World War Two
Published 5 Jun 2021The supposedly surprise Japanese operations against Midway Atoll and the Aleutian Islands kick-off, but they don’t know that Allied intelligence has cracked their codes. As the Japanese fleet advances in the Central Pacific and Japanese planes bomb Midway, the US Navy has a big surprise waiting for them.
(more…)
June 6, 2021
Midway, pt.1 – Clash of the Titans – 145a – June 5, 1942
May 7, 2021
The Nazi Invasion of Canada?! – WW2 – On the Homefront 009
World War Two
Published 6 May 2021What would happen if Nazi Germany invaded Canada? You don’t need to imagine. In 1942, the government of Mackenzie King launched a propaganda effort that simulates Canada falling under Hitler’s yoke. Why? For the war economy of course!
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Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Anna Deinhard
Written by: Fiona Rachel Fischer and Spartacus Olsson
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Fiona Rachel Fischer
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Miki Cackowski and Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Adrien Fillon – https://www.instagram.com/adrien.colo…
Daniel WeissSources:
IWM Art.IWM PST 18495, CH 27, CH 3231, CH 6831, HU 88386, HU 104482
nationaal archief
Photo Album of F.V. Light (1923-2000)Soundtracks from the Epidemic Sound:
Howard Harper-Barnes – “London”
Johannes Bornlof – “The Inspector 4”
Howard Harper-Barnes – “Prescient”
Max Anson – “Ancient Saga”
Howard Harper-Barnes – “Sailing for Gold”
Philip Ayers – “Please Hear Me Out”
Jo Wandrini – “Puzzle Of Complexity”
Reynard Seidel – “Deflection”
Rannar Sillard – “March Of The Brave 4”
Phoenix Tail – “At the Front”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
1 day ago
As you can see in the video, the efforts to raise money to pay for the war were extremely high. But when we read about the stuff that was going on in Winnipeg on “If-Day”, we were really surprised — talk about “playing” war! Of course, this top-notch high-effort propaganda had quite the impact on the citizens of Winnipeg, because — let´s be honest — who wouldn´t be frightened by any kind of Nazi invasion? And they did not spare any effort to get the details right, too. What is your impression of If-Day? Have you heard of it before? Please let us know in the comments!Cheers, Fiona
P.S. If you want to watch the short film starring Donald Duck which Anna mentions in the video, click right here: https://www.youtube.com/watch?v=XNMrMFuk-bo&ab_channel=8thManDVD.com%E2%84%A2CartoonChannel
April 17, 2021
Can you build a Starter Set Model Kit using ONLY the included paints and glue?
Model Minutes
Published 10 Dec 2020Quite often I get asked if you can build a Starter Set Model Kit using ONLY the included paints and glue? Well, why not? What would it actually look like? I feel like there might be a bit of a CHALLENGE coming on …
Join me in this video as I build (and review) the Airfix Messerschmitt Bf109E-3 plastic model kit in 1/72 scale which comes as part of a starter set — with glue, paint and brush included. I will be building this kit with only these products to see how it turns out.
Unboxing review of this kit:
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https://www.instagram.com/modelminutes/This video is intended for adult scale model enthusiasts.
Model Minutes holds no responsibility for any accidents, damage or injury that could occur as a result of attempting to replicate any steps depicted in this video.
All music used from the YouTube Audio Library.
#Airfix #Model #Modelkit #starterset #scale #bf109
From the comments:
Model Minutes
4 days ago
Before you leave a comment about thinning the paint or using extra tools/products, read this:I don’t think a lot of people watching this one quite “got” what I was going for here. My aim (if it wasn’t clear) was to see how good I could make this model kit using only the included products and a knife. I gave myself really strict rules to follow in an attempt to get a “best case” model out of a “worst case” situation.
Many people seem to think that beginners would instantly know that they are supposed to thin their paints, sand the plastic, fill the gaps, use extra brushes … and if, as a beginner you knew that, then you were so fortunate!
But this video is for those of us (me included) who knew nothing about model building, had no one to help us and nothing to look to for reference. When I started, YouTube didn’t exist (the internet wasn’t really a thing for me growing up either) and if I wanted to read up about modelling it meant buying magazines and looking for the information.
My build in this video is a throwback to my early days, where I built what I wanted, how I wanted, and usually with only what I had, could borrow, recycle or afford with my small amount of pocket money.
Ultimately though, I think the point of this build and video has been missed by some.
It’s meant to be fun, a light and entertaining look at our hobby. After all, isn’t this hobby supposed to be fun anyway?
I’d also like to think that some beginners out there see this one and realise that you don’t have to build a model kit with all these extra things that so many youtubers use these days. Although it’s good to have aspirations I think it’s unrealistic and can put newcomers off. If my video encourages just one new person to start building, then that’s a success right? We should be encouraging new members to the hobby because it’s in our interest too! If you agree, send someone this video and encourage them to start!
TLDR: I made this video for entertainment. It’s not a tutorial. I added extra restrictions because otherwise it wouldn’t be a “challenge” — it would be a normal build video.
December 28, 2020
Another aircraft that’s about to become a political football in Canada
Ted Campbell discusses the need to replace the Royal Canadian Air Force long-haul VIP transport aircraft (the current CC-150 Polaris planes were built and first operated by Wardair in 1987 and obtained by the government in 1993). It’s traditional for the government to be assailed by the opposition and the media (at least when it’s a Conservative government in office) for wanting to spend far too many dollars for unnecessarily luxurious planes (Jean Chretien in opposition called the Polaris a “flying Taj Mahal”)*. The Polaris and its eventual replacement do a lot more than just fly junketing politicians around:

RCAF CC-150 Polaris at Zurich, Switzerland on 25 January, 2012.
Photo by Kambui via Wikimedia Commons
… let’s all remember please that the primary roles of this fleet of aircraft are to transport Canadian troops to wherever in the world they might need to go, for operations, and to refuel our jet fighters when they are deployed overseas, and to carry cargo, but smaller loads that do not require a big CC-130 Hercules or the mighty CC-177 Globemaster III. The Royal Canadian Air Force needs a fleet of specially modified aircraft for those roles. There are several more modern “tankers” available including the Boeing KC-46 which is used by the USA and Israel and the Airbus A330 Multi Role Tanker Transport (MRTT) which is used by several nations including Australia and the United Kingdom. […] Some commercial aircraft can be converted, easily and quickly, from carrying passengers in seats to carrying cargo in containers to carrying aircraft fuel in giant bladders with refuelling hoses attached. They are true multi-role aircraft. They can also be converted to VIP aircraft with special suites for sleeping, with showers, work spaces, secure telecommunications and regular conventional passenger seats for support staff and journalists.
The key bit of a real VIP aircraft is a secure (high-grade encryption) communications and information suite. The prime minister, ministers and senior officials, when en route to a meeting in a foreign capital may need to have discussions that are SECRET-CANADIAN EYES ONLY with senior staff back in Ottawa and they may then need to have a video conference call with, say, the Prime Ministers of e.g. Australia and the United Kingdom using a different security system that allows them to discuss SECRET-FIVE EYES ONLY materiel. You’re talking a reliable satellite communications system (with a back-up, too) and various cryptographic terminals and the people to operate and maintain them. The comm/IT suite is complex and expensive. Everything else is optional and, even in the case of a VIP shower stall, pretty cheap, too.
OK, I can already hear the objections, many from Conservatives: “Why doesn’t he fly commercial? He can even fly First Class,” some will say. Aside from some very real security concerns, suppose he has to attend a G-20 meeting in Brazil. There are no flights from Ottawa, there are no direct flights from Toronto. Even if there were he would need an entourage of security and telecommunications/cryptography specialists. I know the Pope charters an Alitalia jet when he travels but I’m afraid that even Air Canada, which has 400± aircraft and carries over 50,000,000 passengers a year, might find it too difficult to keep an aircraft on something close to “hot-standby,” as the RCAF does, for the prime minister. This problem was examined many times over the years and the range of factors ~ security, communications, availability ~ dictate that a dedicated VIP squadron in the Air Force is the best choice … maybe the only sensible choice.
* I rarely say much in favour of former PM Jean Chrétien, but in this particular case he was consistent in his opposition even after being elected: he refused to use the VIP transport during his time in office and attempted to find a buyer for that particular aircraft. Successor Paul Martin had no such aversion and used the aircraft during his premiership.
December 14, 2020
QotD: Goodhart’s law
This is why planning an economy simply doesn’t work. Issue targets that must be hit and people game the system to hit the targets without actually doing the desired underlying thing. Or, as it is formally constituted:
Any observed statistical regularity will tend to collapse once pressure is placed upon it for control purposes.
Or as it has been reformulated:
Goodhart’s law is an adage named after economist Charles Goodhart, which has been phrased by Marilyn Strathern as: “When a measure becomes a target, it ceases to be a good measure.” One way in which this can occur is individuals trying to anticipate the effect of a policy and then taking actions which alter its outcome.
Set a target for tonnes of shoes and you get one tonne shoes. Set a target for 100 shoes and you get 100 left feet. Set a target for being on time and people fiddle their definition of time.
It is, by the way, entirely fine to insist that airlines play fair with telling us how long a flight will take. You said it will take 4 hours, then 4 hours should be about the time it takes. Yes, sure, we understand, airports, crowded places. Idiot passengers forget to board, luggage must be taken off. Winds vary, thunderstorms happen, French air traffic controllers actually turn up to work today, their one day in seven. Sure, there’re lots of variables. But if you say it’s about four hours then it should be about four hours. Great.
But to complain that they pad their number a bit is ludicrous. We’re holding their feet to the fire, insisting that an underestimate will lead to financial costs. Thus, obviously, they will overestimate. That’s not really even Goodhart’s Law, that’s just human beings. But then, as we know, those who would plan everything don’t deal well with the existence of people, do they?
Tim Worstall, “Goodhart’s Law Applies To Economies, To Everything – Why Not Scheduled Airline Flight Times?”, Continental Telegraph, 2018-08-27.
December 7, 2020
USS Pennsylvania and Pearl Harbor
The History Guy: History Deserves to Be Remembered
Published 22 Apr 2019USS Pennsylvania was in dry dock when the attack came at Pearl Harbor. The History Guy remembers part of her history that may have been forgotten.
This episode was originally posted December 7, 2017. It has been updated to correct some errors in the original, and new footage of USS Pennsylvania has been added.
This is original content based on research by The History Guy. Images in the Public Domain are carefully selected and provide illustration. As images of actual events are sometimes not available, images of similar objects and events are used for illustration.
All events are portrayed in historical context and for educational purposes. No images or content are primarily intended to shock and disgust. Those who do not learn from history are doomed to repeat it. Non censuram.
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The History Guy: History Deserves to Be Remembered is the place to find short snippets of forgotten history from five to fifteen minutes long. If you like history too, this is the channel for you.
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#ushistory #thehistoryguy #usspennsylvania
December 4, 2020
“The Red Baron Pt. 2” – Kings of the Sky – Sabaton History 096 [Official]
Sabaton History
Published 3 Dec 2020They were the Aces in the sky — proud knights who flew their planes into deadly combat. Loved by the public, feared by their enemies, the victorious pilots of the Great War rose to prominence as gallant heroes. But the personal stories of those celebrated pilots were also memories full of excruciating pain, of terrible loss, and inner struggle. Body and mind of those aces were broken by the constant danger of fighting in the air. Those who survived bore more than a few scars.
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Listen to “The Red Baron” on the album The Great War: https://music.sabaton.net/TheGreatWar
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Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Brodén, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Community Manager: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Editor: Karolina Dołęga
Sound Editor: Marek Kamiński
Maps by: Eastory – https://www.youtube.com/c/eastory
Archive: Reuters/Screenocean – https://www.screenocean.comSources:
– National Archives NARA
– Imperial War Museums: EB1911, Q33851, Q33725, Q33875, Q23897, Q 105765, ART 1611, Q 63852, Q 63850, Q 93660, Q 55479, Q 60799, Q 10331, Q 67114, Q 66540,
– Library of Congress
– The Board of Trustees of the Science Museum
– Wellcome Images
– Icons form The Nano Project: iron cross By Souvik Maity, IN ld Plane by LUTFI GANI AL ACHMAD,
– planes of World War 1 courtesy of 11Amanda on Wikimedia CommonsAll music by: Sabaton
An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
October 6, 2020
⚜ | The Great Tank Destruction Myth ft. The Chieftain
Military Aviation History
Published 24 May 2018Planes kill tanks in the thousands, Sir! Why, do they really? Lets find out.
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Ian Gooderson, Air Power at the Battlefield
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Zeller, “Estimates concerning the effectiveness of some contemporary American fighters in
defeating a defended and undefended IS-III tank”,⚜ Music ⚜
Music and Sfx from Epidemic Sound⚜ DISCLAIMER ⚜
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#CAS #GroundAttack #Typhoon
September 8, 2020
British Cabin Pressure Flare Pistols (Quite Unusual)
Forgotten Weapons
Published 8 Oct 2018https://www.forgottenweapons.com/brit…
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Signal flares were an important communications tool for aircraft during World War Two, and a multitude of flare pistol types exist with mounting brackets for aerial use. The introduction of pressurized fuselages made this a much more difficult proposition, however. These two flare pistols were designed by the British to maintain the pressurized seal of an aircraft body while still allowing firing and reloading through a pivoting mount and system of seals. I bet you haven’t seen something quite like these before!
Contact:
Forgotten Weapons
PO Box 87647
Tucson, AZ 85754If you enjoy Forgotten Weapons, check out its sister channel, InRangeTV! http://www.youtube.com/InRangeTVShow
August 4, 2020
Sturmtruppen Firepower: The Artillery Luger
Forgotten Weapons
Published 4 Apr 2020https://www.instagram.com/rockislanda…
https://www.youtube.com/user/RockIsla…
This is lot #3569 in the upcoming RIA Premier Auction. It was scheduled for April, but has been postponed — check their web site for upcoming Online Only auctions every month, though!
The lP08 (Lange pistole 08) was formally adopted in 1913 to replace the Reichsrevolver for the field artillery. These were the German light artillery troops, who were specifically given a pistol caliber carbine to provide maximum firepower in a very compact package. They were made by the Erfurt Arsenal in 1914, and by DWM throughout the war, with a total of about 180,000 made.
What is most interesting to me is the evolution of the use of the “artillery Luger” throughout the course of World War One. Starting as simply a compact weapon for artillery, it was quickly recognized by aviators as an ideal weapon for aircraft before the mass introduction of aerial machine guns. The stock allowed more accurate fire, and the semiautomatic operation minimized the handling movements required to fire. More substantially, it was adopted by the German Sturmtruppen for maximizing the striking power of small and flexible units. It is for these men that the 32-round drum magazine was developed in 1916. This represents one of the very few formal military uses of a pistol-caliber semiautomatic carbine, as it was superseded by the advent of the submachine gun in 1918.
A few small batches were made in the 1920s and 1930s, but it would not see significant use in World War Two – leaving it a weapon specifically iconic to the Great War.
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July 29, 2020
America’s First Assault Rifle: Burton 1917 LMR
Forgotten Weapons
Published 4 Jul 2016http://www.patreon.com/ForgottenWeapons
https://centerofthewest.org/explore/f…America’s first assault rifle? Well, it does meet all the requirements — select-fire, intermediate cartridge, and shoulder-fired. It was never actually fielded, though.
The Burton Light Machine Rifle was developed during World War One, with the firing model completed in 1917. It was intended as an aircraft observer’s weapon for attacking balloons — a role which required incendiary ammunition. With this in mind, Winchester’s Frank Burton adapted the .351 WSL cartridge from his 1905 and 1907 self-loading rifles into the .345 WSL, with a spitzer bullet. He designed an open-bolt, select-fire shoulder rifle to fire it, which became known as the Light Machine Rifle.
Burton’s rifle was to be usable both in an aircraft where it could be fixed to a Scarff mount for a wide field of fire or used by an individual on the ground, fired from the shoulder. It weighed in at just about 10 pounds (4.5kg) and had a pistol grip and straight-line design to bring the recoil impulse directly into the shooter’s shoulder and minimize rise during automatic fire. The barrel was finned for better cooling, and infantry barrels were equipped with bayonet lugs.
The most distinctive elements of the design, of course, are the dual top-mounted magazines. Each one holds 20 rounds, and each has a pair of locking catches. One position locks the magazine into a feeding position, and the other holds it up above the cycling of the bolt. The idea here was to keep a second loaded magazine easily accessible for an aerial observer, so they could reload without having to find another magazine somewhere in the aircraft. Contrary to some speculation, there is no automatic transition between magazines. When one is empty, the shooter must pull it back to the second locking position (or out of the gun entirely) and then push the second magazine down into feeding position.
Despite Burton’s work — which was well ahead of its time — the LMR had been rendered obsolete for its primary role by the time it was ready. Synchronized, forward-mounted Vickers machine guns firing 11mm incendiary ammunition were being mounted on aircraft, and were more effective on balloons and airplanes than Burton’s weapon would have been. Only this single example was ever made, and it was not presented for infantry consideration as far as I can tell. It was lost for many years before being discovered in a Winchester building, and eventually ending up in the Cody Firearms Museum with the rest of the Winchester factory collection.
July 21, 2020
The Destruction of Convoy PQ17: Merchant Ships Left Defenceless
Historigraph
Published 18 Jul 2020For unlimited access to the world’s top documentaries and nonfiction series go to http://go.thoughtleaders.io/166892020… and use the promo code ‘
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“Rynos Theme” Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 4.0 License
http://creativecommons.org/licenses/b…The Descent by Kevin MacLeod
Link: https://incompetech.filmmusic.io/song…
License: http://creativecommons.org/licenses/b…Crypto by Kevin MacLeod
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July 3, 2020
“Nuclear Attack” – Atomic Bombings – Sabaton History 074 [Official]
Sabaton History
Published 2 Jul 2020At 0815 on 6 August 1945, the first atomic bomb, nicknamed “Little Boy”, was dropped out of the B-29 Enola Gay and descended towards the Japanese city of Hiroshima. 43 seconds later, the city was engulfed in a flashing bright light and a shockwave of unimaginable heat and deadly pressure. From the hypocenter of the resulting mushroom-cloud, a blue-green fireball burned and blinded the city and its inhabitants with unprecedented power. 140,000 people were killed in the first few moments. Tens of thousands would die from wounds and radiation. The age of atomic warfare had begun.
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Listen to “Nuclear Attack” on the album Attero Dominatus
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Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Community Manager: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastoryArchive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.Colorizations:
– Dememorabilia – https://www.instagram.com/dememorabilia/Sources:
– U.S. Department of Energy
– Bomb icon by P Thanga Vignesh from the Noun Project
– bockelsound from freesound.org
– Vilna Gaon State Jewish MuseumAn OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
From the comments:
Sabaton History
2 days agoAugust 6, 1945. On this fateful Monday morning our world changed forever.
Nuclear weapons were now a reality, destruction on a whole new level a possibility. International power dynamics, foreign politics and conflict handling would never be the same once this new kind of weapon of mass destruction had entered the scene. The threat of potentially world-ending nuclear war, the fear that the men in power would push “the red button”, would hang over people like a dark cloud from this day on. The Nuclear Age had begun.
If you’re interested in how politics developed during The Nuclear Age, you can explore that in the day-by-day coverage of The Cuban Missile Crisis over on TimeGhost History. The first introduction, “USA Starts the Atomic Arms Race”, is already up and you can watch it right here: https://youtu.be/zEXjoBe5ZdI
June 30, 2020
“The Squadrons Are Coming” – HMS Ark Royal aviation operations
Aircraft Games Movies
Published 1 Jul 2010In the Western Approaches, Ark Royal welcomes her air group back aboard, with the occasional hairy approach for newly qualified aviators.
This appears to be footage from episode 3 of Sailor, a BBC television series from 1976 about life aboard HMS Ark Royal.
The Wikipedia entry for HMS Ark Royal (R09) begins:
HMS Ark Royal (R09) was an Audacious-class aircraft carrier of the Royal Navy and, when she was decommissioned in 1979, was the Royal Navy’s last remaining conventional catapult and arrested-landing aircraft carrier. She was the first aircraft carrier to be equipped with angled flight deck at its commissioning; her sister ship, HMS Eagle, was the Royal Navy’s first angle-decked aircraft carrier after modification in 1954. Ark Royal was the only non-United States vessel to operate the McDonnell Douglas Phantom at sea.
[…]
While Ark Royal‘s career spanned 24 years from the time of her commissioning (her name was a household word), she spent as much time in refit; repair and reserve and modernisation as in commissioned service (12 years). It required a lot of effort from her engineers to keep her serviceable between yard periods. Ark Royal had been poorly preserved during its lengthy construction from 1942 to 1955, and much of its machinery was obsolete by its completion, including its dated DC electrics, supplemented later by some AC systems, resulting in a ship which experienced regular defects and mechanical failure. Eagle was a more reliable and well-built ship, and spent far more time at sea than her sister. The scrapping of Ark Royal in 1980, two years after Eagle, marked the end of conventional fixed-wing aircraft operations aboard Royal Navy carriers. She had borne so many innovations, yet her replacement was not equipped with any of these. There was some discussion about preserving her as a museum ship, and some private funds were raised; the MOD would not sanction these efforts.
June 21, 2020
Burma Victory (1945)
PeriscopeFilm
Published 31 May 2016Support Our Channel: https://www.patreon.com/PeriscopeFilm
Made in 1945, BURMA VICTORY is a British documentary about the Burma Campaign during World War Two. It was directed by Roy Boulting. The introduction to the film outlines the geography and climate of Burma, and the extent of the Japanese conquests. The film then describes the establishment of the South East Asian Command (SEAC) under Mountbatten, “a born innovator and firm believer in the unorthodox”, and gives a comparatively detailed account of subsequent military events, including the Battle of Imphal-Kohima and Slim’s drive on Mandalay, Arakan landings, the northern offensive of the Americans and Chinese under Stilwell, and the roles played by Chindits and Merrill’s Marauders. The film ends with the capture of Rangoon and the Japanese surrender. The film focuses on the difficulties of climate, terrain, the endemic diseases of dysentery, malaria, etc., the vital role of air supplies, the shattering of the myth of Japanese invincibility and the secondary role of the Burma campaign in overall Allied strategy.
This film represents a British look at the campaign and was the pet project of Admiral Lord Louis Mountbatten, Supreme Allied Commander, South-East Asia, and he planned it as a joint Anglo-American production. But this scheme foundered over the inability of the U.S. leadership and British to agree on the main theme of the film. The British wanted it to concentrate on the drive southwards to liberate Burma. The Americans, anxious not to be seen to be participating in the restoration of the British Empire, wanted to emphasize the heroic building of the Ledo Road and the drive northwards to relieve the Chinese. In the end the two sides went their separate ways. The Americans produced the Ronald Reagan narrated film The Stilwell Road and the British made Burma Victory. It was the final production of the Army Film and Photographic Unit (AFPU) and was directed, like Desert Victory (1943), by Roy Boulting. Not released until after the war was over, it was hailed and promoted as “the real Burma film”.
The Burma Campaign in the South-East Asian theatre of World War II was fought primarily between the forces of the British Empire and China, with support from the United States, against the forces of the Empire of Japan, Thailand, and the Indian National Army. British Empire forces peaked at around 1,000,000 land, naval and air forces, and were drawn primarily from British India, with British Army forces (equivalent to 8 regular infantry divisions and 6 tank regiments), 100,000 East and West African colonial troops, and smaller numbers of land and air forces from several other Dominions and Colonies. The Burmese Independence Army was trained by the Japanese and spearheaded the initial attacks against British Empire forces.
The campaign had a number of notable features. The geographical characteristics of the region meant that factors like weather, disease and terrain had a major effect on operations. The lack of transport infrastructure placed an emphasis on military engineering and air transport to move and supply troops, and evacuate wounded. The campaign was also politically complex, with the British, the United States and the Chinese all having different strategic priorities.
South East Asia Command (SEAC) was the body set up to be in overall charge of Allied operations in the South-East Asian Theatre during World War II. Admiral Lord Louis Mountbatten served as Supreme Allied Commander of the South East Asia Command from October 1943 through the disbandment of SEAC in 1946.
This film is part of the Periscope Film LLC archive, one of the largest historic military, transportation, and aviation stock footage collections in the USA. Entirely film backed, this material is available for licensing in 24p HD and 2k. For more information visit http://www.PeriscopeFilm.com















