The Japanese make gains in Malaya, Burma, Hong Kong, Borneo, and the Philippines. The Allies also have trouble in the Atlantic and the Mediterranean, where they are beginning to seriously suffer from a lack of capital ships. The Soviet Red Army is advancing, though, and Stalin takes personal control of planning for the upcoming counteroffensive, while Adolf Hitler takes personal control of the German Army.
Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)
Sources:
Bundesarchiv
IWM MH 26392, WPN 298, K 2204, FL 20432, A 12126, A 9257, FL 1203, E 3469E
Mil.ru
Narodowe Archiwum Cyfrowe
Picture of Mark Young, courtesy of National Portrait Gallery
Soundtracks from the Epidemic Sound:
Phoenix Tail – “At the Front”
Reynard Seidel – “Deflection”
Skrya – “First Responders”
Hakan Eriksson – “Epic Adventure Theme 4”
Philip Ayers – “The Unexplored”
Max Anson – “Ancient Saga”
Rannar Sillard – “March Of The Brave 9”
Johannes Bornlof – “Death And Glory 2”
Johan Hynynen – “Dark Beginning”
Fabien Tell – “Last Point of Safe Return”
The Japanese launch attacks all over Southeast Asia and the Pacific, and launch a preemptive surprise attack on the American Pacific Fleet at Pearl Harbor. The war is suddenly much larger. In the USSR, the Germans find themselves now heavily on the defensive after the failure to take Moscow, while in North Africa, Erwin Rommel decides he must withdraw out of Cyrenaica to await reinforcements.
Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)
Sources:
IWM HU 56120, K 1385, HU 675, TR153, HU 81216, WPN 298
NARA
Bundesarchiv
Narodowe Archiwum Cyfrowe
Picture of a victim of starvation during the siege of Leningrad, courtesy of George Shuklin
Picture of Alfred Godwin-Austen, courtesy of Berserker276 https://commons.wikimedia.org/wiki/Fi…
Picture of Harold Cole, courtesy of Cumbria County Archives
Soundtracks from the Epidemic Sound:
Phoenix Tail – “At the Front”
Johannes Bornlof – “Deviation In Time”
Johan Hynynen – “Dark Beginning”
Rannar Sillard – “March Of The Brave 4”
Jo Wandrini – “To War!”
Reynard Seidel – “Deflection”
Wendel Scherer – “Defeated”
Johannes Bornlof – “Death And Glory 3”
Johannes Bornlof – “The Inspector 4”
Hakan Eriksson – “Epic Adventure Theme 3”
Skrya – “First Responders”
Bonnie Grace – “Imperious”
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
2 days ago (edited)
Five days ago, we covered the Japanese attacks on Pearl Harbor minute by minute in real time over five hours. If you missed that, then check out episode one right here, you’ll love it: https://www.youtube.com/watch?v=Joh2BXPsrXs&t=4s
NOTE: An error snuck through our controls regarding the Japanese casualties at Wake, we are working with YouTube to have it fixed before the video goes public. We apologize for this inconvenience.
Japan attacked a whole variety of places that day, launching massive offensives all over SE Asia and the Pacific. I’ll be covering them here weekly, of course, but for even more coverage, check out our day by day Instagram coverage of the war: https://www.instagram.com/ww2_day_by_day
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Today we look at the salvage efforts on the USS Shaw, first vessel salvaged from the remains of the attack on Pearl Harbor and the work on the last two vessels under the team’s care, the Utah and Oklahoma
Sources:
www.amazon.co.uk/gp/product/B00C0JIXJO https://www.history.navy.mil/our-coll…
www.amazon.co.uk/Pearl-Harbor-Fleet-Salvage-Appraisal/dp/0898755654
www.amazon.co.uk/Descent-into-Darkness-Harbour-Divers/dp/0891417451
Videos – US National Archives / US Department of Defense
Free naval photos and more – www.drachinifel.co.uk
Today we look at the salvage efforts on the three battleships outright sunk in the attack on Pearl Harbor that would be returned to service.
Sources:
www.amazon.co.uk/gp/product/B00C0JIXJO https://www.history.navy.mil/our-coll…
www.amazon.co.uk/Pearl-Harbor-Fleet-Salvage-Appraisal/dp/0898755654
www.amazon.co.uk/Descent-into-Darkness-Harbour-Divers/dp/0891417451
Videos – US National Archives / US Department of Defense
Free naval photos and more – www.drachinifel.co.uk
Powered by World of Warships – https://wo.ws/PearlHarbor – Register now to receive an exclusive bonus!
In this episode: Japan’s meticulous planning and preparation made it possible to surprise the Americans at Pearl Harbor. Alert on Oahu is largely nonexistent. It is the deep breath before the plunge.
Hosted by: Indy Neidell
Written by: Spartacus Olsson and Indy Neidell
Directed by: Wieke Kapteijns
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Produced by: Astrid Deinhard and Spartacus Olsson
Co-Producers: Maria Kyhle and Francis van Berkel
Edited by: Iryna Dulka
Set Design by: Astrid Deinhard
Graphic Design by: Mikolaj Uchman
Map Animations by: Daniel Haczyk and Eastory
Assistant Editors: Miki Cackowski, Daniel Weiss, Karolina Dołega
Still Colorizers: Adrien Fillon, Norman Stewart, Jaris Almazani, Daniel Weiss, Mikolaj Uchman, Carlos Ortega Pereira
Research by: Indy Neidell, Spartacus Olsson, Markus Linke, Wieke Kapteijns, Bastian Gaete, Lewis Braithwaite, Tim Smith, Ian Irungu
Sound Design by: Marek Kamiński
Dogfights by: Daniel Weiss, Bastian Gaete, Ian Sowden, Dennis Stepanov
Voices:
Mitsuo Fuchida – Daniel Grieb
Ada Peggy Olsson – Shani Neidell Beard
Iyōzō Fujita – Emi Celis
James Anderson – Emi Celis
Dorinda Stagner – Zora Johnson
Jack Kelley – Ryan Socash
James McClelland – Spartacus Olsson
Phil Rasmussen – Spartacus Olsson
Dan Wentrcek – Dennis Stepanov
Thompson Izawa – Samir Mechel
Robert Isacksen – Ian Sowden
Joseph K. Taussig Jr. – Tim Smith
James Cory – Ryan Tebo
Film colorization by: Ricks Film Restoration
Naval Gameplay by: World of Warships
Archive material provided by: Reuters/Screenocean
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
1 hour ago (edited)
When we set out to do this crazy project we thought we wanted to try some really new things. As anyone knows that follows us regularly, our first and foremost goal is remembrance — to shine a light on our past and learn form our ancestors’ mistakes and achievements. We try our best to do that with a dedication to facts and details liberated from partisan, or ideological historiography. For this purpose, the attack on Pearl Harbor serves very well. It is a compact event over only a few hours that is spectacular in its nature, tragic in its effect, gripping in its drama, and has tremendous impact on WW2 on all fronts. It is also an event that is often simplified to the point of misunderstanding, has been woven into national mythology, and given rise to some pretty nutty conspiracy myths. Simply put: the Attack on Pearl Harbor is short enough, exciting enough, and misunderstood enough for us to do a limited series like this.
But more than that we also wanted to try some new technical and narrative things. Since we started doing historical documentaries with the Great War in 2014 we have tried to be on the forefront of pioneering new ways of creating historiography for the modern media world. Narratively, we have dedicated ourselves to chronologies, which in historiography is nothing new, but it is new in the world of film documentaries (at least to the level we do it) — so we thought; “heck what if we go down to minute by minute for this” — well we did and it taught us an enormous amount about Pearl Harbor, but also about how we can write. We will get back to that in further comment on the series. As for technology, it truly is technology that enables our work, well any media — for us it is social media, affordable ways to capture film, global virtual remote working spaces, digital research opportunities, digital film archives, and so on.
Two areas we had not been able to venture into was recreation of scenes using computer graphics and colorization of moving images. Using a gaming engine to create animation is also nothing new, but usually very, very expensive because you have to first create the world, the assets and the characters for your recreation. But for Pearl Harbor, World of Warships https://worldofwarships.com and World of Warplaneshttps://worldofwarplanes.com opened an opportunity to do this on a new scale at a cost that is only a fraction of what it usually costs. Along the way we also got to know Ricks Film Restorations (https://bit.ly/ricksfilmresorations and https://www.youtube.com/user/Rick88888888) who use AI technology to enhance and colorize film footage. While both of these technologies are only at the beginning of their potential, we think the results are spectacular. More than anything it has enabled us to enhance the emotional and visual experience for this series to a level we never reached before. Last but not least it enabled us to use the financial contributions of the TimeGhost Army, and World of Warships to create five hours of content for less than 1/50th — only 2% — of what it would cost to do with traditional means.
creatingstuff
In the Name of the entire TimeGhost Team,
Astrid, Indy, Spartacus, and Wieke
Episode Guide:
This is a 10 episode limited series within our weekly coverage of WW2 — to see the immediate events leading up to this day watch episode 119 from December 5, https://youtu.be/DYUzmBuX-6Y. Some of the events covered briefly as they start on this day, such as the invasions in the West Pacific will be covered in more detail in the coming weeks, especially in episode 120K (the 11th episode this week).coming out on December 12.
The History Guy: History Deserves to Be Remembered
Published 22 Apr 2019
USS Pennsylvania was in dry dock when the attack came at Pearl Harbor. The History Guy remembers part of her history that may have been forgotten.
This episode was originally posted December 7, 2017. It has been updated to correct some errors in the original, and new footage of USS Pennsylvania has been added.
This is original content based on research by The History Guy. Images in the Public Domain are carefully selected and provide illustration. As images of actual events are sometimes not available, images of similar objects and events are used for illustration.
All events are portrayed in historical context and for educational purposes. No images or content are primarily intended to shock and disgust. Those who do not learn from history are doomed to repeat it. Non censuram.
The History Guy: History Deserves to Be Remembered is the place to find short snippets of forgotten history from five to fifteen minutes long. If you like history too, this is the channel for you.
Censored is one of 26 Private SNAFU (Situation Normal, All F*cked Up) cartoons made by the U.S. Army Signal Corps to educate and boost the morale of the troops. The SNAFU character was created by Theodore Geisel (Dr. Seuss) and Phil Eastman, and most were animated by Warner Brothers Animation Studios. They were voiced by actors including Mel Blanc and scored by Carl Stalling. This cartoon Censored, depicts the lengths to which Private SNAFU will go to sneak an uncensored letter in the mail — with terrifying results. Fortunately it all turns out to be a dream, but SNAFU is so shaken that he censors his own mail. The film was obviously inspired by the mass censorship of personal letters by the Army during the war, to reduce the chance that enemy spies would be able to gain intelligence by intercepting them.
Much of the military correspondence during the war took place via V-mail, short for Victory Mail. This was a hybrid mail process used as the primary and secure method to correspond with soldiers stationed abroad. To reduce the cost of transferring an original letter through the military postal system, a V-mail letter would be censored, copied to film, and printed back to paper upon arrival at its destination. The V-mail process is based on the earlier British Airgraph process
During World War II, both the Allies and Axis instituted postal censorship of civil and military mail. The largest organizations were those of the United States, though the United Kingdom employed about 10,000 censor staff while Ireland, a small neutral country, only employed about 160 censors. Both blacklists and whitelists were employed to observe suspicious mail or listed those whose mail was exempt from censorship. In the United States censorship was under the control of the Office of Censorship whose staff count rose to 14,462 by February 1943.
We encourage viewers to add comments and, especially, to provide additional information about our videos by adding a comment! See something interesting? Tell people what it is and what they can see by writing something for example: “01:00:12:00 — President Roosevelt is seen meeting with Winston Churchill at the Quebec Conference.”
This film is part of the Periscope Film LLC archive, one of the largest historic military, transportation, and aviation stock footage collections in the USA. Entirely film backed, this material is available for licensing in 24p HD, 2k and 4k. For more information visit http://www.PeriscopeFilm.com
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The M1915 bolo bayonet was originally the brainchild of US Army Captain Hugh D. Wise, Quartermaster with the 9th Infantry in the Philippines. In 1902, he recommended the implement in a letter to his superior officers, noting that a bolo style of bayonet (ie, one with a widened machete-like blade) would have several advantages over the standard knife bayonet then being issued with the Krag-Jorgenson rifles the US Army was using. Specifically, the wider bayonet would be easier to recover after a thrust (he noted several instances of troopers being killed while trying to extricate their bayonets from enemies) and also (and more significantly) make an excellent and necessary bushwhacking tool in the jungle environment of the Philippines.
Wise’s idea was taken with interest and Springfield produced a series of experimental bolo bayonets, but the project ended there as the 1903 Springfield was adopted with a rod bayonet instead of a blade. Of course, the rod bayonet would be shortlived, and the blade bayonet would come back. The bolo bayonet ideas resurfaced in 1911 when a commission was formed to look into special equipment for the Philippine Scouts. After another series of experimental designs, the M1915 Bolo bayonet was formally adopted on May 22, 1915 and an order was placed for 6,000 of them to be made at Springfield Armory.
Delivery of these bayonets took place in 1915 and 1916, and they proved to be extremely popular tools with the soldiers in the Philippines. They would remain in service on the islands until World War Two, serving at last as a replacement for the M1913 cavalry saber for the 26th Cavalry.
This year, to celebrate Indigenous People’s Day, we’re taking a look at the history of Hawai’i, from its early history in the Polynesian maritime culture to its forming a Kingdom to its annexation by the United States. Beyond simply a special case in the story of American expansion, Hawai’i has a deep history that deserves to be better known.
SOURCES & Further Reading: Great Courses Lecture “Lifeways of Australia and the Pacific” by Craig Benjamin, Britannica Hawai’i, “The Navigators: Pathfinders of the Pacific” By Low & Estus, Lonely Planet Hawai’i History, and lots of discussion with a native Islander (see discord section below).
Our content is intended for teenage audiences and up.
DISCORD: https://discord.gg/kguuvvq — Come to the #New-Video-Discussion channel to chat about this video, and ask questions about Hawai’i to my friend Lady Eris#9175, a native Islander!
Steven W. Aunan responds to Vicky Osterweil’s recent book on the joy of looting (which was clearly informed by her almost total innocence of any economic understanding) and also tells the story of the perhaps mythical “John from America” and the cargo cults of islanders in the South Pacific during and after World War II:
Ceremonial cross of John Frum cargo cult, Tanna island, New Hebrides (now Vanuatu), 1967. Photo by Tim Ross via Wikimedia Commons.
In 1940, or so goes the myth, a man who identified himself as “John from America” appeared in a native village in the New Hebrides Islands with a message: Rebel against the colonizers, their missions, their schools, their laws, and John would reward them with free housing, clothing, food, and transportation.
The result was the “John Frum Cargo Cult” that persists to this day in the modern-day South Pacific nation of Vanuatu.
Frum’s message was remarkably similar to Vicky Osterweil’s message: rebel against settler domination, against the history of whiteness, and someone will reward you with all the free stuff you need.
Like Osterweil’s chaotic myth of impossibly contradictory Marxist worlds, we can’t be sure who the mythical John Frum was, how or when he arrived, whether he was a man or a spirit-being, if he lived in the U.S. or in the island’s active volcano, or if he first appeared as a tiger on an island where no tigers live, as a black man with a moustache, or as a white man who magically spoke the native language.
You can pick your own truth about Frum, because Marxists will tell you it’s no better than anyone else’s truth.
And, like every other false promise spoken by the fork-tongued followers of the dead white male devil Karl Marx, John Frum brought with him a vision of the future in which the old social order is violently dismantled, a new world is born, and the people emerge with material wealth, happiness, hope, and success.
After Frum left the islands, large numbers of Americans in their flying machines immediately and miraculously followed, building military airstrips and bringing in enormous quantities of cargo. Everything came to pass just as John Frum had promised.
The residents of the islands, of course, did not understand modern manufacturing or transportation, or that World War II was underway. The cargo simply arrived at the airstrip in the jungle, apparently by magic.
Kind of like the Target stores around the country that are repeatedly looted only to be magically restocked by the invisible hand of an invisible genius named John Galt.
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Sometimes war is killing, sometimes war is saving lives.
In the first episode we have seen Leslie “Bull” Allen become a hero, not through the death of his enemies, but by saving his comrades’ lives. And there were others like him. Soldiers and medics, whose first duty it was to preserve lives during war, even when it meant endangering their own safety. Here are three short stories of men and women, who served as medics at the front line of the Second World War, and became heroes to their country.
Hosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Community Manager: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastory
Sources:
– Photos of Desmond Doss Courtesy of the Desmond Doss Council
– Frame vector created by milano83 – www.freepik.com
– Arkiv i Nordland
– P.Fisxo from Wikimedia
An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
Sabaton History
2 days ago
The medical staff in war — combat medics, field surgeons and nurses, ambulance drivers and medevac crews — are often the unsung heroes of war, literally and figuratively.
That doesn’t mean that they don’t deserve to be remembered and their sacrifices honored. There are undoubtedly many instances of exceptional bravery among the medical staff of wars throughout history — for which they rightly should be praised. But they should also be remembered for their everyday work in trenches or field hospitals, in jungles and deserts, at sea or in mid-air. Treating a seemingly endless stream of incoming wounded, trying to give relief to those in pain, comfort to those in agony, and hope to to those who have lost theirs — day in and day out, for as long as the war will last.
If you missed part one of “The Ballad of Bull” you can see it right here.
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Niall Ferguson on the rapid drop in temperature in US/Chinese relations in the last eight years:
President Donald Trump and PRC President Xi Jinping at the G20 Japan Summit in Osaka, 29 June, 2019. Cropped from an official White House photo by Shealah Craighead via Wikimedia Commons.
“We are in the foothills of a Cold War.” Those were the words of Henry Kissinger when I interviewed him at the Bloomberg New Economy Forum in Beijing last November.
The observation in itself was not wholly startling. It had seemed obvious to me since early last year that a new Cold War — between the U.S. and China — had begun. This insight wasn’t just based on interviews with elder statesmen. Counterintuitive as it may seem, I had picked up the idea from binge-reading Chinese science fiction.
First, the history. What had started out in early 2018 as a trade war over tariffs and intellectual property theft had by the end of the year metamorphosed into a technology war over the global dominance of the Chinese company Huawei Technologies Co. in 5G network telecommunications; an ideological confrontation in response to Beijing’s treatment of the Uighur minority in China’s Xinjiang region and the pro-democracy protesters in Hong Kong; and an escalation of old frictions over Taiwan and the South China Sea.
Nevertheless, for Kissinger, of all people, to acknowledge that we were in the opening phase of Cold War II was remarkable.
Since his first secret visit to Beijing in 1971, Kissinger has been the master-builder of that policy of U.S.-Chinese engagement which, for 45 years, was a leitmotif of U.S. foreign policy. It fundamentally altered the balance of power at the mid-point of the Cold War, to the disadvantage of the Soviet Union. It created the geopolitical conditions for China’s industrial revolution, the biggest and fastest in history. And it led, after China’s accession to the World Trade Organization, to that extraordinary financial symbiosis which Moritz Schularick and I christened “Chimerica” in 2007.
How did relations between Beijing and Washington sour so quickly that even Kissinger now speaks of Cold War?
The conventional answer to that question is that President Donald Trump has swung like a wrecking ball into the “liberal international order” and that Cold War II is only one of the adverse consequences of his “America First” strategy.
Yet that view attaches too much importance to the change in U.S. foreign policy since 2016, and not enough to the change in Chinese foreign policy that came four years earlier, when Xi Jinping became general secretary of the Chinese Communist Party. Future historians will discern that the decline and fall of Chimerica began in the wake of the global financial crisis, as a new Chinese leader drew the conclusion that there was no longer any need to hide the light of China’s ambition under the bushel that Deng Xiaoping had famously recommended.
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At 0815 on 6 August 1945, the first atomic bomb, nicknamed “Little Boy”, was dropped out of the B-29 Enola Gay and descended towards the Japanese city of Hiroshima. 43 seconds later, the city was engulfed in a flashing bright light and a shockwave of unimaginable heat and deadly pressure. From the hypocenter of the resulting mushroom-cloud, a blue-green fireball burned and blinded the city and its inhabitants with unprecedented power. 140,000 people were killed in the first few moments. Tens of thousands would die from wounds and radiation. The age of atomic warfare had begun.
Hosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Community Manager: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastory
Sources:
– U.S. Department of Energy
– Bomb icon by P Thanga Vignesh from the Noun Project
– bockelsound from freesound.org
– Vilna Gaon State Jewish Museum
An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
August 6, 1945. On this fateful Monday morning our world changed forever.
Nuclear weapons were now a reality, destruction on a whole new level a possibility. International power dynamics, foreign politics and conflict handling would never be the same once this new kind of weapon of mass destruction had entered the scene. The threat of potentially world-ending nuclear war, the fear that the men in power would push “the red button”, would hang over people like a dark cloud from this day on. The Nuclear Age had begun.
If you’re interested in how politics developed during The Nuclear Age, you can explore that in the day-by-day coverage of The Cuban Missile Crisis over on TimeGhost History. The first introduction, “USA Starts the Atomic Arms Race”, is already up and you can watch it right here: https://youtu.be/zEXjoBe5ZdI
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Sometimes war is killing, sometimes it’s saving lives. This week we turn a soldier who became a hero, not for killing his foes, but for saving his fellow men. Medic Leslie “Bull” Allen’s story is a story about courage in the face of fire. The battle for Mount Tambu in 1943 in Papua New Guinea was vicious and bloody, and the field was soon littered with many wounded men crying for help. Without much regard for his own safety, “Bull” Allen stormed forward into the fray. 12 times he went, and 12 times he came back with a wounded soldier on his back.
