PragerU
Published on 2 Jul 2018No American led a more eventful life than Ulysses S. Grant, the 18th President of the United States and the Union Army’s most celebrated general. Garry Adelman, director of history and education at the Civil War Trust, tells Grant’s amazing story in this inspiring video.
Donate today to PragerU! http://l.prageru.com/2eB2p0hThis video was made in partnership with the American Battlefield Trust. Learn more about the Civil War and America’s Battlefields at: https://goo.gl/mmJMPk
July 24, 2018
The Amazing Life of Ulysses S. Grant
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July 22, 2018
Debunking the “King Cotton” school of history
In the current issue of Reason, Dierdre McCloskey discusses the claim that America became rich only or primarily due to exploitation of slave labour in the south:
Map showing which areas of the United States did and did not allow slavery between January 1861 to February 4 1861. On February 4 1861, the Confederate States of America was created. Territories and states which had not specifically banned slavery are colored red/pink.
Map by Golbez, via Wikimedia Commons.
In his second inaugural, Abraham Lincoln declared that “if God wills that [the Civil War] continue until all the wealth piled by the bondsman’s 250 years of unrequited toil shall be sunk…as was said 3,000 years ago, so still it must be said, ‘the judgments of the Lord are true and righteous altogether.'”
It is a noble sentiment. Yet the economic idea implied — that exploitation made us rich — is mistaken. Slavery made a few Southerners rich; a few Northerners, too. But it was ingenuity and innovation that enriched Americans generally, including at last the descendants of the slaves.
It’s hard to dispel the idea embedded in Lincoln’s poetry. TeachUSHistory.org assumes “that northern finance made the Cotton Kingdom possible” because “northern factories required that cotton.” The idea underlies recent books of a new King Cotton school of history: Walter Johnson’s River of Dark Dreams (Harvard University Press), Sven Beckert’s Empire of Cotton: A Global History (Knopf), and Edward Baptist’s The Half Has Never Been Told: Slavery and the Making of American Capitalism (Basic Books).
The rise of capitalism depended, the King Cottoners claim, on the making of cotton cloth in Manchester, England, and Manchester, New Hampshire. The raw cotton, they say, could come only from the South. The growing of cotton, in turn, is said to have depended on slavery. The conclusion — just as our good friends on the left have been saying all these years — is that capitalism was conceived in sin, the sin of slavery.
Yet each step in the logic of the King Cotton historians is mistaken. The enrichment of the modern world did not depend on cotton textiles. Cotton mills, true, were pioneers of some industrial techniques, techniques applied to wool and linen as well. And many other techniques, in iron making and engineering and mining and farming, had nothing to do with cotton. Britain in 1790 and the U.S. in 1860 were not nation-sized cotton mills.
Nor is it true that if a supply chain is interrupted there are no possible substitutes. Such is the theory behind strategic bombing, as of the Ho Chi Minh trail. Yet only in the short run is it “necessary” for a good to come from a particular region by a particular route. A missing link can be replaced, as in fact it was during the blockade of raw cotton from the South during the war. British and other European manufacturers turned to Egypt to provide some of what the South could not.
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July 7, 2018
History Buffs: Gettysburg
History Buffs
Published on 19 Feb 2018
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June 18, 2018
Feature History – Meiji Restoration
Feature History
Published on 21 May 2017Hello and welcome to Feature History, featuring Meiji Restoration, a fancy schmancy collab, and most likely too many bill wurtz references in the comments.
Rackam’s Life & Times of Tokugawa Ieyasu
https://www.youtube.com/watch?v=-6fR8oDewdg
Patreon
https://www.patreon.com/FeatureHistory
https://twitter.com/Feature_History
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I do the research, writing, narration, art, and animation. Yes, it is very lonely
Music
Jeff Van Dyck – The Shoto
Jeff Van Dyck – Ona Hei
Jeff Van Dyck – Sonaiyo
Jeff Van Dyck – Now and Zen
Jeff Van Dyck – Fudo Myo March
Jeff Van Dyck – Rock and a Hard Place
Jeff Van Dyck – Winds of Fate
Jeff Van Dyck – Duty Calls
Jeff Van Dyck – Battle of Shinobue
Jeff Van Dyck – The Harvest
Jeff Van Dyck – Death Cures a Fool
Jeff Van Dyck – The Fall of the Samurai
Jeff Van Dyck – Stalemate
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June 4, 2018
QotD: Pushing the Confederacy down the memory hole
Lately, I have been mightily irritated by the politically-correct campaign to permanently banish the old Confederate flag, and all music associated with the Southern cause, or any symbol that it once existed, before it was comprehensively defeated a century-and-a-half ago. Memorials of Robert E. Lee are being treated as memorials of Adolf Q. Hitler.
It strikes me that even under the old lamentable cotton-plantation slave system of the South, people mixed and got to smell one another — rich and poor, black and white, genteel and grotesque. That, the most forgotten slogan of the Dixie Land was her war cry: “Down with the Eagle, and up with the Cross!” That, it is the Cross of Saint Andrew astride the old Confederate flag that is most galling to the hyper-secular, liberal mind. That, the greatest triumph of the Union propaganda was to tar all those flag-bearers in the way our contemporary media demean all dissenters from the current party line as “racists,” “sexists,” “phobes,” and nothing more. That, the principal crime of the South was to stand by the wording of the U.S. Constitution, and from the beginning, to get in the way of a grand national scheme for social engineering, which triumphed with Lincoln (though hardly a liberal by the standards of today). That, in the Southern view, the eagle swooped down on them, with claws.
Something similar is now happening in the division of “Red States” and “Blue”: in an America from which the Christian conception of the “common man” is being systematically expunged. All who resist the categories to which they have been assigned are instinctively rebelling; “victim” and “oppressor” alike. This is what “common men” will do, when tarred and pressed, often without fully understanding why they rebel. They remember, however obliquely, whose sons and daughters they are. That, no matter how low in social station, they are Christ’s, and not the segregated chattels of some malicious and incompetent — and intentionally divisive — Washington Nanny.
The recovery of USA, and more largely, the recovery of Christendom, turns on the recovery of this conception of the “common man” — as Man, not as member of a client group. This has nought to do with “equality,” for it is none of a government’s business to help one group get even with another. Rather it is to serve man as man. This is a matter that goes deeper even than slavery, as Saint Paul explained. It is an unarguable, even mystical point. Where that conception survives, of the common in man, Christendom persists, and can potentially flourish.
David Warren, “The common man”, Essays in Idleness, 2016-08-29.
May 21, 2018
“Civil War Uniforms of Blue & Grey – The Evolution” Volume 2
LionHeart FilmWorks
Published on 29 Apr 2018http://www.lionheart-filmworks.com
Volume 2 of 4… A display of some of the more unique and important uniforms to represent the evolution of the American Civil War “Blue and Grey” from just before the spark of the war in 1861 to Union victory and occupation in 1865.
This project is meant to honor men from both the north and the south — now together forever in eternity — who served their countries, their states and their comrades while wearing these uniforms, weapons, and accouterments — during some of the most brutal battles Americans have ever faced. Shot in 4K and featuring nine of the best Living Historians in the country.
As accurately as we possibly could, and one uniform at a time.… telling the story of the 2.75 Million soldiers who once wore these sacks coats, shell jackets and kepis with pride — each soldier earning a debt we should all be duty-bound to continue to honor.
Directed/Produced: Kevin R. Hershberger
Cinematography: Hugh Burruss
Costumers & Featuring: Tyler Grecco, Nathan Hoffman, Connor Timony, Brennan Wheatley, Guy Gane, Eric Smallwood… as well as Mark Aaron, Tr’waan Coles & Justin Young.
Grip / Electric: Brian Lyles
Costumes & Props: Historical Wardrobe – Richmond, VA
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May 20, 2018
Black Army of Ukraine – Togoland in WW1I OUT OF THE TRENCHES
The Great War
Published on 19 May 2018Chair of Wisdom Time!
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May 7, 2018
The Empire of Mali – The Cracks Begin to Show – Extra History – #4
Extra Credits
Published on 5 May 2018After Mansa Musa’s death, the rivers of gold started drying up, and bitterness snaked out from the fringes of the vast Mali Empire. Wars were coming…
EDIT: 7:45 says 1930s. Our scripts have this written down as the 1370s. 🙂
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The Chinese Civil War – Blood for Unity l HISTORY OF CHINA
IT’S HISTORY
Published on 5 Sep 2015After the fall of the Qing dynasty China fell apart and both, forces loyal to Chiang Kai-shek’s National Kuomintang Party and as Mao Zedong’s Communist Party of China, fought to rule the country. This bloody struggle would ultimately result in the Chinese Civil War. It would take more than 22 years but would come to a halt during the 2nd Sino-Japanese War. After Japan’s defeat, Mao’s troops grew strong quickly and soon after they were able to force Chiang Kai-shek and his followers out of China. They sought refuge in Taiwan. Shortly after, Mao Zedong called out the People’s Republic of China. Learn all about the Chinese Civil War in this episode of Battlefields with Indy Neidell.
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May 2, 2018
“Civil War Uniforms of Blue & Grey – The Evolution” Volume 1
LionHeart FilmWorks
Published on 7 Apr 2018http://www.lionheart-filmworks.com
Volume 1 of 4… A display of some of the more unique and important uniforms to represent the evolution of the American Civil War “Blue and Grey” from just before the spark of the war in 1861 to Union victory and occupation in 1865.
This project is meant to honor men from both the north and the south — now together forever in eternity — who served their countries, their states and their comrades while wearing these uniforms, weapons, and accouterments — during some of the most brutal battles Americans have ever faced. Shot in 4K and featuring nine of the best Living Historians in the country.
As accurately as we possibly could, and one uniform at a time… telling the story of the 2.75 Million soldiers who once wore these sacks coats, shell jackets and kepis with pride — each soldier earning a debt we should all be duty-bound to continue to honor.
Directed/Produced: Kevin R. Hershberger
Cinematography: Hugh Burruss
Costumers & Featuring: Tyler Grecco, Nathan Hoffman, Connor Timony, Brennan Wheatley, Guy Gane, Eric Smallwood… as well as Mark Aaron, Tr’waan Coles & Justin Young.
Grip / Electric: Brian Lyles
Costumes & Props: Historical Wardrobe – Richmond, VA
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April 30, 2018
Russian Civil War and Russian Wars I BETWEEN 2 WARS I 1919 Part 2 of 4
TimeGhost History
Published on 29 Apr 2018On what was only recently the Eastern Front of World War One there is no end to war. Russia is at war with itself while it tries to reconquer the former territories of the Russian Empire. These new countries are also at war with themselves and each other, while they fight the Bolshevik Russian armies invading their young borders. Ukraine, Poland, Belarus, Lithuania, Latvia, Estonia, Finland, Romania, wherever you look in Eastern Europe there is war, more war… endless war.
Join the TimeGhost Army at https://timeghost.tv
or on Patreon: https://www.patreon.com/TimeGhostHistoryHosted by: Indy Neidell
Written by Spartacus Olsson and Indy Neidell
Directed by: Spartacus Olsson
Produced by: Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus OlssonA TimeGhost chronological documentary produced by OnLion Entertainment GmbH
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April 21, 2018
History Buffs: Rome Season One
History Buffs
Published on 18 Aug 2017Rome is a British-American-Italian historical drama television series created by John Milius, William J. MacDonald, and Bruno Heller. The show’s two seasons were broadcast on HBO, BBC Two, and RaiDue between 2005 and 2007. They were later released on DVD and Blu-ray. Rome is set in the 1st century BC, during Ancient Rome’s transition from Republic to Empire.
The series features a sprawling cast of characters, many of whom are based on real figures from historical records, but the lead protagonists are ultimately two soldiers named Lucius Vorenus and Titus Pullo, who find their lives intertwined with key historical events. Rome was a ratings success for HBO and the BBC. The series received much media attention from the start, and was honored with numerous awards and nominations in its two-series run. The series was filmed in various locations, but most notably in the Cinecittà studios in Italy.
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April 20, 2018
Food for thought on those “second US civil war” comments
Tom Kratman, Mil-SF author and former US Army officer responds to a Quora article titled “Why does the 2nd Amendment bother Europeans so much?” and shared some of his answer on Facebook:
More fun on Quora:
https://www.quora.com/Why-does-the-2nd-Amendment-bother-Europeans-so-much/answer/Pietro-Del-Buono#
A Sample: And here; since you’re not apparently ambitious enough to read it, I’ll copy you what I sent Stafford on just this question:
The Viet Cong, the Taliban, and the Iraqi resistance would all, at this point in time, be terribly surprised to learn of the omnipotence of the US Army, Navy, Air Force, and Marine Corps (retired lieutenant colonel, Infantry, former faculty of the war college, to boot; yes, I’ve had a varied and fun life). It isn’t, remember, a million citizens with arms, it’s probably over 80 million, just to begin with, most of us armed to deck out the wives, children, grandchildren, and no small number of the neighbors. I can, personally, outfit at least one short platoon while my former law firm, when I was in practice, could have fielded a company, less mortars and anti-tank, yes, to include with automatic weapons (machine guns, which are also legal here, though pricey).
How they would do this is perhaps more detailed and more bloody minded than you want, but, basically, tanks do not move when small arms dominating the roads mean they don’t get fuel delivered (no, aerial resupply is highly problematic). Neither do aircraft fly when no trucks or rail bring aviation fuel. Police, who are actually the decisive arm of counter-insurgency (see your own Sir Robert Thompson), pretty much require a disarmed citizenry to exercise control. Facing an armed citizenry willing to kill them, their risks and losses are too great for effectiveness. And then there’s sheer terror: “Nice family you have, Officer Quigley; be a damned shame if, say, you didn’t look the other way when we tell you to and they all ended up dead, don’t you think?”
Most of the US military preponderance is technological. Martin van Creveld has an interesting observation on that, which goes to the effect that high tech really only works well in very simple environments, air, open desert, at sea, and that a) it tends to fail badly when the environment gets more complex, while b) the human heart is the most complex environment of all. In other words, the forces of government would rarely know just who their enemies were in order to bring that tech to bear.
And then there’s the last aspect, an aspect, I think, Euros have the greatest difficulty understanding. Our police and armed forces are simply not reliable, over most of the country (remember, too, we have no real national police force or gendarmerie, not of any size and power, anyway) to the federal government. No, I don’t mean only the state based National Guards; the _regular_ forces actually draw most of their personnel from areas where folk revere the country and the constitution, but tend to detest the federal government. Called on to suppress a rebellion with which they by and large agreed, they’d defect in droves.Indeed, they might be at the forefront of rebellion. You may recall Obama talking about a civilian force, equal in size, budget, and power to DoD? I’ve never been able to shake the feeling that he had Pinochet and Allende in mind when he spoke those words, because he knew, deep down, that he and the left (our left, which is, of course, to the right, generally, of the Euro left) could not rule out a coup in the event of their pushing their agenda just that little bit too far.
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April 15, 2018
Rise of the Nations I BETWEEN 2 WARS I 1918 1 of 2
TimeGhost
Published on 14 Apr 2018After the War to End All Wars, there’s more of two things. More nations and more wars. Wars of independence, civil wars, ethnic wars, ideological wars and just plain old wars. In the first Prelude to the Between 2 Wars series, covering the years 1919-1939 from WWI to WWII chronologically, we look at the rise of nationalism out of the ruins of The Great War. Indy Neidell and Spartacus take you on a historical journey through 20 years of dawn, light, and dusk back into the darkness of war.
Join the TimeGhost Army on : http://timeghost.tv
Or on Patreon: https://www.patreon.com/TimeGhostHistoryHosted by: Indy Neidell
Written by: Spartacus Olsson & Indy Neidell
Produced by: Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Camera and Edit by: Spartacus OlssonA TimeGhost chronological documentary produced by OnLion Entertainment GmbH
From the comments:
TimeGhost
20 hours ago (edited)PLEASE READ BEFORE YOU COMMENT (AVOIDS REPEATING FEEDBACK): The first episode of Between 2 Wars focuses on what happened after The Great War. Out of respect for those of you that are anxiously waiting for the TGW series finale later this year, we’ve avoided any references to WWI as far as possible. This episode is a prologue to future episodes that go into more detail of the actual events starting in 1919. The episode focuses in broad strokes on the rise of nationalism and the conflict that this creates, as well as the situation in Germany and Russia at the end of 1918. Here some notes on feedback we have already received:
1. We will avoid text and pictures at the same time when Indy speaks in the future.
2. There is an error in the map on the Balkan peninsula, we missed to turn off the country layer for modern Macedonia, this country does not exist at the time as it is part of Serbia, Bulgaria and Greece in 1919. Our apologies. [Iceland is also labelled as “Island”.]
3. Some borders are drawn as the modern countries (e.g. Finland) although this is not correct at the time. This is a conscious decision to avoid an impossible dilemma. As pointed out in the video borders are in a state of flux in 1919, or even more often; just recently created. In cases where there is border contention that is not relevant to the current events of the video we have to choose between the following scenarios: A) Draw the border as one or the other side saw it – leads to controversy that we would like to avoid. B) Draw the contended area in as contended – doing that for one place leads to us having to do that for the rest of the world, we don’t have the capacity for that. C) Accept that we can’t solve this as the basis is not an exact fact base, but political problems that are way out of our program scope. We have tried other solutions, but C was the only one that worked (B would be the right thing to do, but we just can’t afford to invest the time it requires).
4. Some borders are not exactly right even when they are drawn for the events we speak of. This is due to 3. as well, but also because borders shift even within the year we speak of so that it becomes impossible to choose exactly the right line. We try our best to hit the least erroneous approximation, but it won’t always be perfect.
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April 12, 2018
Feature History – War of the Roses
Feature History
Published on 21 Feb 2017Hello and welcome to Feature History, featuring the War of the Roses, a video that is certainly not early this month, and a fancy new intro.
Helpful Family Tree
http://imgur.com/gallery/U3z6gPatreon
https://www.patreon.com/FeatureHistory
https://twitter.com/Feature_History
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My new hire, me, did a great job on the writing, narration, art and animation.A plethora of the paintings showcased in this video are by Graham Turner, you can purchase his work here;
https://www.studio88.co.uk/acatalog/medieval_prints.htmlMusic
Marcin Przybyłowicz – Wine Wars
Marcin Przybyłowicz – Merchants of Novigrad
Marcin Przybyłowicz – The Mandragora
Marcin Przybyłowicz – Breaking In
Marcin Przybyłowicz – I Name Thee Dea And Embrace Thee As My Daughter
Marcin Przybyłowicz – Go For It
Marcin Przybyłowicz – A Story You Wouldn’t Believe
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