World War Two
Published 4 May 2021A spy story almost forgotten to history that is key to understanding the espionage campaign that was waged as Hitler, Stalin, Roosevelt, and Churchill publicly directed the frontlines. Coming together here are the histories of cryptography, Nazi double-agents, and nuclear weapons.
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May 5, 2021
New Rifles for Old Ammo: The Royal Navy’s Unique SMLE MkI**
Forgotten Weapons
Published 27 Jan 2021http://www.patreon.com/ForgottenWeapons
https://www.floatplane.com/channel/Fo…
Cool Forgotten Weapons merch! http://shop.bbtv.com/collections/forg…
When the SMLE was adopted by the British, it was to be the new universal rifle for all branches of service, including the Royal Navy. This suited the Navy just fine; they like the features of the new design. However, the Army quickly moved to update their rifles for the new MkVII Spitzer ammunition, and this was an issue. The Navy still had substantial stockpiles of the older round-nose MkVI cartridge, and did not go through it nearly as quickly as the Army. The Navy did not want to simply throw out their ammunition, but the differences in trajectory between the two types of ammunition was substantial. So the Navy opted to adopt its own unique rifle variation, the MkI**. This in effect was the new Army pattern rifle, but with the rear sight still calibrated for the trajectory of MkVI ammunition.
This pattern was first adopted in 1908, using rifles with the then-standard split charger guide. When the fixed charger bridge was adopted, the Navy (which still had plenty of MkVI ammunition) chose to update its MkI** rifles to fixed charger bridges, without making any change to their designation. Once they finally ran out of the older ammunition during World War One, the rifles were updated once again to what was then the standard MkI*** pattern. As a result, intact MkI** rifles — especially ones with the split charger guide — are extremely rare to find today. Many thanks to the owner of these two specimens for giving me access to share them with you!
Contact:
Forgotten Weapons
6281 N. Oracle #36270
Tucson, AZ 85740
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May 4, 2021
What was the first professional army in History?
Epimetheus
Published 3 Aug 2019The First Professional Army in History, The Ancient Assyrian Army
Sources:
The Ancient Assyrians by Mark Healy
Warfare in the Ancient World by John Hackett
A History of the Ancient Near East by Marc Van Der MieroopVideo on History of the Assyrian Empire From the Old Empire to the Neo-Assyrian Empire
https://youtu.be/aT57dnlo-TwThis video is sponsored by my Patrons over on Patreon
https://www.patreon.com/Epimetheus1776
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May 3, 2021
History Summarized: Pope Fights 2 — The Reformation
Overly Sarcastic Productions
Published 26 Apr 2019Thank you to our Patron Peter Bemis for commissioning this video! To support the channel, head over to Patreon.com/OSP
You’ve seen the Double-Pope matchup, but what about the Double-Christianity face-off? Today’s Pope Fights covers the history and aftermath of the Protestant Reformation and Catholic Counter-Reformation.
FURTHER READING, from shortest to longest books:
The Reformation: A Very Short Introduction — https://www.amazon.com/Reformation-Ve…
Christianity In The West (1400-1700) — https://www.amazon.com/gp/product/019…
The Reformation: A History — https://www.amazon.com/The-Reformatio…DISCORD: https://discord.gg/ZufVWse — Come one come all to the official OSP discord server!
MERCH LINKS:
Shirts – https://OverlySarcasticProducts.Threa…
All the other stuff – http://www.Cafepress.com/OverlySarcas…OUR WEBSITE: https://www.OverlySarcasticProductions.com
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QotD: Marcus Aurelius and the “Mandate of Heaven”
A much more interesting scenario happens when seemingly legitimate, competent rulers find themselves at the helm during a major crisis. Marcus Aurelius has an overinflated rep among the laity, but he was decent at his job … until he wasn’t, thanks to things like the Antonine Plague. This, and a large barbarian invasion, brought all the Empire’s long-term structural problems into sharp focus. Yeah, Marcus is overrated, but it’s no knock on him that he didn’t fix these problems, or cure the plague; those were probably beyond the skill of even the most extraordinary man. His reaction, though, and the reaction of his subjects, is instructive.
Marcus faced no rebellion; no one sought to usurp him. For one thing, Marcus won his wars — no mean feat, considering the plague etc. But for another, it’s hard to blame Marcus for the plague, the weakness of the army staffing system, the structural weakness of the currency. And that’s where it gets interesting, because even though you can’t consciously blame Marcus for this, all those things create excessive anxiety among the people, and that anxiety has to go somewhere …
… so they persecuted Christians.
“The extent to which Marcus Aurelius himself directed, encouraged, or was aware of these persecutions is unclear and much debated by historians,” Wiki informs us, but it doesn’t matter if he had a hand in them or not. The important thing is that the Christians were the perfect target for free-floating anxiety, since plagues etc. were supernatural events and the Christians were ostentatiously opposed to the official belief system. Perhaps Marcus didn’t lose the Mandate of Heaven; perhaps it was stripped from him. Burn the unbelievers, and maybe the world gets back into focus.
This is the pattern whenever the Powers That Be find themselves trying to ride out a massive, structural sea-change — one where it’s obvious to the stressed-out public that something HAS to change, but a mere change in leadership won’t cut it. You’ll have to trust me on this, I guess, unless you’re up on your Chinese history, but almost all their “rebellions” had this mystical character — widespread banditry was assumed, in itself, to be a sign that the Emperor had lost the Mandate of Heaven, and the bandit groups usually ended up looking like the White Lotus sect, who caused endless trouble for something like 300 years. And then there’s the Taiping Rebellion — led by Jesus Christ’s brother! — and by now I’m sure y’all take my point. You can’t really blame the Qing for everyone’s opium addiction, or getting stomped by the British, but you’ve got to blame someone – hence the mystical character of pretty much all Chinese rebellions, certainly including the Maoist.
Severian, “Witch Trial Syndrome”, Rotten Chestnuts, 2021-01-27.
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May 2, 2021
Japan – One Battle from Victory? – 140 – May 2, 1942
World War Two
Published 1 May 2021Now Burma and control of the Burma Road have fallen to the Japanese. Can nothing stop them? The Allies are thinking about maybe using the Solomon Islands as a base to build to try and fight back, but to do that they’ll need control of the Coral Sea, but both sides are sending warships there since the Japanese plan to take Port Moresby. The Allies are aware of this, however, since they have the advantage of being able to read a substantial part of Japan’s radio traffic. It is a week of foreshadowing not just there, but also as the Allies send ships to take Madagascar from the Vichy French and the Soviets prepare to launch an offensive in the south of the Eastern Front.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
– Daniel Weiss
– Norman Stewart – https://oldtimesincolor.blogspot.com/Sources:
– IWM JAR 1240, A 9483Soundtracks from the Epidemic Sound:
– Rannar Sillard – “Easy Target”
– Jo Wandrini – “Dragon King”
– Fabien Tell – “Other Sides of Glory”
– Brightarm Orchestra – “On the Edge of Change”
– Edward Karl Hanson – “Spellbound”
– Johan Hynynen – “Dark Beginning”
– Rannar Sillard – “Split Decision”
– Dream Cave – “The Beast”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
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May 1, 2021
Rulers Who Were Actually Good — History Hijinks
Overly Sarcastic Productions
Published 30 Apr 2021History is full of Rulers, but most of them (especially some famous ones) can be Kind Of Terrible upon closer inspection. So let’s take a look at two kings we can actually consider to be Good — not perfect, not blameless, but a heck of a lot more virtuous than the average ruler, that’s for sure.
This topic was requested by our patron Duncan! Thank you for your patronage, and for the topic suggestion.
SOURCES & Further Reading: The Great Courses Plus lectures “Being Persian” by Robert Garland, “The Persian Era” by Jean-Pierre Isbouts, “Saladin: Chivalry and Conquest – 1187” by Eamonn Gearon, and “Saladin and the Defeat of the Crusaders” by Dorsey Armstrong.
Our content is intended for teenage audiences and up.
TRACKLIST: “Monkeys Spinning Monkeys,” “Pippin the Hunchback” Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 4.0 License
https://creativecommons.org/licenses/…PATREON: https://www.Patreon.com/OSP
PODCAST: https://overlysarcasticpodcast.transi…
DISCORD: https://discord.gg/osp
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When the libraries failed
In another of a series of book reviews by Astral Codex Ten readers, Scott Alexander posted this review of Double Fold by Nicholson Baker, which helps to indicate just when libraries — and librarians — lost their mojo:
“Nottingham central library” by JuliaC2006 is licensed under CC BY 2.0
If you enter a major research library in the US today and request to see a century-old issue of a major American newspaper, such as Chicago Tribune, The Wall Street Journal, or major-but-defunct newspapers such as the New York “World”, odds are that you will be directed to a computer or a microfilm reader. There, you’ll get to see black-and-white images of the desired issue, with individual numbers of the newspaper often missing and much of the text, let alone pictures, barely decipherable.
The libraries in question mostly once had bound issues of these newspapers, but between the 1950s and the 1990s, one after another, they ditched the originals in favor of expensive microfilmed copies of inferior quality. They continued doing this even while the originals became perilously rare; the newspapers themselves were mostly trashed, or occasionally sold to dealers who cut them up and dispersed them. As a consequence, many of these publications are now rarer than the Gutenberg Bible, and some 19th and 20th century newspapers have ceased to exist in a physical copy anywhere in the world.
When Double Fold by Nicholson Baker came out in 2001, it was described as The Jungle of the American library system. After 20 years, the book remains universally known, sometimes admired but often despised, among librarians. The reason for their belligerence is that Baker publicly revealed a decades-long policy of destruction of primary materials from the 19th and 20th centuries, based on a pseudoscientific notion that books on wood-pulp paper are quickly turning to dust, coupled with a misguided futuristic desire to do away with outdated paper-based media. As a consequence, perfectly well preserved books with centuries of life still ahead of them were hastily replaced with an inferior medium which has, at the moment that I am writing this review, already mostly gone the way of the dodo. Despite its notoriety among librarians, however, Double Fold is little-known among the general public, even compared to Baker’s other non-fiction and his novels.
This is a shame, since the mass destruction of books and newspapers by libraries in the post-war era deserves to be better known as one of the most egregious failures of High Modernism, comparable with the wackiest plans of Le Corbusier. The story combines an excessive reliance on simplistic mathematical models, wilful ignorance to the desires of actual library-users and scholars, embracement of miniaturization and modernization as terminal values, and an almost complete disregard of 19th century books as historical artefacts. Unlike industrial farms, which can be broken up, and Brasília-style skyscrapers, which can be torn down and replaced with something else, the losses caused by the mass deaccessioning of books and newspapers from libraries were often irreplaceable.
As part of the uproar that followed the book’s publication, the Association of Research Libraries published an online anti-Baker FAQ, and in 2002, the book Vandals in the Stacks? by Richard J. Cox came out, presenting an attempted refutation of Baker’s theses. I have read both of these and discuss Cox’s arguments later on, but I must admit in advance that I was mostly convinced by Baker’s argumentation much more than by that of his opponents. Nonetheless, it is uncommon to have a polemical book receive a book-length response, and anyone interested in Baker’s thesis is advised to check out Cox as well.
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SMLE MkIII: The Iconic Smelly of World War One
Forgotten Weapons
Published 20 Jan 2021http://www.patreon.com/ForgottenWeapons
https://www.floatplane.com/channel/Fo…
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In 1907, the British adopted the final major pattern in the evolution of the Short, Magazine, Lee Enfield. Designated the ShtLE MkIII (Short Lee Enfield) at the time, it would be retroactively renamed Rifle No1 MkIII in the 1920s. This new design was simpler and more durable than its predecessors while actually improving the practical accuracy of the rifle. The rear sight protector wings were substantially strengthened, the front sight became a square post, the front sight protectors were opened up to allow more light in, and the rear sight windage adjustment was simplified — while retailing 1 MOA adjustment clicks and 25m elevation adjustments. A new bayonet was also adopted in 1907 for the MkIII. The previous 1903 pattern bayonet was deemed too short, and the British essentially copied the Japanese Type 30 Arisaka bayonet as its new Pattern 1907 — hooked quillion and all.
The example we are looking at in today’s video is a fantastic specimen, as it was sold out of service to an Australian reservist in 1912 having not received any post-production modifications or updates. It is still sighted for the early MkVI round-nose ammunition, for example, and its bayonet retains the hooked quillion. The rifle’s owner died prior to World War One, and the gun remained stored away and forgotten through both World Wars, where virtually all existing service rifles were taken back into service and updated. Only in the 1960s was this one found, making it a pristine collector’s example to show how the MkIII was originally produced.
Contact:
Forgotten Weapons
6281 N. Oracle #36270
Tucson, AZ 85740
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April 30, 2021
The Horrors of Partisan Warfare – WAH 033 – April 1942, Pt. 2
World War Two
Published 29 Apr 2021April 1942 sees bombing campaigns in Germany and Britain, as well as German anti-partisan actions in the Balkans and Eastern Europe.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Spartacus Olsson
Written by: Spartacus Olsson and Joram Appel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Joram Appel
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Miki Cackowski and Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Klimbim https://www.flickr.com/photos/2215569…
Mikołaj Uchman
Spartacus Olsson
Daniel WeissSources:
IWM MH 24764, HU 36196, Q(HS) 256, D 16649
Yad Vashem 48AO3, 953, 86FO2, 3116/71
Bundesarchiv
Tito giving a speech in Foča, courtesy of Музеј Старе Херцеговине
Narodowe Archiwum Cyfrowe
Star of David, courtesy of Jacek Proszyk https://commons.wikimedia.org/wiki/Fi…
Picture of Gustav Braun von Stumm, courtesy of Thomas Föhl https://www.geni.com/photo/view/60000…Soundtracks from the Epidemic Sound:
Wendel Scherer – “Defeated”
Johan Hynynen – “Dark Beginning”
Jon Bjork – “Disposal”
Christian Andersen – “Barrel”
Wendel Scherer – “Growing Doubt”
Jon Bjork – “For the Many”
Reynard Seidel – “Deflection”
Gavin Luke – “Drifting Emotions 3”
Jon Bjork – “Icicles”
Gunnar Johnsen – “Not Safe Yet”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
Update: TimeGhost had to repost a censored version of this episode and provided this explanation:
World War Two
1 hour ago (edited)
The original version of this video was age restricted by YouTube for containing pictures of dead bodies. We do not feel that it is correct to document these events by finessing history and self censoring, but YouTube has left us no choice. We have several problems with these age restrictions, but let’s start off with what an age restriction means on YouTube. In theory it simply restricts the video from anyone who isn’t over 18 and logged in to the YouTube platform, but in effect it does much more than that;1. It takes the video out of most subscribers’ feeds and notification lists
2. In some countries like for instance South Korea, for legal reasons it is not accessible at all, for anyone
3. YouTube ranks it lower in their recommendation engines sending out recommendations to view to only a fraction of the ‘normal’ recommendations
4. It can no longer be viewed off YouTube as an embedded video – meaning that it won’t display even on our own website
5. It gets a boiler plate informing the viewer that the content has been “identified by the community as offensive to some viewers”
6. On many mobile devices it cannot be shared with the YouTube app
7. In countries were legal proof of age is required for adult content you have to provide a driver’s license, or credit card proving you are over 18In effect that means that YouTube is soft censoring the video from a large section of potential viewers. The result is that we get around half, or less of the views on videos that are age restricted. And we should note that according to YouTube’s own system more than 90% of our viewers are over 18, so it’s not just an effect of losing underage viewers.
Now, this content is without any doubt hard to watch, but it’s educational content based on solid facts, documented through crystal clear academic research. It is about the crimes against humanity during WW2. It documents events that are to this day in 2021, denied by sympathizers of extreme ideologies. Because of the special importance for new generations to learn about these events, many countries, especially in the EU and North America, do not require in their youth protection laws or media regulation that this kind of content shall be for 18+ only. To the contrary many countries have these topics, told just as graphically as we document them on their school curriculum for ages 13 and above. Moreover, YouTube has in their own community guidelines a provision that allows for displays of violence, dead bodies, and so on in an educational context also for under 18s.
So in effect YouTube is here choosing to restrict, even censor content of high educational importance although they are not legally required to do so, and they have their own provisions to allow it to be unrestricted. Why do they do that? Well, we can’t read their minds, but we have some indications that;
A) they ere on the side of caution to avoid ANY legal risk.
B) They fear any kind of content that has to do with extremism, even when unmasking it after the advertising boycotts they faced a couple of years back.
C) when the community complains they put extra weight on those complaintsIt is item C that troubles us the most. We have over 500 videos on our channels – very many of them contain graphic images of death and violence for reasons of the topics we document. Among these videos, a few dozen have been age restricted, while the rest have not. The common denominator between the age restricted videos is that they document events, or phenomena that unmask extremism by historical Communists, Nazis, and Imperialists. Its is difficult to not see the common interest by sympathizers of these groups and YouTube. If you want something suppressed, and there’s an easy way to just get it suppressed by just pressing a button – is it not reasonable to assume that you would use that button? We’re not conspiracy mythologists, we don’t believe there is a conspiracy here, but just by creating a simple path to fulfill different, but in effect common interests YouTube has made it easy for deniers of crimes against humanity, and war crimes to suppress information about these events.
We have explained to YouTube that inadvertently they are supporting the exact kind of hateful extremism they are fighting against with their other sword arm. We have implored them to lift the age restrictions in the interest of what society has decided: that content like this needs to be freely accessible in the public space. Despite an otherwise good and healthy relationship to the platform operators who are after all our distribution partners,, we have been met with standard replies, and a denial for our request.
Once again we express our dismay, sadness, and disappointment that YouTube chooses to restrict access to content that should serve a greater good; that we do not forget the victims of atrocities and extremism so that we can learn from our past and improve our societies.
Never Forget.
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Period drama costume designers these days
Karolina Żebrowska
Published 15 Aug 2019Piero Tosi died last week and it made me really sad. he was one of the first to understand how staying close to history can actually make the film costumes fascinating, not boring. sadly, I’m beginning to think he was also one of the last — today’s mainstream cinema is all about “making things relatable for the modern viewer”.
________
My Instagram: https://bit.ly/2Qo9rrI
My nudes: https://bit.ly/2KypPpn
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QotD: The battle of Bannockburn
The fact that the English were defeated has so confused Historians that many false theories are prevalent about the Bannockburn Campaign. What actually happened is quite clear from the sketch map shown above. The causes of the English defeat were all unfair and were:
- The Pits. Every time the Wallace saw some English Knights charging at him he quickly dug one of these unnatural hazards into which the English Knights, who had been taught to ride straight, galloped with flying colours.
- Superior numbers of the English (four to one). Accustomed to fight against heavy odds the English were uneasy, and when the Scots were unexpectedly reinforced by a large body of butlers with camp stools the English soldiers mistook them for a fresh army of Englishmen and retreated in disgust.
- Foul riding by Scottish Knights. This was typified even before the battle during an exhibition combat between the Brace and the English Champion, Baron Henry le Bohunk, when Brace, mounted on a Shetland pony, galloped underneath the Baron and, coming up unexpectedly on the blind side, struck him a foul blow behind and maced him up for life.
W.C. Sellar & R.J. Yeatman, 1066 And All That, 1930.
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April 29, 2021
“Tokyo Rose” – WW2 Traitor or Victim?
Mark Felton Productions
Published 28 Apr 2021This is the story of “Tokyo Rose”, a Japanese-American from LA who broadcast propaganda for the Japanese during WW2. Was she a traitor or a victim?
Dr. Mark Felton is a well-known British historian, the author of 22 non-fiction books, including bestsellers Zero Night and Castle of the Eagles, both currently being developed into movies in Hollywood. In addition to writing, Mark also appears regularly in television documentaries around the world, including on The History Channel, Netflix, National Geographic, Quest, American Heroes Channel and RMC Decouverte. His books have formed the background to several TV and radio documentaries. More information about Mark can be found at: https://en.wikipedia.org/wiki/Mark_Fe…
Visit my audio book channel ‘War Stories with Mark Felton’: https://youtu.be/xszsAzbHcPEHelp support my channel:
https://www.paypal.me/markfeltonprodu…
https://www.patreon.com/markfeltonpro…Disclaimer: All opinions and comments expressed in the “Comments” section do not reflect the opinions of Mark Felton Productions. All opinions and comments should contribute to the dialogue. Mark Felton Productions does not condone written attacks, insults, racism, sexism, extremism, violence or otherwise questionable comments or material in the “Comments” section, and reserves the right to delete any comment violating this rule or to block any poster from the channel.
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Tank Chats #105 | Saladin | The Tank Museum
The Tank Museum
Published 4 Sep 2020David Fletcher is back! Join him as he discusses the FV601 Saladin — a six wheeled armoured car developed by Crossley Motors and later produced by Alvis. The Saladin has had a long service life and despite its dated design, is still in service with some countries.
Support the work of The Tank Museum on Patreon: ► https://www.patreon.com/tankmuseum
Visit The Tank Museum SHOP & become a Friend: ► tankmuseumshop.orgTwitter: ► https://twitter.com/TankMuseum
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April 28, 2021
The Royals at War – WW2 Special
World War Two
Published 27 Apr 2021From inspiring their subjects to plotting international strategy, the world’s monarchies still have a crucial role to play in their country’s war effort during the Second World War. As you’ll find out, some sovereigns are much more successful at this than others.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Astrid Deinhard
Written by: Fiona Rachel Fischer
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Fiona Rachel Fischer
Edited by: Karolina Dołęga
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
– Daniel Weiss
– Mikołaj Uchman
– Norman Stewart – https://oldtimesincolor.blogspot.com/
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
– Jaris Almazani (Artistic Man) – https://instagram.com/artistic.manSources:
– National Archives NARA
– National Portrait Gallery
– FDR Presidential Library & Museum
– Imperial War Museums: HU 55966, H 1971,
– Girl Guides of Canada
– Narodowe Archiwum Cyfrowe
– Australian War Memorial: AWM 4067471Soundtracks from the Epidemic Sound:
– “Other Sides of Glory” – Fabien Tell
– “London” – Howard Harper-Barnes
– “Break Free” – Fabien Tell
– “Last Point of Safe Return” – Fabien Tell
– “Weapon of Choice” – Fabien Tel
– “Please Hear Me Out” – Philip Ayers
– “Disciples of Sun Tzu” – Christian Andersen
– “Dragon King” – Jo Wandrini
– “Remembrance” – Fabien Tell
– “Ominous” – Philip AyersArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
1 day ago (edited)
With recent events surrounding the death of Prince Phillip, the British Royal Family has been front-and-center of the worldwide news cycle as of late. In 2021, it is rare for the royals to be at the center of people’s lives, but this wasn’t the case in the days of World War Two. Even though the age of kingdoms was largely over when war came around, sovereigns still had a role to play in their country’s war effort all over the world.In this episode, we are taking a closer look at the role royalty played during the war. Is there still a monarchy where you live and if so, what is your experience with it? We would love to hear about that in the comments!
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