Quotulatiousness

September 4, 2020

“The Final Solution” – The Holocaust – Sabaton History 083 [Official]

Filed under: Europe, Germany, History, Media, Military, WW2 — Tags: , , , , — Nicholas @ 04:00

Sabaton History
Published 3 Sep 2020

Since Adolf Hitler’s rise to power, the Jews of Germany had suffered years of harsh anti-Jewish policies, harassment and public humiliation. The Nazis wanted the Jews to never feel safe or welcome again. With the Third Reich’s expansion and the start of the Second World War, more and more European Jews fell victim to persecution, ghettoisation and violence. It was hard to imagine that the crimes against them could get any worse. But by December 1941, the Nazis began preparing for a “Final Solution of the Jewish question”.

It aimed at nothing less than the extermination of all Jewish life in Europe.

Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory

Listen to “The Final Solution” on the album Coat Of Arms:
https://music.sabaton.net/CoatOfArms

Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShop

Hosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Brodén, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Community Manager: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Editor: Iryna Dulka
Sound Editor: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastory
Archive: Reuters/Screenocean – https://www.screenocean.com

Sources:
– Narodowe Archiwum Cyfrowe
– Bundesarchiv, CC-BY-SA 3.0: Bild_183-B04489, Bild_183-B04491, Bild_152-23-07A, Bild_101I-134-0782-24, Bild_183-E13871, Bild_101I-134-0769-33
– Yad Vashem: 139BO1, 1554_1, 1427_85, 1605_1722, 12CO9, 1552/34
– Imperial War Museum: HU 51692, HU 51689

All music by: Sabaton

An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.

© Raging Beaver Publishing AB, 2019 – all rights reserved.

September 2, 2020

Trust – the limiting factor on Chinese tech firms’ growth

Filed under: Business, China, Government, India, Media, Technology, USA — Tags: , , , , — Nicholas @ 05:00

Henrik Tiemroth on the “glass ceiling” that Chinese technology companies are struggling with:

The rise of Chinese technology firms has been one of the major developments of the last decade. As some of those companies expand their operations overseas, some observers see China laying the groundwork for a broader imperial project, using their growing digital might to project power and influence. By 2030, will we all be sending messages on WeChat, searching on Baidu, and shopping on Alibaba?

Probably not. As China’s major tech firms attempt to expand to global markets, they are running into a glass ceiling of their government’s own making: people don’t trust them. The recent ban on ByteDance’s popular social media app TikTok in the United States demonstrates the extent – and the limits – of China’s digital ambitions.

TikTok was the first Chinese internet product to have a mass following in the United States. As of 2020, the app has 100 million active users in the US – about a third of the population. But the popular and seemingly innocuous app for making, viewing and sharing quippy homemade music videos has been declared a national security threat.

In August, President Trump signed an executive order effectively banning the app, along with WeChat, unless their US operations are taken over by a domestic company. Given the close links between Chinese companies like ByteDance and the government, they argue, the data collected on American users of the app could be used by the Chinese state for espionage or other nefarious purposes.

The Trump administration is not the first government to take this step. In July, India banned TikTok, along with 59 other Chinese apps, amid rising tensions with China. The government cited similar concerns about the potential for mining and misuse of private data. Indonesia temporarily banned the platform in 2018, and Japan is reportedly considering following the US’s lead.

Across the world, people are becoming warier of who uses their data and how. Lawmakers are perking up, as the implications of data for national security are becoming more clear. In 2018, the European Union implemented landmark data privacy laws. In the US, tech CEOs are regularly dragged before congressional committees and a bipartisan movement for regulation is building.

Chinese internet companies face those same concerns and then some. It’s one thing to have your personal data used to promote conspicuous consumption. It’s another entirely to have it weaponized by a sophisticated digital surveillance state at the cutting edge of data-driven totalitarianism.

August 31, 2020

“The ‘Scots’ that wis uised in this airticle wis written bi a body that’s mither tongue isna Scots. Please impruive this airticle gin ye can.”

Filed under: Britain, Media, Technology — Tags: , , — Nicholas @ 05:00

Natalie Solent has some sympathy for the recently revealed teen who is the main “author” of the Scots version of Wikipedia:

If you are wondering how a nineteen year old managed to be responsible for creating or editing tens of thousands of articles, the answer is simple:

    He wrote: “I was only a 12-year-old kid when I started, and sometimes when you start something young, you can’t see that the habit you’ve developed is unhealthy and unhelpful as you get older.”

Naming no names except my own, that sounds like a few of us here. Ten edits a day, most days, for two and a half thousand days. The work of half his life. The thing that made him special. And now they revile him for it. Believe me, I am not laughing when I call this a sad story.

Believe me, too, when I say I do not want to mock Scots. The Samizdata “Languages” category includes many other posts by me about endangered tongues. I want them to survive and grow. A world where everyone spoke only one language would be a grey place, and one more likely to fall to tyranny. For many a soul living under oppression their knowledge of something other than the majority language has been the one window to freer times or places that the censors could not brick up. Less portentously, I like the vigorous style of Scots. The fact that it is mostly mutually intelligible with English English has been the source of endless arguments about whether it is a dialect of English or a language in its own right. It is a pity that this question has been politicised. My own opinion, for what it is worth, is that although Scots was a separate language in the Middle Ages, enough linguistic convergence has occurred to say that nowadays it is a dialect of English. There is nothing wrong with that. It would be equally valid to say Standard English and Scots are both dialects on the continuum of English (and that the group as a whole is called “English” is just a matter of historically familiar terminology, not an attribution of superiority. Brits should remember that if numbers of speakers were the criterion that decided the name of this language we would be speaking American.)

It is a sad reflection on the state of Scots that nobody stopped “AmaryllisGardner” for five years. Scarcely anyone seems to have questioned him. I cannot help thinking this fiasco would never have happened if linguists and the penumbra of people who are “into” languages had not been so down on prescriptivism. After all, if there truly is no correct or incorrect way to use language, our laddie’s version of Scots has as much claim to be right as the one they speak in Glasgow.

Michelle Remembers, the seminal Satanic Panic book

Filed under: Books, Cancon, History, Media, USA — Tags: , , , , , — Nicholas @ 03:00

Jen Gerson discusses the first modern Satanic Panic and the book about the “recovered” childhood memories of a British Columbia woman in the 1970s:

QAnon may sound like something that could only have birthed in the darker corners of the internet. But QAnon predates president Donald Trump and even the internet itself; It’s just the latest iteration of a moral panic that swept the highest levels of Western society only a generation ago. One of the most polarizing and divisive social movements in modern history; it destroyed families, turned communities against one another, and sent numerous innocent men and women to prison.

And it all started in Victoria, BC.

It was known as the Satanic Panic; a conspiracy theory that convinced millions of well meaning and rational people that a secret cabal of Satanists had infiltrated the highest echelons of society in order to sexually molest children. The Satanists were accused of sacrificing animals and using women as “breeders” to create an endless supply of dead babies for use in their gory, bloody-fuelled rituals and orgies.

It destroyed lives and ripped apart families. Reports of ritualistic child abuse were reported across the English speaking-world. Almost all of them were eventually found to have been partially, or wholly fabricated, but not before dozens of innocent people were falsely accused, and sentenced to years and even decades in prison.

Born of a genuine historical injustice — society’s neglect of childhood sexual abuse — this was a panic that saw some of the world’s smartest minds taken in by accusations, that, at their root, were as preposterous as any raised during medieval European witch hunts. It was legitimized by a professional class, captivated law enforcement and proved itself a lucrative grift for fraudsters and attention seekers. Worse, as the conspiracy grew under its own weight and influence, the hysteria inspired real and horrific crimes — usually by disturbed teenagers who claimed they were sacrificing humans to Satan.

This is a case study of how badly off the rails we can go when we allow our best intentions and passions to overwhelm us.

The story begins in 1980, with the publication of a book called Michelle Remembers. It detailed the fantastic claims of Michelle Proby, who recounted several months of gory and sadistic ritualistic abuse at the hands of a cabal of Satanists when she was a child in 1950s Victoria. The memories, she alleged, were repressed for decades, until she sought help from psychiatrist Lawrence Pazder. Under a state of hypnosis, Proby began to uncover a horrifying tale of murder, torture, abduction, and molestation. She claimed to have been taken from her willing family and groomed to take part in a ritual to call the devil — one in which she witnessed the murder of children, was forced to eat human remains, covered in dead baby parts, and locked in a cage with snakes.

An explosive bestseller. Michelle Remembers would become the folkloric template for countless other claims of Satanic Ritual Abuse ostensibly uncovered during therapy during the 80s and 90s.

QotD: The Alt-right and Jordan Peterson

Filed under: Cancon, Media, Politics, Quotations — Tags: , , , , — Nicholas @ 01:00

You can hear this in the visceral contempt with which Peterson’s “young white male” audience is described by his journalistic detractors, (most of whom are white, and many of whom are male). And yet this crucial piece of hearsay, linchpin of the Peterson narrative, is not true. It hasn’t been true for a while, if it ever was. Anyone who cares to know the truth can go out and find it: I saw it myself with my own eyes at three events I attended in the winter, as did the Maclean’s reporter who found that:

    They are new Canadians, people of colour, men and women. And in a way that seems out of sync with op-ed portrayals of Peterson’s supporters as committed to preserving old hierarchies and positions of privilege — they often see themselves as searchers, truth-seekers and iconoclasts.

Popularity, even among people of color, is not, of course, proof in itself of the salubriousness of anything, especially in a world where Fox News, Breitbart, and InfoWars also command the attention of tens of millions. And indeed, Peterson really was avidly embraced at first by the far-right when he emerged, denouncing concepts of unconscious bias and white privilege, and stated his intention to defy any prospective attempt through the force of law to compel him to adopt gender-neutral pronouns in his classroom at the University of Toronto. In his rather coarse-grained and Manichaean analysis of so-called Social Justice Warriors, Peterson occasionally invoked a term, “Cultural Marxism,” whose lineage was said, by others, to have also birthed a far-right conspiracy theory that, in turn, figured prominently in the manifesto of the Norwegian mass murderer Anders Breivik. So anyone playing a game of connect the dots in order to portray Peterson as part of a recrudescence of reactionary modernism has material to work with, some of it even provided by Peterson himself.

Yet it soon enough became clear to anyone paying attention that Peterson’s initial embrace by the alt-right was a case of mistaken identity. Eventually, the spokesmen of that poisonous and amorphous internet tendency decided in concert that Peterson had been sent by the left to disrupt their “movement” and siphon off its energies by redirecting it toward an individualistic creed that would prove fatal to their own racist ethnonationalism. Peterson then rapidly crossed over to an audience that is now many multiples the size of the cohort of problematic young males who first embraced, then rejected him, even as the progressive left tried to hold on to the alt-right’s original, mistaken read.

Wesley Yang, “The Shocking Truth About Jordan Peterson”, Tablet, 2018-05-28.

August 30, 2020

Andrew Sullivan – “… let’s be frank about this and call this by its name: this is very Weimar. The center has collapsed.”

Filed under: Government, History, Media, Politics, USA — Tags: , , , , , , — Nicholas @ 03:00

In the latest Weekly Dish, Andrew Sullivan finds himself in agreement with Marcus Aurelius: “The object of life is not to be on the side of the majority, but to escape finding oneself in the ranks of the insane.”

A building burning in Minneapolis following the death of George Floyd.
Photo by Hungryogrephotos via Wikipedia.

I don’t think I’m the only one, as even the Democrats seem now to realize. And this massive blindspot is not hard to understand. When a political party finds itself so wedded to a new and potent ideology it cannot call out violence when it sees it, then it is walking straight into a trap. When the discourse on the left has become one in which scholars and editors and Tweeters vie with one another to up the ante on how inherently evil America has always been, redescribe it as a slaveocracy, and endorse racist books that foment the most egregious stereotypes about “whiteness”, most ordinary people, who love their country and are mostly proud of its past, will rightly balk. One of the most devastating lines in president Trump’s convention speech last night was this: “Tonight, I ask you a very simple question: How can the Democrat Party ask to lead our country when it spends so much time tearing down our country?” A cheap shot, yes. But in the current context, a political bullseye.

The key theme of the RNC was reminding people of the American narrative that once was. Yes, it was unbelievably vulgar. Yes, it looked like a cross between a sophisticated CGI video-game and a crude car dealer ad with a dollop of Leni Riefenstahl. But it was extremely effective. To see that, you have to remove your frontal cortex and put it in a jar, accept that it’s all going to be a series of lies so massive they stupefy us into stutters, and then cop the feels. Pence gave us a vision of America that was a souped up Disney special from the early 1960s — from Fort McHenry no less. And look at the icons Trump invoked: Wyatt Earp, Annie Oakley, Davy Crockett, and Buffalo Bill. You can mock. But in the midst of a culture being redescribed by the left as a form of foul and relentless “white supremacy”, and in a moment of arson and rioting, it felt like a kind of balm.

All this reassurance played out against a backdrop of Kenosha, which was burning, and Minneapolis, where a suicide led to a bout of opportunistic looting, and Washington DC, where mobs of wokesters went through the city chanting obscenities, invading others’ spaces, demanding bystanders raise fists in solidarity, with occasional spasms of violence. These despicable fanatics, like it or not, are now in part the face of the Democrats: a snarling bunch of self-righteous, entitled bigots, chanting slogans rooted in pseudo-Marxist claptrap, erecting guillotines — guillotines! — in the streets as emblems of their agenda. They are not arguing; they are attempting to coerce. And liberals, from the Biden campaign to the New York Times, are too cowardly and intimidated to call out these bullies and expel them from the ranks.

[…]

And let’s be frank about this and call this by its name: this is very Weimar. The center has collapsed. Armed street gangs of far right and far left are at war on the streets. Tribalism is intensifying in every nook and cranny of the culture. The establishment right and mainstream left tolerate their respective extremes because they hate each other so much.

The pattern is textbook, if you learn anything from history: an economic crisis resulting in mass unemployment; the pent-up psychological disorders a long period of lockdown can and will unleash; a failure of nerve on the part of liberals to defend the values and institutions of liberal democracy, and of conservatives to keep their own ranks free of raw demagogues and bigots. But critically: a growing sense of disorder and violence and rioting as simply the background noise; and a sense that authorities do not have the strength or the stomach to restore order. What most people want in that kind of nerve-wracking instability is a figure who will come in and stamp it out. In Trump, we have someone who would happily trample any liberal democratic norm to do it. And the left seems to be all but begging him to do it — if only to prove them right.

A long time ago, I was mocked for saying that I believed that the election of Donald Trump was an extinction-level event for liberal democracy. But this is where we are. There is no place for liberal debate or dissent, just competing mobs deploying propaganda, intimidation and mutual racial hatred. Norms are trashed, from the shameful cooptation of national monuments for partisan purposes, to violating the privacy and peace of ordinary citizens because they are not in the ranks of agitators. Liberals are now illiberal; conservatives are revolutionaries. The Republican convention we are witnessing makes no pretense of even publishing a platform — all to demonstrate total and unfailing fealty to the leader whose own family is now assumed to succeed him. What about this pattern of events do we not already understand?

Why Gods and Generals is Neo-Confederate Propaganda (and Objectively Sucks)

Filed under: History, Humour, Media, Military, USA — Tags: , , , , , — Nicholas @ 02:00

Atun-Shei Films
Published 12 Aug 2019

Like if Ken Burns and Mr. Plinkett had a baby.

Gods and Generals (2003) is a four and a half hour long epic from the director of Gettysburg (1993), chronicling the first two years of the American Civil War in the Eastern Theater from the point of view of General Stonewall Jackson. In this video essay / review, I examine how the film is an insidious piece of pro-Confederate propaganda, echoing the inaccuracies and misconceptions of the notorious Lost Cause myth.

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August 28, 2020

“Killing Ground” – The Battle of Fraustadt – Sabaton History 082 [Official]

Filed under: Europe, Germany, History, Media, Military, Russia — Tags: , , , — Nicholas @ 04:00

Sabaton History
Published 27 Aug 2020

Poland, February 1706. Near the small town of Fraustadt the taste of battle fills the air. General Rehnskiöld of the Swedish Empire readies his 10,000 soldiers. Their enemy? The numerically superior Saxon army of General Schulenburg, numbering 20,000.
At stake? The fate of thrones and empires.

Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory

Listen to “Killing Ground” on the album Carolus Rex:
Carolus Rex (English Version) – https://music.sabaton.net/CarolusRexEN
Carolus Rex (Swedish Version) – https://music.sabaton.net/CarolusRexSE

Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShop

Hosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Brodén, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Community Manager: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Editor: Iryna Dulka
Sound Editor: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastory
Archive: Reuters/Screenocean – https://www.screenocean.com

All music by: Sabaton

An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.

© Raging Beaver Publishing AB, 2019 – all rights reserved.

From the comments:

Sabaton History
2 days ago
Not for the first time, and certainly not for the last, an important battle is fought on Polish territory. This time, however, neither of the armies involved belong to Poland. Looking at the troop numbers counts, the outcome would seem settled before it even began. Yet, if we have learned anything from other battles on Polish soil, unpredictability is a word that can be applied time and time again.

With the help of Indy and the TimeGhost team you can learn more about future battles on Polish territory in these two episodes from our own channel and the “World War Two In Real Time” series:

“40:1” – The Battle of Wizna – Sabaton History 001 [Official]
https://www.youtube.com/watch?v=Qpb8gTSMUbo

The Polish-German War – WW2 – 001 – September 1, 1939 [IMPROVED]
https://www.youtube.com/watch?v=2b7GY4BSUmU

August 27, 2020

Scots wa huh?

Filed under: Britain, Humour, Media, Technology — Tags: , , — Nicholas @ 05:00

An amusing story in The Register from Kieren McCarthy:

In an extraordinary and somewhat devastating discovery, it turns out virtually the entire Scots version of Wikipedia, comprising more than 57,000 articles, was written, edited or overseen by a netizen who clearly had nae the slightest idea about the language.

The user is not only a prolific contributor, they are an administrator of sco.wikipedia.org, having created, modified or guided the vast majority of its pages in more than 200,000 edits. The result is tens of thousands of articles in English with occasional, and often ridiculous, letter changes – such as replacing a “y” with “ee.”

That’s right, someone doing a bad impression of a Scottish accent and then writing it down phonetically is the chief maintainer of the online encyclopedia’s Scots edition. And although this has been carrying on for the best part of a decade, the world was mostly oblivious to it all – until today, when one Redditor finally had enough of reading terrible Scots and decided to look behind the curtain.

“People embroiled in linguistic debates about Scots often use it as evidence that Scots isn’t a language, and if it was an accurate representation, they’d probably be right,” noted the Reddit sleuth, Ultach. “It uses almost no Scots vocabulary, what little it does use is usually incorrect, and the grammar always conforms to standard English, not Scots.”

While very nearly all Scottish people speak English, the Scots language was apparently still spoken, read, or otherwise understood by nearly 30 per cent of Scotland’s population according to those responding to a 2011 census. The language got a memorable boost, too, when Scots-writing novelist Irvine Welsh’s Trainspotting became a silver-screen sensation.

August 24, 2020

Theodore Dalrymple reviews White Fragility by Robin DiAngelo and How to Be an Antiracist by Ibram X. Kendi

Filed under: Books, Media, Politics, USA — Tags: , , — Nicholas @ 05:00

The two books share many characteristics, says the good doctor (in his “Anthony Daniels” guise), and the most noteworthy is a shared hectoring tone:

DiAngelo’s book displays a curious admixture of influences: the Chinese Cultural Revolution, Jimmy Swaggart, Freudian psychoanalysis, and Uriah Heep, the four of them being present in approximately equal proportion.

DiAngelo has apparently made a career of anti-racist struggle sessions in which ordinary employees of various organizations must confess publicly to their racism however hidden it might be, as university professors, primary school teachers, doctors working in slums, etc., had once in China to confess to bourgeois propensities and counter-revolutionary ideas. They may never have uttered a racist sentiment, they may never have been rude to a person of another race, let alone violent towards one, they may have friends of other races or even be married to a person of another race, but they carry racism deep within them like Original Sin, with this difference: there can be no redemption from it even after having read DiAngelo’s book and attended her struggle sessions. Personally, I should not be at all surprised if the end result of all her efforts, at least among the men she has “trained” (which is to say tried to indoctrinate), was to have acted as a recruitment officer for the Ku Klux Klan.

After thirty years of constant work of supposedly anti-racist training, she confesses — like the tearful Jimmy Swaggart — to being still guilty of racism herself, promising to reform, although reform is ex hypothesi impossible because racism is in her society’s DNA, as it were. One is reminded of the type of psychoanalysis which after thirty years of hourly sessions four times a week fails to get to the root of the analysand’s problem, let alone solve it, because it doesn’t even know what the problem is. But failure is also an opportunity, because, like psychoanalysis, the more anti-racist training fails, the more it is needed. DiAngelo, all credit to her, has found an economic niche for herself for the rest of her life. One has a sneaking admiration for such entrepreneurs. They are the asset-strippers of the soul.

As for Uriah Heep, DiAngelo has obviously heard, read, marked, learned, and inwardly digested (as my teachers used to demand of me) David Copperfield. Her oleaginous approach to all “people of color,” as she coyly calls them, makes Uriah Heep seem positively blunt and straight-talking. DiAngelo regards all nonwhite people, ex officio, as being incapable of exaggeration or unjustified self-pity, let alone of lying. As well as being sycophantic, this is, to coin a word, racist, for one of the most important manifestations of free will, and therefore of humanity itself, is the capacity to lie. In effect, then, she regards “people of color” as infra-human truth-uttering mechanisms: they speak, therefore what they say is true. No critical faculties need be applied to what they say.

[…]

DiAngelo is a tremendous moral narcissist. This is shown by her use of the term “people of color.” Until page 31, I thought that it meant black, but on that page I learned that it meant non-white. She shows no interest in the question of whether the Japanese, Chinese, Indians, Burmese, Vietnamese, Cambodians, Austronesians, Amerindians, and Africans, et al., would all be delighted to be put in the same category, let alone interest in their many cultures. On page 33, we read:

    White supremacy is more than the idea that whites are superior to people of color; it is the deeper premise that supports the idea — the definition of whites as the norm or standard of human, and people of color as a deviation from that norm.

Lumping non-white people together as “people of color” is precisely an instance of what she criticizes: this is what happens when moral rhetoric far outruns intelligence.

QotD: Progressive malevolent narcissism

Filed under: Media, Politics, Quotations, USA — Tags: , , , — Nicholas @ 01:00

This is what happens when malevolent narcissists don’t get slapped and thrown to the ground. The kind of psychology we’re seeing, over and over again, overwhelmingly from the left, is an exercise in bad faith, a fundamental dishonesty. It therefore isn’t amenable to correction with facts or debate, or appeals to reciprocity or some higher purpose. Tolerating such behaviour — and worse, deferring to it — will only encourage an escalation of vanity, malice and sociopathy. It may, however, be discouraged with reminders of physical consequences. Ideally, physical humiliation. A reminder that nasty little egos can be publicly broken.

These are people who will lie as readily as breathing in order to excuse their antisocial urges. They aren’t being obnoxious reluctantly, in desperation, or under duress. They harass, provoke and delight in domination because it gives them pleasure. It makes them feel important and powerful. Power being conceived solely as power over others. It’s a focus for their spite. Anything else is a fig leaf, a pretext. Among Portland’s identikit radicals, the ones exulting in the alarm and misery of others, there is no good faith. And so, you can’t engage with such creatures on their own ostensible terms.

David Thompson, “Shamelessly, He Quotes Himself”, David Thompson, 2020-08-22.

August 22, 2020

Debra Soh’s new book is “a cancel-culture grenade”

Filed under: Books, Health, Media, Politics — Tags: , , , , , , — Nicholas @ 05:00

Jen Gerson knows that any positive mention of Debra Soh’s The End of Gender: Debunking Myths About Sex and Identity has a strong resemblance to square-dancing in a minefield. Cancellations may fall like raindrops on the career of anyone so unenlightened as to even acknowledge the existence of such a work:

For that, at its heart, is what Soh’s book is: a lucid discussion of the best science we have to date on the nature of gender and sex, written for a lay audience. What gives the title its sizzle is not the content, but rather the cultural climate in which it is being published.

It maps the depth, scope and scale of current Culture War trenches in this particular theatre of battle. The End of Gender stomps on tripwires like the gender binary, whether transgender women are women, autogynephilia, Rapid Onset Gender Dysphoria, bathroom bans, and more.

It’s a cancel-culture grenade.

That’s not because these subjects ought to be contentious. Soh’s approach and tone are largely neutral. Rather, the controversy the book will inevitably incite is a reflection of a culture that has been warped into a state of existential terror by the very notion that these ideas can be responsibly discussed.

Soh begins by defining her terms.

So much of the debate around the most difficult topics of sex and gender stem from the simple fact that we are misusing the basic language. For example, sex and gender are not interchangeable concepts, even though they are often treated as such.

Sex is a term of biology. One’s sex, Soh argues, is determined by his or her gametes. With the exception of rare intersex disorders, 99 per cent of the population has a clearly defined biological sex that slots into one of two dimorphic categories: male or female.

Gender is more complicated. It’s now popular to state that there are more than two genders, but Soh disputes this. She argues that gender — or the set of characteristics that signal one’s sex to society — is also dimorphic. For 99 per cent of the population, gender correlates with sex. Further, even when expressions of gender are at odds with one’s biological sex, this, too, is mediated by biology. Whether one presents as gender typical or gender atypical is the result of prenatal testosterone exposure.

Soh notes that claiming to be gender non-binary, or gender fluid — or any one of a thousand variations that transcend the limiting concepts of male and female — is increasingly trendy, especially among teenagers and young adults. It seems to be the latest form of identity experimentation.

There are two reasons for this trend.

The first is that seeing the world through an intersectional framework encourages progressives to reverse the traditional hierarchies of race, sex and power. Therefore, claiming a marginalized identity — like genderqueer non-binary unicorn — accrues status within progressive peer circles.

The second is that the culture has undergone a massive awakening to transgender rights over the past decade. This has contributed expressive categories and vocabularies for people who otherwise might have struggled to find the language to explore their most authentic selves. As the cues, like cosmetics and dress, that we used to signal our gender are socially constructed, gender expression is limited only by our creativity.

August 21, 2020

“Uprising” Pt. 2 – The Liberation of Paris 1944 – Sabaton History 081 [Official]

Filed under: France, Germany, History, Media, Military, WW2 — Tags: , , , , , — Nicholas @ 04:00

Sabaton History
Posted 20 Aug 2020

Mid-August 1944. The battle for France enters its decisive phase. With the Allied spearheads just 100 km away from Paris, the Résistance prepares for its long-awaited uprising. While collaborators and fascist officials flee the city in panic, many insurgents are eager to immediately rise up against the occupation and fight the Germans in the streets. But there is need for caution. The Germans are still there in force, and they have tanks and machine guns. The fear that this might turn into “another Warsaw” if the Allies don’t show up in time is very real.

Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory

Listen to “Uprising” on the album Coat Of Arms:
https://music.sabaton.net/CoatOfArms

Watch the Official Music Video of “Uprising”:
https://www.youtube.com/watch?v=01IaK…

Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShop

Hosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard, and Spartacus Olsson
Creative Producer: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Editor: Iryna Dulka
Sound Editor: Marek Kaminski
Archive by: Reuters/Screenocean https://www.screenocean.com
Community Manager: Maria Kyhle
All music by Sabaton

Sources:
– Imperial War Museum: B 9298
– Bundesarchiv, CC-BY-SA 3.0: Bild_101I-027-1477-16, Bild_183-2008-0710-500, Bild_183-2003-1112-500
– lubini from freesound.org

An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.

© Raging Beaver Publishing AB, 2019 – all rights reserved.

Virtuesplaining Blazing Saddles

Filed under: History, Humour, Media, Politics, USA — Tags: , , , , , , — Nicholas @ 03:00

Paul du Quenoy says that Mel Brooks is cancelled after all:

It seems like only yesterday that HBO Max, the financially troubled American cable television network’s new film streaming service, signalled its virtue by removing Gone With The Wind from viewing so that the classic film could be properly “contextualised” as what presenter and University of Chicago film professor Jacqueline Stewart calls “a prime text for examining expressions of white supremacy in popular culture”. She believes this is useful for the “re-education” of audiences who might otherwise stray into thoughtcrime.

Mel Brooks’s smash hit 1974 comedy Blazing Saddles, which seems to have been added to HBO Max since the Gone With The Wind dust up and is known for its liberal use of the feared and loathed “n-word”, arrived with a similarly patronising disclaimer already installed. In a three-minute introduction that apparently cannot be skipped over, Stewart is there again, this time to inform viewers that “racist language and attitudes pervade the film”, while instructing them that “those attitudes are espoused by characters who are portrayed here as explicitly small-minded, ignorant bigots … The real, and much more enlightened, perspective is provided by the main characters played by Cleavon Little and Gene Wilder”.

Thanks, Aunt Jacqueline. If you have not seen Blazing Saddles – and if you are under the age of forty there is an excellent chance some prudish authority figure sanitised it out of your cosseted millennial existence – it stands as one of the greatest, and the certainly the funniest, anti-racist films of all time. Based on a story by Andrew Bergman, Brooks conceived it as a scathing send-up of racism and the hypocrisy that still enabled it after the great civil rights victories of the 1960s. Brooks’s idiom was a parody of the classic Western, by then an exhausted genre that had, among other flaws, become inanely predictable and was much criticised for leaving out minorities. A landmark of American film, Blazing Saddles was selected in 2006 for inclusion in the US National Film Registry, which recognises “culturally, historically, or aesthetically significant films” worthy of preservation.

Drenched in hilarity – and by my count using the “n-word” 17 times in its 93-minute run – the plot involves a conspiracy by an avaricious U.S. state attorney general who wants to drive white settlers off land he needs to complete a profitable railroad project. After having outlaws wreak mayhem on the townspeople, he recommends that the governor appoint a black sheriff to restore law and order, cynically assuming that their racism will cause them to reject the new lawman and give up. Despite a rough initial reception, the sheriff outwits attempts to get rid of him and, with the help of a washed up but sympathetic alcoholic gunslinger, leads the townspeople to victory, winning their love and respect before moving on to other brave deeds.

While HBO no longer wants to risk having its paying customers think for themselves (and what stale corporate outfit uneasily transitioning to a crowded new market wouldn’t?), it could rightly be said that anyone dumb enough to miss the film’s message might be a recent product of Anglo-American higher education. I do not mean this at all facetiously. Decaying and run by a self-important clerisy whose demands to be taken seriously only become shriller as it declines in reach and vitality – and from which any participant can be dismissed for even the slightest speech or behavioural infraction – academia naturally discourages humour. Jokes, which can almost always cause some kind of offence, are simply too risky to be told or laughed at, even in private. Finding the wrong thing funny can invite career-hobbling accusations that one has demeaned a student or colleague and thereby made them feel unacceptably “uncomfortable” or even physically “unsafe”. Perceived flippancy bruises sanctified “professional seriousness” in a way tantamount to sacrilege. The only tolerated exceptions are a kind of solemn irony that offers comfort in coping with academia’s increasing irrelevance and a resigned gallows humor about its ever more limited prospects.

August 19, 2020

QotD: The Canadian Broadcasting Corporation

Filed under: Cancon, Government, Media, Politics, Quotations — Tags: , , , , , , — Nicholas @ 01:00

The CBC was conceived 90 years ago to give the country a national broadcaster and to help Canadian regions understand each other better. It has often lived up to that mandate and in places still does.

But it is an infestation of leftist biases, and is often grossly unprofessional. For decades, despite being almost entirely funded by Canadian taxpayers, it was the principal house organ of the Quebec separatist movement, to the point that former prime minister Pierre Trudeau, shortly before the 1980 Quebec independence referendum, threatened to shut the French network down; when asked what he would replace it with, he responded with his customary vivacity of wit: “Still pictures of Chinese and Japanese vases, at least they have some cultural value.” It is compulsively misanthropic and nasty, and almost always takes a snide leftist view of everything, including foreign affairs. Brexiters were cavemen, U.S. President Donald Trump is a racist, sexist crook and moron, and it is racism and xenophobia to assert that the coronavirus originated in China. Can’t we have better and more original insights than this?

Conrad Black, “Canada needs a much better CBC”, New English Review, 2020-05-02.

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