TimeGhost History
Published 8 Sep 2021The Surrealist Movement is born this season with unsurprising eccentric drama. Salvador Dali will one day be a part of it, but for now he is still in art school and has actually only just come out of prison. Also this season, a crime which sees police chasing America’s first ever “Public Enemy No. 1”
(more…)
September 9, 2021
Did Freudian Psychology Create Modern Art? | B2W: ZEITGEIST! I E.25 Harvest 1924
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August 10, 2021
Art Deco in the 1920s
The1920sChannel
Published 1 Nov 2019The aesthetic of the 1920s was certainly unique and instantly recognizable. For those of us (me included) who don’t know much about art, it’s difficult to pinpoint the characteristics. The most important art movement of the ’20 was Art Deco. So here’s a closer, though unprofessional, look at 1920s aesthetic.
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July 20, 2021
Kurt Westergaard, RIP
Mark Steyn on the life and work of cartoonist Kurt Westergaard:
Kurt Westergaard and I were successive winners of the Danish Free Press Society’s Sappho Award. I was very flattered to find myself in his company, but couldn’t honestly say I deserved to be. Kurt was one of the bravest men of our time – not because he was inclined to bravery, but simply because, when it was required, he met the challenge and never backed down.
Sixteen years ago Flemming Rose of the Danish newspaper Jyllands-Posten decided to conduct a thought experiment in public after an author casually revealed that he couldn’t find any Danish artist willing to illustrate his book about “the Prophet Mohammed” (as the BBC now routinely styles him). So Flemming called twelve cartoonists and invited them to depict the late Prophet. Kurt Westergaard’s cartoon was the memorable one, and the one you recall as the years roll by. It was a pithy visual jest: Mohammed’s turban as a bomb with a lit fuse. See picture at top right.
“I attempted to show that terrorists get their spiritual ammunition from parts of Islam, and with this spiritual ammunition, and with dynamite and other explosives, they kill people,” Kurt told my old newspaper The National Post a few years back. “I showed this in a cartoon and what happened? They want to kill me, so I think I was right.”
An otherwise courtly, cultured Dane, Kurt Westergaard had a somewhat arresting dress code, preferring le rouge et le noir, the colors of anarchists, although, as a practical matter, it’s hard for a man of advanced years to carry off red trousers, whatever his motivation. He would qualify his pantaloons by explaining that he was not a political anarchist but a cultural one. Still, one can gather from the garb alone that Westergaard was no “right-winger”. Like most of the men and women I have shared a stage with in Europe this century, he was an old Sixties radical sufficiently principled to think the same kind of jokes he’d applied to church, monarchy, parliament and every other societal institution should also be applied to Islam. He never wanted to be a “free speech hero”, but gamely bore the burthen once it had been dropped on him. He certainly never wanted to be world-famous, albeit more so in Mogadishu than Manhattan and Lahore than Los Angeles. It cost him a comfortable retirement, weakened his health, and an ever more craven culture denied him the consolations of monetary exploitation. When I expressed sympathy, he laughed and said he’d do the same cartoon all over again even knowing what he was in for.
The blood lust began with a trio of imams on the make shopping the twelve cartoons (plus three cruder fakes) round the Muslim world, and leaving it to the usual Islamonutters to take it from there: In nothing flat, over two hundred people were dead – which meant that CNN & Co were obliged to cover the story. They did so by modifying Westergaard’s cartoon, with Mohammed’s face pixilated, as if he’d entered the witness protection programme. If only. In reality, it was that dwindling band of people who believe in free speech – and, indeed, free speech itself – that found itself in the witness protection programme.
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July 10, 2021
A History of Caricature: the Art of Exaggeration
J.J. McCullough
Published 27 Mar 2021Let’s look at the history of caricature, the art of drawing exaggerated cartoon pictures of famous people like celebrities, politicians, and movie stars. We’ll look at the style of great artists like Al Hirschfeld, Gerald Scarfe, and Robert Risko among others.
Voice cameo by Alec: https://www.youtube.com/user/bostwiki
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June 29, 2021
History Summarized: Rise of Islam
Overly Sarcastic Productions
Published 16 Nov 2016Note to viewers: This video contains images of the *Blue Mosque* in Istanbul, which is Not the Hagia Sophia. The Hagia Sophia was a church, later converted into a mosque, but the Blue Mosque, which, to be fair, looks fairly similar to the Hagia Sophia, is a totally different building, and was built by the Ottomans.
HE LIVES! … by at least a few medical metrics. Blue went on a huge training montage for the entirety of Autumn and is back to talk about the history of Islam!
If you have any questions about anything in the video and would like to learn more, leave them in the comments and I’ll do my best to answer!
MERCH LINKS:
Shirts – https://overlysarcasticproducts.threa…
All the other stuff – http://www.cafepress.com/OverlySarcas…Follow us on Twitter @OSPYouTube!
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June 8, 2021
History Summarized: Ancient Egypt
Overly Sarcastic Productions
Published 3 Feb 2017This video was commissioned by our loyal Patron Karl Erik L. Hoftaniska! To become our Patron and get access to sweet rewards, hop on over to PATREON.COM/OSP
I must say, I was pleasantly surprised about the things I learned about Egypt in the process of making this video. The feeling of learning cool new things never gets old.
Coming soon in Blue’s History Summarized line-up will be the next part of his Abrahamic Religion series: Judaism!
In the meantime, WOO EGYPT!Have a question about anything mentioned or not mentioned? Leave a comment! Blue will do his best to answer.
PATREON: www.patreon.com/user?u=4664797
MERCH LINKS:
Shirts – https://overlysarcasticproducts.threa…
All the other stuff – http://www.cafepress.com/OverlySarcas…Find us on Twitter @OSPYouTube!
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May 12, 2021
QotD: The true artist
Being an artist means knowing you’re right when everyone is telling you you’re wrong — but even more, it means knowing you’re wrong when everyone is telling you you’re right.
Christopher Shinn, Twitter, 2018-10-04.
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March 29, 2021
The Bayeux Tapestry – all of it, from start to finish
Lindybeige
Published 18 Oct 2017A complete guide to the story as depicted on the famous Bayeux Tapestry. There is a lot more to it than just the Battle of Hastings.
Support me on Patreon: https://www.patreon.com/Lindybeige
Other than The Adventures of Stoke Mandeville, this is the longest editing job I have ever done. It took eleven very long days of work to put this together from the opportunist footage I snatched when changing trains near the museum where it is on display. The shoot was not without its problems, one of which was the fact that because the tapestry is behind glass, and the museum has many illuminated displays, the reflections in the glass were a bane, and I didn’t manage to get rid of them all. Another was that my stills camera refused to work after taking a small number of pictures. It had always worked fine before, and has always worked fine since. It wasn’t the battery and it wasn’t the SD card. It was a mystery.
For the curious, the edit involved seventeen tracks on the timeline, and has twenty-two animated scenes. Unfortunately, the main animation software I was using could not handle full HD images, and so there is a slight loss of picture quality during most of the animated scenes. You will notice that the close-ups have a better picture quality than the wide shots. This is because they were taken with the camera pushed up against the glass, which improved focussing, and got rid of almost all of the haze and reflections caused by the glass.
It is important to understand that this ‘tapestry’ is a piece of propaganda, and does not tell an accurate version of events. The story I tell here is the one depicted, not what actually happened.
I have enough material for more videos on the tapestry, but am in no great hurry to spend many more days editing this difficult footage. Trying to match the writing and speaking of narration to panning camerawork that had no notion when shot of what might need to be said about some passing scene, was a nightmare, and many editing compromises had to be made, with some scenes skipped past quickly, and others drawn out.
Clarification on the nudity: I said that the figure under the mysterious Cleric and woman was the the only figure displaying genitals on the tapestry. This was misleading. Several animals clearly are pictured with genitals, and on the tapestry in Bayeux today it looks as though a couple of other human figures have genitals. Some of these may have been added later, and these are not being ‘displayed’ as the displaying figure is clearly doing, but look more incidental.
I describe the tall figure emerging from the building with a lance and pennant, being brought his horse, as “William”. It occurred to me after making the video that all the sources I consulted describe this figure as William, but the text does not name him as William, so possibly he is just a Norman knight, representing any and all of the knights setting out for the battle, and that this figure is meant to be “William” could be a modern tradition that has become accepted fact just by repetition.
Buy the music – the music played at the end of my videos is now available here: https://lindybeige.bandcamp.com/track…
Lindybeige: a channel of archaeology, ancient and medieval warfare, rants, swing dance, travelogues, evolution, and whatever else occurs to me to make.
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March 25, 2021
Modern Artists: The Original Shitposters! | B2W: ZEITGEIST! I E.14 – Winter 1922
TimeGhost History
Published 24 Mar 2021The interwar era has seen an explosion of art movements all vying to offer the most revolutionary response to modern society. The competition is intense and, as we shall see, often spills over into open conflict.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Hosted by: Indy Neidell
Written by: Francis van Berkel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Francis van Berkel
Edited by: Michał Zbojna
Sound design: Marek KamińskiColorizations:
Daniel Weiss – https://www.facebook.com/TheYankeeCol…Sources:
Some images from the Library of CongressSoundtracks from Epidemic Sound:
“Epic Adventure Theme 3” – Håkan Eriksson
“Crimp” – Hysics
“Substage” – Jay Varton
“Appeased Soundscape 01” – August Wilhelmsson
“Stranger Days” – Alexandra Woodward
“Superior” – Silver Maple
“Rememberance” – Fabien Tell
“Ghost Dungeons” – Ethan Sloan
“Ancient Discoveries” – Gabriel LewisArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
TimeGhost History
2 days ago (edited)
The original idea for this episode came from me (Francis here, hello) stumbling across a passing reference to the 1922 trial of André Breton buried deep in a Wikipedia article. It led me down a huge rabbit hole on the history of the chaotic artists milling around in Paris, New York, Zurich, and beyond.Considering that it also takes place in the same season as the publication of Ulysses, the release of Nosferatu, the birth of Brazillian Modernism, and more, I realized that it was the perfect opportunity to dedicate an entire episode to the weird and wonderful artistic movements of the modern era. If this kind is new to you then consider this episode your introduction to the topic. Indy talks about the Cubist revolution, then Dadaism, Expressionism, and more.
In case all that seems a bit too niche for your liking then look at it this way: if you want to understand how people processed the horrors of the Great War, the rise of mass production, and modern geopolitical machinations, then diving into the art of the time is a great place to start.
Watch the video to find out why.
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March 6, 2021
Vaccinations and Communist Famine | B2W: ZEITGEIST! I E.12 – Summer1921
TimeGhost History
Published 5 Mar 2021This season there is a major breakthrough in combatting one of humanity’s oldest diseases, but a deadly famine also strikes Soviet Russia. Will the international community come to the fledgling state’s aid?
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Hosted by: Indy Neidell
Written by: Francis van Berkel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Francis van Berkel
Image Research by: Daniel Weiss
Edited by: Daniel Weiss
Sound design: Marek KamińskiColorizations:
– Daniel Weiss – https://www.facebook.com/TheYankeeCol…Sources:
Some images from the Library of Congress
Albert Calmette. Photograph, 1930. Credit: Wellcome Collection
World health : the magazine of the World Health Organization Credit: Wellcome Collection Hannokarlhuber https://www.hanno-karlhuber.at/galeri…
https://wellcomeimages.org/indexplus/…
art of Atlit-Yam from Hanay
Photo by J P Davidson https://flickr.com/photos/50616401@N0…From the Noun Project:
– people by Gregor Cresnar
– Earth by RF_Design
– sick By Adrien Coquet, FR
– Man by Milinda CoureySoundtracks from Epidemic Sound and ODJB
– “One More for the Road” – Golden Age Radio
– “Not Safe Yet” – Gunnar Johnsen
– “The Inspector 4” – Johannes Bornlöf
– “Guilty Shadows 4” – Andreas Jamsheree
– “Dark Shadow” – Etienne Roussel
– “Brighter Days Will Come” – Oakwood Station
– “Just Like Old Times” – Jackie MartinArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
TimeGhost History
3 days ago
As usual this episode sees the balance of dark and light that is so typical of the interwar period. Famine in Russia and the first fast-food chain in America; the turning of the tide against TB and tragic Hollywood scandal.So a mixture of serious and fun. Regular viewers will know that our comment section is the same, running from intense debate to long-running memes. In this episode Indy mentions the first ice-cream candy bar, so to encourage things to stay on the light-hearted side why don’t you comment below telling us what’s your favourite candy bar or fast-food joint?
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January 28, 2021
QotD: Art for art’s sake
Severian, “The Entertainer”, Rotten Chestnuts, 2020-10-08.
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January 9, 2021
The (declining) power of the political cartoon
In Quillette, Jack Reilly outlines the rise of political cartooning from (of all people) Martin Luther to the present day, as it faces the final phase of its long career:
The first influential cartoon published in an American newspaper has traditionally been credited to Benjamin Franklin, who drew his famous serpent divided into eight parts with the legend Join, or Die — the message being that fellow colonists must band together to repel the enemy forces then threatening their territory. Long after Franklin’s death, the image would be dusted off for reuse by supporters of American unity.
Thomas Nast, whom many consider to be the greatest editorial cartoonist of all time, rose to prominence during the Civil War. Still in his early 20s, the young German immigrant began producing such arresting pro-Union material that Abraham Lincoln — flipping Napoleon’s rueful commentary about James Gillray on its head — referred to Nast as “our best recruiting agent.”
During the national election of 1864, conducted amidst the Civil War, the Democrats pushed a platform of reconciliation with the slaving south. In response, Nast created his famous Compromise with the South cartoon, depicting an injured union soldier, bowing his head and lifelessly shaking hands with a victorious confederate who stands atop the grave of a fallen Yankee, with Lady Liberty weeping in the foreground. The epitaph on a tombstone reads “In memory of the Union heroes who died in a useless war.” Nast’s lurid but masterful image created a sensation, and showed how politically powerful the cartooning medium could be in an age of mass newspaper readership. Two months later, Abraham Lincoln defeated the Democrat candidate, George McClellan, to secure a second term.
In the decades following the war, Nast would continue to elevate the medium to high art. In 1871, he began an ongoing series for Harper’s Weekly attacking the corruption of Tammany Hall, the Democratic political machine that controlled New York politics. Nast so mercilessly lampooned William M. “Boss” Tweed as the machine’s ringleader, that Tweed was heard to rage, “Stop them damn pictures! I don’t care a straw for your newspaper articles. My constituents can’t read. But they can’t help seeing them damn pictures!”
Eventually, Tweed was convicted of money laundering. (He attempted to escape justice by absconding to Spain, but was soon apprehended by Spanish officials, who reportedly recognized him with assistance from Nast’s cartoons.) As for Nast himself, he’d go on to conceive of the elephant as a symbol for the Republican party, popularize the use of the donkey for the Democrats, and help create the modern image of Santa Claus that Americans have come to love.
“The Third-Term Panic”, by Thomas Nast, originally published in Harper’s Magazine on 7 November 1874.
A braying ass, in a lion’s coat, and “N.Y. Herald” collar, frightening animals in the forest: a giraffe (“N. Y. Tribune”), a unicorn (“N. Y. Times”), and an owl (“N. Y. World”); an ostrich, its head buried, represents “Temperance”. An elephant, “The Republican Vote”, stands near broken planks (Inflation, Repudiation, Home Rule, and Re-construction). Under the elephant, a pit labeled “Southern Claims. Chaos. Rum.” A fox (“Democratic Party”) has its forepaws on the plank “Reform. (Tammany. K.K.)” The title refers to U.S. Grant’s possible bid for a third presidential term. This possibility was criticized by New York Herald owner and editor James Gordon Bennett, Jr.
Image and caption via Wikimedia Commons.
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December 12, 2020
QotD: Modernism
Myron Magnet, “Free Speech in Peril: Trigger warning: may offend the illiberal or intolerant”, City Journal, 2015-04.
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December 2, 2020
The Nazis: Most Notorious Art Thieves in History – WW2 Special
World War Two
Published 1 Dec 2020During their occupation of large parts of Europe, the Nazis systematically looted foreign countries for art, gold and other items holding financial or cultural value. Often not for any larger purpose, but for their own, egocentric, criminal gain.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Indy Neidell
Written by: Joram Appel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Joram Appel
Edited by: Karolina Dołęga
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
– Klimbim
– Daniel Weiss
– Norman Stewart – https://oldtimesincolor.blogspot.com/
– Dememorabilia – https://www.instagram.com/dememorabilia/
– Spartacus OlssonSources:
– Bundesarchiv
– Yad Vashem: 73_1_34, 72GO8, 03_198, 73_1_23, 99co5, 186_271, 99co6, 16_28,
– United States Holocaust Memorial Museum ID EA 65940
– RijksmuseumSoundtracks from Epidemic Sound:
– “The Inspector 4” – Johannes Bornlöf
– “London” – Howard Harper-Barnes
– “Moving to Disturbia” – Experia
– “Break Free” – Fabien Tell
– “Remembrance” – Fabien Tell
– “Disciples of Sun Tzu” – Christian AndersenArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
1 hour ago
Throughout history, people have obsessed with hidden treasure of past thieves. There were plenty of hidden art and gold collections left behind by the Nazis, often in caves or vaults. Many were found after the war by the several Allied units tasked with locating valuables. While finding some Nazi gold stash still sounds exciting, we should not forget the story behind this loot. Writing this episode, the exciting nature of it quickly faded once I fully realised how thousands of normal people were robbed of everything they owned – including their lives. The thievery of valuables can not be seen outside of the context of Nazi racial policies and ultimately the murder of millions in the Holocaust. The top Nazis truly reconfirm their true criminal nature in this episode, not caring a bit about anything other than themselves.Cheers,
Joram
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November 27, 2020
Horse Lords: A Brief History of the Scythians
History Time
Published 30 Jan 2018This video is about the Scythians. One of the first horse cultures on Earth.
Are you a budding artist, illustrator, cartographer, or music producer? Send me a message! No matter how professional you are or even if you’re just starting out, I can always use new music and images in my videos. Get in touch! I’d love to hear from you.
If you liked this video and have a spare dollar you can help support the channel here:-
http://www.patreon.com/historytimeUKI’ve compiled a reading list of my favourite history books via the Amazon influencer program. If you do choose to purchase any of these incredible sources of information then Amazon will send me a tiny fraction of the earnings (as long as you do it through the link) (this means more and better content in the future) I’ll keep adding to and updating the list as time goes on:-
https://www.amazon.com/shop/historytimeMusic used:-
Ross Bugden – “Parallel”, “Last Dawn”, “Titans”, “Olympus”I try to use copyright free images at all times. However if I have used any of your artwork or maps then please don’t hesitate to contact me and I’ll be more than happy to give the appropriate credit.
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