Why does nothing in today’s rock music sound like the Beatles?
It’s a pertinent question because the Beatles were so acclaimed as musical innovators in their time and still so hugely popular. And yet, nobody sounds like them. Since not long after the chords of the “Let It Be” died away in 1969, every attempt to revive the Beatlesy sound of bright vocal-centered ensemble pop has lacked any staying power among rock fans. It gets tried every once in a while by a succession of bands running from Badfinger to the Smithereens, and goes nowhere. Why is this?
Another, related question is: Why does so very little in today’s rock music sound like Chuck Berry?
Inventor of rock and roll, they still call him. And yet outside of occasional tributes and moments of self-conscious museumizing, nobody writes rock music that sounds anything like “Johnny B. Goode” anymore. Modern tropes and timbre are vastly different. Only the rock beat – only the drum part – survives pretty much intact.
It’s odd, when you think about it. The sound that electrified the late Fifties and Sixties is still revered, but it’s gone. The basic rock beat remains, but everything above it has been flooded out, replaced by something harder and darker.
We all sort of know, even as casual listeners, that rock has evolved a lot. There’s even a tendency for the term “rock and roll” to nowadays be specifically confined to the older sound, with “rock” standing alone to refer to the more modern stuff.
[…]
The sea-change happened between 1969 and 1971. The moving figures were: Jimi Hendrix. British Invasion bands like the Rolling Stones and Led Zeppelin and the Who. American West Coast bluesmen like Mike Bloomfield and Al Cooper. The San Franciso acid-rock scene. And many lesser imitators.
What they did was raze old-school rock-and-roll to the ground, replacing it with a bastard child of LSD and Chicago-style hard electric blues. That angry, haunting, minor-key idiom is what buried the Beatles and put a stamp on rock music so final that today the sound of any modern arena rocker – like, say, Guns’n’Roses – is recognizably the same thing musicians began to record around 1970.
(Which it should be pointed out, is a very long run for a mass-market pop genre. It’s as though in 1970 our radios had still been full of pop in forms dating from 1925 …)
Eric S. Raymond, “The blues ate rock and roll!”, Armed and Dangerous, 2017-12-28.
February 9, 2021
QotD: Nothing sounds like the Beatles
February 8, 2021
QotD: The deeply rooted anti-Americanism in Canadian politics
… in 2011, the only time Conservatives have managed to win a federal majority in the last three plus decades, they ran one of the most effective campaigns in recent memory against Michael “just visiting” Ignatieff by waging a patriotic campaign against him. In Ignatieff the Conservatives had the perfect rival to attack; a patrician member of the Laurentian new class. But the campaign against Ignatieff wasn’t just effective because it successfully portrayed him as an elite, it was effective because in attacking the time Ignatieff had spent aboard and at Harvard especially, they actually managed to make the Conservatives the champions of Canada, and the Liberals the more American party.
Ben Woodfinden, “True North Patriotism and a Distinctly Canadian Conservatism”, The Dominion, 2020-10-20.
February 7, 2021
QotD: The greatest sin of the Baby Boomers
When I was in college, “grunge” was all the thing … except for the really cool alterna-kids, who were going through a Sixties retro phase. As much as I hate to think of anyone taking their cultural cues from Bill Clinton, that’s what happened. 1988-2001 was the great swan song of Boomerism; Bill Clinton was their avatar; Forrest Gump their valedictory (and, really, what could possibly sum up the Baby Boomers better than the story of a simpleton who lucked into a starring role in the greatest, wealthiest, healthiest, freest society on earth … then fucked it up and threw it all away on some dumb broad, because they were too goddamn stupid to see what they were doing? Hillary Clinton being the dumb broad in question).
If that’s harsh on the Boomers, well, sorry, Moonbeam — History don’t care about your feelings. But “the Sixties” isn’t the gravest charge History can lay against you. This is: After all that, you gave the world us, Gen X, the Dumbest Generation of Narcissists in the History of the World. Yes, you guys are responsible for both “Rocky Raccoon” and “Smells Like Teen Spirit.”
Severian, “The Look”, Rotten Chestnuts, 2020-10-09.
February 6, 2021
QotD: Political virtue signalling in everyday conversation
At the time, I was struck by the presumption — the belief that everyone present would naturally agree — that opposition to Brexit and a disdain of Trump were things we, the customers, would without doubt have in common. That the poem’s sentiment of friendship and community was being soured by divisive smugness escaped our local academic, whose need to let us know how leftwing he is was apparently paramount. The subtext was hard to miss: “This is a fashionable restaurant and its customers, being fashionable, will obviously hold left-of-centre views, especially regarding Brexit and Trump, both of which they should disdain and wish to be seen disdaining by their left-of-centre peers.” And when you’re out to enjoy a fancy meal with friends and family, this is an odd sentiment to encounter from someone you don’t know and whose ostensible job is to make you feel welcome.
It wouldn’t generally occur to me to shoehorn politics into an otherwise routine exchange, or into a gathering with strangers, or to presume the emphatic political agreement of random restaurant customers. It seems … rude. By which I mean parochial, selfish and an imposition — insofar as others may feel obliged to quietly endure irritating sermons, insults and condescension in order to avoid causing a scene and derailing the entire evening. The analogy that comes to mind is of inviting the new neighbours round for coffee and then, just before you hand over the cups to these people you’ve only just met, issuing a lengthy, self-satisfied proclamation on the merits of mass immigration, high taxes and lenient sentencing. And then expecting nodding and applause, rather than polite bewilderment.
David Thompson, “The Blurting”, David Thompson, 2019-09-04.
February 5, 2021
QotD: Misunderstanding the threat/promise of robotics and AI
So, start with the very basics. Human desires and needs are unlimited – that’s an assumption but a reasonable one. There’re some number of people on the planet. This provides us with a lot of human labour but not an unlimited amount. Thus labour is a scarce or economic resource – and we’ve not enough of it to sate all human desires and wants.
OK, so, now we use machines to do some jobs that were previously done by humans. Imagine that this new technology actually required more human labour – that it created new jobs in greater volume than those it destroys. Say, the tractor and combine harvester industry needs more people in it than we used to use to cut the crops by hand. We’ve just made ourselves poorer. We used to have some amount of grain through the labour of some number of people. We’ve now got that grain but by using the labour of more people. We’ve used more of our scarce resource and we’re now poorer by the loss of what they used to make when not hand cutting grain but now no longer are by making tractors.
What makes us richer is if the tractor industry has record production statistics while using less labour than the hammer and sickle. That means that some human labour is now free to go off and try to sate a human desire or want for something other than grain. Ballet dancing for example. We’re now richer – tractors and combine harvesters have made us richer – by whatever value we put on more ballet dancing.
The entire point of any form of automation is to destroy jobs so as to free up that labour to do something else. The new technology doesn’t create jobs, it allows other jobs to be done.
The only point at which this fails is if human needs and desires aren’t unlimited. Which means that we might be able to provide everything that everyone wants without us all working. Which doesn’t really sound like much of a problem really.
Tim Worstall, “As Usual, World Economic Forum Gets Robots And AI Wrong Over Jobs”, Continental Telegraph, 2018-09-18.
February 4, 2021
QotD: The (as-yet-unfulfilled) promise of “personalized medicine”
A more useful lesson might be skepticism about personalized medicine. Personalized medicine – the idea that I can read your genome and your blood test results and whatever and tell you what antidepressant (or supplement, or form of therapy) is right for you has been a big idea over the past decade. And so far it’s mostly failed. A massively polycausal model would explain why. The average personalized medicine company gives you recommendations based on at most a few things – zinc levels, gut flora balance, etc. If there are dozens or hundreds of things, then you need the full massively polycausal model – which as mentioned before is computationally intractable at least without a lot more work.
(You can still have some personalized medicine. We don’t have to know the causes of depression to treat it. You might be depressed because your grandfather died, but Prozac can still make you feel better. So it’s possible that there’s a simple personalized monocausal way to check who eg responds better to Prozac vs. Lexapro, though the latest evidence isn’t really bullish about this. But this seems different from a true personalized medicine where we determine the root cause of your depression and fix it in a principled way.)
Even if we can’t get much out of this, I think it can be helpful just to ask which factors and sciences are oligocausal vs. massively polycausal. For example, what percent of variability in firm success are economists able to determine? Does most of the variability come from a few big things, like talented CEOs? Or does most of it come from a million tiny unmeasurable causes, like “how often does Lisa in Marketing get her reports in on time”?
Maybe this is really stupid – I’m neither a geneticist or a statistician – but I imagine an alien society where science is centered around polycausal scores. Instead of publishing a paper claiming that lead causes crime, they publish a paper giving the latest polycausal score for predicting crime, and demonstrating that they can make it much more accurate by including lead as a variable. I don’t think you can do this in real life – you would need bigger Big Data than anybody wants to deal with. But like falsifiability and compressability, I think it’s a useful thought experiment to keep in mind when imagining what science should be like.
Scott Alexander, “The Omnigenic Model As Metaphor For Life”, Slate Star Codex, 2018-09-13.
February 3, 2021
QotD: The “Parkerization” of wine
… mega-star wine critic Robert Parker Jr., a man who has more influence on the taste and price of wine than anyone else has, or ever had had. Now in his seventies, Parker is retired. But back in 1975, the former lawyer, taking his lead from former presidential candidate, Ralph Nader — a consumer rights advocate — began to publish The Wine Advocate, a kind of consumer guide to fancy wine.
The world of wine had never seen anything like it. Parker was on a mission to demythologise all the snobby and obscure terminology under which fine wine was clouded and developed a simple 100 point scale on which wines could be judged.
As his influence grew, a Parker wine score in the 90s would pretty much guarantee considerable financial success to a vineyard. Inevitably, so the argument goes, those who made wine started to adjust the taste of their product so that it would suit the arbiter’s palate.
Parker generally likes big, dark, gutsy, jammy, tannic wines that can, his critics say, be engineered to taste that way in post-production, often by use of imported yeasts or through the use of young oak barrels. It’s more about clever chemistry than the particular charisma of the local terroir. Parker’s taste favours the muscular Californian Cabernet wines and the great Château wines of Bordeaux, yet has little appreciation for the lighter, less tannic, more subtle Pinot Noirs from Burgundy or Gamays from the Loire Valley. “Bad critics look at Pinot through Cabernet-tinted spectacles and so criticise it for being something it never set out to be,” writes Clive Coates, in a not so subtle dig at Parker, in his encyclopaedic The Wines of Burgundy.
Those who bewail Parker’s phenomenal influence speak of “parkerisation” as the wine equivalent of globalisation. The New York Times wine critic Alice Feiring writes that this is how “Rioja loses its Spanish accent”: parkerisation leads to an increasingly homogenised style of wine in which the diversity of grapes and wine tastes come to be submerged under the over powerful influence of Parker’s very particular palate. Those, like her, who prefer subtlety in their wine speak dismissively of Parker’s love for “jam bombs”.
Those who defend Parker, argue that his 100 point scale works as a kind of bullshit detector. It’s cutting through all the fancy talk and obscure (often) French classifications, to focus on the taste and the taste alone.
Giles Fraser, “Is wine starting to taste the same?”, UnHerd, 2020-10-14.
February 2, 2021
QotD: Why “artistes” defended Roman Polanski before #MeToo
In 1977, Roman Polanski drugged, raped, and sodomized a 13-year-old girl. When he believed a sort-of-plea-bargain was about to come unstuck, he took it on the lam. He lived the high life in this self-imposed exile for thirty years, until busted in Switzerland recently. Now various of the usual suspects on the right wing’s enemies list are campaigning to block his extradition.
There’s a good deal of perplexity being expressed about this, and some predictable chuntering from right-wingers about lefties being moral degenerates. But this flap isn’t really about politics at all — it’s much simpler than that. It’s about people who think of themselves as “artistes” reserving themselves a get-out-of-jail card when they feel like behaving like repellent scum of the earth, too.
[…]
If you want to make that argument, Roman Polanski makes a great stake in the ground — not in spite of the heinousness of his crime, but because of it. If even a child-raper can invoke the all-purpose artiste excuse for scumminess, than the merely ordinary transgressions of artistes become trivia to be airily dismissed. And if the Polanski case becomes a “teachable moment” whereby people can be talked into feeling like boors or philistines for even thinking that artistes should be held to civilized standards of behavior, so much the better!
None of this is more than tenuously connected to leftism, and I have to say the the right-wing efforts to gin up indignation on that score sound quite contrived and stupid to me. This dispute isn’t about politics, it’s about privilege — not just whether Roman Polanski is above the law, but about whether his defenders can claim to be too.
Eric S. Raymond, “Why artists defend Roman Polanski”, Armed and Dangerous, 2009-09-29.
February 1, 2021
QotD: “Useless things … do not further The Revolution”
“Fat acceptance,” slutwalks, and all the rest of it follow naturally from Bolshie beliefs. If you accept — as a good little Dialectical Materialist must — that there’s nothing to human happiness but bread, shoes, and shit, ugliness — physical, moral, mental — becomes a good in itself. How could it be otherwise? Only truly useless things can be beautiful, and useless things, by definition, do not further The Revolution.
Too bad for the Bolshies that it’s in our nature to confuse the messenger with the message. I like to think of myself as an open-minded, tolerant man who takes things as they come, but holy jeeebus, I don’t care what Emma Goldman’s deal is — if she’s for it, I’m against it. I need bleach for my eyes.
We need to use that. It’s no coincidence that Ashley Judd and now Taylor Swift are spouting off about Progtard politics — they used to be cute; now they’re not. See what Social Justice does to you, ladies?
Severian, “The Face You Deserve”, Rotten Chestnuts, 2018-10-11.
January 31, 2021
QotD: Sixties music wasn’t what you think it was
“Rock” has always been a pretty amorphous term. Take a gander at the Hot 100 singles from 1969, the very year of Woodstock. We know about “Sugar Sugar,” of course, but there are a LOT of songs on that list that can most charitably be described as “wussy.” For every straight-up rocker like “Honky Tonk Women” (#4, and I think we can all agree that if the Stones did it back then, it was by definition rock’n’roll), there’s one that … isn’t.
Tom Jones is great, I love his stuff, but he’s not going to melt your face with his guitar riffs, and he’s there at #8, right in front of “Build Me Up, Buttercup.” Which is one hell of a catchy tune, and compared to “Love Theme from Romeo and Juliet” (#15) it’s practically Slayer, but rock it ain’t. Ray Stevens is at #61, for pete’s sake, with “Guitarzan.” If that hasn’t convinced you that The Sixties were nothing like they show in the movies (and that maybe the Viet Cong deserved to win), I don’t know what would.
Severian, “Entertainers (III): Hair Metal Attains Nirvana”, Rotten Chestnuts, 2020-10-08.
January 30, 2021
QotD: Positional goods and social signalling
PC-brigadiers behave exactly like owners of a positional good who panic because wider availability of that good threatens their social status. The PC brigade has been highly successful in creating new social taboos, but their success is their very problem. Moral superiority is a prime example of a positional good, because we cannot all be morally superior to each other. Once you have successfully exorcised a word or an opinion, how do you differentiate yourself from others now? You need new things to be outraged about, new ways of asserting your imagined moral superiority.
You can do that by insisting that the no real progress has been made, that your issue is as real as ever, and just manifests itself in more subtle ways. Many people may imitate your rhetoric, but they do not really mean it, they are faking it, they are poseurs … You can also hugely inflate the definition of an existing offense … Or you can move on to discover new things to label “offensive”, new victim groups, new patterns of dominance and oppression.
If I am right, then Political Correctness is really just a special form of conspicuous consumption, leading to a zero-sum status race. The fact that PC fans are still constantly outraged, despite the fact that PC has never been so pervasive, would then just be a special form of the Easterlin Paradox.
Kristian Niemietz, “The economics of political correctness”, Institute of Economic Affairs, 2014-04-30.
January 29, 2021
QotD: Banishing racism
The simple, powerful truth that banishes racist prejudice is this: the individual is not the mass. Statistical distributions do not predict the traits of individuals. It’s OK to acknowledge that (for example) Ashkenazic Jews average significantly brighter than gentile whites, because the difference in the means of those bell curves tells us nothing about where any single Jew or gentile falls on them.
We can – we must, in fact – learn to judge individuals as individuals, not as members of racial or other ascriptive groups. This has always been the right thing to do; as knowledge about genetic group differences becomes more detailed and widespread, we will need to learn how to focus rigorously on individuals with the same discipline (and the same justified fear of failure) that we now apply to averting our eyes from genetic group differences.
Part of the reason this evolution won’t be easy is that so much of our politics has been distorted by racial grievance-mongering. It’s not only the obvious bad guys like neo-Nazis, Black separatists like Louis Farrakhan, and Bharatiya Janata who are invested in racialist categorization as a lever to power. The political Left has fallen into a lazy habit of screaming “racist!” at anyone who disagrees with them, won’t readily relinquish that rhetorical club, and have a lot invested in the present system of taboo, resentment, “disparate impact” legislation, and racial identity politics; expect them, too, to be part of the problem rather than part of the solution.
Still, the right strategy is clear. Actual knowledge makes both prejudice and repression unsustainable. “Know thyself!” said the oracle, and behavioral genetics will allow – actually, force us – to know ourselves in ways we never have before. That way lies the pain of revelation, but also the path of redemption.
Eric S. Raymond, “A Specter is Haunting Genetics”, Armed and Dangerous, 2010-06-19.
January 28, 2021
QotD: Art for art’s sake
Théophile Gautier didn’t actually say “Art for art’s sake,” but even if he did, it was only about 100 years ago. The notion that a true ahr-teeeeeste would never sully his hands with shekels comes from the fin de siècle, when a bunch of nancy boys sponging off their parents decided their works could only be properly appreciated by other useless mooches. William Shakespeare — a true artist, the finest writer in the history of the English language — would’ve laughed right in these guys’ mincing little faces, because as Larry Correia says, the writer’s prime directive is GET PAID. Shakespeare worked for a living, which means he wasn’t above a fart joke. Whatever got the job done. Ditto Mozart — The Magic Flute was the Bill and Ted’s Excellent Adventure of its day — and all the rest. The “artist” who trumpets his intention to produce “art” is a poseur, always and everywhere.
Severian, “The Entertainer”, Rotten Chestnuts, 2020-10-08.
January 27, 2021
QotD: Open-source the data
We know, from experience with software, that secrecy is the enemy of quality — that software bugs, like cockroaches, shun light and flourish in darkness. So, too, with mistakes in the interpretation of scientific data; neither deliberate fraud nor inadvertent error can long survive the skeptical scrutiny of millions. The same remedy we have found in the open-source community applies – unsurprisingly, since we learned it from science in the first place. Abolish the secrecy, let in the sunlight.
Eric S. Raymond, “Open-Sourcing the Global Warming Debate”, Armed and Dangerous, 2009-11-23.
January 26, 2021
QotD: “A world organized around institutional mass slavery”
An example: We’ve discussed all the cool steampunk shit the Greeks could’ve had, if only Archimedes had … well, that’s just the thing, isn’t it? We look at the aeolipile and see a prototype steam engine; they looked at it and saw, as best we can tell, a party trick. Back when, I suggested, Marxist-style, that labor costs were a sufficient explanation for why nobody took the obvious-to-us next step of hooking the thing up to something productive and kicking off the Industrial Revolution. Machines are labor-saving devices; the ancient world had a gross excess of labor. Calling the aeolipile a steam engine, then, is a category error.
New hypothesis: It’s a category error, all right, but not because they didn’t think in terms of labor costs. It’s because they couldn’t think in terms of labor costs.
A world organized around institutional mass slavery is, in a very real sense, a timeless world. Herodotus (I think) actually says somewhere that nothing worth mentioning happened before him, and you can see echoes of this attitude even as late as the Antebellum South. You see their attitude described as “conservative,” but since that’s egghead shorthand for “evil” you can ignore it. They weren’t consciously backward-looking; rather, they were deeply rooted to their place and station. To the outsider, it looked like they were trying to hold time back, but to the insider, time — clock time, industrial time, the time of the Protestant work ethic — barely existed at all.
So with the Classical World. The Romans, for instance, are endlessly frustrating to their admirers (of which I am an ardent one). Their only economic fix, for instance, was debasing the currency, i.e. a primitive form of inflation. You guys could figure out how to hew an artificial harbor out of some desert rocks — a trick we’d have a hard time pulling off today — but you couldn’t figure out fiat currency? Or a better political system than the tetrarchy? Or that the forts-and-legions paradigm just isn’t cutting it? Or … etc.
Stuff like that is why Spengler said classical, Apollonian culture was fundamentally different from, and incompatible with, our Faustian culture. According to Spengler, the master metaphor for the Apollonian is the human body, which is beautiful but changeless (emphasis mine, not Spengler’s). You can improve your body somewhat, but only within certain tight limits, and the body’s fundamental form is always the same (we could time warp Julius Caesar into the Current Year and still recognize him as a fellow homo sap., no matter how different his mind might be).
The Faustian, though — that would be us — organizes his worldview around space, infinite space. Practically speaking, this results in our attitude of innovation-for-innovation’s sake. We send a man to the moon because we can, but such an idea would never occur to the Romans, for the same reason they didn’t apply all their awesome engineering knowledge to the problems of governance. Hacking a harbor out of the desert is a tremendous feat, but it’s a local feat — a one-shot deal, a very specific response to a very specific local problem, with no broader applications.
This, I suggest, is because the timeless world of institutional mass slavery naturally selects for the kind of man who is at home in the world of institutional mass slavery. It’s a world of very low future time orientation, because “time” hardly exists at all. Forget machinery for a sec; the Roman world was full of enormous problems that had teeny-tiny, head-slappingly obvious fixes. Julius Caesar, for instance, was considered some kind of prodigy because he could sight-read books. Which really was a noteworthy feat, because Romans didn’t even put spaces between their words, much less use any sort of punctuation marks. And they were radical innovators compared to the Ancient Egyptians, since at least Roman writing all ran left-to-right; hieroglyphics can be read in any direction, including vertically, and I’m pretty sure there are examples of them changing text orientations in the middle of the same inscription. It’s not hard to imagine some legion commander actually losing a battle because he had to stop and sound out an important communique from a subordinate …
… and yet the Romans, for all their technical skill, never even figured that tiny change out. See also: The Chinese doing fuck-all with movable type, vs. (Faustian) Europeans using it to conquer the world. China, too, was a timeless society. As Derb says somewhere, Classical Chinese isn’t even really writing; it’s more of an aide-memoire — designed to remind readers of stuff they already know, not to communicate new information.
Your post-Roman European, by contrast, lived in a world where high future time orientation was an absolute must. You don’t need hypotheses like the famous “lead in the drinking water pipes” to explain the seemingly bizarre things the Romans did, or didn’t do; all you need is time orientation, a fundamental attitude of “this is a variation on an old problem” vs. “this is an entirely new situation that requires a new response.” Life in the post-Roman world was solitary, poor, nasty, brutish, and short — every man for himself; think through the consequences of your actions very carefully before you do them, or die horribly. Those who failed to do so died. Bake that into the genetic cake for a few generations, and you get Renaissance Man, who’d see a million possible applications for the aeolipile.
Severian, “Bio-Marxism”, Rotten Chestnuts, 2020-09-24.



