Quotulatiousness

March 26, 2014

Oculus in the news

Filed under: Business, Media, Technology — Tags: , , , — Nicholas @ 07:33

Raph Koster reflects on the promise of Oculus:

Metaverse RoadmapRendering was never the point.

Oh, it’s hard. But it’s rapidly becoming commodity hardware. That was in fact the basic premise of the Oculus Rift: that the mass market commodity solution for a very old dream was finally approaching a price point where it made sense. The patents were expiring; the panels were cheap and getting better by the month. The rest was plumbing. Hard plumbing, the sort that calls for a Carmack, maybe, but plumbing.

[…]

Look, there are a few big visions for the future of computing doing battle.

There’s a wearable camp, full of glasses and watches. It’s still nascent, but its doom is already waiting in the wings; biocomputing of various sorts (first contacts, then implants, nano, who knows) will unquestionably win out over time, just because glasses and watches are what tech has been removing from us, not getting us to put back on. Google has its bets down here.

There’s a beacon-y camp, one where mesh networks and constant broadcasts label and dissect everything around us, blaring ads and enticing us with sales coupons as we walk through malls. In this world, everything is annotated and shouting at a digital level, passing messages back and forth. It’s an ubicomp environment where everything is “smart.” Apple has its bets down here.

These two things are going to get married. One is the mouth, the other the ears. One is the poke, the other the skin. And then we’re in a cyberpunk dream of ads that float next to us as we walk, getting between us and the other people, our every movement mined for Big Data.

[…]

The virtue of Oculus lies in presence. A startling, unusual sort of presence. Immersion is nice, but presence is something else again. Presence is what makes Facebook feel like a conversation. Presence is what makes you hang out on World of Warcraft. Presence is what makes offices persist in the face of more than enough capability for remote work. Presence is why a video series can out-draw a text-based MOOC and presence is why live concerts can make more money than album sales.

Facebook is laying its bet on people, instead of smart objects. It’s banking on the idea that doing things with one another online — the thing that has fueled it all this time — is going to keep being important. This is a play to own walking through Machu Picchu without leaving home, a play to own every classroom and every museum. This is a play to own what you do with other people.

Update: Apparently some of the folks who backed the original Kickstarter campaign have their panties in a bunch now that there’s big money involved.


Attendees wear Oculus Rift HD virtual reality head-mounted displays as they play EVE: Valkyrie, a multiplayer virtual reality dogfighting shooter game, at the Intel booth at the 2014 International CES, January 9, 2014 in Las Vegas, Nevada. ROBYN BECK/AFP/Getty Images

Facebook’s purchase of virtual reality company Oculus for $2bn in stocks and shares is big news for a third company: Kickstarter, which today celebrates the first billion-dollar exit of a company formed through the crowdfunding platform.

Oculus raised $2.4m for its Rift headset in September 2012, exceeding its initial fundraising goal by 10 times. It remains one of the largest ever Kickstarter campaigns.

But as news of the acquisition broke Tuesday night, some of the 9,500 people who backed the project for sums of up to $5,000 a piece (the most popular package, containing an early prototype of the Rift, was backed by 5,600 for a more reasonable $300) were rethinking their support.

[…]

For Kickstarter itself, the purchase raises awkward questions. The company has always maintained that it should not be viewed as a storefront for pre-ordering products; instead, a backer should be aware that they are giving money to a struggling artist or designer, and view the reward as a thanks rather than a purchase.

“Kickstarter Is Not a Store” is how the New York-based company put it in 2012, shortly after the Oculus Rift campaign closed. Instead, the company explained: “It’s a new way for creators and audiences to work together to make things.”

But if Kickstarter isn’t a store, and if backers also aren’t getting equity in the company which uses their money to build a $2bn business, then what are they actually paying for?

“Structurally I have an issue with it,” explains Buckenham, “in that the backer takes on a great deal of risk for relatively little upside and that the energy towards exciting things is formalised into a necessarily cash-based relationship in a way that enforces and extends capitalism into places where it previously didn’t have total dominion.”

Secret Service upholds (recent) tradition in the Netherlands

Filed under: Europe, Media, USA — Tags: , , , — Nicholas @ 07:17

BBC News reports that — once again — some of the US Secret Service agents tasked with protecting the President have come to the attention of the press for reasons other than their assigned mission:

Three US Secret Service agents tasked with protecting President Barack Obama in the Netherlands have been sent home for “disciplinary reasons”.

The Washington Post reported that one was found drunk and passed out in the hallway of an Amsterdam hotel.

A Secret Service spokesman declined to give details but said the three had been put on administrative leave pending an investigation.

The service has been trying to rebuild its reputation after previous scandals.

In 2013 two agents were removed from President Obama’s security detail amid allegations of sexual harassment and misconduct.

And in 2012 several agents were dismissed following allegations that they hired prostitutes while in Cartagena, Colombia.

Secret Service spokesman Ed Donovan said the latest incident happened before President Obama’s arrival in the Netherlands on Monday for a nuclear security summit.

He said the three had been sent home for “disciplinary reasons” but declined to elaborate.

Mr Donovan added that the president’s security had not been compromised in any way.

I, Claudius by Robert Graves

Filed under: Books, Europe, History, Media — Tags: , , — Nicholas @ 00:01

March 25, 2014

The origins of Hound of the Baskervilles

Filed under: Books, Britain, History, Media — Tags: — Nicholas @ 08:51

In History Today, Richard Cavendish tells the story behind the best-known of Arthur Conan Doyle’s Sherlock Holmes stories:

Much ink and accusations of plagiarism have been spilled over the story’s origins. Conan Doyle’s initial inspiration came from a young journalist friend named Bertram Fletcher Robinson, nicknamed ‘Bobbles’, with whom he spent four days on a seaside golfing holiday at Cromer in Norfolk in the spring of 1901. While they were there, Robinson told Doyle the legend of a ghostly hound on Dartmoor and the two men decided to write what the latter called ‘a real creeper’ together. Robinson lived at Ipplepen, near Newton Abbot in South Devon, and the two friends went there to investigate Dartmoor. Robinson wrote later that Doyle ‘listened eagerly to my stories of the ghost hounds, of the headless riders and of the devils that lurk in the hollows – legends upon which I had been reared, for my home lay on the borders of the moor.’ They stayed at Robinson’s home and at Rowe’s Duchy Hotel at Princetown near the prison, whose governor, deputy governor, chaplain and doctor solemnly came, as Robinson noted, ‘to pay a call on Mr Sherlock Holmes’, to Doyle’s irritation. He and Robinson explored the moor together and appropriated the surname of Robinson’s coachman, Harry Baskerville.

Doyle decided early on to make the tale a Sherlock Holmes mystery, presumed to be an episode in Holmes’ earlier career, before his fatal grapple with Professor Moriarty at the Reichenbach Falls. Writing to the editor of the Strand Magazine, Herbert Greenhough Smith, to tell him about the new story, he stipulated that Fletcher Robinson’s name must appear as joint author. ‘I can answer for the yarn being all my own in my own style without dilution, since your readers like that. But he gave me the central idea and the local colour, and so I feel his name must appear.’ This was finally watered down to a note added to the first part, recording Doyle’s indebtedness to Fletcher Robinson, to whom ‘this story owes its inception’ and ‘who has helped me both in the general plot and in the local details.’ The British and American editions in book form also acknowledged Robinson’s help.

BBC to be (effectively) privatized in proposed new legislation

Filed under: Britain, Law, Media — Tags: , , , — Nicholas @ 07:09

British TV viewers are required to pay a regular license fee (which funds the BBC) or they can be prosecuted. The British government may be on the verge of changing this:

Budgets come and go, but something more far-reaching will take place in the House of Commons today; something that might change our political discourse significantly, benignly and permanently.

The Government has indicated that it will back a Bill, brought in by the backbench MP, Andrew Bridgen, to decriminalise non-payment of the Television Licence Fee. Instead of being dragged through the courts, defaulters will simply have their access to the BBC switched off — in the same way that Sky withdraws its services from those who don’t pay their subscriptions.

The practical case for the measure is unarguable. The BBC’s privileged legal position is silting up our criminal justice system. A ridiculous 180,000 people face prosecution every year over non-payment. Under the new regime, they will instead be in the position people who don’t cough up for their gas or electricity bills. A great deal of time and money will be saved.

But the real significance of the proposal is that it will, in practice, remove the BBC’s monopoly. If the penalty for non-payment of the licence fee is withdrawal of the service, rather than prosecution, then that fee ceases to be a tax and becomes a subscription. Refusal to pay is no longer a criminal act, but an exercise of consumer choice. The BBC will become, in practice, a pay-on-demand service like its rivals.

March 24, 2014

Paul Wells’ Twitter summary of the last 48 hours in Quebec politics

Filed under: Cancon, Media, Politics — Tags: , , — Nicholas @ 14:19

Interpersonal communication in Shakespeare, or “Juliet and Her Nurse”

Filed under: Humour, Media — Tags: , , — Nicholas @ 08:40

Emma Pierson does a bit of statistical analysis of some of Shakespeare’s plays and discovers that some of the play names are rather misleading, at least in terms of romantic dialogue:

More than 400 years after Shakespeare wrote it, we can now say that Romeo and Juliet has the wrong name. Perhaps the play should be called Juliet and Her Nurse, which isn’t nearly as sexy, or Romeo and Benvolio, which has a whole different connotation.

I discovered this by writing a computer program to count how many lines each pair of characters in Romeo and Juliet spoke to each other,1 with the expectation that the lovers in the greatest love story of all time would speak more than any other pair. I wanted Romeo and Juliet to end up together — if they couldn’t in the play, at least they could in my analysis — but the math paid no heed to my desires. Juliet speaks more to her nurse than she does to Romeo; Romeo speaks more to Benvolio than he does to Juliet. Romeo gets a larger share of attention from his friends (Benvolio and Mercutio) and even his enemies (Tybalt) than he does from Juliet; Juliet gets a larger share of attention from her nurse and her mother than she does from Romeo. The two appear together in only five scenes out of 25. We all knew that this wasn’t a play predicated on deep interactions between the two protagonists, but still.

I’m blaming Romeo for this lack of communication. Juliet speaks 155 lines to him, and he speaks only 101 to her. His reticence toward Juliet is particularly inexcusable when you consider that Romeo spends more time talking than anyone else in the play. (He spends only one-sixth of his time in conversation with the supposed love of his life.) One might be tempted to blame this on the nature of the plot; of course the lovers have no chance to converse, kept apart as they are by the loathing of their families! But when I analyzed the script of a modern adaptation of Romeo and Juliet — West Side Story — I found that Tony and Maria interacted more in the script than did any other pair.

All this got me thinking: Do any of Shakespeare’s lovers actually, you know, talk to each other? If Romeo and Juliet don’t, what hope do the rest of them have?

Update, 28 March: Chateau Heartiste says that this study shows that pick-up artists and “game” practitioners are right and also proves that “Everything important you need to know about men and women you can find in the works of Shakespeare”.

QotD: On Women’s Power

Filed under: Books, Media, Quotations — Tags: , , , , — Nicholas @ 08:05

If you have never been sexually attracted to women, you will never quite understand the monumental power of female sexuality, except by proxy or in theory, nor will you quite know the immense advantage it gives us over men. Dating women as a man was a lesson in female power, and it made me, of all things, into a momentary misogynist, which I suppose was the best indicator that my experiment had worked. I saw my own sex from the other side, and I disliked women irrationally for a while because of it. I disliked their superiority, their accusatory smiles, their entitlement to choose or dash me with a fingertip, an execution so lazy, so effortless, it made the defeats and even the successes unbearably humiliating. Typical male power feels by comparison like a blunt instrument, its salvos and field strategies laughably remedial next to the damage a woman can do with a single cutting word: no.

Sex is most powerful in the mind, and to men, in the mind, women have a lot of power, not only to arouse, but to give worth, self-worth, meaning, initiation, sustenance, everything. Seeing this more clearly through my experience, I began to wonder whether the most extreme men resort to violence with women because they think that’s all they have, their one pathetic advantage over all she seems to hold above them. I make no excuses for this. There are none. But as a man I felt vaguely attuned to this mind-set or its possibility. I did not inhabit it, but I thought I saw how rejection might get twisted beyond recognition in the mind of a discarded male where misogyny and ultimately rape may be a vicious attempt to take what cannot be taken because it has not been bestowed.

There were other surprising discoveries. With all the anger I felt flowing in my direction — anger directed at the abstraction called men — I was not expecting to find, nestled within the confines of female heterosexuality, a deep love and genuine attraction for real men. Not for women in men’s bodies, as the prejudicial me had thought. Not even just for the metrosexual, though he has his audience, but for brawny, hairy, smelly, stalwart, manly men; bald men, men with bellies, men who can fix things and, yes, men who like sports and pound away in the bedroom. Men whom women loved for being men with all the qualities that testosterone and the patriarchy had given them, and whom I have come to appreciate for those very same qualities, however infuriating I still find them at times.

Dating women was the hardest thing I had to do as Ned, even when the women liked me and I liked them. I have never felt more vulnerable to total strangers, never more socially defenceless than in my clanking suit of borrowed armour. But then, I guess maybe that’s one of the secrets of manhood that no man tells if he can help it. Every man’s armour is borrowed and 10 sizes too big, and beneath it he’s naked and insecure and hoping you won’t see.

That, maybe, was the last twist of my adventure. I passed in a man’s world not because my mask was so real, but because the world of men was a masked ball. Eventually I realised that my disguise was the one thing I had in common with every guy in the room. It was hard being a guy.

Rather than choosing to become a woman again, it is probably truer to say that I reverted to form. I stopped faking it. I came back to myself, proud, free and glad in every way to be a woman.

Norah Vincent, “Double agent” (an edited extract from Self-Made Man: My Year Disguised As A Man), Guardian, 2006-03-18.

March 23, 2014

Rush to do 41st anniversary tour in 2015

Filed under: Cancon, Media — Tags: , — Nicholas @ 10:04

I refuse to believe that they’ve been around this long …

Rush wrapped up their worldwide Clockwork Angels tour just seven months ago, but they’re already planning a lengthy “41st anniversary” tour for 2015, according to guitarist Alex Lifeson. “The three of us just had a meeting,” Lifeson tells Rolling Stone. “We said, ‘Let’s not talk about anything band-wise for the next year. Let’s separate ourselves and come back rejuvenated.’ Unfortunately, the other people at that meeting didn’t hear what we were talking about, so there are already plans being made for spring of 2015. It’s going to be a 41st anniversary tour, or whatever they’re going to call it.”

The specifics of the tour are still in flux. “We haven’t really talked seriously about what we want to do,” says Lifeson. “But I think we’re probably going to lean towards making it a real sort of fan event, and really try to put something together that’s very pleasing for the fans across the board. That’s always been difficult, for us to sort of balance things.”

Published on 23 Oct 2013

Recorded in Dallas during the Clockwork Angels Tour 2012 with the Clockwork Angels String Ensemble

Isn’t it Ironic: Government Surveillance Version (with Remy)

Filed under: Government, Humour, Liberty, Media — Tags: , , , — Nicholas @ 00:01

Published on 20 Mar 2014

Remy updates the Alanis Morissette hit for a certain senior senator from California.

Approximately 2 minutes.

Written by Remy. Video and animation by Meredith Bragg. Music performed, produced, recorded, mixed and mastered by Ben Karlstrom.

For full text, links, downloadable versions and more, go to: http://reason.com/reasontv/2014/03/20/remy-isnt-it-ironic.

Lyrics:
A Senator lady
Got the news one day
The country’s being spied on
by the NSA

So she went out defending
on each TV set
but when she found out she’d been snooped on
she got all upset

And isn’t it ironic?
I mean, don’t you think?

It’s like you’re at Chris Brown’s
and there’s punch in the fridge
or if The Bachelor
passed a geography quiz

Learning Ted Kennedy
happened to be good at bridge.
And who would have thought?
It figures.

Senator, this may surprise you
and the irony bites
but Congresspeople ain’t the only ones
with 4th Amendment rights

It’s like a minimalist
who does their laundry
with All
or if Woody Allen liked to watch
Kids in the Hall

it’s like FDR
got locked in a Honda Accord
a cheap healthcare plan
that you just can’t afford

If Oscar Pistorius
really hated The Doors
and who would have thought?
It figures.

I heard the government
is sneaking up on you.
Life has a funny, funny way
of calling you out
calling you out.

March 22, 2014

The “narrative”

Filed under: Media, Politics, USA — Tags: , , , , — Nicholas @ 11:10

Wilfred McClay noticed the increasing use of the term “narrative” over the last few years:

We have this term now in circulation: “the narrative.” It is one of those somewhat pretentious academic terms that has wormed its way into common speech, like “gender” or “significant other,” bringing hidden freight along with it. Everywhere you look, you find it being used, and by all kinds of people. Elite journalists, who are likely to be products of university life rather than years of shoe-leather reporting, are perhaps the most likely to employ it, as a way of indicating their intellectual sophistication. But conservative populists like Rush Limbaugh and Sean Hannity are just as likely to use it too. Why is that so? What does this development mean?

I think the answer is clear. The ever more common use of “narrative” signifies the widespread and growing skepticism about any and all of the general accounts of events that have been, and are being, provided to us. We are living in an era of pervasive genteel disbelief — nothing so robust as relativism, but instead something more like a sustained “whatever” — and the word “narrative” provides a way of talking neutrally about such accounts while distancing ourselves from a consideration of their truth. Narratives are understood to be “constructed,” and it is assumed that their construction involves conscious or unconscious elements of selectivity — acts of suppression, inflation, and substitution, all meant to fashion the sequencing and coloration of events into an instrument that conveys what the narrator wants us to see and believe.

These days, even your garage mechanic is likely to speak of the White House narrative, the mainstream-media narrative, and indicate an awareness that political leaders try to influence the interpretation of events at a given time, or seek to “change the narrative” when things are not turning out so well for them and there is a strongly felt need to change the subject. The language of “narrative” has become a common way of talking about such things.

One can regret the corrosive side effects of such skepticism, but there are good reasons for it. Halfway through the first quarter of the 21st century, we find ourselves saddled with accounts of our nation’s past, and of the trajectory of American history, that are demonstrably suspect, and disabling in their effects. There is a view of America as an exceptionally guilty nation, the product of a poisonous mixture of territorial rapacity emboldened by racism, violence, and chauvinistic religious conviction, an exploiter of natural resources and despoiler of natural beauty and order such as the planet has never seen. Coexisting with that dire view is a similarly exaggerated Whiggish progressivism, in which all of history is seen as a struggle toward the greater and greater liberation of the individual, and the greater and greater integration of all governance in larger and larger units, administered by cadres of experts actuated by the public interest and by a highly developed sense of justice. The arc of history bends toward the latter view, although its progress is impeded by the malign effects of the former one.

QotD: The “B-word”

Filed under: Media, Quotations, USA — Tags: , , , — Nicholas @ 10:27

To me, the Ban Bossy campaign is one of those unnecessary feel-good, pat-yourself-on-the-back schemes that puts lipstick on social media’s most dubious achievement, the sanctification of rampant self-promotion disguised as content. You could say it’s the Facebook-ization of feminism.

There’s even product placement. You can go the Ban Bossy website store and buy a Ban Bossy T-shirt, mug or tote. There’s even a Ban Bossy case for your iPhone 5. (Insert your own snarky Apple joke here.)

Big names — Beyoncé, Jennifer Garner, Melinda Gates — share inspirational quotes, to which no reasonable person could object because all of the edges have been blunted.

If ever there is a sign of the feminization of America, it could be that one Ban Bossy celebrity spokesman is former Gen. Stanley McChrystal. That’s right, the former head of NATO command in Afghanistan — whose swagger and irreverent attitude toward the Obama White House was so pronounced that he had to resign — has been reduced to piggybacking onto a campaign that exhorts little girls not to let themselves be stereotyped and suggests that teachers conduct “no interruptions” conversations so that every child has a chance to speak.

A wartime general wants to ban bossy? Why even have an army?

Debra J. Saunders, “Sheryl Sandberg, how about banning bossy billionaires?”, SFGate.com, 2014-03-19

Variations on Bach

Filed under: Japan, Media — Tags: , , — Nicholas @ 10:11

Classic FM has a collection of 10 videos which use Bach’s music in varied ways, including this rather charming forest xylophone performance as an ad for a Japanese mobile phone:

Uploaded on 4 May 2011

Very nice music from a very long xylophone in the forest.
No CG or tape-cut. Four days spent.
This is for a newly launched cell phone of NTT Docomo, the largest mobile service provider in Japan. Shell of the new phone is wood and their idea is to use domestic woods that are produced after preservative maintenance of Japanese forest.
ドコモのサイトでステキな映像発見。

Music: “Jesu, Joy of Man’s Desiring”, by Bach
Cannes Lion Award Winner 2010

H/T to Samizdata for the link.

Turkish Twitter users work to circumvent the government’s ban

Filed under: Europe, Government, Media — Tags: , , , — Nicholas @ 10:00

In the Guardian, Constanze Letsch reports from Istanbul as users of Twitter actively flout the government’s peevish ban of the online service:

Turkish users of Twitter, including the country’s president, have flouted a block on the social media platform by using text messaging services or disguising the location of their computers to continue posting messages on the site.

In what many Twitter users in Turkey called a “digital coup”, Telecom regulators enforced four court orders to restrict access to Twitter on Thursday night, just hours after the prime minister, Recep Tayyip Erdogan, vowed to “eradicate” the microblogging platform in an election speech.

The disruption followed previous government threats to clamp down on the social media and caused widespread outrage inside and outside Turkey. In a first reaction to the ban, Neelie Kroes, vice-president of the European commission, tweeted: “The Twitter ban in #Turkey is groundless, pointless, cowardly. Turkish people and intl community will see this as censorship. It is.”

Štefan Füle, EU commissioner for Enlargement and European Neighbourhood Policy, said in a statement: “The ban on the social platform Twitter.com in Turkey raises grave concerns and casts doubt on Turkey’s stated commitment to European values and standards.”

The hashtag #TwitterisblockedinTurkey quickly rose to the top trending term globally. According to social media agency We Are Social the number of tweets sent from Turkey went up 138% following the ban.

March 21, 2014

Kate Bush announces series of concerts in London

Filed under: Britain, Media — Tags: , , , — Nicholas @ 14:23

The Daily Mail describes it as a residency at the Hammersmith Apollo in London:

Kate Bush is to return to the stage in London — 35 years after she retired from touring after just six weeks on the road.

She will play a 15-date residency at the Hammersmith Apollo which was the venue for a celebrated concert film she made in 1979.

The 55-year-old made a surprise announcement about the shows — to be called Before The Dawn — on Friday morning, with the first taking place on August 26.

Bush talked about a desire to return to playing live in an interview three years ago, saying she would love to play again before she became ‘too ancient’.

She was just 20 when she completed The Tour Of Life after topping the charts with Wuthering Heights the previous year.

Over the years, theories about her absence from the stage have included her perfectionism, a fear of flying and the death of one of the tour crew, lighting director Bill Duffield, during a show.

But in a rare interview with Mojo magazine in 2011 to mark her comeback, she explained that her years of silence on the touring circuit were simply down to the sheer exertion of the ordeal.

‘It was enormously enjoyable. But physically it was absolutely exhausting,’ she said.


LONDON – 12th MAY: English singer Kate Bush performs live on stage at Hammersmith Odeon in London on the penultimate date of her European tour on 12th May 1979. (Photo by Peter Still/Redferns)

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