In The Critic, Oliver Wiseman talks to Tara Isabella Burton about her book Strange Rites:
J.K. Rowling’s Harry Potter books have been pivotal for many Millennials in encouraging them to move away from traditional religious beliefs.
I want to start with Harry Potter, which is — perhaps surprisingly — central to the argument you make in the book, so, as an introduction to your broader thesis, what does Harry Potter have to do with America’s new religions?
It’s funny. When Harry Potter first came out in the nineties, there was a flurry American Christian voices saying “This book promotes witchcraft. There’s going to be a whole new religious movement devoted to Harry Potter books.” In the way they meant it, that was absolutely not true. But I think that there was something to it in terms of an inadvertent change to the religious landscape.
What Harry Potter did, or, more accurately, what it was the canary in the coal mine for, was a transformation, linked to the rise of at-home internet access, in how we talk about cultural properties andhow we relate to cultural properties. The transition to an internet space defined by user-generated content and what is often called participatory culture coincided with the publication of the Harry Potter books.
Between the first Harry Potter book’s release in 1997 and the fourth book’s publication in 2000 we went from 19 million Americans with internet access to more than 100 million. It’s that backdrop that really explains the shift. You did have fan cultures before. There were Star Wars conventions, for example, but there was quite a high bar to entry. You had to get on the right mailing list and it was done via post. It was quite a lot of work. You couldn’t just log on and enter a community, which is really what could happen with Harry Potter fandom.
J.K. Rowling was also one of the first major writers to openly accept and embrace fan fiction. So what you ended up seeing was something that started with Harry Potter fandom that then became an element of fandom online more broadly which in turn, I would argue, shaped millennial-and-younger culture. It was this idea that you weren’t just a reader of consumer of texts. It wasn’t just a top down hierarchical thing. Instead, mediated through the anonymity of the internet, you a kind of tribalism from talking to people in different geographical areas as well as things like fan fiction and later meme culture that meant you could change, shift, reimagine a text in your own way. And what’s so interesting about that is that sensibility — the sensibility that we have not only the right but the responsibility, the authority as consumers to also be creators, to rework ideas outside of existing texts — has spilled over into all aspects of our political life and of our religious life. And that is really something that is the product of user generated content and the internet.
To bring this to religion more specifically, 36 per cent of Americans born after 1985 are religiously unaffiliated, compared to about 23 per cent of the national average. That’s a huge generational shift in religious affiliation and organisation. That is not the same thing as saying that these are atheists or that these people are not religious. Some 72 per cent of them say they believe in some sort of higher power. About 17 per cent say they believe in the Judaeo-Christian God.
We’re in a religious or spiritual landscape that privileges mixing and matching, and unbundling — a bit of tarot here, a bit of meditation there. And a resistance to institutional and authoritative declarations in terms of how religion should be practised is very much something that has its roots in internet culture, of which Harry Potter was a forerunner.
