Quotulatiousness

June 16, 2013

Emmanuel Goldstein? Isn’t that some C-list celebrity from the 70s?

Filed under: Books, Government, Liberty, Media — Tags: , , — Nicholas @ 00:01

In Maclean’s, Colin Horgan says it’s the Huxley dystopia we’ve actually fallen into, rather than the Orwellian:

Over at the New Yorker, Ian Crouch wondered this week whether we really are living in some version of George Orwell’s Nineteen Eighty-Four. It seems like a perpetual question, but it has renewed relevance now, both in light of the revelations last week from the Glenn Greenwald at the Guardian that the National Security Association is, apparently, mining internet data from users (whether guilty or not), without their knowledge or consent, and because in the subsequent days, sales of Nineteen Eighty-Four skyrocketed.

But, as Crouch asked, are we living in Nineteen Eighty-Four? Not quite. It all looks pretty bad, and the nightmare scenario Orwell depicted is, technically speaking, quite possible but, Crouch noted, “all but the most outré of political thinkers would have to grant that we are far from the crushing, violent, single-party totalitarian regime of Orwell’s imagination.” Surely, though, this is not what was envisioned – even when the Patriot Act was debated back at the turn of the century, few (if any) could have envisioned that the laws might be one day stretched quite as far as they appear to have been under the Obama administration. So, if not Nineteen Eighty-Four then when? What time is this?

[. . .]

There are two ways for a culture to die, Neil Postman wrote back in the 1980s: One is Orwellian, “where culture becomes a prison,” and the second is Huxleyan, where “culture becomes a burlesque.” To answer Crouch’s question, we are living the second reality more than the first. Big Brother does not watch us by his choice; rather, as Postman put it, we watch him by ours. “Orwell feared that the truth would be concealed from us. Huxley feared the truth would be drowned in a sea of irrelevance,” Postman wrote.

[. . .]

To paraphrase Postman, we have not been ruined by what we hate, but instead, as Huxley predicted, by what we love. We are prisoners to our own egoism and passivity, drowning in a sea of irrelevant streaming data, presented not in with any hierarchy or inherent importance, but as equal and unweighted. The Harlem Shake and Nyan Cat are just as relevant as a civil war in Syria or a democratic nation spying on its own citizens, just as being watched by millions of strangers via webcam or TV broadcast feels just the same as being watched by the government. And, as Huxley thought we might, we have convinced ourselves that is freedom.

June 15, 2013

Prog rock fans, unite!

Filed under: Books, Britain, Media — Tags: , , , , — Nicholas @ 09:01

In Maclean’s, Stephen Skratt talks about a new book on prog rock:

Let the hating begin. ELP are often cited as the reason punk had to happen. After the Beatles and before the Sex Pistols, they, along with Genesis, Yes, King Crimson and Pink Floyd, sold millions of records, topped critics’ polls and ushered in a golden era of prog rock. There were capes, songs about supernatural anaesthetists, a trilogy of albums about a “radio gnome,” and King Arthur on ice — literally, with skating pantomime horses (courtesy of a Rick Wakeman show). Prog virtuosos fused rock, classical, folk, jazz and Renaissance music, and took little from blues. The music couldn’t get more white — or more unfashionable. Twenty-minute songs performed by earnest young men trying to sound like an orchestra, hopping from one instrument to another, or playing several at once: this was large-scale, ambitious music meant to accompany grand lyrics and stage spectacles. Gone was sex, drugs and rock ’n’ roll, replaced by Kubrickian space-outs, Eastern philosophy and walls of synthesizers — or guitars trying to sound like synthesizers.

[. . .]

Now the music is crawling out from under its toadstool in Yes Is The Answer, edited by Tyson Cornell and Marc Weingarten. Cornell, founder of L.A.-based Rare Bird Books and a musician himself, admits the idea of having respectable writers challenge the accepted gospel about prog was far-fetched. “When Marc and I started doing this,” he says, “everybody we talked about it with was just laughing at us. But then people started to tell their stories, and it just unfolded.”

[. . .]

The book — a tribute to what Weingarten identifies in the introduction as “prog rock’s grandeur, its mushy mysticism, its blissed-out mystery” — is a high point in a renaissance that’s been building: a reverential 2009 BBC documentary (Prog Britannia), a magazine (Classic Prog), and a growing number of festivals, including Prog Angeles, organized by Cornell and featuring members of Weezer and others. Tastemaking online music journal Pitchfork drops the P-word on an almost weekly basis in describing some impossibly cool band’s music, from metal monsters Mastodon to French electronic duo Justice — an admission, finally, that someone was listening. And there is the full-on revival of the band responsible for a concept album about hemispheres of the brain: Rush. As Nirvana’s Dave Grohl said in his speech inducting Rush into the Rock and Roll Hall of Fame, “There’s one mystery that eclipses them all: when the f–k did Rush become cool?”

For all this, it’s unlikely prog will get the reappraisal its supporters feel it’s due. The biggest strike against the genre has long been that it’s bloated, corporate, the antithesis of punk — even though in spirit prog may not have been all that far off from punk. They shared a broad political ideology. Henry Cow and the other bands make up “rock in opposition,” a popular subgenre of prog, which, aside from influencing avant-garde jazz musicians over the years, make the Clash look like weekend protesters. King Crimson’s 21st Century Schizoid Man opens with the snarl of, “Nothing he’s got he really needs.” Prog explored dystopian worlds of environmental apocalypse and corporate greed, occasionally with more subtlety and whimsy than punk. And prog rockers were as committed to their outlandish musical vision as punk was to its three chords; far from all being pampered middle-class kids, they too struggled for an audience and money during their formative years. The average punk band just imploded within a few years of forming — they never stuck around long enough to be derided as “dinosaurs.”

June 13, 2013

Hugh Johnson forced to downsize his wine cellar

Filed under: Books, Britain, Randomness, Wine — Tags: — Nicholas @ 09:36

As the Guardian noted last month, Hugh Johnson is the best-selling wine author in the world, but even he has to cope with time and space restrictions:

Monday’s sale at Sworder’s auctioneers of over £100,000 worth of wines, gathered over a career in which Johnson has overseen a revolution in British attitudes to wine, includes rare vintages dating back to 1830, a £2,000 1945 Chateau Latour made in the balmy summer after VE Day and his own desert island bottle, a single 1971 German riesling for £6,000.

The 74-year-old is trying to be philosophical about letting it all go as he moves with his wife Judy from a house with a five-room cellar to one with a coal hole to be closer to children and grandchildren.

“Everyone with a big cellar realises in the end they don’t have enough friends to drink it all with,” he says. “To start with I felt it was a catastrophe but in the end I felt: ‘Just take it.'”

Some of the bottles are thick with dust and their capsules chipped. Perished labels reveal dates that scroll back through time: 2006, 1996, 1945, 1830. There’s even an amphora dredged from the Mediterranean dated AD100. For many in the wine world the sale marks the end of an era that began in the 1960s when wine was the preserve of the elite and Britons drank on average just a third of a glass a week. Between then and now, Johnson’s annual pocket wine guide, featuring hundred of bite-sized verdicts, has sold 12m copies, his World Atlas of Wine, first published in 1971, has sold close to 4m and wine consumption in the UK has increased twelvefold.

[. . .]

Sitting among his bottles for one last time he reflects on how the wine world has changed. In 2006 he spoke out against rising alcohol levels reaching 15%, which he described as thick “steroid-driven muscle” and “boring”. It was part of a long-running battle with his US rival, the critic Robert Parker, whose highly influential scores out of 100 based in part on his love of powerful, fruit-driven wines, reshaped the wine market. Now with more lower alcohol wines on the shelves, Johnson feels the fight is swinging his way.

H/T to Michael Pinkus for the link.

June 12, 2013

VICE interviews Jesse Walker about his new book

Filed under: Books, Media, Politics, USA — Tags: , — Nicholas @ 13:14

The book is called The United States of Paranoia, and VICE‘s Harry Cheadle sat down with Walker to talk about it:

The question of whether you believe in conspiracy theories is surprisingly tricky. You may not think that the moon landing or Beyoncé’s pregnancy was fake, you may not imagine lizards lurking behind Donald Rumsfield and Dick Cheney’s faces, but by now you probably know that the US government is operating a massive secret surveillance apparatus, which would sound like a paranoid fantasy if it weren’t true. And many, many Americans profess some level of credulity when it comes to some conspiracies, which at times can seem less crazy than believing that there’s never, ever, a man behind the curtain pulling strings.

[. . .]

VICE: You take a long historical view of conspiracy theories in America. Do you think we’re more paranoid than we used to be?
Jesse Walker: I don’t think so. I’m not quite sure how I would even measure that, given what the baseline of paranoia is. What I do think happens is that the direction of the paranoia shifts. One thing I mentioned in the book was how a lot of people started saying after Obama got elected, “Ooh, the right wing has suddenly gotten very paranoid.” In fact, in the Bush era, there were tons of right-wing conspiracy theories, it’s just that they weren’t about the government. They were aimed mostly at people outside America’s borders. With another party in power, [the right] has rediscovered some of its libertarian impulses. A lot of discussions about the United States becoming more paranoid or less paranoid just has to do with what kind of paranoia people are paying attention to.

The recent revelations about the NSA and FBI’s monitoring of cell phone metadata and internet communications make me wonder if it’s possible that the government itself is paranoid.
I can’t get into the head of the average NSA bureaucrat enacting a program. But I think that the creation of that sort of system obviously has to do with fear and paranoia. I should stress I’m using the word paranoid in a colloquial way. I should just be saying “fear.” Another problem has to do with the way “conspiracy theory” gets used, because people who use the phrase conspiracy theory disparagingly believe in all sorts of conspiracies, it’s just that they say, “Well those are true, so they don’t count.” What they really mean when they say “conspiracy theory” is, at best, “nutty conspiracy theory,” and, at worst, “conspiracy theory that feeds into an ideology that I don’t share, which I will therefore think of as nutty.” But I’ve forgotten your original question.

Corey Robin refutes David Brooks, “The Last Stalinist”

Filed under: Books, Government, History, Liberty, Politics — Tags: , , , — Nicholas @ 13:03

David Brooks wrote a column the other day that got lots of applause from the communitarians on both sides of the aisle for blaming Edward Snowden’s atomistic individualism and his “inability to make commitments and connections”. At Jacobin, Corey Robin explains why:

This is an old argument on the communitarian right and left: the loss of social bonds and connections turns men and women into the flotsam and jetsam of modern society, ready for any reckless adventure, no matter how malignant: treason, serial murder, totalitarianism.

It’s mostly bullshit, but there’s a certain logic to what Brooks is saying, albeit one he might not care to face up to.

In the long history of state tyranny, it is often those who are bound by close ties of personal connection to family and friends that are most likely to cooperate with the government: that is, not to “betray” their oaths to a repressive regime, not to oppose or challenge authoritarian rule. Precisely because those ties are levers that the regime can pull in order to engineer an individual’s collaboration and consent.

Take the Soviet Union under Stalin. Though there’s a venerable tradition in social thought that sees Soviet totalitarianism as the product of atomized individuals, one of the factors that made Stalinism possible was precisely that men and women were connected to each other, that they were in families and felt bound to protect each other. To protect each other by cooperating with rather than opposing Stalin.

Nikolai Bukharin’s confession in a 1938 show trial to an extraordinary career of counterrevolutionary crime, crimes he clearly did not commit, has long served as a touchstone of the manic self-liquidation that was supposed to be communism. It has inspired such treatments as Arthur Koestler’s Darkness at Noon, Maurice Merleau-Ponty’s Humanism and Terror, and Godard’s La Chinoise. Yet contrary to the myth that Bukharin somehow chose to sacrifice himself for the sake of the cause, Bukharin was brutally interrogated for a year and he was repeatedly threatened with violence against his family. In the end, the possibility that a confession might save them, if not him, proved to be potent.

[. . .]

Back to David Brooks. Brooks likes to package his strictures in the gauzy wrap of an apolitical communitarianism. But Brooks is also, let us not forget, an authority- and state-minded chap, who doesn’t like punks like Snowden mucking up the work of war and the sacralized state. And it is precisely banal and familial bromides such as these — the need to honor one’s oaths, the importance of family and connection — that have underwritten popular collaboration with that work for at least a century, if not more.

Stalin understood all of this. So does David Brooks.

H/T to Radley Balko for the link.

June 8, 2013

Charles Stross talks about writing The Jennifer Morgue

Filed under: Books, Britain, Business, Media — Tags: , , , — Nicholas @ 09:07

If you haven’t yet read any of the “Laundry” books by Charles Stross, you really are missing out on a treat. The Jennifer Morgue was the second in the series and Charles has a blog post up about how the book came to be written:

All stories have several seeds. In the case of “The Jennifer Morgue”, the first seed was the surprising success of “The Atrocity Archives”. The novel my agent initially thought was unsaleable sold to Golden Gryphon, a small but respectable Lovecraftian publisher in the United States. It went gold, going into reprint and becoming their second-best selling title at the time. Then, to everyone’s surprise, the additional novella I wrote for the book (“The Concrete Jungle”) made the shortlist for the Hugo award in 2005. This was a stunning surprise. GG had only sold around 3000 copies of the book; the other novellas on the shortlist had all appeared in magazines or anthologies with four to ten times the number of copies sold! After some hurried email consultation, Gary and Marty at GG agreed to let me put the whole novella on the web, to make it more readily available to the Hugo voters. I don’t know if that’s what did the trick, or if there were additional home-mover effects from the Worldcon in 2005 being held in Glasgow (thus bringing more British voters in than normal) but at the end of August that year I became the dazed and surprised owner of a very shiny trophy.

(And the performance anxiety that had been haunting me for years—”I’m not a real writer, I’m just winging this”—went away for a while.)

But anyway. This success coincided with a French publisher making an offer for translation rights to “The Atrocity Archives”, which in turn got my agent’s attention. She proposed a sequel, and James Bond was so obvious that I don’t think I even considered any alternatives. It would have to be the Movie Bond franchise, for most people these days don’t grow up on the original Ian Fleming novels (the way I did); the humour would come from the incongruity of Bob Howard in James Bond’s shoes. We decided to auction the new book, along with paperback rights to “The Atrocity Archives”, and ended up cutting a deal whereby Golden Gryphon would publish “The Jennifer Morgue” in hardcover while Ace rolled “The Atrocity Archives” in trade paperback, and eventually in mass market. Which then left me pondering what to write … because every Bond movie (or novel) needs a Bond-sized plot device, doesn’t it?

By this time we were into late October 2005. One evening, we were eating a Chinese take-away in front of the TV, watching a documentary on the Discovery Channel about one of the most bizarre CIA projects to happen during the Cold War — Project Azorian (better, but mistakenly, known to the public as “Operation Jennifer”). Seriously, if you don’t know about it, go follow that link right now; it’s about how the CIA enlisted Howard Hughes to help them build a 63,000 ton fake deep-see mining ship, the Glomar Challenger, as cover for a deep-sea grapple that would descend 4,900 metres and raise the hull of a shipwrecked Soviet nuclear missile submarine, the K-129. (Project Azorian was so James Bond that the engineering crew working on the ship were cracking jokes about the bald guy stroking the white cat in his seat on the bridge. How post-modern can you go?)

May 31, 2013

The congenital defect of politics

Filed under: Books, Bureaucracy, Government, Politics — Tags: , , , — Nicholas @ 08:56

Jonah Goldberg talks about a new book from Kevin Williamson:

Kevin Williamson’s new book is quite possibly the best indictment of the State since Our Enemy, the State appeared some eight decades ago. It is a lovely, brilliant, humane, and remarkably entertaining work.

Though he sometimes sounds like a reasonable anarchist, Williamson is not in fact opposed to all government. But he is everywhere opposed to anything that smacks of the State. There’s an old line about how to carve an elephant: Take a block of marble and then remove everything that isn’t an elephant. Williamson looks at everything we call the State or the government and wants to remove everything that shouldn’t be there, which is quite a lot. In what may be my favorite part of the book, he demolishes, with Godzilla-versus-Bambi ease, the notion that only government can provide public goods. In fact, most of what government provides are nonpublic goods (transfer payments, subsidies, etc.), and a great deal of what the market provides — from Google and Wikipedia to Starbucks rest­rooms — are indisputably public goods.

[. . .]

Williamson’s core argument is that politics has a congenital defect: Politics cannot get “less wrong” (a term coined by artificial-intelligence guru Eliezer Yudkowsky). Productive systems — the scientific method, the market, evolution — all have the built-in ability to learn from failures. Nothing (in this life at least) ever becomes immortally perfect, but some things become less wrong through trial and error. The market, writes Williamson, “is a form of social evolution that is metaphorically parallel to bio­logical evolution. Consider the case of New Coke, or Betamax, or McDonald’s Arch Deluxe, or Clairol’s Touch of Yogurt Shampoo. . . . When hordes of people don’t show up to buy the product, then the product dies.” Just like organisms in the wild, corporations that don’t learn from failures eventually fade away.

Except in politics: “The problem of politics is that it does not know how to get less wrong.” While new iPhones regularly burst forth like gifts from the gods, politics plods along. “Other than Social Security, there are very few 1935 vintage products still in use,” he writes. “Resistance to innovation is a part of the deep structure of politics. In that, it is like any other monopoly. It never goes out of business — despite flooding the market with defective and dangerous products, mistreating its customers, degrading the environment, cooking the books, and engaging in financial shenanigans that would have made Gordon Gekko pale to contemplate.” Hence, it is not U.S. Steel, which was eventually washed away like an imposing sand castle in the surf, but only politics that can claim to be “the eternal corporation.”

The reason for this immortality is simple: The people running the State are never sufficiently willing to contemplate that they are the problem. If a program dedicated to putting the round pegs of humanity into square holes fails, the bureaucrats running it will conclude that the citizens need to be squared off long before it dawns on them that the State should stop treating people like pegs in the first place. Furthermore, in government, failure is an exciting excuse to ask for more funding or more power.

Reason.tv: What Game of Thrones teaches about crony capitalism

Filed under: Books, Economics, History, Media — Tags: , , , , — Nicholas @ 00:01

“The game of thrones in general is a game of cronyism because it’s all about forming political alliances, especially with people who can make you better off economically speaking,” says Auburn University Economics Instructor Matthew McCaffrey.

McCaffrey has recently written about the economics involved in the popular Game of Thrones novels by George R.R. Martin as well as the HBO series based on the books. He sat down with ReasonTV’s Tracy Oppenheimer to discuss the various economic concepts that develop alongside the character-driven plot line, such as sin taxes, coin clipping, and the ever-present cost of borrowing.

According to McCaffrey, Martin extensively researches historical economic systems to make “the Realm” as plausible as possible.

“As part of his process he ends up uncovering a lot of historical details that usually get lost in a fantasy book of this kind,” says McCaffrey, “just practical difficulties of running a kingdom, how public finance works, how the game of thrones corrupts the people who play it and how it ends disastrously for the people who don’t play it well.”

May 27, 2013

Kim Il Sung’s 1974 higher education management text is “a perfect book for our times”

Filed under: Books, Bureaucracy, Humour, Media — Tags: , , — Nicholas @ 09:45

Alex Usher can’t stop recommending On Improving Higher Education, by Kim Il Sung, going so far as to call it “a perfect book for our times”:

Pay raises, for instance are Right Out. “As long as you make an issue out of remuneration, you cannot be a revolutionary,” says Kim, righteously noting that nobody paid Marx to write Das Kapital (the fact that Marx died before completing it might have had something to do with that, but no matter). North Korean intellectuals had the privilege of giving lectures and writing books, “and yet they insist on receiving money for this wonderful task,” Kim splutters.

Work rules, too, come under serious scrutiny. Responding to complaints that “university and college professors lecture a thousand hours a year”, which some consider to be too much, Kim is clear: “You are wrong! Fundamentally speaking, calculating lecture hours is not the attitude of a revolutionary. If you are true revolutionaries who serve the people, you would never calculate the hours; you try hard by all means to work as much as you can”.

(I make the following offer to university administrations across Canada: if any of you decide to try to outflank your faculty union to the left by telling them their views are evidence of captiveness to bourgeois ideology, I’m buying the first round.)

May 22, 2013

Fan fiction goes mainstream with Amazon’s Kindle Worlds

Filed under: Books, Business, Media — Tags: , , — Nicholas @ 12:54

People tend to have strong opinions on fan fiction (well, people who know it exists, anyway). This development will polarize fan ficcers very quickly:

The Twitters are abuzz today about Amazon’s new “Kindle Worlds” program, in which people are allowed to write and then sell through Amazon their fan fiction for certain properties owned by Alloy Entertainment, including Vampire Diaries and Pretty Little Liars, with more licenses expected soon. I’ve had a quick look at the program on Amazon’s site, and I have a couple of immediate thoughts on it. Be aware that these thoughts are very preliminary, i.e., I reserve the right to have possibly contradictory thoughts about the program later, when I think (and read) about it more. Also note that these are my personal thoughts and do not reflect the positions or policies of SFWA, of which I am (still but not for much longer) president.

1. The main knock on fan fiction from the rights-holders point of view — i.e., people are using their characters and situations in ways that probably violate copyright — is apparently not at all a problem here, since Alloy Entertainment is on board for allowing people to write what they want (within specific guidelines — more on that in a bit). Since that’s the case, there’s probably a technical argument here about whether this is precisely “fan fiction” or if it’s actually media tie-in writing done with intentionally low bars to participation (the true answer, I suspect, is that it’s both). Either way, if Alloy Entertainment’s on board, everything’s on the level, so why not.

2. So, on one hand it offers people who write fan fiction a chance to get paid for their writing in a way that doesn’t make the rightsholders angry, which is nice for the fan ficcers. On the other hand, as a writer, there are a number of things about the deal Amazon/Alloy are offering that raise red flags for me.

[. . .]

4. This won’t spell the end of unauthorized fan fic, and I’m very sure of that. For one thing, the Kindle Worlds program says it won’t accept “pornography” which means all that slash out there will still be on the outside of the program; likewise crossover fan fic, so those “Vampire Diaries meet Dr Who” stories will be left out in the cold. And besides that, there will be people who a) have no interest in making money and/or b) don’t write well enough to be accepted into the Kindle Worlds program (there does seem that there will be some attempt at quality control, or at least, someone has to go through the stuff to make sure there’s nothing that’s contractually forbidden). So if this was an attempt to squash fan fic through other means, it’s doomed to failure. But I don’t suspect that’s the point.

Update:

Camille Paglia reviews recent academic works … on BDSM

Filed under: Books, Media, USA — Tags: , , , , — Nicholas @ 00:01

It’s cleverly entitled “Scholars in Bondage”:

Three books from university presses dramatize the degree to which once taboo sexual subjects have gained academic legitimacy. Margot Weiss’s Techniques of Pleasure: BDSM and the Circuits of Sexuality (Duke University Press, 2011) and Staci Newmahr’s Playing on the Edge: Sadomasochism, Risk, and Intimacy (Indiana University Press, 2011) record first-person ethnographic explorations of BDSM communities in two large American cities. (The relatively new abbreviation BDSM incorporates bondage and discipline, domination and submission, and sadomasochism.) Danielle J. Lindemann’s Dominatrix: Gender, Eroticism, and Control in the Dungeon (University of Chicago Press, 2012) documents the world of professional dominatrixes in New York and San Francisco.

[. . .]

Furthermore, Weiss is lured by the reflex Marxism of current academe into reducing everything to economics: “With its endless paraphernalia, BDSM is a prime example of late-capitalist sexuality”; BDSM is “a paradigmatic consumer sexuality.” Or this mind-boggling assertion: “Late capitalism itself produces the transgressiveness of sex ­— its fantasized location as outside of or compensatory for alienated labor.” Sex was never transgressive before capitalism? Tell that to the Hebrew captives in Babylon or to Roman moralists during the early Empire!

The constricted frame of reference of the gender-studies milieu from which Weiss emerged is shown by her repeated slighting references to “U.S. social hierarchies.” But without a comparative study of and allusion to non-American hierarchies, past and present, such remarks are facile and otiose. The collapse of scholarly standards in ideology-driven academe is sadly revealed by Weiss’s failure, in her list of the 18 books of anthropology that most strongly contributed to her project, to cite any work published before 1984 — as if the prior century of distinguished anthropology, with its bold documentation of transcultural sexual practices, did not exist. Gender-theory groupthink leads to bizarre formulations such as this, from Weiss’s introduction: “SM performances are deeply tied to capitalist cultural formations.” The preposterousness of that would have been obvious had Weiss ever dipped into the voluminous works of the Marquis de Sade, one of the most original and important writers of the past three centuries and a pivotal influence on Nietzsche. But incredibly, none of the three authors under review seem to have read a page of Sade. It is scandalous that the slick, game-playing Foucault (whose attempt to rival Nietzsche was an abysmal failure) has completely supplanted Sade, a mammoth cultural presence in the 1960s via Grove Press paperbacks that reprinted Simone de Beauvoir’s seminal essay, “Must We Burn Sade?”

[. . .]

What is to be done about the low scholarly standards in the analysis of sex? A map of reform is desperately needed. Current discourse in gender theory is amateurishly shot through with the logical fallacy of the appeal to authority, as if we have been flung back to medieval theology. For all their putative leftism, gender theorists routinely mimic and flatter academic power with the unctuous obsequiousness of flunk­ies in the Vatican Curia.

First of all, every gender studies curriculum must build biology into its program; without knowledge of biology, gender studies slides into propaganda. Second, the study of ancient tribal and agrarian cultures is crucial to end the present narrow focus on modern capitalist society. Third, the cynical disdain for religion that permeates high-level academe must end. (I am speaking as an atheist.) It is precisely the blindness to spiritual quest patterns that has most disabled the three books under review.

The exhausted poststructuralism pervading American universities is abject philistinism masquerading as advanced thought. Everywhere, young scholars labor in bondage to a corrupt and incestuous academic establishment. But these “mind-forg’d manacles” (in William Blake’s phrase) can be broken in an instant. All it takes is the will to be free.

May 19, 2013

IP lawyers whine about patents and 3D printing

Filed under: Books, Law, Media, Technology — Tags: , , , , — Nicholas @ 08:52

Cory Doctorow appears to have been plagiarized by real life:

Two minor characters from my novel Makers have apparently come to life and written an article for 3D Printing Industry. These two people are patent lawyers for Finnegan IP law firm, Washington, DC, which I don’t recall making up, but this is definitely a pair of Doctorow villains (though, thankfully, I had the good sense not to give them any lines in the book — they’re far too cliched in their anodyne evil for anyone to really believe in).

These patent lawyers are upset because the evil Makers (capital-M and all!) are working with the Electronic Frontier Foundation to examine bad 3D printing patents submitted to the US Patent and Trademark Office. The problem is that 3D printing is 30 years old, so nearly all the stuff that people want to patent and lock up and charge rent on for the next 20 years has already been invented, and the pesky Makers are insisting on pointing out this inconvenient fact to the USPTO.

This breaks the established order, which is much to be preferred: the UPSTO should grant all the bullshit patents that companies apply for. The big companies can pay firms like Finnegan to file patents on every trivial, stale, ancient idea and then cross-license them to each other, but use them to block disruptive new entrants to the marketplace. The old system also has the desirable feature of arming patent trolls with the same kind of bullshit patents so that they can sue giant companies and disruptive startups alike, and Finnegan can be there to soak up the tens of millions of dollars in legal fees generated by all this activity.

May 17, 2013

Zoe Fairbairns’ Benefits

Filed under: Books, Britain, Media — Tags: , , , , — Nicholas @ 07:55

Neil Davenport talks about the recent re-publication of Zoe Fairbairns’ dystopian feminist novel, Benefits:

Written in the febrile political atmosphere of late-1970s Britain, Benefits is about a future state’s sinister attempts to control women’s fertility, and to encourage responsible parenting, through the introduction of a universal ‘wages for housework’ benefit.

Although rarely out of print since it first appeared in 1979, Benefits has recently been re-issued, with a new introduction by Fairbairns, for the e-reader age. It is now being marketed as a political attack on ‘anti-welfarist Tories’, yet as Fairbairns points out, anyone who views Benefits as simplistically ‘anti-Thatcherite’ is missing its key point: that welfare benefits can become a weapon of social engineering and control. On top of critiquing aspects of welfarism, Benefits lays into radical feminism’s self-defeating slogan, ‘The personal is political’, while passionately championing women’s liberation and equal rights — feminism’s one-time aims.

Like many dystopian novels, Benefits is rooted in the fears, the panics and the politics of the period it was written in. So although it is set in the dying days of the twentieth century, it rather charmingly echoes the late 1970s: all tower-block grime; politico slogans on walls; squats; communes; poorly designed radical pamphlets. It also speaks to the more alarmist rhetoric of that period of the mid- to late 1970s. From ecologists predicting Europe-wide famine to the New Right’s panic over single mothers to respectable racists complaining about ‘coloured immigration’, the political feeling in Benefits is unmistakably mid-Seventies.

[. . .]

Equally prescient in Benefits is the way its fictional state believes that ‘poor parenting’ can have a corrosive impact on the individual and society; this has become an unquestioned orthodoxy today.

Many dystopian novels hint at a future in which pornography has become staple entertainment. Benefits does that, too, and this also speaks to the reality of twenty-first-century life, especially to today’s increasing separation of sex from genuine intimacy (it talks about ‘all that sex and no babies’).

In Fairbairns’ nightmare vision, women who want to receive benefits must undergo ‘a programme of education for motherhood’. This sounds suspiciously like parenting classes, which are increasingly common today, especially for poorer families, or what David Cameron calls ‘chaotic families’. Also, in imagining a future in which parenting is redefined as a ‘national service’, Benefits hints at today’s creeping nationalisation of individual families. The novel even features a supra-sovereign state called Europea, where British politicians willingly offload their own parliamentary responsibilities. Sound familiar?

May 12, 2013

SF novels for economists

Filed under: Books, Economics, Media — Tags: — Nicholas @ 09:38

Noah Smith cobbles together a list of science fiction novels that might be of interest to economists:

Diane Coyle has a blog post called “Classics for economists,” and someone on Twitter requested that I do a companion piece called “Science fiction for economists”, so here it is.

Really, most science fiction is about economics. What makes most future visions interesting is not just the technical particulars of the cool new Stuff, but the social ramifications. Here are some of the sci-fi books that I thought dealt with important economic issues in the most insightful and interesting ways. I also chose only books that I think are well-written, with well-conceived characters, engaging plots, and skillful writing.

1. A Deepness in the Sky, by Vernor Vinge

2. Makers, by Cory Doctorow

3. The Dispossessed, by Ursula K. LeGuin

4. Down and Out in the Magic Kingdom, by Cory Doctorow

5. Rainbows End, by Vernor Vinge

6. Accelerando, by Charles Stross

7. Lucifer’s Hammer, by Larry Niven and Jerry Pournelle

8. The Windup Girl, by Paolo Bacigalupi

9. The Moon is a Harsh Mistress, by Robert Heinlein

10. Schismatrix, by Bruce Sterling

11. Permutation City, by Greg Egan

12. Reamde, by Neal Stephenson

13. The Game of Thrones series, by George R.R. Martin

In addition to the ones I’ve marked in boldface (that is, I’ve read them and agree they belong on this list), I suspect Stephenson’s Reamde would be worth reading, although I didn’t like Anathem and Smith lauds that as being Stephenson’s “#1 awesomest book”. The best comment on this post is the first one by Anonymous: “When Hari Seldon predicted his exclusion from this list a single tear rolled down his cheek.”

May 6, 2013

The Whole Earth Catalog was “the internet before the internet. It was the book of the future. It was a web in newsprint.”

Filed under: Books, Media, USA — Tags: , , — Nicholas @ 09:27

In the Guardian, Carole Cadwalladr profiles Stewart Brand and his early but vastly influential work, the Whole Earth Catalog:

Stewart Brand didn’t just happen to be around when the personal computer came into being; he’s the one who put “personal” and “computer” together in the same sentence and introduced the concept to the world. He wasn’t just a member of the world’s first open online community, the Well; he co-founded it. And he wasn’t just another of those 60s acid casualties; he was the definitive 60s acid casualty. Well, not casualty exactly, but he was there taking LSD in the days when it was still legal, with the most famous hipster of them all, Ken Kesey and his Merry Pranksters.

For nearly five decades, Stewart Brand has been hanging around the cutting edge of whatever is the most cutting thing of the day. Largely because he’s discovered it and become fascinated with it long before anyone else has even noticed it but, in retrospect, it does make him seem like the west coast’s answer to Zelig, the Woody Allen character who just happens to pop up at key moments in history. Because no one pops up like Stewart Brand pops up, right there, just on the cusp of something momentous.

[. . .]

This year marks its 45th anniversary. I have a slightly later, yellowing and decrepit edition, from 1971, though it’s the same oversized format. It’s the edition that sold 2m copies and won a US National Book award, and the tips on spot welding, home remedies for crabs (not the marine kind, I don’t think), dealing with drug busts, and building your own geodesic dome are rather delightfully quaint. (I especially like an extract from the underground guide to US colleges which states that, at the University of Illinois: “The hip chicks will do it. It is easier to find a chick who will have sex now than it was two years ago when things were extremely difficult.”) But it doesn’t even begin to convey the revolution that the Whole Earth Catalog represented.

But then, it’s almost impossible, to flick through the pages of the Catalog and recapture its newness and radicalism and potentialities. Not least because the very idea of a book changing the world is just so old-fashioned. Books don’t change anything these days. If you want to start a revolution, you’d do it on Facebook. And so many of the ideas that first reached a mainstream audience in the Catalog — organic farming, solar power, recycling, wind power, desktop publishing, mountain bikes, midwife-assisted birth, female masturbation, computers, electronic synthesizers — are now simply part of our world, that the ones that didn’t go mainstream (communes being a prime example) rather stand out.

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