Quotulatiousness

May 28, 2015

The ways that scientific journalism fails

Filed under: Media, Science — Tags: , — Nicholas @ 03:00

At Vox.com, Julia Belluz and Steven Hoffman show how perverse incentives and human frailty contribute to the wasted efforts — and sometimes outright fraudulent methods — that get “scientific” results published. It’s getting so bad that “the editor of The Lancet … recently lamented, ‘Much of the scientific literature, perhaps half, may simply be untrue.'”:

From study design to dissemination of research, there are dozens of ways science can go off the rails. Many of the scientific studies that are published each year are poorly designed, redundant, or simply useless. Researchers looking into the problem have found that more than half of studies fail to take steps to reduce biases, such as blinding whether people receive treatment or placebo.

In an analysis of 300 clinical research papers about epilepsy — published in 1981, 1991, and 2001 — 71 percent were categorized as having no enduring value. Of those, 55.6 percent were classified as inherently unimportant and 38.8 percent as not new. All told, according to one estimate, about $200 billion — or the equivalent of 85 percent of global spending on research — is routinely wasted on flawed and redundant studies.

After publication, there’s the well-documented irreproducibility problem — the fact that researchers often can’t validate findings when they go back and run experiments again. Just last month, a team of researchers published the findings of a project to replicate 100 of psychology’s biggest experiments. They were only able to replicate 39 of the experiments, and one observer — Daniele Fanelli, who studies bias and scientific misconduct at Stanford University in California — told Nature that the reproducibility problem in cancer biology and drug discovery may actually be even more acute.

Indeed, another review found that researchers at Amgen were unable to reproduce 89 percent of landmark cancer research findings for potential drug targets. (The problem even inspired a satirical publication called the Journal of Irreproducible Results.)

So why aren’t these problems caught prior to publication of a study? Consider peer review, in which scientists send their papers to other experts for vetting prior to publication. The idea is that those peers will detect flaws and help improve papers before they are published as journal articles. Peer review won’t guarantee that an article is perfect or even accurate, but it’s supposed to act as an initial quality-control step.

Yet there are flaws in this traditional “pre-publication” review model: it relies on the goodwill of scientists who are increasingly pressed and may not spend the time required to properly critique a work, it’s subject to the biases of a select few, and it’s slow – so it’s no surprise that peer review sometimes fails. These factors raise the odds that even in the highest-quality journals, mistakes, flaws, and even fraudulent work will make it through. (“Fake peer review” reports are also now a thing.)

May 27, 2015

Garnet Rogers – Night Drive

Filed under: Cancon, Media — Tags: — Nicholas @ 04:00

Published on 8 Jul 2013

Garnet Rogers – Night Drive
Album: Night Drive

Buy the album here:
http://garnetrogers.com/site/?page_id=47

How bright the stars
How dark the night
How long have I been sleeping?
Sleep overtook me on my westward flight
Held me in its keeping
I had a dream; it seemed so real
Its passing left me shaking
I saw you’re here behind the wheel
On this very road I’m taking

Hurtling westward through the prairie night
Under the spell of motion
Your eyes were clear and bright in the dashboard light
Dreaming of the western ocean
The dusty towns left far behind
Mountains drawing ever nearer
Your face was then as it was tonight
Ever young
Ever clearer

I know this road
And its every curve
Where the hills commence their climbing
We rested here
If my memory serves
The northern lights were shining
You lit a smoke
We shared some wine
We watched the sky in wonder
Your laughter echoes after all this time
In that high and wild blue yonder

I don’t know why I write these lines
It’s not like I could send you the letter
It’s that I love your more after all this time
It’s that I wish I’d shown you better
Years have slipped
Beneath my wheels
Dwindling in my rear view mirror
As time has passed
Your life has seemed less real
But these night drives bring you nearer

So tonight I’ll wish upon these stars
As they rise upward to guide me
That I’ll see you here just as you are
Now, as then, beside me
Scares me how the years have flown
Like the leaves drift in September
They’ve lost sight of you as your legacy’s grown
But this road and I
We remember

May 26, 2015

Feminist reviewer sees little to no feminist message in Mad Max: Fury Road

Filed under: Media — Tags: , , — Nicholas @ 03:00

Disclaimer: I haven’t seen the movie myself, so I can’t say whether Eileen Jones has correctly identified the “feminist messsage” that some men’s rights activists are decrying:

Regardless of where one stands on Ensler’s feminist cred, I couldn’t see any evidence in the film of her consciousness-raising sessions. The first full shot we get of the escaping women shows them standing tall against a gorgeous sun-blasted horizon, wearing white muslin bikinis and other resort-wear, and looking exactly like supermodels posing for a Vogue shoot in the deserts of Namibia. Rose Huntington-Whiteley plays Splendid, the lead figure among the escaping band. The credentials that secured her this role are presumably her career highs as a top model, achieving the rank of a Victoria’s Secret “Angel” and a number one rating on Maxim magazine’s “Hot List” for 2011.

The other women are even less impressive performers. None can act in the least, but in addition to unmemorably pretty features, they have a broad spectrum of hair and skin colors, which is important when setting up a group Vogue shot in this enlightened age of ours.

That no primitive patriarch in his right mind would ever choose these particular women as “breeders” to keep his colony alive is immediately apparent. One of them is so thin and pale as to be almost transparent and looks as if she’ll die in a photogenic way at any second. But she could step onto any catwalk during Fashion Week, no questions asked.

Of course, Charlize Theron as Furiosa benefits from proximity to the supermodels who make her seem, by comparison, ferociously strong and a better actor than Meryl Streep. She’s tall enough to seem physically imposing, and she moves with athleticism. But she also brings with her the legacy of so many Dior perfume ads: the soft, tiny-nosed, blonde prettiness that her crew cut merely accentuates and that John Seale‘s lovely cinematography enshrines in innumerable close-ups. Just compare this example of onscreen feminism to Sigourney Weaver in Alien (1979). Weaver was six feet tall, odd, angular, smart and forceful, with highly individual, non-model looks and a remarkably ambitious actor’s resume, shot in unforgiving light and wearing a unisex worker’s uniform. In movies, we haven’t come a long way, baby.

We must also grapple with the supposedly feminist plot elements of Fury Road. The women’s escape from The Citadel is a quest to reach the matriarchal paradise where Furiosa was born. They repeat as a comforting mantra, “We’re going to the Green Place!” It’s the last stand of Mother Nature where, apparently, judging by the natives we eventually meet, no men ever lived.

It’s an extraordinary thing, in this day and age, that we still want to believe in a lot of essentializing Earth Mother nonsense about women. But apparently we do. In praising Fury Road, Eve Ensler says, “All the women in the film maintain their inherent woman-ness.”

Whatever “inherent woman-ness” is, I was afraid to find out. I dreaded getting to the “Green Place.” Would everyone be doing yoga when we got there? And communicating softly and understandingly with each other? Or perhaps tending gardens all day, then doing fertility dances by the light of the moon?

May 25, 2015

Every word in this article is a microaggression, including ‘and’ and ‘the’

Peggy Noonan writes an article about the incredibly thin-skinned and censorious generation in university right now … everyone to their fainting couches!

Readers know of the phenomenon at college campuses regarding charges of “microaggressions” and “triggers.” It’s been going on for a while and is part of a growing censorship movement in which professors, administrators and others are accused of racism, sexism, homophobia, classism, gender bias and ethnocentric thinking, among other things. Connected is the rejection or harassment of commencement and other campus speakers who are not politically correct. I hate that phrase, but it just won’t stop being current.

Kirsten Powers goes into much of this in her book, The Silencing. Anyway, quite a bunch of little Marats and Robespierres we’re bringing up.

But I was taken aback by a piece a few weeks ago in the Spectator, the student newspaper of Columbia University. I can’t shake it, though believe me I’ve tried. I won’t name the four undergraduate authors, because 30 years from now their children will be on Google, and because everyone in their 20s has the right to be an idiot.

Yet theirs is a significant and growing form of idiocy that deserves greater response.

The authors describe a student in a class discussion of Ovid’s epic poem “Metamorphoses.” The class read the myths of Persephone and Daphne, which, as parts of a narrative that stretches from the dawn of time to the Rome of Caesar, include depictions of violence, chaos, sexual assault and rape. The student, the authors reported, is herself “a survivor of sexual assault” and said she was “triggered.” She complained the professor focused “on the beauty of the language and the splendor of the imagery when lecturing on the text.” He did not apparently notice her feelings, or their urgency. As a result, “the student completely disengaged from the class discussion as a means of self-preservation. She did not feel safe in the class.”

Safe is the key word here. There’s the suggestion that a work may be a masterpiece but if it makes anyone feel bad, it’s out.

Garnet Rogers interview

Filed under: Cancon, Media — Tags: , — Nicholas @ 04:00

Garnet Rogers’ Recovery And Music After Stan: Garnet Rogers talks about addiction, getting clean, and misunderstandings about his brother and folk music in the ’70s.

May 24, 2015

The John Coltrane Quartet My Favorite Things Belgium, 1965

Filed under: Europe, Media — Tags: , , , , — Nicholas @ 02:00

May 21, 2015

Jonathan Kay, ebike martyr

Filed under: Cancon, Environment, Humour, Media, Technology — Tags: , — Nicholas @ 05:00

Despite having become the editor-in-chief of The Walrus, poor Jonathan Kay suffers the slings and arrows of all those who condemn and ridicule his ridiculous choice of transportation ebike (especially from his own staff):

City planners think of transportation in terms of its logistical and infrastructural components. That’s also how the issue gets discussed in the context of, say, energy conservation and traffic management. But when it comes to the transportation products we actually buy, our utilitarian calculus is overwhelmed by our aesthetic biases. When the Segway scooter had its great reveal in 2001, few observers cared about its groundbreaking self-balancing technology. All they saw was a nerd standing upright, wearing a funny helmet.

It is a lesson I have learned again over the last year, at great cost in dignity and personal reputation, as I have motored around Toronto on an ebike — a zero-emission electric scooter that travels at speeds of up to 32 km/h. As I noted in an essay last year, ebikes combine the low cost and convenience of a bicycle, while allowing a user to get to work without an ounce of sweat or a stitch of lycra.

In a more perfect world, the streets of our cities would be humming with ebikes. But that is not the world we inhabit. After a year of evangelizing these fantastically useful, earth-friendly contraptions among my peer group, I’ve failed to gain a single new convert.

Just the opposite, in fact: I have become a figure of overt and willfully cruel mockery.

Jonathan Kay - ebike ad

May 20, 2015

Minecraft – the latest moral panic

Filed under: Gaming, Media — Tags: , — Nicholas @ 03:00

At Techdirt, Karl Bode pours some scorn on a deserving demographic:

Like many people, video games have been an integral part of my life for about as long as I can remember. From my days visiting Wildcat! BBS systems where I’d play Trade Wars 2000 — to obsessing over the Apple IIe, IIc and IIgs — video games were not only an integral part of my childhood, they actually helped forge an adult career path. Swapping out graphics cards and building new PCs to play Quake 2 led to a job in Manhattan legal IT, which in turn resulted in a life focused on writing about technology. Aside from a few tics, I like to believe I wound up relatively normal, and video games have made my life immeasurably more rewarding.

That background usually forces me into the role of video game evangelist when surrounded by folks that, all too frequently, are engaged in hand wringing over the diabolical moral dangers games purportedly present. At a party recently, some friends expressed muted shock because a colleague’s kid was, instead of being social, playing a game in which he was “herding human beings and keeping them in a barn to eat.” I had to explain (skipping the part about how you’d need a mod to actually eat them) how this behavior wasn’t indicative of a Jeffrey Dahmer in training, he was simply engaged in normal problem solving behavior on the new frontier […]

Despite the fact that Minecraft is simply an amazing evolution of the Lego concept for the modern age, the moral panic surrounding the game never quite seems to abate. The latest case in point is over at the BBC, where the outlet implies it has heard all of the pro-Minecraft arguments before, it’s just choosing to ignore them in order to portray the game as an unpoliced virtual-reality hellscape that’s rotting the brains of children everywhere. While there are some good points embedded within, there are notably more bad ones, like the argument that kids should instead be reading, because reading engages imagination and builds character

QotD: The forward-looker

Filed under: Media, Politics, Quotations, USA — Tags: , , , — Nicholas @ 01:00

You know the type as well as I do. Give the forward-looker the direct primary, and he demands the short ballot. Give him the initiative and referendum, and he bawls for the recall of judges. Give him Christian Science, and he proceeds to the swamis and yogis. Give him the Mann Act, and he wants laws providing for the castration of fornicators. Give him Prohibition, and he launches a new crusade against cigarettes, coffee, jazz, and custard pies.

I have a wide acquaintance among such sad, mad, glad folks, and know some of them very well. It is my belief that the majority of them are absolutely honest — that they believe as fully in their baroque gospels as I believe in the dishonesty of politicians — that their myriad and amazing faiths sit upon them as heavily as the fear of hell sits upon a Methodist deacon who has degraded the vestry-room to carnal uses. All that may be justly said against them is that they are chronically full of hope, and hence chronically uneasy and indignant — that they belong to the less sinful and comfortable of the two grand divisions of the human race. Call them the tender-minded, as the late William James used to do, and you have pretty well described them. They are, on the one hand, pathologically sensitive to the sorrows of the world, and, on the other hand, pathologically susceptible to the eloquence of quacks. What seems to lie in all of them is the doctrine that evils so vast as those they see about them must and will be laid — that it would be an insult to a just God to think of them as permanent and irremediable.

H.L. Mencken, “The Forward-Looker”, Prejudices, Third Series, 1922.

May 19, 2015

John Coltrane playing A Love Supreme Live

Filed under: Media, USA — Tags: , , — Nicholas @ 02:00

Published on 2 Mar 2014

John Coltrane’s masterwork, A Love Supreme, was only played once in live concert. This portion is the only surviving film of that 1965 performance.

May 18, 2015

Doctor Who Theme – PLAYER PIANO

Filed under: Britain, Media — Tags: , — Nicholas @ 03:00

Published on 21 Apr 2015

Composer/Pianist Sonya Belousova and Director Tom Grey celebrate over 50 years of Doctor Who by paying tribute to its iconic theme.

May 17, 2015

The Little World of Don Camillo (1951)

Filed under: Europe, Humour, Italy, Media, Religion — Tags: , , — Nicholas @ 04:00

Published on 26 Dec 2014

Narrated by ORSON WELLES (O.W. bonus: voice of Christ)

May 16, 2015

Charles Murray and Jonah Goldberg on civil disobedience in America

Filed under: Books, Bureaucracy, Government, Liberty, Media, USA — Tags: , , — Nicholas @ 04:00

Published on 11 May 2015

The American ideal of limited government on life support. Is it time for civil disobedience? Charles Murray says yes. Murray has been writing on government overreach for more than 30 years. His new book, By The People, is a blueprint for taking back American liberty. Jonah Goldberg sits down with Murray to discuss civil unrest in Baltimore, the scope of the government, and why bureaucrats should wear body cameras.

According to AEI scholar, acclaimed social scientist, and bestselling author Charles Murray, American liberty is under assault. The federal government has unilaterally decided that it can and should tell us how to live our lives. If we object, it threatens, “Fight this, and we’ll ruin you.” How can we overcome regulatory tyranny and live free once again? In his new book, By the People: Rebuilding Liberty Without Permission (Crown Forum, May 2015), Murray offers provocative solutions.

London on film, 1890-1920

Filed under: Britain, History, Media — Tags: — Nicholas @ 02:00

Open Culture posted this video which includes some of the oldest known footage of London:

May 14, 2015

QotD: The value of poetry

Filed under: Media, Quotations — Tags: , , , — Nicholas @ 01:00

Once, after plowing through sixty or seventy volumes of bad verse, I described myself as a poetry-hater. The epithet was and is absurd. The truth is that I enjoy poetry as much as the next man — when the mood is on me. But what mood? The mood, in a few words, of intellectual and spiritual fatigue, the mood of revolt against the insoluble riddle of existence, the mood of disgust and despair. Poetry, then, is a capital medicine. First its sweet music lulls, and then its artful presentation of the beautifully improbable soothes and gives surcease. It is an escape from life, like religion, like enthusiasm, like glimpsing a pretty girl. And to the mere sensuous joy in it, to the mere low delight in getting away from the world for a bit, there is added, if the poetry be good, something vastly better, something reaching out into the realm of the intelligent, to wit, appreciation of good workmanship. A sound sonnet is almost as pleasing an object as a well-written fugue. A pretty lyric, deftly done, has all the technical charm of a fine carving. I think it is craftsmanship that I admire most in the world. Brahms enchants me because he knew his trade perfectly. I like Richard Strauss because he is full of technical ingenuities, because he is a master-workman. Well, who ever heard of a finer craftsman than William Shakespeare? His music was magnificent, he played superbly upon all the common emotions — and he did it magnificently, he did it with an air. No, I am no poetry-hater. But even Shakespeare I most enjoy, not on brisk mornings when I feel fit for any deviltry, but on dreary evenings when my old wounds are troubling me, and some fickle one has just sent back the autographed set of my first editions, and bills are piled up on my desk, and I am too sad to work. Then I mix a stiff dram — and read poetry.

H.L. Mencken, “The Poet and His Art”, Prejudices, Third Series, 1922.

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