants”, The Week, 2019-05-12.















