Quotulatiousness

March 27, 2022

QotD: Period culture in old movies and TV shows

Filed under: History, Media, Quotations, USA — Tags: , , , , — Nicholas @ 01:00

From the vantage point of the 1970’s, “old” TV shows were mostly things from the 1960’s, but old movies from the 40’s and 50’s were common too. In other words, if you wanted to peek back in time to the previous eras of American culture, you could reliably go back a decade and selectively go back a few decades. Bad old TV shows like Get Smart and Star Trek would go into syndication, but bad old movies were just forgotten. The old movies that were shown on TV were usually the good ones that people liked.

What that meant is if you wanted to know what it was like to live in 1945, you had to ask someone who was alive in 1945. You could get a little taste of it from watching old movies on a Saturday afternoon, but that was a stylized version. To really get a feel for the age before color movies and television, you had to rely on the fading memories of grandma and grandpa. Of course, this was true for all of human history until recent. It’s why old people are good at telling stories about the old days. They’re built for it.

Today it is different. I watched The Thomas Crown Affair the other night off the Kodi machine. This was the 1968 version with Faye Dunaway and Steve McQueen. There was a remake of this in 1999 with Pierce Bronson. I had seen the remake a few times, but I never saw the original. In fact, I did not know there was an original. That’s a bit of interesting cultural data right there. Just about every movie produced over the last twenty-five years is either a remake or made from a children’s comic book.

What I found remarkable about the movie is something I notice whenever I watch old movies and that is the maturity. A movie about the cat and mouse between a male and female today will have at least half an hour of rutting and humping, along with some explosions and lots of vulgar language. The modern presentation of male-female relations is so crude, that porn makers of the past would have been offended. In the old days, the film maker and audience expected a more sophisticated portrayal of sexual relations.

That is the other thing that turns up in old movies and television. Hollywood made assumptions about the cultural awareness of the audience we don’t see now. In The Thomas Crown Affair, there is a long scene around a chess game. It was supposed to be a stand in for the sexual tension between McQueen and Dunaway. It’s a bit ham-handed, but vastly more sophisticated than anything you would see today. One reason is the typical viewer today knows nothing about chess, so it would be lost on them.

Part of that is due to Hollywood relying on international audiences to make money. You can’t expect to make money in China or India when your film is full of essential references to Anglo-Saxon cultural items. When you make films for the universal culture, you are making movies for a culture that does not exist. That means the goal is to remove cultural references, rather than rely on them to tell a story. There can be no subtlety and nuance without common cultural reference points understood by the audience.

The Z Man, “Old Movies”, The Z Blog, 2019-02-13.

March 26, 2022

Hollywood: Government Propaganda? – WW2 Special

Filed under: History, Media, Military, USA, WW2 — Tags: , , , , , — Nicholas @ 04:00

World War Two
Published 24 Mar 2022

Along with its arsenal of carriers, bombers, and tanks, America has perhaps the most powerful weapon of all: Hollywood. Hollywood is pumping out American and Allied propaganda as quickly as it can. But was this always the case?
(more…)

QotD: The evolution of Twitter

Filed under: Humour, Media, Quotations — Tags: , — Nicholas @ 01:00

Twitter 2009.

I like apples.
     I like pears.
That’s cool.
     Yeah.

Twitter 2018.

I like apples.
     So you’re anti pears then.
No, I just prefer apples.
     So you hate pears.
I never said that.
     Fucking pear hater.
I don’t hate pears!
     Yes you do. You make me sick. Scum.

Amanda (Pandamoanimum), Twitter, 2018-09-13.

March 25, 2022

Jordan Peterson — noted collector of early Soviet art

Filed under: Cancon, History, Media, Russia — Tags: , , — Nicholas @ 03:00

Jordan Peterson is probably the second-most polarizing living Canadian — after Justin the Lesser, of course — but his collection of early Soviet art and propaganda posters is perhaps one of the more surprising things about him:

“Mother Russia” by topsafari is licensed under CC BY-NC-ND 2.0

I’ve been in homes that have displayed unusual artwork, including one house decorated in African-themed pieces that many would consider pornographic. But I don’t believe I’ve ever seen anything quite as unusual and unique as the art in Jordan Peterson’s home.

To be clear, I’ve never actually visited Peterson’s house. But his home and its artwork are described in some detail by Norman Doidge, who wrote the foreword to Peterson’s best-selling book 12 Rules for Life.

Doidge met Peterson in 2004 at a gathering hosted by mutual friends, a pair of Polish emigres who came of age during the days of the Soviet empire. At the time, Peterson was a professor at the University of Toronto, and he and Doidge — a psychiatrist and psychoanalyst — soon became friends. (Apart from their scientific interests, it seems the men shared a passion for the great books, particularly “soulful Russian novels”.)

Doidge visited Peterson on more than one occasion, and he describes the Peterson house as “the most fascinating and shocking middle-class home I had seen.” Among the fascinations was an impressive collection of unusual artwork.

“They had art, some carved masks, and abstract portraits, but they were overwhelmed by a huge collection of original Socialist Realist paintings of Lenin and the early Communists commissioned by the USSR,” writes Doidge. “Paintings lionizing the Soviet revolutionary spirit completely filled every single wall, the ceilings, even the bathrooms.”

Books and art can tell you a great deal about people, as I said, but one must be careful to not draw the wrong conclusions. Which invites an important question: Why was Peterson’s home covered in Soviet era artwork?

One might assume that Peterson was a socialist. Yet, this is not the case. Or maybe, one might guess, Peterson began gobbling up Soviet propaganda pieces following the fall of the Soviet Union simply as investment. (I wish I had possessed the foresight to buy up a bunch of vintage Soviet art following the fall of the Soviet empire; alas, I was only 12.) Perhaps, but this wouldn’t explain why it’s displayed throughout his home.

Fortunately, Doidge offers us an answer.

“The paintings were not there because Jordan had any totalitarian sympathies, but because he wanted to remind himself of something he knew he and everyone else would rather forget: that over a hundred million people were murdered in the name of utopia,” Doidge writes.

March 24, 2022

What a bunch of hosers! Take off, eh?

Filed under: Cancon, History, Humour, Media — Tags: , , , , , , — Nicholas @ 03:00

In The Line (which is operating on skeleton staff due to March break), Laura Mitchell considers the existential question of Canadian nationhood: what if we’re just a bunch of hosers?

Bob and Doug MacKenzie’s “Great White North” on SCTV.
Screencapture from YouTube.

Remember Bob and Doug MacKenzie? I’m old enough to have owned a bag featuring this pair, Canada’s quintessential Hosers. But for those of you who might not remember, Bob and Doug were a pair of TV characters played by Canadian comedians Rick Moranis and Dave Thomas, who played up Canada’s silly, self-deprecating sense of humour on SCTV.

[…]

Now, The Canadian Encyclopedia has a definition and an entry to define this particular personality subtype, and it’s not terribly flattering:

    Hoser: is a slang word for a Canadian of limited intelligence and little education.

I profoundly disagree. Hoser is all of us and we are all hosers.

Hidden in the silliness of baby bottle beer chugging and yodelling, there is subtle genius to the premise behind these characters (beyond the genius of the entire concept, of course — Bob and Doug sketches were cheekily and overtly mocking “CanCon” rules by providing government regulators content that was wildly over the top in its stereotypical portrayal of an average Canadian). In this particular sketch, we see just two normal dudes concerned about local matters and asking basic questions. They don’t try to be anything more than they are and they don’t apologize.

In the entry above in the Canadian Encyclopedia, there is much hand wringing over the idea that a hoser has to be white. This obviously stems from the fact Rick Moranis and Dave Thomas are white and the skits are set in rural Ontario in the early ’80s, when Canada was noticeably less diverse. But focusing on race misses the point of the whole thing. Hoserdom isn’t racial, it is a state of mind. To be a Hoser is to accept your place in the world and to be at peace with it.

[…]

The Canada of the 21st century is suffering from an identity crisis — somewhere along the line we stopped feeling inferior and began to fancy ourselves superior. Whether it be our health-care system, immigration policies, perceived influence on global affairs or success of some of our celebrities (looking at you, Celine Dion), we took on a feeling of grandiose majesty we simply don’t deserve. Our current prime minister is the personification of this collective delusion — pretty on the outside but hollow and fake beneath. Canada is alarmingly little more than a two-bit Instagram influencer with a closet full of free designer clothes but no ability to pay the gas bill.

March 23, 2022

The New York Times and the “world’s dullest editorial”

Filed under: Liberty, Media, USA — Tags: , , , — Nicholas @ 03:00

Matt Taibbi explains why a milquetoast New York Times editorial got such immense blowback from other legacy media outlets:

The New York Times ran a tepid house editorial in favor of free speech last week. A sober reaction:

One might think running botched WMD reports that got us into the Iraq war or getting a Pulitzer for lauding Stalin’s liquidation of five million kulaks might have constituted worse days — who knew? Pundits, academics, and politicians across the cultural mainstream seemed to agree with Watson, plunging into a days-long freakout over a meh editorial that shows little sign of abating.

“Appalling,” barked J-school professor Jeff Jarvis. “By the time the Times finally realizes what side it’s on, it may be too late,” screeched Philadelphia Inquirer columnist Will Bunch. “The board should retract and resign,” said journalist and former Planet Money of NPR fame founder Adam Davidson. “Toxic, brain-deadening bothsidesism,” railed Dan Froomkin of Press Watch, who went on to demand a retraction and a “mass resignation”. The aforementioned Watson agreed, saying “the NYT should retract this insanity, and replace the entire editorial board.” Not terribly relevant, but amusing still, was the reaction of actor George Takei, who said, “It’s like Bill Maher is now on the New York Times Editorial board.”

The main objection of most of the pilers-on involved the lede of the Times piece, which really was a maladroit piece of writing:

    For all the tolerance and enlightenment that modern society claims, Americans are losing hold of a fundamental right as citizens of a free country: the right to speak their minds and voice their opinions in public without fear of being shamed or shunned.

There’s obviously no legal right in America to voice an opinion without being criticized, so this line is indeed an error and an embarrassing one, for a labored-over first line of a major New York Times editorial. On the other hand, a lot of great liberal thinkers decried shaming tactics as utterly opposite to the spirit of free speech, with John Stuart Mill’s warning of a “social tyranny more formidable than many kinds of political oppression” being just one example. So, while the Times technically screwed up, cheering shaming and shunning as normal and healthy elements of life in free societies is a pretty weird gotcha. In any case, this bollocksed lede introduced a piece that had been in the works for a while, and came complete with a poll the paper commissioned in conjunction with Siena College.

[…]

This Times editorial is watered down almost the level of a public service announcement written for the Cartoon Network, or maybe a fortune cookie (“Free speech is a process, not a destination. Winning numbers 4, 9, 11, 32, 46 …”). It made the Harper’s letter read like a bin Laden fatwa, but it’s somehow arousing a bigger panic. Its critics view the mention of Republican legislative bans in conjunction with canceling as a monstrous affront, a felony case of both-sidesism. Obviously any implication that there’s any moral comparison between Republicans banning speech by law and Democrats doing it by way of informal backroom deals with unaccountable tech monopolies is unacceptable. Beyond that now, much of the commentariat seems to believe the op-ed page has outlived its usefulness unless it’s engaged in fulsome denunciations of correct targets

March 22, 2022

“The Unkillable Soldier” – Adrian Carton de Wiart – Sabaton History 109 [Official]

Filed under: Africa, Britain, History, Media, Military, WW1 — Tags: , , , , , , — Nicholas @ 04:00

Sabaton History
Published 21 Mar 2022

Adrian Carton de Wiart fought in a variety of wars over more than forty years, and he was wounded … again and again and again, and yet he always came back for more. This episode is his sometimes ridiculous but always interesting and incredible story.

Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory

Listen to “The Unkillable Soldier” on the album The War To End All Wars: https://music.sabaton.net/TheWarToEnd…

Watch the Official Music Video of “The Unkillable Soldier” here: https://www.youtube.com/watch?v=b4vj_…

Watch more videos on the Sabaton YouTube channel: https://www.youtube.com/user/Sabaton
Listen to Sabaton on Spotify: https://sabat.one/Spotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShop

Hosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Brodén, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Community Manager: Maria Kyhle
Post-Production Director: Marek Kaminski
Editor: Iryna Dulka
Sound Editor: Marek Kaminski
Archive: Reuters/Screenocean – https://www.screenocean.com
Colorization:
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/

Sources:
National Army Museum, London
IWM HU 94459, Q 4511, Q 7105, Q 3140, IWM 32, IWM 162, IWM Q 68300, IWM 130-09+10
National Library of Scotland
All music by: Sabaton

An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.

© Raging Beaver Publishing AB, 2019 – all rights reserved.

March 18, 2022

The “DeSantis Doctrine”

Filed under: Business, Government, Media, Politics, USA — Tags: , , , , , — Nicholas @ 05:00

Kurt Schlichter confesses a man-crush on Florida governor Ron DeSantis:

Governor Ron DeSantis speaking at the 2021 Student Action Summit hosted by Turning Point USA at the Tampa Convention Center in Tampa, Florida on 18 July, 2021.
Photo by Gage Skidmore via Wikimedia Commons.

You gotta hand it to a guy who convinces Democrats to die on the hill of defending perverted groomers talking about sex with little school kids. It’s on-brand for their fellow travelers at The Lincoln Project, but you would think that Democrats actually want to win elections. But no – they want to make the schools safe for pedos, and they don’t care who knows it. But they’ll care plenty in November when parents around the country come out and vote for The Party of Not Hitting on Der Kinder.
Donald Trump has his record of achievement – economic success and peace abroad. But Ron DeSantis has the DeSantis Doctrine, sort of like the Monroe Doctrine, except instead of keeping shady foreigners out of our hemisphere, the DeSantis Doctrine keeps woke fascists out of our lives.

It was DeSantis who started the fire that burned the pyre of Democrat hopes and dreams they jumped onto in their campaign against the Florida anti-grooming statute. But that’s only his latest fight with the elite. DeSantis has been laying down the law in Florida, literally, and in a way even Donald Trump never did. At some level, Donald Trump still has some residual respect for the trappings of the elite. He’s impressed by name universities and huge corporations, and for all his much-justified complaining, he still cavorts with institutions that hate him, like the NYT. He’s not yet completely done with the institutions, but DeSantis is. DeSantis is all honey badger, laying waste and making the rubble bounce.

It’s the DeSantis Doctrine, and it’s summed up this way: Your garbage institutions don’t mean Schiff to me. I am going to ruthlessly wield my power to protect normal people from your depredations. And I’m going to smile doing it.

Did the head of China-hugging Disney really think he was going to push Big Ron around? The nattering twenty-somethings and woke pronoun people in his company and on social media thought they could leverage their power to make this huge Florida employer bring DeSantis to heel over the threat that creepy weirdos could no longer chat up kindergartners about sex in schools. So this dude – who shrimps Chi Com toes even as his commie masters torment, torture, and terminate Uighurs and prop up Putin – comes out and really expects that DeSantis will fold. And then DeSantis, delighted at the chance to figuratively post a rodent skull on a pike, told the Mouse to pound some Sunshine State sand.

But I was informed by all the smart people with blue checks trapped in a vortex, which keeps them forever in the year 2005, that conservatives were supposed to hate regulation and love big corporations.

Well, things change – among them, the left, which decided that it was going to weaponize every institution against us, including corporations. A key element of that campaign is neutralizing normal people’s retaliation by barring us – through the application of principles that exist only in a paradigm that no longer does – from exercising our own power. “It’s so unseemly for a governor to attack a corporation!” Perhaps, in a world where corporations tend to literally mind their own business and not use their economic power to affect policy. But it’s ridiculous to expect that, in a world where corporations regularly use their power to affect politics, we normal people are somehow barred from using our own power – political power, including the power to regulate – to protect ourselves. You don’t get to change the rules, then expect us to remain bound by the old ones.

Well, you can expect that – many do, in fact – but Ron DeSantis scoffs at such unilateral disarmament. He’s all about the massive retaliation.

March 17, 2022

If everything is about justice, then nothing is

Filed under: Environment, Media, Politics, USA — Tags: , , , , , , — Nicholas @ 03:00

At Astral Codex Ten, Scott Alexander wonders why everything these days is said to be about “justice”:

Freddie deBoer says we’re a planet of cops. Maybe that’s why justice is eating the world.

Helping the poor becomes economic justice. If they’re minorities, then it’s racial justice, itself a subspecies of social justice. Saving the environment becomes environmental justice, except when it’s about climate change in which case it’s climate justice. Caring about young people is actually about fighting for intergenerational justice. The very laws of space and time are subject to spatial justice and temporal justice.

I can’t find clear evidence on Google Trends that use of these terms is increasing — I just feel like I’ve been hearing them more and more often. Nor can I find a simple story behind why — it’s got to have something to do with Rawls, but I can’t trace any of these back to specific Rawlsian philosophers. Some of it seems to have something to do with Amartya Sen, who I don’t know enough about to have an opinion. But mostly it just seems to be the zeitgeist.

This is mostly a semantic shift — instead of saying “we should help the poor”, you can say “we should pursue economic justice”. But different framings have slightly different implications and connotations, and it’s worth examining what connotations all this justice talk has.

“We should help the poor” mildly suggests a friendly optimistic picture of progress. We are helpers — good people who are nice to others because that’s who we are. And the poor get helped — the world becomes a better place. Sometimes people go further: “We should save the poor” (or the whales, doesn’t matter). That makes us saviors, a rather more impressive title than helpers. And at the end of it, people/whales/whatever are saved — we’re one step closer to saving the world. Extrapolate the line out far enough, and you can dream of utopia.

“We should pursue economic justice” suggests other assumptions. Current economic conditions are unjust. There is some particular way to make them just, or at least closer to just. We have some kind of obligation to pursue it. We are not helpers or saviors, who can pat ourselves on the back and feel heroic for leaving the world better than we found it. We are some weird superposition of criminals and cops, both responsible for breaking the moral law and responsible for restoring it, trying to redress some sort of violation. The end result isn’t utopia, it’s people getting what they deserve.

(cf. Thomas Jefferson: “I tremble for my country when I remember that God is just.”)

What is “climate justice”? Was the Little Ice Age unjust? What if it killed millions? Is it unjust for Mali to have a less pleasant climate than California? What if I said that there’s a really high correlation between temperature and GDP, and Mali’s awful climate is a big part of why it’s so poor? Climate justice couldn’t care less about any of this. Why not? Hard to say. Maybe because there’s no violation and no villain.

March 16, 2022

Al Stewart – “Josephine Baker” – LIVE

Filed under: France, History, Media — Tags: , , — Nicholas @ 02:00

James Bone
Published 7 Mar 2021

A live performance from Al Stewart’s Last Days Of The Century album, featuring Al’s 1988 band of Peter White on accordion, with Stephen Recker, Robin Lamble, Dave Camp, and Steve Chapman. One of Al Stewart’s historical topics, this time on 1920s sensation, American Josephine Baker, who became quite the talk of Paris. Recorded at the Bottom Line in New York City in 1988.

March 13, 2022

The amazing railroad movie that damaged Buster Keaton’s career – The General

Filed under: History, Media, Railways, USA — Tags: , , — Nicholas @ 03:00

Train of Thought
Published 26 Nov 2021

In this video, we take a look at the tragedy of The General and how, what is now considered a classic of the silent era, was panned by audiences upon its release. Yes, I have been watching a lot of Buster Keaton films recently, how can you tell.

The General (Give it a watch): https://youtu.be/iHlBMKtgPOA

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This video falls under the fair use act of 1976

March 8, 2022

QotD: Modern pop music

Filed under: Humour, Media, Quotations — Tags: , — Nicholas @ 01:00

One of the pleasures of middle age is the utter freedom you feel when you realize it’s no longer necessary to care about pop music. This emotion takes several forms; at its worst you become a peevish coot suffused with suspicion: These youngsters are wearing their hats in a style that fills me with unease. But at its best, you realize that there’s more to life than pop music. You need not worry whether the sludgy thrash-rock ground out by yowling scowlers is post-punkabilly infused with a neo-hippie sensibility, or the other way around. If something new comes along that you like, fine. But don’t think it makes you hip. You’re not hip. Hip, like Trix, is for kids.

James Lileks, “Turning into an old crunker”, Star-Tribune, 2005-05-29.

March 5, 2022

Duelling narratives on the fighting in Ukraine

Filed under: Europe, Media, Military, Russia — Tags: , , , , , , — Nicholas @ 03:00

In Spiked, Mary Dejevsky thinks that Vladimir Putin is very worried about losing control of the narrative:

Two quite contradictory messages are emerging about the success, or otherwise, of the Kremlin’s efforts to control what Russians learn about the war in Ukraine. On the one hand, there is still, it appears, widespread ignorance about Russia’s actions, and disbelief about reports coming out of Ukraine. In other words, the official narrative prevails. But on the other hand, the imposition of an increasing number of media curbs, including on two independent domestic broadcasters and a slew of international news websites, suggests the authorities are running scared.

One of the most dispiriting but salutary accounts of Russian awareness came from the anonymous writer of a St Petersburg diary. He or she observed that most people, in what is Russia’s cosmopolitan second city, were simply not aware that a war was going on, let alone of its extent or that Russia had, in fact, invaded Ukraine.

Their ignorance, the writer said, was dictated by the largely monotone state media, which referred only to a “special military operation” that had been launched with the limited aims of “de-militarising” and “de-Nazifying” parts of Ukraine. Something similar emerged from a BBC report about Oleksandra, who lives in Kharkiv, Ukraine’s second-largest city, trying to explain to her disbelieving mother in Moscow that Kharkiv was under attack; and also from Mikhaylo in Kyiv who discovered that his father in Nizhny Novgorod was convinced that Russia was saving Ukrainians from Nazis.

The swingeing nature of media curbs being introduced in Russia over recent days, however, suggests at very least apprehension in the Kremlin that another version of the war is seeping through. Today a special session of the Russian Duma – Russia’s parliament – passed a new law designed to “prevent the discrediting of the armed forces of the Russian Federation during their operations to protect the interests of the Russian Federation and its citizens”. Offenders can be punished by up to 10 years in prison, and up to 15 years for distributing “false news” about the Russian army that leads to “severe consequences”.

Russia also started to block or severely restrict access to most international news sources, including the websites of the BBC and Germany’s Deutsche Welle.

Many, many pundits have ended up with egg on their faces for staunchly proclaiming that Vladimir Putin is too cautious and calculating to actually launch a full-on invasion of Ukraine, despite the drip-drip-drip of evidence beforehand that a military build-up was happening. Some have taken the hit and admitted the error while others ignore what they’d been saying only a couple of weeks ago. In The Critic, Phillips O’Brien points out that Putin’s long-standing admiration for leaders like Stalin has clearly become more than an inspiration for him and has become a model to emulate:

The “Big Three” meet at Tehran, 28 November-1 December, 1943.
Photo attributed to US Army photographer, via Wikimedia Commons.

Vladimir Putin fancies himself a great student of Russian history. He couched his justification for the invasion of Ukraine in a vision of Russia and the Soviet Union’s history that was paranoid, grandiose and incoherent, all at the same time. Ukraine needed to be subjugated by Russia because it was acting as a stalking horse for NATO and the West. At the same time, the West was declining and Russia had the strength to, in Putin’s mind, reincorporate Ukraine into its natural place within a Russian empire. Clearly, Putin has decided that this was the right moment to establish himself as one of the greatest Russian leaders of all time — an equal to Peter the Great, or Joseph Stalin.

As an obsessive student of Russian history, Putin has had an evolving view of Joseph Stalin over the years. Early in his authoritarian rule Putin kept Stalin somewhat at arm’s length, both praising and criticising Stalin’s record. More recently, as Putin has transitioned from autocrat to dictator, he has moved further and faster to identify himself with the greatest despot in Russian history. Stalin statues are now appearing in different places around the country, and respect for Stalin as a historical figure has risen strongly across Russia.

In the last few weeks, Putin has put this trend into overdrive and started behaving in a manner that apes Stalin almost perfectly. As Stalin in 1939 decided to invade the Soviet Union’s neighbour Finland, so has Putin today invaded his neighbour Ukraine. In both cases the decision for war was made by the dictator talking to a very small group of cronies, and in both cases the mass of the Russian people seemed indifferent or even hostile. Also, both invasions were disasters that revealed massive shortcomings in the Russian armed forces. In Stalin’s case, however, he was allowed time to rectify the problems, and his regime survived. It’s not clear that this will be the case for Putin.

The public meeting where Putin both embarrassed the other leaders in the Russian state security hierarchy, and forced them to publicly associate themselves with his decision to invade, was pure Stalin — if Stalin were alive today and could do it on television. As his rule became more bloody and despotic, Stalin increasingly forced his inner circle to endorse in writing his worst depredations, from signing the execution warrants of those slated for destruction, to publicly speaking in favour of policies that would force millions to starve. It both served his interest to humiliate his inner circle by reinforcing that they had to do his bidding no matter how onerous, and at the same time gave the impression to the outside world that his policies were strongly supported by the ruling circle. Putin is evidently doing the same, which is why he was so withering to the head of Russian intelligence, Sergey Naryshkin, when the latter seemed to waffle on the policy of recognizing the Russia puppet regimes in Donetsk and Luhansk.

A few days back, Theodore Dalrymple showed that there isn’t a Goldwater Rule when talking about Russian leaders:

When I watched Vladimir Putin, with what the Russians so graphically call his “tin eyes”, justify his invasion of Ukraine, I thought, as did many others, that he looked a little deranged. Denazification, indeed! Had he failed to appreciate that Ukraine, not noted throughout its history for its philo-Semitism, had elected a Jewish president, and that by a large majority, thereby suggesting a major cultural shift in the country?

It then occurred to me that Putin looked rather puffy in the face, and I wondered whether he could be taking steroids. These drugs are noted for their numerous side effects, not the least being psychological changes such as paranoia and elevation and depression of mood. Then there was the question, of course, as to why Putin would be taking them. Cancer, perhaps — a lymphoma? This brought to mind Evelyn Waugh’s somewhat uncharitable remark when Randolph Churchill underwent surgery for cancer: that it was characteristic of modern medicine to have removed the only part of him that was not malignant.

If Putin were taking steroids, his extreme and seemingly bizarre anxiety about contracting Covid-19 would be explained. Both the underlying condition of cancer itself and the drugs would have made him vulnerable to such anxiety, and the man who once liked to present himself as the Russian Crocodile Dundee, bare-chestedly wrestling bears and the like, has undergone a gestalt switch: invulnerability has been replaced by its opposite, unseen danger with every breath.

It is hazardous, however, to ascribe actions that we do not like to madness. This is for two reasons: first, the diagnosis may be wrong — the apparently mad may in fact be sane — and second, madness can have its own rationality. Indeed, the mad of strong character can often take others along with them: they can persuade others that their paranoid view of the world is correct. This is especially so when they possess levers of power over people of lesser character than themselves.

And finally, Ralph Berry offers a tiny bit of perspective on the almost universal condemnation heaped on the Russians for their use of artillery to attack Ukrainian targets with civilians nearby:

Of the real news, I select the serial bombing of Ukrainian targets by the Russians. Many civilians have been killed. This is presented as a war crime which must be pursued to the Hague. But the British have done it before. At the Normandy landings on D-Day, the plan was to take Caen on the first day. The landings on Juno beach were successful, but the following advance stalled and German resistance as so often made good the defences. As Anthony Beevor drily remarked, after noting that artillery was the arm on which the Allied commanders relied, “the French civilians, not surprisingly, felt that they did so to excess.” Caen did not fall, and Montomery changed the attack to bombing. This was merciless, and the French population suffered greatly. Not for six weeks were Caen and its environs controlled by the British and Canadians, by which time Caen was reduced to rubble. Some 3000 French civilians died during the bombing campaign. This fact should give pause to the widespread condemnation of what for the Russians is a regular practice of their system of warfare.

March 3, 2022

If wars could be won by propaganda alone, Ukraine would already be staging a virtual victory parade

Filed under: Media, Military, Russia, Technology — Tags: , , , , , — Nicholas @ 03:00

I’ve gotten a bit tired of reminding people on social media that almost everything we think we know about the fighting in Ukraine is — to a greater or lesser extent — propaganda by one side or the other. That said, Ukraine’s propaganda efforts have been far more effective than the Russian equivalents. In The Line, Jen Gerson rounds up some of the best-known stories that have flashed across Twitter and other social media platforms since the combat began:

Perhaps it’s simply the inevitable consequence of protracted news overload, but the war in Ukraine feels surreal. Pulling up the news, following Twitter, none of it feels like reality, but rather like we’re all collectively remembering an event that was always destined to happen. Perhaps I’m the only one suffering from this dissociative state? Or perhaps not; is anyone else feeling as if our daily life has taken on this faded quality of a simulacrum?

Maybe this is the inevitable sensation of watching a war play out on Twitter and TikTok. It has a participatory quality that offers the sensation of being a part of the conflict without the dose of necessary, reality-evoking risk.

Did you see the viral video of the Ukrainian babushka demanding the Russian soldier keep sunflower seeds in his pocket so that he leaves behind flowers when he dies? Or the one of the soldiers on Snake Island telling the Russian warship to “go fuck yourself” when asked to surrender? Reportedly, 13 died after that ship blew the station apart — though it appears that this was false and they in fact were taken alive.

Did you watch the Twitter video of Ukrainian Volodymyr Zelensky filming himself on the streets of Kyiv to thwart rumours that he had fled? Or the guy who moved an anti-tank mine from the road with a cigarette drooping out of his mouth?

Did you hear about the Ghost of Kyiv, a mysterious fighter pilot who has allegedly scored more kills than any other in recent memory?

Or the TikTok video of the young woman teaching her contemporaries how to operate an abandoned Russian tank; the stranded artillery towed by Ukrainian farmers; the men stuffing polystyrene into Molotov cocktails to make peasants’ napalm?

Oh, and in case you missed it: an official music video lionizing the Ukrainian drone, Bayraktar.

I can’t assess the reality of any of this — and I presume some or all of it is staged. That’s what propaganda is, after all. All I can do is examine the transparent unreality of it all, to take note of the ephemeral, the narrative. And from here, the Ukrainians are absolutely crushing the propaganda war.

On Monday, David Patrikarakos also came to the same conclusion in UnHerd after viewing the online echoes of the war:

The internet is a chaotic place, but it is nonetheless ruled by a series of iron laws, especially when it comes to what we put on it. Perhaps the most important one is that whatever you post, try to make it visual. Once that’s established it’s about what sort of image will best hoover up those likes and shares and retweets. Well, that’s down to where you are and who your audience is. But as a rule of thumb there are two things that generally never fail: blondes and guns.

Over the past few days, the very brave and very blonde Ukrainian MP Kira Rudik has been tweeting various pictures of herself posing with an AK47. She began last Friday:

What is striking about the photos is not that Rudik posted them: she is a people’s representative in a time of war — it’s exactly the sort of thing she should be posting. What’s so interesting, and smart, is how she did it. Rudik does not pose in a uniform, or even in camouflage fatigues. She does not salute or lift the AK triumphantly; in fact, the way she holds it makes it clear that she’s not used to holding a weapon of any sort. The photo is taken not in a base or even in an office, but clearly in the living room of her home, just by a window that looks out onto a small patio.

The final touch though — and it’s a genius one — is that she doesn’t have shoes on; instead she stands barefoot, her toes painted a delicate pink.

In one sense, this all seems irretrievably amateurish — but that’s the point. Of the many things the internet craves, authenticity is sacrosanct. And this is a model of the genre. The tweet is designed to do two things: first, to show that Ukrainians will stand and fight for their homeland; and second, to humanise those whom we are told will be doing the fighting. And it does this by showing them to be the most ordinary of people; people standing in their bare feet, vulnerable and ordinary — just like civilians across the world. As such, they stand in total contrast to the stormtroopers invading their lands. It’s pink toenails versus mud-encrusted jackboots; smiling mothers versus bearded Chechens — all shorthand for the battle playing out between Ukraine and Russia.

As Kurt Schlichter said, “The first report is always wrong and nobody knows nothing”:

The battle in Ukraine seems to be one of the most covered and worst covered events in history. You cannot spend more than two minutes on social media without crossing paths with a snippet of shaky cell phone footage of a Russian tank burning or some heroic story of sturdy Ukrainian resistance. You have experts on TV trying to tell you what’s happening but no one is actually giving you any real information. Maybe you think the Ukrainians are winning, that their counterattacks are driving out the Russian invaders. There are plenty of sources saying 2800 or 5300 or some other oddly large and specific number of Russian soldiers are dead. All hail the coming victory!

Well, we’ll see.

Don’t believe a damn thing you see or hear right now. I’d like to. I want the Ukrainians to win. But I understand that I, like you, am a target of information operations by Ukrainians, Russians, and even Americans. Get woke to it.

All that exciting footage? What do you know about where it was shot, or when? Nada. Zip. Zero. We’ve seen people trying to pass off simulator footage as real battle footage. We’ve seen explosions and fires without context. What caused them? Who knows when all you have is the label on the video? All those Russian tanks on fire? Well, guess what kind of equipment the Ukrainians use.

I don’t know if the Ukrainians are winning or losing, but I know that a lot of people in the media want them to win. So do I, but simply because I would prefer they send the Russkies packing does not mean that I am blind to what is an obvious and effective propaganda campaign designed to keep the West in Ukraine’s corner. And it has worked, with a few sketchy, wacky exceptions. I am impressed by the information operation designed to get resonant stories out there, like the defiant guardians of Snake Island, the “Ghost of Kyiv”, or that Ukrainian marine who was forced to blow himself up to take out the bridge. It’s like they were designed to appeal to us.

In short, we don’t know what’s happening — for excellent military reasons on both sides — and much of what we’re being told is almost certainly pure fiction. Keep your bullshit filters up and re-calibrate ’em if and when you get genuine information, but good luck on finding any of that in the immediate future.

March 2, 2022

“Somehow, the Ukrainians proceeded to launch the greatest PR operation of our times”

Filed under: Media, Military, Russia — Tags: , , , — Nicholas @ 03:00

In The Critic, Ben Sixsmith on the plight of Ukraine under Russian attack and the rather surprising success they have been having on western social media and in legacy media coverage:

Soon after the Russians invaded Ukraine, President Zelensky released a video to the world. Filmed on his mobile phone, it looked as if he could have been anyone else in the 21st century. He was tired and sad, and the skin was red around his eyes. Whatever a strong leader looks like, President Zelensky looked like the opposite.

That feels like a long time ago now. Somehow, the Ukrainians proceeded to launch the greatest PR operation of our times. How many people had heard of Zelensky, a veteran comic actor whose most significant action on the world stage since his electoral triumph in 2019 had been listening to Donald Trump’s ramblings, until a few days ago? How many people even knew there had been fighting in Donbass?

You have to wonder if the Russians, having seen the capitulation of the Afghan government, thought a Western ally would hightail it at the first opportunity. Zelensky, on the other hand, announced that he was staying in Kiev. His speech, addressed to the Russian people, was measured, dignified and eloquent. His little updates from the Kiev streets were mischievous and bold.

A weak country invaded by a powerful aggressor is naturally sympathetic. But the Ukrainian cause projected a uniquely irresistible combination of victimhood and strength. Theirs is not a tale of mere persecution but of underdog resolve.

What happened on Snake Island, for example, remains mysterious. The Ukrainians reported that their soldiers were killed after delivering a “go fuck yourself” to a Russian warship. The Russians claim they are alive. Still, the emerging image of unbreakable defiance, spreading across the vortex of social media, has won hearts and minds across the world.

What has been crucial is that people are not just pitying. They are inspired. We have heard relatively few tales of atrocities, because the Russians were attempting to minimise casualties, but also because the Ukrainians have attempted to maximise their triumphs. Did the “Ghost of Kiev” exist? Almost certainly not. But when such urban legends were combined with undeniably tough Ukrainian resistance in cities like Kharkiv, foreign sympathisers were encouraged to think that the Ukrainians, while embattled, had a fighting chance. This has been translated into sanctions on Russia and massive donations of arms and equipment.

David Warren reports that the Chinese government has accused the Ukrainians of trouble-making in Hong Kong:

This did not happen yesterday, I should explain, but some months ago. How did those clever Ukrainians do this, my reader may ask, naïvely. They did it by secular inspiration, when they uttered the phrase, “Slava Ukraini!” — which they had been doing in their own nationalist cause since the nineteenth century — and more aggressively since they fought for independence from the Leninist regime of the Soviet Union, during 1917–21.

Since 2014, the phrase has been in the air again, just as truck horns are in the air here in the Canadas. The Hong Kongois, who tend to be well-informed to a fault, picked up on it in 2019. They began to declare, “Glory to Hong Kong!” in multiple languages, from Cantonese to English; or rather, to sing it, for this phrase and its variants are often set to music, in both countries. (The Canadian trucker’s “Honk Honk” makes its own music.)

Wi Jinping, Vladimir Putin, and little Justin Trudeau, all get quite offended by the use of such phrases; and all have gone to the trouble of manufacturing bare-faced lies to resist the respective sovereignty movements. Readers will gather that I am unsympathetic with any of these dictators, or Mr Would-Be.

Because I (or more exactly, my father) was also unfavourably inclined to the dictatorship of Mr Adolf Hitler, it may be incumbent upon me to specify of what my disapproval consists. For granted, Hitler was a nationalist of a sort. I have long been an enemy of nationalism, when it is rudely proclaimed, though with mysterious moments of enthusiasm for nationalisms of other sorts.

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