Quotulatiousness

May 3, 2013

Orwell’s Homage to Catalonia at 75

Filed under: Books, History, Media, Politics — Tags: , , , , , , — Nicholas @ 10:05

In the sp!ked review of books, Mick Hume looks at the book that got Orwell tossed out of the inner circle of leftist writers, not because it was bad, but because it was honest (and made Stalinism look too similar to Hitlerism):

George Orwell could have been killed twice in the Spanish Civil War. Once when he was shot in the throat by General Franco’s fascist forces; then when he was hunted by official Communist agents who, with the backing of Stalin’s Soviet Union, stabbed the revolution in the back and imprisoned, tortured and killed leading leftists and anarchists who were ostensibly on the same Republican side. Orwell learned the hardest way that the war against fascism in Spain was also a civil war against Stalinism.

Homage to Catalonia, Orwell’s famous account of his time in Spain from his arrival in Barcelona on Boxing Day 1936 to his escape in June 1937, has just reached its seventy-fifth anniversary. Like its author, the book almost didn’t make it either. The radical journalist and author’s usual publisher, Victor Gollancz, turned the book down without even seeing the manuscript, insisting that he would not publish anything ‘which could harm the fight against fascism’ by criticising the Communists.

Most of those from Britain and Europe who went to write about and fight in the Spanish Civil War took a similarly one-eyed view and followed the pro-Soviet line. What was unique about Orwell was that he hated fascism, but also stood apart from the official Stalinist-dominated left of his time. The radical maverick wrote about what he saw in Spain, rather than simply what he was told was true — although he also warned his readers to ‘beware my partisanship’ when seeking an objective account. He questioned the ‘official’ Stalinist-dictated account of events in Barcelona and elsewhere that was accepted around the world. This heresy made him the subject of a hate campaign when Homage to Catalonia was finally published in 1938, a campaign which continued well into the 1980s.

[. . .]

Orwell’s brilliant firsthand account of the conflict stands apart from and well above the I-was-there school of emotive, narcissistic war reporting we witness too often today. He also attempts to put his personal experiences into some proper political context, in two chapters now removed (at his request) from the narrative text and published at the end as appendices.

Here, Orwell closely interrogates and challenges the ‘official version’ of events in Barcelona, put about by the Communists and their many international apologists to justify their brutal repression of the non-Stalinist left. As he unravels the twisting of truth by propaganda organs such as the CPGB’s Daily Worker, you can almost see the ideas he was soon to express in his novels Animal Farm and Nineteen Eighty-Four. He is also cutting about the way that the Communists simply branded their opponents as ‘Social-fascists’ and ‘Trotsky-Fascists’ to avoid engaging in important political arguments. Many who express their admiration for Orwell today have yet to absorb his point that screaming ‘Fascists!’ in the faces of those you disagree with is not the same thing as making your case. ‘Libel’, as he concludes, ‘settles nothing’.

May 1, 2013

Charles Stross on how he conceived his Merchant Princes series

Filed under: Books, Media — Tags: — Nicholas @ 11:15

It’s all about the clichés, apparently:

I have a confession to make: I hate clichés. This is a problem, because a cliché is a good idea that has been re-used so often that it outstays its welcome.

Also, being a Brit of a certain outlook, I do not view monarchism or aristocracy with any degree of nostalgic fondness. The divine right of kings is a post-hoc justification for hereditary dictatorship (current poster-child: Kim Jong-Un) and the feudal age was one of total militarization of society, of petty lords with the right to hang any serf whose face they didn’t like, and of wars ravaging the land every generation.

Finally: I’m lazy and cynical, I get bored easily, and I have a warped sense of humour. Which is how I came up with this series. I grabbed hold of a bunch of clichés and rammed them together until I achieved fusion. And that’s how The Bloodline Feud starts.

Cliché #1: science fiction about people who can travel between different time-lines. The 500 kilo gorilla in this sub-genre is undoubtedly Roger Zelazny’s Amber series (if you count it as SF: I’d say the main protagonists’ outlook qualifies it as such), but honourable runners-up are numerous: Harry Turtledove, John Barnes, add to the list at your leisure. The ability to walk between worlds seems like a wonderful talent that can bring all sorts of benefits: but what if it wasn’t? What if you ran into all the same problems with earning a living, maintaining your personal safety and security, and staying out of trouble that you had in your home time-line? In fact, what if it made everything worse? It seemed to me that this was fertile territory to explore, so I stripped my world-walkers’ ability back to basics and put some onerous limitations on it. It’s not a get out of jail free card. And for added amusement, I decided to give them another handicap: a cultural one.

April 30, 2013

Another incident of hypersentimentality

Filed under: Books, Britain, Media — Tags: , , , , — Nicholas @ 09:45

In sp!ked, Brendan O’Neill discusses the latest opportunity for people to ostentatiously display their sentimentality:

I wish Scottish author Iain Banks had kept his cancer to himself. For in making it public, through a statement about being ‘Very Poorly’, he has unwittingly mobilised one of the ugliest mobs of modern times: the death-watchers, the ostentatious grievers, those who like nothing more than to read about another’s physical demise and advertise how moved they are by it.

Almost as soon as Banks announced earlier this month, through the publisher of his entertaining novels, that he was suffering from terminal gall bladder cancer, these professional proxy weepers were doing their thing. Premature mourning was rife. Twitter became a vast virtual pre-death condolences book, as everyone stopped what they were doing for 45 seconds to tweet about how torn apart they were by the news of Banks’ sickness. People seemed keen to out-lament each other. One said Banks’ cancer revelation hit her like ‘a chill blast of sorrow and grief’, which makes you wonder how she’ll cope when he dies.

Friends and fans of Banks set up a website where lovers of his novels can get updates on his condition and sign a ‘guest book’ that is really just another offensively early condolences book. Thousands of messages have been posted. It’s remarkable how many of the message writers admit they ‘don’t know what to say’ yet proceed to say it anyway, at length, clearly feeling weirdly compelled to sign up to the speedily constructed community of online mourners.

We’ve also had pre-death obituaries, articles assessing Banks’ life and work before either has come to an end: his next novel, The Quarry, will be published shortly. Even those who know nothing about Banks felt an urge to write about him, or rather about how they personally felt upon hearing he was sick. Simon Kelner at the Independent admitted ‘I haven’t read any of his books’, before producing a whole column on Banks’ cancer news. The macabre sense of anticipatory mourning is summed up in the way Banks’ wife is referred to on the tribute website: as his ‘chief widow-in-waiting’.

April 27, 2013

The misplaced outrage over Amazon’s tiny tax bill in the UK

Filed under: Books, Britain, Business, Economics, Europe, Media — Tags: , , , , — Nicholas @ 08:40

Tim Worstall explains that the current efforts by various campaigners including Stephen Fry are not only a waste of time and effort, but betray a fundamental misunderstanding of how the EU is set up:

There are several points that could be made. One being that selling to Brits from Luxembourg is not tax dodging, it’s exactly what the EU intends the Single Market should be. A, umm, single market across 27 countries. A second might be that even if we start to whine about UK warehouses, tax is still not due here. Our double taxation treaty with Luxembourg means that such warehouses do not lead to tax being due. And that’s from 1968 or so when Wilson ruled: it’s also a standard part of all double taxation treaties and for good reason.

(For example, the metals trade uses warehouses in Rotterdam as the point at which a contract is concluded. The cut flowers business warehouses in a small village near Schipol. Should Holland get all the tax from the world’s metals and flower businesses? Or should everyone be taxed where they really are, not the warehouses?)

But there’s much worse than this. We’ve had the Margaret Hodges screeching that we’re talking about immoral, not illegal. The TJN and other fools similarly scream about how awful it is that people can do business without paying tax. And it is precisely all of this activism that leads these gentle booksellers to spend their year collecting signatures. To absolutely no avail whatsoever.

For in the year they are complaining about, last year, 2012, Amazon did not make a profit. A $39 million loss in fact according to their accounts. It’s simply not true that “tax dodging” by Amazon is leading to the crucifixtion of the independent book shop. That’s a lie that’s been foisted upon people by the obfuscations of the campaigners.

April 24, 2013

Copyright terms are almost certainly too long already

Filed under: Books, Business, Economics, Law, Media — Tags: , , , — Nicholas @ 11:59

At Techdirt, Mike Masnick makes the case for reducing the swollen length of time current copyrights are protected:

We’ve pointed a few times in the past to a chart from William Patry’s book, looking at how frequently copyright was renewed at the 28 year mark back when copyright (a) required registration and (b) required a “renewal” at 28 years to keep it another 28 years. The data is somewhat amazing:

Copyright renewal rates 1958-59

As you can see, very few works are renewed after 28 years. Only movies, at 74% are over the 50% mark. Only 35% of music and only 7% of books tells quite a story. It makes it quite clear that even the copyright holders see almost no value in their copyrights after a short period of time. It appears that the Bureau of Economic Analysis is coming to the same conclusion from a different angle. As Matthew Yglesias notes, as part of its effort to recalibrate how it calculates GDP, the BEA is considering money spent on the creation of content an “investment” in a capital good, which needs to be depreciated over the time period in which it is valuable. Frankly, I’m not convinced this is the smartest way to account for money spent on the creation of content, but either way, the BEA’s analysis provides some insight into the standard “economic life” of various pieces of content, which match up with the chart above in many ways.

QotD: Welcoming the DSM-V appropriately

Filed under: Books, Health, Humour, Quotations, Science — Tags: , , — Nicholas @ 00:01

The much-awaited arrival of DSM-5 (the fifth edition of the American Psychiatric Association’s Diagnostic and Statistical Manual of Mental Disorders) should ensure that every human being is classed as insane. At this point we might be able to start again and consider what psychiatry is for. Genomics is keen to help in the effort by finding the loci that are associated with all sorts of mental disorders. Enter a huge population based study funded by the National Institute of Mental Health: “Our findings show that specific SNPs are associated with a range of psychiatric disorders of childhood onset or adult onset. In particular, variation in calcium-channel activity genes seems to have pleiotropic effects on psychopathology. These results provide evidence relevant to the goal of moving beyond descriptive syndromes in psychiatry, and towards a nosology informed by disease cause.” Hmm. I think that when authors have to use words like “pleiotropic” and “nosology” there is a high chance that they do not know what they are talking about. So before welcoming the marriage of genomics and psychiatry, let us remember that there is a strong history of madness on both sides.

Richard Lehman, “Richard Lehman’s journal review—22 April 2013”, BMJ Group blogs, 2013-04-22

April 19, 2013

Enviro-Apocalypse Now (or real soon, anyway)

Filed under: Books, Environment, Media — Tags: , , — Nicholas @ 09:17

At sp!ked, Tim Black reviews the latest environmental doom-mongering tome from Andrew Simms:

All of this ought to leave Simms & Co looking like the boys who cried climate catastrophe. Yet somehow, as Cancel the Apocalypse shows, they are continuing, unabashed, to preach environmental doom despite its palpable absence. In fact, the hyper-pessimism has even been ramped up a bit. ‘The horsemen are galloping and there are more than four of them’, Simms chirrups. ‘Climate change, financial meltdown, the global peak and decline of oil production, a mass extinction event of plant and animal species, overuse of fresh water supplies, soil loss, economic infrastructure increasingly vulnerable to external shocks — it’s the age of the complex super disaster.’ It seems devastating climate change is no longer enough for Simms; he wants to solicit a whole host of other unrelated, and highly debatable, phenomena for his narrative of woe. Cancelled? No way, Simms chortles: the apocalypse is back on.

So how is Simms able to maintain his unshakeable belief in our imminent destruction? What makes him and his tweedy, right-on puritan mates different to, say, William Miller, founder of the Second Adventists (later to become the Seventh Day Adventists), who, as Simms tells us, believed the day of reckoning would fall in 1843, 1845, 1846, 1849, 1851, 1874 and 1999?

The ostensible answer is that whereas previous doomsayers derived their predictions from ‘gobbledygook floating up from patterns of words and numbers dimly discerned in books about faith and belief’, Simms and his followers rely upon ‘verifiable scientific experiment’. Of course, The Science.

Which is funny, because Cancel the Apocalypse does not contain much in the way of ‘verifiable scientific experiment’. What it does feature, though, is a scientistic use of the authority of science to justify a whole range of dubious assertions. In Simms’ hands, science is no longer science. It is a metaphor, an authority-bolstering gloss, allowing him to talk, for example, of socio-historical phenomena such as the economy in terms of the laws of nature: ‘Just as physical laws constrain the maximum efficiency of a heat engine’, he writes, so ‘economic growth is constrained by the finite nature of our planet’s natural resources, the variable but ultimately bounded biocapacity of its oceans, fields, geology and atmosphere’; and later on, ‘the laws of physics mean it is not possible to create the order of such [economic] exchanges without a little something being lost [Simms is referring to the biosphere]’.

April 6, 2013

Emile Simpson hailed as “one of the greatest military historians of his generation”

Filed under: Books, History, Media, Military — Tags: , — Nicholas @ 00:01

In the Times Literary Supplement, Michael Howard is so impressed with Simpson’s book that he goes out on a limb to recommend it:

Some four decades ago, the TLS sent me a book to review by a young lecturer at Sandhurst entitled The Face of Battle. It impressed me so much that I described it as “one of the best half-dozen books on warfare to have appeared since the Second World War”. I wondered at the time if I had made a total fool of myself, but I need not have worried. The author, the late Sir John Keegan, proved to be one of the greatest military historians of his generation. It would be rash to put my money on such a dark horse again, but I shall. Emile Simpson’s War From the Ground Up is a work of such importance that it should be compulsory reading at every level in the military; from the most recently enlisted cadet to the Chief of the Defence Staff and, even more important, the members of the National Security Council who guide him.

Emile Simpson does not presume to show us how to conduct war, but he tells us how to think about it. He saw service in Afghanistan as a young officer in the Gurkhas, and his thinking is solidly rooted in that experience. Like Clausewitz 200 years earlier, Simpson found himself caught up in a campaign for whose conduct nothing in his training had prepared him; and like Clausewitz he realized that to understand why this was so he had to analyse the whole nature of war, from the top down as well as from the ground up. Afghanistan, he concluded, was only an extreme example of the transformation that war has undergone during his lifetime; and that itself is due to the transformation of the societies that fight it.

[. . .]

It is impossible to summarize Emile Simpson’s ideas without distorting them. His own style is so muscular and aphoristic that he can concentrate complex arguments into memorable sentences that will have a life of their own. His familiarity with the work of Aristotle and the history of the English Reformation enables him to explain the requirements of a strategic narrative as effectively as his experiences in Afghanistan illuminate his understanding of the relationship between operational requirements and political objectives. In short (and here I shall really go overboard) War From the Ground Up deserves to be seen as a coda to Clausewitz’s On War. But it has the advantage of being considerably shorter.

April 5, 2013

QotD: Warren Ellis explains why he doesn’t get to decide what gets turned into a movie or TV show

Filed under: Books, Humour, Media, Quotations — Tags: , , — Nicholas @ 00:01

FAQ: I don’t get to decide what gets made into a tv series or film. I cannot, I’m afraid, cause people to give me money for things by magic or force of will. Because, let’s face it, if I could, you’d be part of the slave army building my hundred-mile-high golden revolving statue right now.

I’m glad we got that straightened out.

Warren Ellis, “FAQ: I Don’t Get To Decide What Gets Made Into A Movie Or TV Show”, WarrenEllis.com, 2013-04-04

March 30, 2013

QotD: Stupidity

Filed under: Books, Humour, Quotations — Tags: — Nicholas @ 08:29

“No one would be that stu—”

Susan stopped. Of course someone would be that stupid. Some humans would do anything to see if it was possible to do it. If you put a large switch in some cave somewhere, with a sign on it, saying “End of the World Switch. PLEASE DO NOT TOUCH”, the paint wouldn’t even have time to dry.

Terry Pratchett, Thief of Time

March 26, 2013

“It’s as if Doctorow … figured out how to be a novelist and a blogger in the same book”

Filed under: Books, Liberty, Media — Tags: , , , — Nicholas @ 09:15

At Reason, Tom Jackson reviews Cory Doctorow’s Homeland, the sequel to 2007’s Little Brother:

By day, Yallow works within the system, taking a job as a webmaster for an independent candidate for the California senate. By night, he’s a part of a guerrilla WikiLeaks-style operation, trying to deal with goons who are out to get him and hackers trying to control his computer and his information. Life gets even more complicated when he starts participating in large outdoor demonstrations that attract the attention of the police. The story should resonate with any reader who worries about online privacy and the government’s ability to use the Net as a tool for political repression.

Although Yallow and his buddies are fictional, Homeland is studded with educational bits. One early chapter, for example, includes a recipe for cold-brew coffee. A librarian delivers a lecture on copyright reform. While at Burning Man, Doctorow meets four heroes of the Internet — Mitch Kapor, John Gilmore, Wil Wheaton, and John Perry Barlow — and the reader is duly educated on how they relate to the founding of the Electronic Frontier Foundation and the creation of Lotus. The infodump continues after the novel ends, with an afterword by Jacob Appelbaum of WikiLeaks and another by the late Aaron Swartz. (Swartz, facing a federal trial and possible prison on felony charges for downloading academic documents, committed suicide on January 11. His exhortations here not to give in to despair and a feeling of powerlessness make for sad reading, but he also explains how political movements to preserve the Internet from censorship have a chance to succeed.) There is also a bibliographic essay on the topics the book covers. It’s as if Doctorow, well-known both as a science fiction writer and as a contributor to Boing Boing, figured out how to be a novelist and a blogger in the same book.

The encounter with Kapor and company isn’t the only way the novel intersects with reality. Yallow logs on to his laptop using the Paranoid Linux operating system, created to maximize the user’s privacy. Paranoid Linux was fictional when Doctorow invented it in Little Brother, but it inspired the creation of a real, albeit short-lived, Paranoid Linux distro. And if you Google “Paranoid Linux,” you’ll learn about current Linux distributions that emphasize security, such as Tails and LPS. As Doctorow notes in his afterword, Googling terms in the book that might be unfamiliar to the reader — “hackerspace,” “drone,” “Tor Project,” “lawful intercept” — provides many of the novel’s educational experiences.

March 20, 2013

QotD: The mad, mad, mad world of author royalty calculation

Filed under: Books, Business, Media, Quotations — Tags: — Nicholas @ 00:01

Author/publisher contracts specify royalty rates in the craziest way imaginable. This is because they consist of archaeological strata of legal boilerplate, accumulated over decades and haggled over by publishers’ lawyers and authors’ agents. Contract law is essentially a defensive scorched-earth battleground where the constant question is, “if my business partner was possessed by a brain-eating monster from beyond spacetime tomorrow, what is the worst thing they could do to me?”

And so we have constant re-use of legal boilerplate that’s decades old. “For sales under 10,000 copies, a royalty of 10% will be assigned based on the undiscounted suggested retail price. From 10,001 to 15,000 copies, a royalty of 12% will be allocated … from 15,001 up, a royalty of 15% will be allocated … for copies sold at less than 40% discount off SRP, the full royalty will be paid; for copies sold at discount of 41-50% 80% of royalties due will be paid: from 51%-65% 50% of royalties will be paid: above 65% 40% of royalties will be paid.” You can think of it as a stack of IF () THEN () ELSE () statements switched off the number of copies sold and the discount the wholesaler extorted for taking them off the publisher’s hands.

Charles Stross, “Things publishers can’t do (yet)”, Charlie’s Diary, 2013-03-19

March 15, 2013

Britain’s class system may have changed, but the snobbery is still all-pervasive

Filed under: Books, Britain, Food, Media — Tags: , , , , — Nicholas @ 09:06

Tim Black reviews Consumed: How Shopping Fed the Class System, by Harry Wallop.

In short, class has stopped being the basis for a political identity; it has become a form of identity politics. As Wallop puts it: ‘Class is no longer what we do with our hands nine to five, it is what we do with our wallets at the weekend. How that money arrives in our wallets must play a part, but how we define ourselves and how others view us mostly comes down to the weekly drive to the local retail park, rather than the daily trudge to the factory.’

Consumed is a snarking and sniping attempt by Wallop, a consumer affairs writer at the Daily Telegraph, to anatomise these new consumerist class identities. At the upper end are the super-rich Portland Privateers, named after the private Portland Hospital in central London, where pregnancies come to fruition with the obligatory C-section at the cost of several grand and the toiletries are Molton Brown. Then in descending order come: the Rockabillies, defined by their love of a British holiday, ideally in the Cornish town of Rock; the Wood-Burning Stovers, who love a wood-burning stove almost as much as they love the Guardian; the Middleton Classes, who – like Carole Middleton, the Duchess of Cambridge’s mother – have vaulted up the social ladder, usually taking in a grammar school en route; the Sun Skittlers, a resolutely old-school working-class identity devolving upon reading the Sun, playing skittles, and earning enough to have bought one’s own home; the Asda Mums, who spend wisely, but take safety in big, well-known brands; and the Hyphen-Leighs, whose much sneered-at social aspiration is marked out by the unusually spelled double-barrelled names and the commitment to high-status brands, from Burberry to Paul’s Boutique. Other monikers crop up throughout, but these are the main ones.

If Consumed sounds rife with all forms of snobbery, from the inverse to the outright, that’s because it is. And this ought to be expected, too. In a society in which how you consume has been allowed to determine your identity, then snobbery, which was always a vice of the consuming class par excellence, the non-productive aristocracy, is bound to flourish. It allows groups to include initiates and to exclude the vulgar. Hence, as Wallop relentlessly details, the consumption choices of other people (and it is always other people) have now become objects of mockery and often condemnation.

[. . .]

As Wallop records, eating out in the 1950s was for many limited to Lyons Corner Houses or fish-and-chip shops. And it wasn’t just the high-cost of restaurants that deterred many; the arcane rituals of the hotel dining experience were equally off-putting. This is why, argues Wallop, the British embraced the classless, ritual-free environs of the fast-food joint, first in the form of Wimpy and latterly in the shape of McDonald’s or Burger King. ‘Of course, eating out in fast-food places, or indeed any places, never became a classless activity’, writes Wallop. ‘Classless merely became a euphemism for working class. No more so than with fast food, which over time took on a demonic quality, at least in the eyes of those who refused to eat it. Junk food for the junk classes.’

Junk food for the junk classes. In that one sentence, Wallop touches upon the crucial conflation of the object of consumption with those consuming. When Wood-Burning Stovers complain about McDonald’s, they are really complaining about the type of people that eat there.

March 11, 2013

Science fiction’s blindspot on the looming corporate menace of the future

Filed under: Books, Business, Media — Tags: , , , — Nicholas @ 10:36

Kevin Williamson wonders why the dystopic corporate giant of so many science fiction books and movies doesn’t seem to be getting any closer to reality:

That the future will be dominated by amoral international (or interstellar) corporations is a constant theme of science fiction and, not unrelatedly, of progressive political thought. The rogues’ gallery includes Cyberdyne Systems (Terminator), Weyland-Yutani (Alien), Omni Consumer Products (Robocop), and Charlton Heston’s friends at Soylent Inc. The gold standard of the genre is the Tyrel Corporation, from Ridley Scott’s 1982 film Blade Runner, an adaptation of Philip K. Dick’s 1968 novel, Do Androids Dream of Electric Sheep?. The film, which is indisputably a visual masterpiece, is much heavier on the theme of corporate dominance than the novel is, which is strange: The corporation of 1982 was a smaller and weaker thing than the corporation of 1968.

At its best, science fiction imagines a future that illuminates the present, but on the subject of the social role of the corporation, science fiction has long been backward-looking, out of touch with the reality it would analyze. The cultural imagination at large shares this error, though it is difficult to say how much this defect in science fiction is a result of the cultural error and how much it is the cause. But it would be difficult to overstate how deeply the specter of the villainous corporation shapes American political thought. The influence is more visible the farther to the left one moves along the political spectrum. Occupy Wall Street was probably at least as much influenced by science-fiction visions of corporate dystopias as it was by any kind of organized political thought. There were unmistakably Maoist elements to Occupy, but the sinister connotations of the very word “corporation” are by no means heard by only those ears attached to the addled heads of committed leftists.

Do Androids Dream of Electric Sheep? was set in 1992, Blade Runner in 2019, yet here we are, well into the 21st century, and there is still no colossal Tyrel Corporation bestriding the globe, and nothing like the corporate sovereignties of Jennifer Government. As myth, the corporate dystopia remains undiminished in its power. But the function of myths is to illuminate reality, and the reality is that there is no Tyrel Corporation today, and none on the horizon. If you want to know what the corporation of tomorrow looks like, don’t think Cyberdyne — think Groupon.

You would not know it from reading fiction, speaking with Occupy types, or listening to the speeches at the Democratic National Convention, but the corporation as we know it is in decline: The average size of a corporation as measured by personnel has been diminishing since 1975. In 1955 the largest U.S. company, General Motors, employed 576,000 people out of a U.S. population of 166 million; today Exxon Mobil, the largest U.S. company, employs only 82,000 people. Microsoft employs fewer than 100,000 people worldwide; Google employs about 54,000, and Facebook fewer than 6,000.

March 6, 2013

New initiative to encourage scientists to show their work (not just the mediagenic results)

Filed under: Books, Media, Science — Tags: , , , — Nicholas @ 11:26

Ed Yong on the opening of a new lab in Virginia:

The field of psychology is going through a period of introspective turmoil. One the one hand, it has never been more popular. Its results lead to attention-grabbing headlines, and fill books that sit happily on bestseller lists. Conversely, some of its own practitioners are starting to ask themselves a difficult question: What proportion of the field’s findings are genuine and reliable insights into the human mind, and what proportion are red herrings produced by questionable research practices and, in rare cases, outright fraud?

This line of questioning comes from: cases of classic results that cannot be easily reproduced; studies that have documented widespread dodgy practices that lead to false results; the publication of papers that claim the impossible, like evidence for precognition; and the outing of several fraudulent scientists (with a new case emerging literally as I write this paragraph). To some, these signs augur a looming crisis of confidence for psychology. To others, these problems are unrepresentative, and being used to damn a field that generally produces solid, reliable results.

The debates can get quite energetic, but one of the more calm-headed voices in them is Brian Nosek’s. A psychologist from the University of Virginia, Nosek has been quietly trying to turn the problems into solutions. “There hasn’t been anything new in all this recent hubbub,” he says. “We’ve been talking about these problems since the 60s, but where it stopped was people complaining. There have been a lot of people who have been frustrated at how science is operating but had no outlet for making it better.”

Nosek’s solution launches today — the Center for Open Science, a new laboratory at Charlottesville, Virginia. Unlike many new research centres, this one is less about doing great science than about making science greater. It will try to foster a new approach to research that will produce more reliable results.

Show your working

The Center’s values are epitomised in its signature project — the Open Science Framework. It’s a website that lets scientists store and share every aspect of their work, including facets that are often hidden from each other, let alone from the public. Failed experiments, the minutiae of methods, the genesis of ideas… these are often omitted from published papers or left to languish in personal file drawers. That creates strong biases in the literature, and makes it harder for people to check and reproduce each other’s work.

H/T to Tim Harford for the link.

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