Quotulatiousness

August 7, 2022

Allied Tidal Wave in Romania – WW2 – 206 – August 6, 1943

World War Two
Published 6 Aug 2022

The Allies bomb the Romanian oil fields, a major Axis source of oil, but it does not go well for the attackers. They do advance in both Sicily and the Solomon Islands — where a future President has one heck of an adventure, and in the USSR a huge Soviet counteroffensive begins, taking Belgorod after just a few days and threatening Kharkov.
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Making an International Standard Cup of Tea

Filed under: Britain, Bureaucracy, Food — Tags: — Nicholas @ 02:00

Tom Scott
Published 9 Apr 2018

As far as I can find, no-one has actually made a International Standard Cup of Tea — ISO 3103 or BS 6008 — for the internet before. Lots of people have talked about it, but that’s easy. Making one? That requires precision … and some specialist equipment.

You can buy a professional tea tasting set from this Amazon UK affiliate link: https://amzn.to/2qfbxyr

Thanks to Morag Hickman for letting me borrow her workshop for last-minute filming! She makes beautiful jewellery, like ring-keepers, dragon necklaces and rings that looks like ocean waves: https://etsy.com/shop/Errant

Update: someone has found an earlier ISO cup of tea on the internet, as part of a German video on tea tasting: https://www.youtube.com/watch?v=utwwk…
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August 6, 2022

Britain’s woke Stasi | The spiked podcast

spiked
Published 5 Aug 2022

The spiked team discusses the rise of Britain’s thoughtpolice, Nancy Pelosi’s Taiwan trip and Beyoncé’s act of self-censorship.
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Canada’s New Warship

Filed under: Australia, Britain, Cancon, Military, Weapons — Tags: , , , — Nicholas @ 02:00

Frontline Pros
Published 12 Feb 2022

The Type 26 Frigate will become the first dedicated warship Canada has built in decades. Soon the Royal Canadian Navy will take ownership of 15 of these vessels, making them the largest owner of the Type 26 in the world.
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QotD: Locke’s Treatise

Filed under: Britain, History, Quotations, USA — Tags: , , — Nicholas @ 01:00

Locke’s Treatise, then, is in many ways a retcon — a retrospective justification for the observed fact that late 17th century Englishmen were quite prepared to risk their lives for liberty and property. They’d done it once in Locke’s youth (the Civil War, 1642-51, in which Locke’s father fought briefly for Parliament), and were gearing up to do it again (the Treatise was published in 1689, one year after the Glorious Revolution, but was written 10 years earlier, during the Exclusion Crisis). He wasn’t trying to establish some theoretical “right to revolution”. The revolution had already happened, and was about to happen again. Locke was justifying it.

This is important, because Our Thing is almost exclusively backward-looking. We’re looking for a (hypothetical, FBI goons, hypothetical) right to revolution, and Locke’s social contract seems to be the answer, just as it (seemed to be) for the Founders. All the stuff George III did to the colonists, FedGov does to us, in spades.* Our problem, though, is that to us, “liberty” and “property” are what “life” was to John Locke — a necessary precondition, sure, but nothing to get too worked up over. They’d just stopped burning heretics in England twenty years before Locke’s birth, after all, and every day, in every port of the realm, sailors signed on for very likely death sentences on international voyages. In a world where starving to death was still a very real possibility, in other words, convincing people to roll the dice with their lives was pretty easy. It was the other two that were the toughies.

We Postmoderns, though, carry on like we’re in Auschwitz if Twitter goes down for a few hours. We have no idea what “sacred honor” could possibly mean, but we’ll riot in the streets if our sportsball team wins a championship. The Revolution (again, FBI goons, hypothetically) won’t come when they take away one more liberty. It’ll come when the Obamaphone doesn’t have the latest version of Angry Birds.

We need to think long and hard about why that is, and what to do about it, because our John Locke is going to be a hard man indeed.

    * Well, except that whole “refusing to encourage migrations hither” bit — FedGov is fucking aces at that. But no historical analogy is perfect, alas.

Severian, “Overturning Locke: Life”, Rotten Chestnuts, 2019-09-11.

August 5, 2022

Don Camillo blesses the river Po

Filed under: Books, History, Humour, Italy, Politics — Tags: , , , — Nicholas @ 05:00

Perhaps the first foreign author I encountered as a child was Giovanni Guareschi — in English translation, of course, I’m not a natural linguist — and I’d read most of his stories by the time I was twelve. They didn’t always make a lot of sense to me as far as the political aspects were concerned, but the human stories always hit home. Clearly, Sarah Hoyt (who is a natural linguist … she read them in the original Italian, although I’d expect they would work very well for Portuguese readers) feels much the same way about the Don Camillo stories:

A still from one of the 1952-1965 film adaptations of the Don Camillo stories, with Fernandel as Don Camillo and Gino Cervi as Mayor Peppone.

There is a poignant scene in one of the Giovanni Guareschi Don Camillo books, (set in mid-century Italy, where communism and Catholicism are fighting it back and forth. They’re humorous, profoundly human, and easy reads. The stories are like 200 words each.) in which, during a period of high strife, the priest goes out to bless the river. Btw, if you need examples of how to be a flea on the side of the commies, that character is terribly subversive in little ways (as well as liking to hit them on the head. I might have taken him for a model when I was a pre-teen. Sigh. And Comrade Don Camillo is the best book for how to turn things on their heads if you’re in deep hiding in a lefty stronghold, either professional or geographic.)

Anyway, in the little village on the Po river where the priest and the communist mayor fight it out, the river is an ever present danger, and people cope with it the way they have coped with such things throughout history: every year the priest goes to the river and blesses it, in the hopes that it will become (I am remembering in Italian, the English translation is probably different) “A well behaved citizen and stay within its bounds”.

Now, this is not magic, of course, and the priest explains that. Blessing the river does not guarantee that the river won’t burst out of its bed and flood the village (later on in the book there are accounts of a flood, and if you think that a book can’t paint a picture, be sure it can. For the rest of my life, I’ll carry the image of the priest saying mass in the deserted and flooded village, while across the river, on the safe bank, his flock who fled the flood kneel on the muddy soil at the tolling of the consecration bell. BTW Guareschi is the writer I’d like to be when I grow up. Trained as a journalist, he uses minimal words, but the images stay with you.) It’s just that blessing it gives people hope it won’t, and allows them to live in a precarious place, at a precarious time without losing their minds. (It is important to remember that whatever else humans are, they’re creatures of ritual and habit, and sometimes those are the only panaceas for difficult situations.)

Well, the communists have their dander up, so they tell the priest they want to march in the procession to bless the river with their flags and paraphernalia and the priest says no, they say anyone in the procession will get beaten. They demand the priest cancel it, and people lose their minds. So, the priest says he’ll go alone, if needed. Needless to say, the communists follow, in what is an intimidation maneuver (they have no new moves, really.)

So, Don Camillo, without looking back, gets to the river and prays that the Lord will keep the river within its bounds. And of course, because he knows the audience at his back, he says “If the houses of decent people could float, I’d ask you for a flood like Noah’s. But since the houses of decent people are made of the same stone and brick and sink like the houses of scoundrels, I beg you to make the river behave.”

In case you’re wondering what went wrong in America, and why we are where we are: we forgot our houses can’t flood.

ARNHEM – A Bridge Too Far – THE TRUE STORY (2001)

Filed under: Britain, Europe, Germany, History, Military, USA, WW2 — Tags: , , , — Nicholas @ 04:00

British Army Documentaries
Published 25 Jun 2022

Please help us to keep bringing you great content! We are able to bring you these interesting documentaries, which would otherwise be held in a vault, or away from public view because we purchase commercial licenses often at considerable expense. Unfortunately, YouTube’s re-use policy now means we can’t monetise it. This means we can’t invest in new licenses for new documentaries. Please help us by subscribing to our Patreon page from just £2/month so we can keep bringing you great content, otherwise, this channel may need to close forever. Thank You

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At 3:00 a.m., the commanders of the 2nd South Staffordshire battalion and the 1st and 11th Parachute battalions met to plan their attack. At 4:30 a.m., before dawn, the 1st Parachute Brigade began its attack towards Arnhem bridge, with the 1st Battalion leading supported by remnants of the 3rd Battalion, with the 2nd South Staffordshires on the 1st Battalion’s left flank and the 11th Battalion following. As soon as it became light the 1st Battalion was spotted and halted by fire from the main German defensive line. Trapped in open ground and under heavy fire from three sides, the 1st Battalion disintegrated and what remained of the 3rd Battalion fell back. The 2nd South Staffordshires were similarly cut off and, save for about 150 men, overcome by midday. The 11th Battalion, (which had stayed out of much of the fighting) was then overwhelmed in exposed positions while attempting to capture high ground to the north. With no hope of breaking through, the 500 remaining men of these four battalions withdrew westwards in the direction of the main force, 5 km (3.1 mi) away in Oosterbeek.

The 2nd Battalion and attached units (approximately 600 men) were still in control of the northern approach ramp to the Arnhem bridge. They had been ceaselessly bombarded by enemy tanks and artillery from two battle groups led by SS-Sturmbannführer [Major] Brinkmann and one commanded by Major Hans-Peter Knaust. The Germans recognized that they would not be moved by infantry attacks such as those that had been bloodily repulsed on the previous day so instead, they heavily shelled the short British perimeter with mortars, artillery, and tanks; systematically demolishing each house to enable their infantry to exploit gaps and dislodge the defenders. Although in the battle against enormous odds, the British clung to their positions, and much of the perimeter was held.
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“… what explains the growing enthusiasm for ‘Drag Queen Story Hour'”?

Filed under: Britain, Health, Media — Tags: , , , — Nicholas @ 03:00

In UnHerd, Andrew Doyle considers the deep weirdness of how not just “Drag Queen Story Hour” but all things drag are being pushed on children at any cost:

“One thing that drag queens don’t get on FLICKR is tips” by kennethkonica is licensed under CC BY-ND 2.0 .

One Easter Sunday, many years ago, some friends and I attended a showcase of performances in a network of dank subterranean vaults. The event was self-consciously avant-garde, and many of the artists were drag queens who were exploring the more subversive aspects of their craft. This involved a great deal of screaming, bloodletting and carnal depravity. At one point I wandered into a chamber in which two naked performers were engaged in full penetrative sex. Around them a cluster of middle-class hipsters had formed, pensively observing them as though they were connoisseurs contemplating a Henry Moore.

These days we are accustomed to a somewhat tamed version of drag. But the best performers have always pushed the limits of acceptability: I once appeared at a comedy night at the Edinburgh fringe hosted by a drag queen whose interaction with the punters was not so much waspish as downright libellous. At another, I remember a drag artist smoking liberally during the performance, blowing smoke at a pregnant woman on the front row and saying “I hope you have a miscarriage”. It was a far cry from RuPaul’s Drag Race.

Traditional drag is clearly meant for adults. So what explains the growing enthusiasm for “Drag Queen Story Hour”, in which drag queens visit schools, libraries and other council venues to read to young children? For whatever reason, this bizarre subgenre has been championed by celebrities and politicians who wish to be seen as being on “the right side of history”. Last week the MP for Walthamstow, Stella Creasy, tweeted about taking her infant son to a show in which a drag queen called Greta Tude “put so much energy into story telling and entertaining local children”. Her colleague Nadia Whittome replied, describing the event as “so wholesome”.

But do fans of drag really want it to become “wholesome”? The appeal of drag shows is that they revel in sexual dissidence, as the American drag queen Kitty Demure has pointed out:

    I have no idea why you want drag queens to read books to your children … Would you want a stripper or a porn star to influence your child? It makes no sense at all. A drag queen performs in a nightclub for adults. There is a lot of filth that goes on, a lot of sexual stuff that goes on, and backstage there’s a lot of nudity and sex and drugs. Okay? So I don’t think this is an avenue that you would want your child to explore.

The sexual element of drag is impossible to deny. Even the more tepid drag queens, whose repertoire extends no further than lip-synching to Donna Summer, tend to interlace their performances with suggestive gestures, provocative quips and the occasional slut-drop.

That’s not to say drag queens can’t adapt to a younger audience — they are actors after all. It’s perfectly possible for performers of Drag Queen Story Hour to read stories to children without all the eroticised preening and pouting we have come to expect from them. But why would any self-respecting artist want to do it? There is something deeply mystifying about drag queens who choose to anaesthetise their art form in order to regale infants with tales of teddy bears and picnics.

FN MAG: Best of the Western GPMGs

Filed under: Europe, History, Military, USA, Weapons — Tags: , , , , — Nicholas @ 02:00

Forgotten Weapons
Published 6 Apr 2022
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August 4, 2022

Barbarian Europe: Part 5 – The Vandals in Africa

Filed under: Africa, Europe, History — Tags: , , , , — Nicholas @ 04:00

seangabb
Published 21 May 2021

In 400 AD, the Roman Empire covered roughly the same area as it had in 100 AD. By 500 AD, all the Western Provinces of the Empire had been overrun by barbarians. Between April and July 2021, Sean Gabb explored this transformation with his students. Here is one of his lectures. All student contributions have been removed.
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Boris wanted to be another Churchill, but he turned out to be another Lloyd George

Filed under: Britain, History, Politics — Tags: , , , , — Nicholas @ 03:00

Long before Boris Johnson achieved his goal of becoming Prime Minister, he was consciously modelling himself on Winston Churchill … but his real life adventure showed him to be much more the next coming of an earlier PM than Churchill:

Boris Johnson labours under the illusion that he is another Churchill. Actually the resemblance, astonishing both in gross and in detail, is to Churchill’s other great contemporary, David Lloyd George.

Indeed, the parallels between the two men and their careers are so close that it’s tempting to give Karl Marx’s dictum yet another dust-down and talk of history happening twice: first as tragedy and then as farce. Which would make Boris Johnson Napoleon III to the Welsh Wizard’s imperial premiership.

Which, to be truthful, sounds about right.

[…]

Consider A.J.P. Taylor’s masterly pen-portrait of Lloyd George:

He had no friends and did not deserve any. He repaid loyalty with disloyalty. He was surrounded by dependants and sycophants, whom he rewarded lavishly and threw aside when they had served their turn. His rule was dynamic and sordid at the same time. He himself gave hostages to fortune by the irregularity of his private life. But essentially his devious methods sprang from his nature. He could do things no other way.

There is scarcely a single word that does not apply equally to Boris Johnson.

These two extraordinary, outsize personalities also benefitted from extraordinary times. Lloyd George became prime minister in 1916 at the nadir of the First World War when it seemed, as he himself wrote, “we are going to lose this war”. Johnson reached Number Ten at a comparable moment in domestic affairs, when the three year-long crisis brought about by the furious rear-guard action of the Remainer elites against the Brexit referendum threatened to turn into a sort of national nervous breakdown.

Both therefore took the premiership over the political corpse of their failed predecessor (Herbert Asquith and Theresa May), and both were haunted by their unquiet ghosts. Finally, both had a single, though infinitely difficult, job: Lloyd George’s was to win the war; Johnson’s to cut the parliamentary Gordian knot and “Get Brexit Done”. And both were given, or took, carte blanche to do it.

Taylor makes no bones about it and calls Lloyd George “dictator for the duration of the war”. He even invokes the comparison with Napoleon I. Contemporaries, like the former Tory premier, A. J. Balfour, used the same language: “If [Lloyd George] wants to be dictator, let him be. If he thinks he can win the war, I’m all for him having a try.”

QotD: Errol Flynn versus Basil Rathbone in the 1938 Adventures of Robin Hood

Filed under: Britain, History, Media, Quotations — Tags: , , , — Nicholas @ 01:00

A lot of swordfighting in medieval-period movies is even less appropriate if you know what the affordances of period weapons were. The classic Errol Flynn vs. Basil Rathbone duel scene from the 1938 Adventures of Robin Hood, for example. They’re using light versions of medieval swords that are reasonably period for the late 1100s, but the footwork and stances and tempo are all French high line, albeit disguised with a bunch of stagey slashing moves. And Rathbone gets finished off with an epée (smallsword) thrust executed in perfect form.

It was perfect form because back in those days acting schools taught their students how to fence. It was considered good for strength, grace, and deportment; besides, one might need it for the odd Shakespeare production. French high-line because in the U.S. and Europe that was what there were instructors for; today’s Western sword revival was still most of a century in the future.

This scene exemplifies why I find the ubiquitousness of French high-line so annoying. It’s because that form, adapted for light thrusting weapons, produces a movement language that doesn’t fit heavier weapons designed to slash and chop as well as thrust. If you’re looking with a swordsman’s eye you can see this in that Robin Hood fight. Yes, the choreographer can paste in big sweeping cuts, and they did, but they look too much like exactly what they are – theatrical flourishes disconnected from the part that is actually fighting technique. When Flynn finishes with his genuine fencer’s lunge (not a period move) he looks both competent and relieved, as though he’s glad to be done with the flummery that preceded it.

At least Flynn and Rathbone had some idea what they were doing. After their time teaching actors to fence went out of fashion and the quality of cinematic sword choreography nosedived. The fights during the brief vogue for sword-and-sandal movies, 1958 to 1965 or so, were particularly awful. Not quite as bad, but all too representative, was the 1973 Three Musketeers: The Queen’s Diamonds, a gigantic snoozefest populated with slapdash, perfunctory swordfights that were on the whole so devoid of interest and authenticity that even liberal display of Raquel Welch’s figure could not salvage the mess. When matters began to improve again in the 1980s the impetus came from Asian martial-arts movies.

Eric S. Raymond, “A martial artist looks at swordfighting in the movies”, Armed and Dangerous, 2019-01-13.

August 3, 2022

QotD: Relative wealth among the Spartiates

Filed under: Europe, Greece, History, Quotations — Tags: , , , , , — Nicholas @ 01:00

… economic inequality among the spartiates was not new at any point we can see. But the nature of all of our sources – Plutarch, Xenophon, etc – is that they are almost always more interested in describing the ideal Spartan polity than the one that actually existed. And I want to emphasize […] that this ideal policy does not seem to ever have existed, with one author after another placing that ideal Sparta in the time period of the next author, who in turn informs us that, no, the ideal was even further back.

It is important to begin by noting that the sheer quantity of food the spartiates were to receive from their kleros would make almost any spartiate wealthy by the standards of most Greek poleisspartiates, after all, lived a live of leisure (Plut. Lyc. 24.2) supported by the labor of slaves (Plut. Lyc. 24.3), where the closest they got to actual productive work was essentially sport hunting (Xen. Lac. 4.7). If the diet of the syssition was not necessarily extravagant, it was also hardly … well, Spartan – every meal seems to have included meat or at least meat-broth (Plut. Lyc. 12.2; Xen. Lac. 5.3), which would have been a fine luxury for most poorer Greeks. So when we are talking about disparities among the spartiates, we really mean disparities between the super-rich and the merely affluent. As we’ll see, even among the spartiates, these distinctions were made to matter sharply and with systematic callousness.

Now, our sources do insist that the Spartan system offered the Spartiates little opportunity for the accumulation or spending of wealth, except […] they also say this about a system they admit no longer functions … and then subsequently describe the behavior of wealthy Spartans in their own day. We’ve already noted Herodotus reporting long-standing wealthy elite spartiates as early as 480 (Hdt. 7.134), so it’s no use arguing they didn’t exist. Which raises the question: what does a rich Spartiate spend their wealth on?

In some ways, much the same as other Greek aristocrats. They might spend it on food: Xenophon notes that rich spartiates in his own day embellished the meals of their syssitia by substituting nice wheat bread in place of the more common (and less tasty) barley bread, as well as contributing more meat and such from hunting (Xen. Lac. 5.3). While the syssitia ought to even this effect out, in practice it seems like rich spartiates sought out the company of other rich spartiates (that certainly seems to be the marriage pattern, note Plut. Lys. 30.5, Agis. 5.1-4). Some spartiates, Xenophon notes, hoarded gold and silver (Xen Lac. 14.3; cf. Plut. Lyc. 30.1 where this is supposedly illegal – perhaps only for the insufficiently politically connected?). Rich spartiates might also travel and even live abroad in luxury (Xen. Lac. 14.4; Cf. Plut. Lyc. 27.3).

Wealthy spartiates also seemed to love their horses (Xen. Ages. 9.6). They competed frequently in the Olympic games, especially in chariot-racing. I should note just how expensive such an effort was. Competing in the Olympics at all was the preserve of the wealthy in Greece, because building up physical fitness required a lot of calories and a lot of protein in a society where meat was quite expensive. But to then add raising horses to the list – that is very expensive indeed (note also spartiate cavalry, Plut. Lyc. 23.1-2). Sparta’s most distinguished Olympic sport was also by far the most expensive one: the four-horse chariot race.

In other ways, however, the spartiates were quite unlike other Greek aristocrats. They do not seem to have patronized artists and craftsmen. The various craft-arts – decorative metalworking, sculpture, etc – largely fade away in Sparta starting around 550 B.C. – it may be that this transition is the correct date for the true beginning of not only “Spartan austerity” but also the Spartan system as we know it. There are a few exceptions – Cartledge (1979) notes black-painted Laconian finewares persist into the fifth century. Nevertheless, the late date for the archaeological indicators of Spartan austerity is striking, as it suggests that the society the spartiates of the early 300s believed to have dated back to Lycurgus in the 820s may well only have dated back to the 550s.

The other thing we see far less of in Sparta is euergitism – the patronage of the polis itself by wealthy families as a way of burnishing their standing in society. While there are notable exceptions (note Pritchard, Public Spending and Democracy in Classical Athens (2015) on the interaction and scale of tribute, taxes and euergitism at Athens), most of the grand buildings and public artwork in Greek cities was either built or maintained by private citizens, either as voluntary acts of public beneficence (euergitism – literally “doing good”) or as obligations set on the wealthy (called liturgies). Sparta had almost none of this public building in the Classical period – Thucydides’ observation that an observer looking only at the foundation of Sparta’s temples and public buildings would be hard-pressed to say the place was anything special is quite accurate (Thuc. 1.10.2). There are a handful of exceptions – the Persian stoa, a few statue groups, some hero reliefs, but far, far less than other Greek cities. In short, while other Greek elites felt the need – or were compelled – to contribute some of their wealth back to the community, the spartiates did not.

Passing judgment on those priorities, to a degree, comes down to taste. It is easy to cast the public building and patronage of the arts that most Greek elites engaged in as crass self-aggrandizement, wasting their money on burnishing their own image, rather than actually helping anyone except by accident. And there is truth to that idea – the Greek imagination has little space for what we today would call a philanthropist. On the other hand – as we’ll see – a handful of spartiates will come to possess a far greater proportion of the wealth and productive capacity of their society. Those wealthy spartiates will do even less to improve the lives of anyone – even their fellow spartiates. Moreover, following the beginning of Spartan austerity in the 550s, Sparta will produce no great artwork, no advances in architecture, no great works of literature – nothing to push the bounds of human achievement, to raise the human spirit.

Bret Devereaux, “Collections: This. Isn’t. Sparta. Part IV: Spartan Wealth”, A Collection of Unmitigated Pedantry, 2019-08-29.

August 2, 2022

The Last Battle in the West – How The Allies Crossed The Rhine 1945

Real Time History
Published 30 Jul 2022

Get CuriosityStream + Watch Rhineland 45 on Nebula: https://curiositystream.com/realtimeh…

The Rhine river was the last major natural obstacle on the Western Front of WW2 in early 1945. The Allied armies needed to cross the symbolic river to enter the heart of Nazi Germany. While General Patton’s 1st Army crossed the river at Remagen first, the actual set-piece battle of the Rhine took place further north and involved the biggest airborne operation in a single day in the entire war.
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M34: The Berthier Converted to the 7.5mm Rimless Cartridge

Filed under: France, History, Military, Weapons, WW2 — Tags: , — Nicholas @ 02:00

Forgotten Weapons
Published 3 Aug 2017

http://www.patreon.com/ForgottenWeapons

With the end of World War One, it was finally possible for the French military to replace the 8mm Lebel cartridge with a modern rimless cartridge, and they wasted no time in doing so. By 1924 a new round had been adopted, and along with it a new modern light machine gun. Next, the arsenals would start working on converting 8mm rifles to the new cartridge. The first candidate was the Lebel, and in 1927 a conversion was approved and a batch of a few hundred made — but this was a more expensive and time-consuming process than anyone wanted. After some brief trials, it was decided to work on adapting the Berthier instead, and in 1934 a conversion designed from St Etienne was approved as the 1907/15-M34.

This new design used a new 22.5″ barrel (570mm), a Mauser style internal 5-round double stack magazine, and new sights. The receivers and trigger parts were retained from the rifles being converted, along with the nosecaps and barrel bands, but not much else. Still, these conversions were put into production alongside the manufacture of new MAS-36 bolt action rifles. By the time of the German invasion about 63,000 M34 Berthiers had been converted, and were issued to frontline troops. They would fight in the Battle of France, and would also be used by German occupation forces as the Gewehr 241(f).
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