Extra Credits
Published on 28 May 2019Ray Bradbury not only cautions against censorship (the primary theme of Fahrenheit 451), but offers interesting commentary on who censors works at all, and why humans do it anyway.
Fahrenheit 451 is about many things. In Bradbury’s younger days, just coming out of the McCarthy era, he said the book was about censorship and book burning. Later in life, he said it was about the dangers of easy entertainment. Let’s analyze these viewpoints a little further.
May 30, 2019
Fahrenheit 451 – Dystopias and Apocalypses – Extra Sci Fi
May 29, 2019
QotD: Past civilizations
… when anyone says “there was a civilization before us” your head (our head) jumps to airplanes, trains, steel mills, refrigerators, dentistry.
I’m telling you the chances of that are negligible, though I won’t scruple using a more advanced than us past civilization to give my characters a nasty shock when they get to space. I won’t because that’s just cool.
However of things like Ancient Greece or Rome? I almost think the chances against it are worse. And of course civilizations that live and die by coastal sailing would be mostly engulfed in the great melt of the last ice age.
And no, Europe hasn’t been extensively studied. As I said before, Europe is mostly built on Europe. And you can’t dig in a field without finding SOMETHING. If you think everyone runs to the academics or the authorities when something is found, you don’t understand people’s interest in building a house, or sowing a field, as opposed to you know, giving up ownership of their land in all but fact. Frankly I’m amazed so many people do report discoveries.
But the thought of “superior civilizations” got me to thinking of what say the Romans or the Greeks, or those other ancient civilizations if they ever existed, would make of us in the West. We cross the globe by flying through the air. Not just heads of state or priests, no, common people. Hell, our pets fly. Most places have clean, fresh water that someone doesn’t have to carry a mile or so (which has been most of the work of humanity I think, forever.) Forget aqueducts. We have water that comes from our faucets whenever we want it. Cold AND hot. We have temperature control inside our houses, allowing us ignore the weather and keep warm in winter and cold in summer. We can magically cure diseases that killed millions of people by injecting this magical elixir into the sick person’s veins. Our old live a long time in relative comfort. We get our teeth fixed and replaced, so most people can chew to the end of their lives. Most of us can read, and most of us have access to untold wisdom of the sort their hermetic orders would kill for.
We are the superior civilization. We are the enlightened ones, the shining and resplendent inhabitants of the wonderful future.
And we worry about what gender we feel like being that day, who is allowed to pee where, whether someone used the wrong word to refer to someone else who might be offended, whether our use of fossil fuels offends Gaia, whether slapping a kid on the behind is a criminal offense, whether we are doing all we could do with our lives.
In other words, we’re neurotic, unsatisfied, and a bit crazy like most of people who were born and raised rich throughout most of human history.
Which is why if we really were doomed to repeating a cycle, and if the civilizations before us were the same but more advanced, the message of the pyramids would be “Don’t use so much toilet paper. Just wash one square and reuse it.”
Perhaps we should be grateful they are truly profoundly unlikely to ever have existed or tried to send us any message.
Sarah Hoyt, “We Are The Superior Civilization”, According to Hoyt, 2017-05-15.
May 26, 2019
QotD: Maurice Sendak on childhood
We’ll begin our tribute to Maurice Sendak with an excerpt of our 1986 interview, in which he told me that when he was a child, adults looked big and grotesque to him, and he couldn’t imagine ever becoming one.
MAURICE SENDAK: It was inconceivable to me as a child that I would be an adult. I mean, one assumed that it would happen, but obviously it didn’t happen, or if it did, it happened when your back was turned, and then suddenly you were there. So I couldn’t have thought about it much.
TERRY GROSS: Because adults seemed really big and different, you couldn’t imagine becoming one?
SENDAK: And awful. Yeah. I mean they were mostly dreadful, and if the option were to become an adult was to become another dreadful creature, then best not, although I think there had to be a kind of normal anticipation of that moment happening because being a child was even worse.
I mean, being a child was being a child — was being a creature without power, without pocket money, without escape routes of any kind. So I didn’t want to be a child.
I remember how much — when I was a small boy I was taken to see a version of Peter Pan. I detested it. I mean the sentimental idea that anybody would want to remain a boy, I don’t — I couldn’t have thought it out then, but I did later, certainly, that this was a conceit that could only occur in the mind of a very sentimental writer, that any child would want to remain in childhood. It’s not possible. The wish is to get out.
“‘Fresh Air’ Remembers Author Maurice Sendak”, NPR Books, 2012-05-08.
May 25, 2019
May 17, 2019
The Three Kingdoms – The Battle of Guandu – Extra History – #2
Extra Credits
Published on 16 May 2019This series is brought to you by Total War: THREE KINGDOMS, a brand new strategy game set during this time period. https://store.steampowered.com/app/77…
Yuan Shao’s forces cross the Yellow River, assaulting Cao’s fortifications. Yuan has 110,000 soldiers — including the runaway warlord Liu Bei — while Cao Cao has only twenty thousand. But things are about to go in a very unexpected, brutal twist for the next eight years…
Three kings ruled in China. Three kings, each dreaming of ruling all under heaven. Three kings who rallied their armies for battle. The empire, long divided, must unite; long united, must divide.
Thanks to Jordan Martin for the guest art! https://www.jordanwmartin.com/
Join us on Patreon! http://bit.ly/EHPatreon
May 15, 2019
1984 – Dystopias and Apocalypses – Extra Sci Fi
Extra Credits
Published on 14 May 2019What makes 1984 still relevant to modern readers is that it serves as a warning against fascism in all its possible forms. George Orwell’s service fighting in the Spanish Civil War led him to see that the heart of totalitarianism is about xenophobia and nationalism no matter which kind of government it came from.
The idea that Orwell presents us in 1984 is that people subtle enough and brutal enough can take the undirected dissatisfaction and anger of a society and point it at whatever they will, using us to damn ourselves.
May 11, 2019
The Three Kingdoms – Yellow Turban Rebellion – Extra History – #1
Extra Credits
Published on 9 May 2019This series is brought to you by Total War: THREE KINGDOMS, a brand new strategy game set during this time period. https://store.steampowered.com/app/77…
Fierce duels. Great armies. Love, brotherhood and betrayal. These are the images conjured when we speak of the Three Kingdoms.
Liu Bei, Zhang Fei, Guan Yu — these were the men who would define the Three Kingdoms period. Even though the actual history of this period is often conflated with the events of the historical novel, Romance of the Three Kingdoms, there was still a lot of compelling drama and intrigue we can explore — let’s delve in to the Yellow Turban Rebellion, which really did happen!
Thanks to Jordan Martin for the guest art! https://www.jordanwmartin.com/
Join us on Patreon! http://bit.ly/EHPatreon
May 8, 2019
Brave New World – Dystopias and Apocalypses – Extra Sci Fi
Extra Credits
Published on 7 May 2019We kick off a new season of Extra Sci Fi exploring the theme of dystopias and apocalypses. We begin with Aldous Huxley’s Brave New World — a very early novel that make a compelling argument for why the dystopia exists at all.
Dystopian literature really began when the two World Wars, the Great Depression, and more socio-political unrest in the world began to disrupt the utopian aspirations of science fiction at the time. So enters Brave New World.
May 7, 2019
The Suez Crisis reconsidered
Jordan Chandler Hirsch reviews a new book on what is now a somewhat forgotten international crisis that shook the Atlantic alliance, Philip Zelikow’s Suez Deconstructed:
Zelikow encourages readers to assess Suez by examining three kinds of judgments made by the statesmen during the crisis: value judgments (“What do we care about?”), reality judgments (“What is really going on?”), and action judgments (“What can we do about it?”). Asking these questions, Zelikow argues, is the best means of evaluating the protagonists. Through this structure, Suez Deconstructed hopes to provide “a personal sense, even a checklist, of matters to consider” when confronting questions of statecraft.
The book begins this task by describing the world of 1956. The Cold War’s impermeable borders had not yet solidified, and the superpowers sought the favor of the so-called Third World. Among non-aligned nations, Cold War ideology mattered less than anti-colonialism. In the Middle East, its champion was Egyptian President Gamal Abdel Nasser, who wielded influence by exploiting several festering regional disputes. He rhetorically — and, the French suspected, materially — supported the Algerian revolt against French rule. He competed with Iraq, Egypt’s pro-British and anti-communist rival. He threatened to destroy the State of Israel. And through Egypt ran the Suez Canal, which Europe depended on for oil.
Egypt’s conflict with Israel precipitated the Suez crisis. In September 1955, Nasser struck a stunning and mammoth arms deal with the Soviet Union. The infusion of weaponry threatened Israel’s strategic superiority, undermined Iraq, and vaulted the Soviet Union into the Middle East. From that point forward, Zelikow argues, the question for all the countries in the crisis (aside from Egypt, of course) became “What to do next about Nasser?”
Israel responded with dread, while, Britain, France, and the United States alternated between confrontation and conciliation. Eventually, the United States abandoned Nasser, but he doubled down by nationalizing the Suez Canal. This was too much for France. Hoping to unseat Nasser to halt Egyptian aid to Algeria, it concocted a plan with Israel and, eventually, Britain for Israel to invade Egypt and for British and French troops to seize the Canal Zone on the pretense of separating Israeli and Egyptian forces. The attack began just before the upcoming U.S. presidential election and alongside a revolution in Hungary that triggered a Soviet invasion. The book highlights the Eisenhower administration’s anger at the tripartite plot. Despite having turned on Nasser, Eisenhower seethed at not having been told about the assault, bitterly opposed it, and threatened to ruin the British and French economies by withholding oil shipments.
Throughout, Suez Deconstructed disorients. As the story crisscrosses from terror raids into Israel to covert summits in French villas, from Turtle Bay to the Suez Canal, names and places, thoughts and actions blur. Venerable policymakers scramble to comprehend the latest maneuvers as they struggle with the weight of history: Was Suez another Munich? Could Britain and France still project power abroad? Would a young Israel survive?
If you’re not familiar with the Suez Crisis and want more than just the Wikipedia article for background, here’s the coverage of the military side of things from the British perspective (Operation Musketeer) from Naval History Homepage.
May 5, 2019
QotD: A growing French industry
The French, I think, must be world champions in the production of books lamenting the state of their economy (they are also good at taking antidepressants). Occasionally, it is true, someone writes a book to the effect that things are not so very bad in France, in fact that they are really quite good, at least by comparison with everywhere else; but this is so contrary to the majority of what is written that it has the quality of whistling in the wind. If the French economy had grown at the rate at which books are published predicting its imminent collapse, it would be flourishing indeed.
Theodore Dalrymple, “Beneath Paris”, Taki’s Magazine, 2017-01-07.
May 3, 2019
QotD: The key difference between The Fountainhead and Atlas Shrugged
Reading Goddess of the Market much later in life, I finally met the woman behind the philosophy. Rand doesn’t start out so bad, at least in Burns’ telling. Who can blame the Russian-born Rand, watching helplessly as Communists seize her father’s pharmacy, for growing up to be a furious foe of collectivism (and realpolitik compromise), whose übermensch heroes fight back against the “parasites, moochers and looters“, and win?
Yet the sprinklings of patriotic, almost Capra-esque populism that softened The Fountainhead’s unavoidable elitism are absent entirely in her follow-up, Atlas Shrugged, replaced by an almost hallucinatory misanthropy. What happened, Burns wonders, in the intervening thirteen years?
The answer seems obvious to me now, rereading her book in my 50s:
Menopause.
Ayn Rand, the avatar of adolescence, was going through The Change.
“Now in her forties,” writes Burns of the author between novels, “Rand struggled with her weight, her moodiness, her habitual fatigue.” Already dependent on the crazy-making Benzedrine she’d been popping to help her meet her Fountainhead deadline, Rand was hurtling toward what we’d now recognize as a midlife crisis.
Enter Nathaniel Blumenthal. He’d begun corresponding with Rand while still a high school student, but unlike her thousands of other teenage fans, he’d even memorized The Fountainhead. At UCLA, he’d coauthored a letter to the campus paper, declaring that a professor with suspected Communist ties who’d killed himself deserved “to be condemned to hell.” Then he changed his surname to “Branden” because it had “Rand” in it.
So, basically a nut.
Kathy Shaidle, “The Danger of Ayn Rand”, Taki’s Magazine, 2017-04-18.
April 26, 2019
“Rose Wilder Lane may be the most controversial woman nobody’s ever heard of”
NPR‘s Etelka Lehoczky interviews cartoonist Peter Bagge about his new book, Credo: The Rose Wilder Lane Story:
Journalist, novelist and polemicist Rose Wilder Lane may be the most controversial woman nobody’s ever heard of. Today she’s known primarily for her turbulent collaboration with her famous mother, Laura Ingalls Wilder, on the Little House on the Prairie books. But Lane’s story doesn’t end there — far from it. A fire-breathing libertarian, she denounced Social Security as a “Ponzi scheme” and grew her own food to protest World War II rationing. From the 1920s through the 1960s she wrote one of the first libertarian manifestos (1943’s The Discovery of Freedom), hobnobbed with Ayn Rand, penned six novels and amassed a 100-plus-page FBI file. In Credo: The Rose Wilder Lane Story, cartoonist Peter Bagge illustrates Lane’s hurly-burly life in his own inimitable way.
Lane isn’t the first controversial woman Bagge has chosen to write (and draw) about — he published books on Margaret Sanger in 2013 and Zora Neale Hurston in 2017. In an email conversation, he told me why he decided to focus on these particular women.
“I was ready to do a book-length comic-book biography, and while reading about people’s life stories I noticed there were women during the years around the world wars who pretty much did exactly what they wanted,” he says. “It struck a note in me just because there’s been — and it isn’t just with women, it’s with everybody these days — this obsession with safety. You know, ‘I don’t feel safe,’ or, ‘Because of how I identify myself, there are people trying to hold me back.’ These women never, ever stopped for a single second in doing what they wanted to do. In the back of my mind I thought this would be something of a demonstration of how people could be and — I would argue — should be.”
April 14, 2019
April 11, 2019
QotD: How to improve David Lynch’s Dune
Dune (1982) is a Lawrence of Arabia pastiche with a mad bucket of half-baked science fiction tropes bolted onto it. It includes so much extraneous, confusing detail from the novel’s world, but when you think of all the things it omits you really get a good sense of why Lynch (or anyone?) could not form it in 2 or 3-hours.
I think there are two things that could be done to fix it. Firstly, remove all the speaking and turn the whole thing into a hallucinatory Lynchean nightmare, perhaps to be accompanied by Brian Eno’s mythic 45-minute album of Dune music. […]
Secondly, use Lynch’s movie as the basis for a full-length animated TV miniseries by rotoscoping it and bringing back the original actors for several hours or so of newly-animated scenes.
Rob Beschizza, “Sorry, David Lynch’s Dune sucks (or does it?)”, Boing Boing, 2017-04-21.







