After the 1960s cultural revolution, it was clear that the humanities had become too insular and removed from social concerns and that they had to reincorporate a more historical perspective. There were many new subject areas of contemporary interest that needed to be added to the curriculum — sex and gender, film, African-American and Native American studies among them. But the entire humanities curriculum urgently demanded rethinking. The truly radical solution would have been to break down the departmental structure that artificially separated, for example, English departments from French departments and German departments. Bringing all literature together as one field would have created a much more open, flexible format to encourage interdisciplinary exploration, such as cross-fertilizations of literature with the visual arts and music. Furthermore, I wanted an authentic multiculturalism, a curriculum that affirmed the value and achievements of Western civilization but expanded globally to include other major civilizations, all of which would be studied in their chronological unfolding. Even though I am an atheist, I have always felt that comparative religion, a study of the great world religions over time, including all aspects of their art, architecture, rituals, and sacred texts, was the best way to teach authentic multiculturalism and achieve world understanding. Zen Buddhism was in the air in the 1960s as part of the legacy of the post-war Beat movement, and Hinduism entered the counterculture through the London scene, partly because of Ravi Shankar, a master of the sitar who performed at California’s Monterey Pop Festival in 1967.

However, these boundary-dissolving expansions were unfortunately not the route taken by American academe in the 1970s. Instead, new highly politicized departments and programs were created virtually overnight — without the incremental construction of foundation and superstructure that had gone, for example, into the long development of the modern English department. The end result was a further balkanization in university structure, with each area governed as an autonomous fiefdom and with its ideological discourse frozen at the moment of that unit’s creation. Administrators wanted these programs and fast — to demonstrate the institution’s “relevance” and to head off outside criticism or protest that could hamper college applications and the influx of desirable tuition dollars. Basically, administrators threw money at these programs and let them find their own way. When Princeton University, perhaps the most cloistered and overtly sexist of the Ivy League schools, went coeducational after 200 years in 1969, it needed some women faculty to soften the look of the place. So it hastily shopped around for whatever women faculty could be rustled up, located them mostly in English departments at second-tier schools, brought them on board, and basically let them do whatever they wanted, with no particular design. (Hey, they’re women — they can do women’s studies!)

I maintain, from my dismayed observation at the time, that these new add-on programs were rarely if ever founded on authentic scholarly principles; they were public relations gestures meant to stifle criticism of a bigoted past. In designing any women’s studies program, for example, surely a basic requirement for students should be at least one course in basic biology, so that the role of hormones in human development could be investigated — and rejected, if necessary. But no, both women’s studies and later gender studies evolved without reference to science and have thus ensured that their ideology remains partisan and one-dimensional, stressing the social construction of gender. Any other view is regarded as heresy and virtually never presented to students even as an alternative hypothesis.

Today’s campus political correctness can ultimately be traced to the way those new programs, including African-American and Native American studies, were so hastily constructed in the 1970s, a process that not only compromised professional training in those fields over time but also isolated them in their own worlds and thus ultimately lessened their wider cultural impact. I believe that a better choice for academic reform would have been the decentralized British system traditionally followed at Oxford and Cambridge Universities, which offered large subject areas where a student could independently pursue his or her special interest. In any case, for every new department or program added to the U.S. curriculum, there should have been a central shared training track, introducing students to the methodology of research and historiography, based in logic and reasoning and the rigorous testing of conclusions based on evidence. Neglect of that crucial training has meant that too many college teachers, then and now, lack even the most superficial awareness of their own assumptions and biases. Working on campus only with the like-minded, they treat dissent as a mortal offense that must be suppressed, because it threatens their entire career history and world-view. The ideology of those new programs and departments, predicated on victimology, has scarcely budged since the 1970s. This is a classic case of the deadening institutionalization and fossilization of once genuinely revolutionary ideas.

Camille Paglia, “The Modern Campus Has Declared War on Free Speech”, Heat Street, 2016-05-09.