Forgotten Weapons
Published 21 Aug 2020http://www.patreon.com/ForgottenWeapons
https://www.floatplane.com/channel/Fo…
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Forgotten Weapons
6281 N. Oracle #36270
Tucson, AZ 85740
To-day our platoon once marched, in perfect step, for seven complete and giddy paces, before disintegrating into its usual formation — namely, an advance in irregular échelon, by individuals.
Ian Hay (Major John Hay Beith), The First Hundred Thousand: Being the Unofficial Chronicle of a Unit of “K(1)”, 1916.
World War Two
Published 26 Nov 2020Japanse deploys biological weapons in China, leading to un unspecified number of deaths. Meanwhile, European Jews from Germany and their occupied territories are deported to Eastern Europe, where Jews are already being killed by the thousands.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Spartacus Olsson
Written by: Joram Appel and Spartacus Olsson
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Joram Appel and Spartacus Olsson
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Mikołaj Uchman
Spartacus Olsson
Jaris Almazani (Artistic Man), https://instagram.com/artistic.man?ig…Sources:
Bundesarchiv
Visuotinė-lietuvių-enciklopedija
Yad Vashem 2725/5, 4613/360, 85DO1, 142BO7, 4613/1055, 4147/32, 8747/3, 4360/99, 4613/525, 4572/3, 4572/2, 4572/4
USHMM
Picture of Jezdimir Dangic, courtesy of pogledi.rs
from the Noun Project: Skull by Muhamad UlumSoundtracks from the Epidemic Sound:
Farrell Wooten – “Blunt Object”
Yi Nantiro – “A Single Grain Of Rice”
Philip Ayers – “Trapped in a Maze”
Gavin Luke – “Drifting Emotions 3”
Gunnar Johnsen – “Not Safe Yet”
Cobby Costa – “From the Past”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
3 hours ago
We often get the question how we cope with researching, editing and hosting a series which is almost exclusively about human suffering. Indeed, for every episode that we make, Miki, Spartacus and I spend hours researching, reading accounts and scrolling through gruesome pictures. It is hard or stressful at times, and of course it impacts us emotionally.There’s a couple of things that help us get through this. The purpose with which we’re doing this, which is to learn, share and contribute to awareness so that this may never be forgotten definitely adds to our resilience. We have set up a small-scale support system between us, and we try to talk and share our emotions whenever we need to.
We recognise that some of you watching this may deal with similar questions. Talking about it, wether digitally or in person, helps us understand and process. We believe that exploring the motivations and fears of perpetrators and victims also helps to stay in touch with the human dimension behind staggering statistics. We try our best to keep this series down to earth with a close eye on the humane aspect – both in content and our community.
Thank you all for your support and kind comments,
Cheers,
Joram
Sabaton History
Published 26 Nov 2020On 22. April 1915, a wall of greenish-yellow fog, up to 2m high, was slowly creeping towards the Allied lines on the Ypres salient. A sweetish-chloric smell preceded the horrific effects of the deadly gas. Coughing, spitting, and retching, men were abandoning their trenches, hurrying to the rear, or falling to the ground, clutching their throats. It was the same desperate, gruesome scenery, the Russian soldiers at Osowiec Fortress had to fight through. From then on, a scientific race to counter and protect against those deadly chemicals began.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to “Attack of the Dead Men” on the album The Great War: https://music.sabaton.net/TheGreatWar
Watch the Official Lyric Video of “Attack of the Dead Men” here: https://www.youtube.com/watch?v=-AFdw…
Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Brodén, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Community Manager: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Editor: Karolina Dołęga
Sound Editor: Marek Kamiński
Maps by: Eastory – https://www.youtube.com/c/eastory
Archive: Reuters/Screenocean – https://www.screenocean.comColorizations by:
Adrien Fillon – https://www.instagram.com/adrien.colo…Sources:
– National Archives NARA
– Library of Congress
– Bundesarchiv
– Imperial War Museums: IWM Q 56546, HU67224, Q 60344
– Canadian War Museum
– Auckland Museum
– Wellcome Images
– Icons form The Noun Project: Arrow by 4B Icons, gas bomb by Mete Eraydın, Gas by Andrejs Kirma, Skull by Muhamad Ulum, smoke grenade by 1516All music by: Sabaton
An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
The Tank Museum
Published 18 Oct 2019David Fletcher looks at the British WW2 Coventry Armoured Car. It never saw service and was already considered obsolete by the time it was built.
Support the work of The Tank Museum on Patreon: ► https://www.patreon.com/tankmuseum
Visit The Tank Museum SHOP: ► https://tankmuseumshop.org/
Twitter: ► https://twitter.com/TankMuseum
Instagram: ► https://www.instagram.com/tankmuseum/
Tiger Tank Blog: ► http://blog.tiger-tank.com/
Tank 100 First World War Centenary Blog: ► http://tank100.com/
#tankmuseum #tanks
World War Two
Published 24 Nov 2020After the fall of France in June 1940, neutral Switzerland found itself surrounded on all sides by a hostile expansionist power. The small nation would have been a valuable possession but the jaws of the Reich hesitated to swallow it. How did Switzerland manage to exit the conflict intact and largely unscathed?
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Spartacus Olsson
Written by: Lennart Visser & Francis van Berkel,
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Lennart Visser
Edited by: Karolina Dołęga
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Adrien Fillon – https://www.instagram.com/adrien.colo…
Cassowary ColorizationsSources:
– Pictures of Swiss Army by Strübin Theodor courtesy of Archäologie und Museum Baselland Lizenzbedingungen
– Bundesarchiv
– Imperial War Museums: HU56131
– ETH-Bibliothek Zürich: 03258, LBS MH05-02-04, M01-0756-0001
– Fortepan:3889, 92301
– National Archives
– Staatsarchiv Bern – P362
– Plan of the defence lines of the National Redoubt courtesy of Auge=mit from Wikimedia Commons
– Picture of Swiss Soldiers with anti-aircraft gun courtesy of Paebi from Wikimedia Commons
– Picture of Swiss aircraft in 1943 from theM.Pilloud – Archive familiale
– United States Holocaust Memorial MuseumSoundtracks from Epidemic Sound:
– “Other Sides of Glory” – Fabien Tell
– “Moving to Disturbia” – Experia
– “Remembrance” – Fabien TellArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
1 hour ago
As we draw close to the end of 1941, it becomes clear that neutrality is not a guarantee of safety. Its utility as a diplomatic strategy has been discarded and is non-existent.A total of 12 sovereign and neutral nations have been invaded by Allied or Axis powers since the beginning of the war — Denmark and Norway on 9 April 1940; Belgium, the Netherlands, Iceland and Luxembourg on 10 May 1940; Lithuania on 15 June 1940 and Latvia and Estonia on 17 June; Greece on 28 October 1940 and Yugoslavia in April 1941; Iran in August 1941. Even those that are spared are compelled to assist either the Allies or the Axis or both in financial and economic terms, such as Switzerland and Sweden. Others offer voluntary military assistance such as Portugal and Spain.
Forgotten Weapons
Published 14 Aug 2020http://www.patreon.com/ForgottenWeapons
https://www.floatplane.com/channel/Fo…
Cool Forgotten Weapons merch! http://shop.bbtv.com/collections/forg…
The Type 64 is a dedicated suppressed pistol first introduced in 1965 and used in the Vietnam War. It uses a rimless version of the .32 ACP cartridge (7.65x17mm) in a 9-round Makarov-like magazine. Despite outward similarity to the Makarov (especially the grip), the design is wholly unique internally. It uses basically a miniaturized AK bolt to allow the shooter to select between blowback semiauto functioning and single shot manual operation. The bolt’s rotating locking lugs prevent it from cycling when locked, in a very clever alternative use of the rotating bolt system. The suppressor has two chambers, using a combination of baffles and wire mesh as suppressor elements. In addition to standard ammunition, a plastic-sabot frangible load was also developed for use in situations like airline hijackings, and this loading is why some sources reference a maximum effective range of 15 meters.
For all its technical cleverness, the Type 64 is a rather heavy pistol, at 1.8kg / 4 pounds. It was replaced in 1967 by the substantially lighter and simpler Type 67, which weighed only 1.05kg / 2.3 pounds. This particular Type 64 was originally owned by Mitch Werbell III, giving it an even more interesting history …
Contact:
Forgotten Weapons
6281 N. Oracle #36270
Tucson, AZ 85740
Displacement tonnage is the only tonnage value commonly used for warships, while merchant ships use a completely different set of tonnages, usually deadweight tons, gross tons, and net tons. Deadweight tonnage is at least an actual measure of weight, and specifies how much cargo the ship is able to carry, excluding the weight of the ship itself. Gross tonnage and net tonnage are both basically volumetric measures, specified using complicated formulas. Gross tonnage is based on the total volume of all enclosed spaces of the ship, while net tonnage is based only on the volume of the spaces that carry cargo or passengers. These values are used to calculate things like port duties and what regulations apply to the ship. They replaced gross and net register tons, which were also volumetric, of 100 cubic feet to the ton. These were based on a phenomenally complicated set of rules to determine what spaces were and weren’t counted, with shipowners trying to game the system and drive down their tonnage. Worse, different countries had different regulations on what counted under each value, so in 1969, register tonnages were abolished and replaced with the existing system.
While distance, speed, and “tonnage” measurements are the most prominent nautical idiosyncracies, there are a few other values that bear mentioning. The maximum width of a ship is the beam, apparently from the beams that used to run across ships during the days of sail. Draft (or draught) is how deep the hull is below the waterline. This is a very important number to make sure the ship doesn’t run aground, but it varies continually with the amount of stuff on the ship. Air draft is sometimes used for height above the water, important for clearing bridges and the like. Length, much like tonnage, comes in several values. The obvious one is length over all, LOA, which is exactly what it sounds like, measured from the furthest forward to the furthest aft point on the ship. This is obviously useful, but for hydrodynamic purposes another value, waterline length (LWL), is what the designer cares about. The last value is length between perpendiculars (LBP), measured between the vertical stem (bow) post and the vertical stern post. This is another value that was developed for civilian use. Some ships of a given LOA have a great deal of overhang at bow and stern, making them much smaller than other ships with the same nominal LOA. Using LWL is not a good solution, as it varies with draft. LBP solves both of these problems, but isn’t of great importance to warships.
Bean, “Nautical Measurements”, Naval Gazing, 2018-08-10.
History Matters
Published 30 Sep 2018Twitter: https://twitter.com/Tenminhistory
Patreon: https://www.patreon.com/user?u=4973164Special Thanks to the following Patrons for their support on Patreon:
Chris Fatta
Joshua
Mitchell Wildoer
Mason Cox
William Foster
Thomas Mitchell
Perry Gagne
Shaun Pullin
Anon
Spencer Smith
Matt M
RbjThis episode of Ten Minute History (like a documentary, only shorter) covers the outbreak of the Bohemian Revolt which was what would eventually spiral out of control into the Thirty Years’ War. The revolt was crushed fairly quickly but sparked intervention by Denmark, who didn’t do too well, and later Sweden who did very well. Both of these were aided by France who decided to get directly involved in 1635. By 1648 the Holy Roman Empire lay in ruins, with Austria and Spain struggling to pay for the war and rebuild the Habsburg Empire. This war saw the rise of Sweden and France but most importantly saw the foundations of modern diplomacy built.
Recommended books:
Mark Greengrass – Christendom Destroyed: Europe 1517-1648. Does a great job of outlying the theological currents in Europe at the time and how all of the religious changes led to the Thirty Years’ War.
Peter H. Wilson – Europe’s Tragedy: A New History of the Thirty Years’ War. The go-to text for the war; incredibly detailed and honestly can’t be beat for the topic. 100% recommend.
World War Two
Published 21 Nov 2020The long planned Allied Offensive in North Africa — Operation Crusader — begins, but the Allies are worrying about how to defend Singapore in case of Japanese aggression. The Germans renew their drive on Moscow, but their number one flying ace perishes, a major PR hit.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Ruffneck88 https://commons.wikimedia.org/wiki/Ca…
Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
Daniel Weiss
Adrien Fillon – https://www.instagram.com/adrien.colo…
Norman Stewart – https://oldtimesincolor.blogspot.com/
Spatacus OlssonSources:
Narodowe Archiwum Cyfrowe
Bundesarchiv
Australian War Memorial
Yad Vashem 143BO2
IWM E 6661, K 1261, A 3898, A 10499, FE 487, TR153, E 2384ESoundtracks from the Epidemic Sound:
Johannes Bornlof – “Death And Glory 2”
Johan Hynynen – “Dark Beginning”
Farrell Wooten – “Blunt Object”
Reynard Seidel – “Deflection”
Johannes Bornlof – “Last Man Standing 3”
Johannes Bornlof – “The Inspector 4”
Philip Ayers – “Under the Dome”
Max Anson – “Ancient Saga”
Johannes Bornlof – “Deviation In Time”
Jon Bjork – “Disposal”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
3 days ago
On December 7th we will cover the Japanese attack on Pearl Harbor in real time, minute by minute, as it happens … for five solid hours starting 0610 local Hawaiian time right here on this channel. Don’t miss it!And if you want a dose of WW2 action every day, then check out our day by day instagram coverage of the war right here: https://www.instagram.com/world_war_two_realtime/
Forgotten Weapons
Published 23 Aug 2018http://www.patreon.com/ForgottenWeapons
Cool Forgotten Weapons merch! http://shop.bbtv.com/collections/forg…
Adopted in 1880 to replace the Adams revolver, the Enfield MkI was based on an extraction system patented in the 1870s by Owen Jones of Philadelphia. This was similar in practice to the Merwin & Hulbert, with the barrel and cylinder hinging forward while the cartridge cases were held to the back of the frame. This system allowed empty cases to drop free (except the 6 o’clock position one, which often stuck) while retaining any unfired cartridges in the cylinder. Because the extractor star was fixed to the frame, the piece had to be loaded one round at a time through a loading gate (again, like the Merwin & Hulbert).
In 1882 a number of improvements were made to the design and lockwork, including features to prevent the cylinder from rotating freely and to disconnect the hammer when the loading gate was open. This was adopted as the MkII in 1882. A further change was made in 1887, following the death of a Royal Navy sailor whose gun fell out of its holster and discharged upon hitting the hammer. A new safety mechanism was added to prevent this from happening again, and most guns in service were retrofitted with it.
The Enfield was generally not well received, as it was heavy and a bit awkward to handle. It was issued to the Army, Navy, and RCMP, but replaced by the first adopted Webley top-break revolvers in the late 1880s (Enfield MkII production ceased in 1889). Unlike the Webleys and other private-production guns, there was never a civilian version of the Enfield MkI or MkII made, and they are scarcer to find today as a result.
If you enjoy Forgotten Weapons, check out its sister channel, InRangeTV! http://www.youtube.com/InRangeTVShow
Contact:
Forgotten Weapons
6281 N Oracle #36270
Tucson, AZ 85704
Footnote by Field Marshal Lord Alanbrooke, War Diaries, 1939-1945, 1957.
World War Two
Published 19 Nov 2020How did the non-German Axis fare against the Soviet Union? What was the intelligence agency of the Free French like? And what were the Louisiana Maneuvers? All these questions are answered in this edition of Out of the Foxholes.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Indy Neidell
Written by: Ian Irungu, Shaun Harrison, Dennis Stepanov
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Ian Irungu, Shaun Harrison, Dennis Stepanov
Edited by: Karolina Dołęga
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
– Norman Stewart – https://oldtimesincolor.blogspot.com/
– Mikołaj UchmanSources:
– Bundesarchiv
– Library of Congress
– Imperial War Museums: MI 14/822/12
– The Icons from Noun Project: Letter by Mochammad Kafi, Headphones by Simon Child, Russian soldier by Wonmo Kang, Skull by Muhamad UlumSoundtrack from Epidemic Sound:
– “Break Free” – Fabien Tell
– “Moving to Disturbia” – Experia
– “Other Sides of Glory” – Fabien Tell
– “Please Hear Me Out” – Philip AyersArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
Sabaton History
Published 19 Nov 2020The defeat in the Battle of Poltava had shattered the Swedish Army of King Charles XII. Retreating south into the territory of the Ottoman Empire, the “Northern Paladin” becomes the honored guest of the Sultan. But Charles XII. is restless. Despite the comforts and luxury, he enjoys at the fortress of Bender, the King yearns for a chance to regain the initiative. More and more he gets involved in Ottoman politics, urging the High Porte to renew its enmities with the Russian Tsar. But even a famous King has to learn that hospitality has its limits.
Support Sabaton History on Patreon:
https://www.patreon.com/sabatonhistoryListen to “Shadows” on the album Metalizer: https://music.sabaton.net/Metalizer
Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Brodén, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Community Manager: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Editor: Karolina Dołęga
Sound Editor: Marek Kamiński
Maps by: Eastory – https://www.youtube.com/c/eastory
Archive: Reuters/Screenocean – https://www.screenocean.comSources:
The Poltava Battle History Museum
Library o of Congress
Livrustkammaren
Nationalmuseum
Musée de l’Ermitage
Battle of Prut 1711 courtesy of Charles Alexis Gérard
Cannon by Graphic Nehar from the Noun ProjectAll music by: Sabaton
An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
World War Two
Published 18 Nov 2020When Allies and Axis clash on the deserts of North Africa, harsh and unique conditions force them to develop new tactics. From misdirection to new ways to move across the desert, all to gain an advantage over the enemy.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Indy Neidell
Written by: Marlon William Londoño and Francis van Berkel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Marlon William Londoño
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
Spartacus OlssonSources:
IWM E 18461, E 8361, E 10147, E 12630, E 12385, E 12375, E 21337, E 12410, HU 3715, E 21339, E 4350
Picture of John Hutton, courtesy of Coventry Society
Picture of Edwin Galligan, Steven Sykes and Fred Pusey, courtesy of Rick Stroud
Picture of Hugh Cott, courtesy of Selwyn College, Cambridge
Picture og Ralph Alger Bagnold, courtesy of National Portrait Gallery
from the Noun Project: sun by MRFASoundtracks from the Epidemic Sound:
Reynard Seidel – “Deflection”
Max Anson – “Ancient Saga”
Hakan Eriksson – “Epic Adventure Theme 4”
Rannar Sillard – “March Of The Brave 4”
Jon Bjork – “Force Matrix”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
6 hours ago
As we see the North African campaign ongoing in our week by week series, in today’s episode we take a closer look at the tactics and logistical developments that helped shaped that campaign.
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